Sarah Morris

Bibliography

Monographs

Burton, Johanna , Diedrich Diederichsen, Sarah Morris, Piere Alexandre de Looz. Lesser Panda. Jay Jopling / White Cube, London 2008
Mühling, Matthais (Ed.). Sarah Morris ‘1972’, Verlag der Buchhandlung Walther König, Cologne 2008
Coupland, Douglas and Martin Herbert. Sarah Morris. Bar Nothing, Jay Jopling / White Cube, London 2004
Jones, Ronald. Sarah Morris. Capital, Oktagon, Cologne 2001
Bürgi, Bernhard, Diedrich Diederichsen and David Daniel. Sarah Morris, Kunsthalle Zurich, Zurich 2000
Bracewell, Michael, Jan Winkelmann, Michael Tarantino and Rob Bowman. Sarah Morris. Modern Worlds, Modern Art Oxford, Oxford 1999


Publications

Hulshoff, Rixt and Maaike Staffhorst, Stedelijk Museum: Erste hulp bij schilderijen, Stedelijk Museum, Amsterdam, 2008
Unknown. ‘ Sarah Morris, White Cube’, Art Forum, November 2008, p.362-363
Figaro,Japan, September 2008
Grosenick, Uta. ART NOW, Taschen, 2000
Mühling, Matthais (Ed.). Sarah Morris ‘1972’, Verlag der Buchhandlung Walther König, Cologne 2008

Heartney, Eleanor. Art & Today, Phaidon Press, London and New York, 2008
Merali, Shaheen (Ed.). New York: States of Mind, Saqi, London 2008
Hoffmann, Jens. Very Abstract and Hyper Figurative, Thomas Dane Gallery, London 2007
Buruma, Ian, John Gray, Hans Magnus Enzensberger, Peter Sloterdijk and Lucie va Rooijen. This is America, Centraal Museum Uterecht and J.M. Meulenhoff, Amsterdam 2007
Lullin, Etienne and Florian-Oliver Simm. Contemporary Art in Print: The Publications of Charles Booth-Clibborn and his imprint. The Paragon Press 2001-2006, The Paragon Press: Contemporary Editions Ltd, London 2007
Thorp, David and Kirstie Hamilton. Abstraction: Extracting from the World, Millennium Galleries, Sheffield 2007
Loers, Veit, Cnsuelo Císcar Casabán and Emilia García-Romeu. VAC coleccion Valencia arte contemporáneo, Institut Valencià d’Art Modern, Valencià 2006
Thomas, Rachael. All Hawaii Entrées/ Lunar Reggae, Irish Museum of Modern Art (IMMA), Dublin 2006
Imanse, Geurt. Aanwinsten / Acquisitions 1993 2003, Stedelijk Museum, Amsterdam 2006
Guillemot, Michel. L’Art Moderne Et Contemporain, Larousse, Paris 2006
Sardo, Delfim. Pintura Redux Desenvolvimentos na Última Década, Fundacao de Serralves/ Jornal PÚBLICO 2006
Burmester, Maria.
Lafuente, Pablo. Display recent installation photographs from London galleries and venues, Rachmaninoff’s, London 2005
Richer, Francesca and Matthew Rosenzweig. No.1 First Works by 362 Artists, Distributed Art Publishers, Inc, New York 2005
Peter Cain. The Los Angeles Paintings/ The Los Angeles Drawings, Aurel Scheibler, Berlin 2005
Farr, Christopher, Matthew Bourne and Fiona Leslie. Contemporary Rugs, Merrell, New York 2004
Rebentisch, Juliane. Stage of Life – Rhetorics of Emotion, Lenbachhaus München, Verlag der Buchhandlung Walther König, Köln 2006
Von Hardenberg, Irene. Künstlerinnen. Atelierbesuche in Berlin, Moskau, New York, Gerstenberg, Berlin 2005
Heynen, Julian, Kasper König. Des Deux Côtes du Rhin-Mouvement/Ambiance, K21, Düsseldorf and Museum Ludwig, Cologne, Snoeck, Cologne 2005
Grosenick, Uta. ART NOW, Taschen, 2005
Bang Larsen, Lars and Cristina Ricupero. The Populism Catalogue, The Nordic Institute of Contemporary Art, Lukus & Sternberg, Berlin / New York 2005
Rose, Andrea and Caroline Douglas. Supernova, British Council, London 2005
Goetz, Anthony and Stephan Urbaschek. Fast Forward, Media Art Sammlung Goetz
Spindler, Gabriele. Hotel Hotel, Landesgalerie am Oberosterreichen landesmuseum, Linz 2003
On-site Artworks, UBS Art Collection, Swiss Insititute for Art Research
Berlin 1994-2003, Galerie Max Hetzler, Berlin 2003
Graw, Isabelle and Georg Schöllhammer. Adorno: The Possibility of the Impossible, Frankfurter Kunstverein, Frankfurt am Main, Lukas & Sternberg, New York 2003
Demirovic, Alex, Martin Seel, Diederich Diederichsen, Michael Hirsch, Christoph Menke, Willem Van Reijen, Alexander García Düttmann, Norbert Bolz and Peter Bürger. Adorno. Die Moglichkeit Des Unmoglichen, Frankfurter Kunstverein, Frankfurt am Main, Lukas & Sterberg, New York 2003
Badovinac, Form Specific, Museum of Modern Art Ljubljana, 2003
New Abstract Painting, Museum Morsboich Leverkusen 2003
Hinsch, Michaela. Icehot: Recent Paintings from the Scharpff Collection, Hamburger KunstahlleCantz, 2003
Graw, Isabelle. ‘Frauen am Machtpol: Macht verwickelt/Sarah Morris’, Die Bessere Halfte: Kunstlerinnen des 20.und21.Jahrhunderts
De Cruz, Gemma and Amanda Eliasch. British Artists at Work, Assouline, London 2003
Imagination Perception in Art, Kunsthaus Graz am Landesmuseum Joanneum 2003
Hickey, Dave. Beau Monde: Towards a Redeemed Cosmopolitanism (Site Santa Fe's Fourth International Biennial), Santa Fe 2002
Allen, Jennifer, Katia Baudin, Liam Gillick, Nina Möntmann, Matthias Mühling, Willem de Rooij, Jörn Schafaff and Edgar Schmitz. Nation, Frankfurter Kunstverein, Frankfurt am Main 2003
Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Wolfsburg 2003
Wiehager, Renate. Andy Warhol: Cars, 2003
King, Emily. Designed by Peter Saville, Frieze, Thames & Hudson, London 2003
Nesbitt Judith and Jonathan Watkins. Days Like These, Tate Triennial Exhibition of Contemporary British Art 2003, Tate Publishing, London 2003
Townsend, Chris. Not to Cut a Pattern, Rapture ,Thames & Hudson, London 2003
Vitamin, P. New perspectives in Painting, Phaidon, London 2003
Montmann, Nina. Women Artists, Taschen
Merrell, Contemporary Rugs - Art and Design
Scroope, Cambridge Architecture Journal, #14, 2002
Archer, ‘Globalization and the Post-Medium Condition’, Art Since 1960, Thames & Hudson, London 2002
Burgi, Berhard and Pakesch, Peter. Painting on the Move, Kunstmuseum Basel,Museum fur Gegenwartskunst Basel, Kunsthalle Basel, Basel 2002
Brasilia – Ruina e Utopia
Flaguieres, Patricia. 134 Views of the World, Urgent Painting
Goodeve, Nichols, Thyrza, Klein, Joe and Prinzhorn, Martin, Sarah Morris, Parkett, No. 61, 2001
Sans, Jerome and Sanchez, Mark What is the Artist's Role Today?, Palais de Tokyo, Paris 2001
Art Transplant, British Artists in New York, British Consul, 2001
Graw, Isabelle. The Mystery of Painting, Sammlung Goetz, Munich 2001
Becker, Ilka, Frank Frangenberg, Gerrit Gohlke, Barbara Hess, Ulrike Lehmann, Holger Liebs, Petra Löffler, Nina Möntmann, Helen Simpson, Raimar Stange and Astrid Wege. Women Artists in the 20th and 21st Century, Taschen, Cologne 2001
Playing Amongst the Ruins, Royal College of Art Galleries, London 2001
Grosenick, Uta. ART NOW, Taschen, 2000
Werner, Klaus, Eric Troncy and Jan Winkleman. Weather Everything, Galerie fur Zeitgenossische Kunst Leipzig, Leipzig 1999
Gruenberg, Chistoph. Frieze, ICA Boston, Boston 1999
I Love New York: Crossover der Aktuellen Kunst, Museum Ludwig Koln, Cologne 1998
Adams, Book and Lisa Liebmann. Young Americans 2, The Saatchi Gallery, London 1988
Fuori Uso ‘98, Mostrato, Giacinto Di Pietrantonio
Hospital, Galerie Max Hetzler, Berlin 1997
Aupetitallot, Yves, Eric Troncy and Alessandra Galasso. Dramatically Different, Centre National D’Art Contemporain De Grenoble, Grenoble 1997
Troncy, Eric La Spectateur dans l’exposition, Centre National D’Art Contemporain De Grenoble, October 1997
Saville, Peter and Morris, Sarah. Ersatz, Dazed & Confused, #35,October 1997, pp. 130-135
Bourriaud, Nicholas, Sugar, Galerie Philippe Rizzo, November 1996

Selected Periodicals

Rabinowitz, Cay Sophie. ‘Sarah Morris’, Art in America, December 2008, p.146-149
Vanderbilt, Tom. ‘Empty Nest’, Artforum, December 2008, pp. 242-253
Sansom, Anna. ‘Olympic hopeful’, Tokion, Autumn 2008, p.138
Wullschlager, Jackie. ‘Visual arts’, The Financial Times, Life and Arts, 23-24 August 2008, p.17
Lewis, Ben. ‘The West End art trail’, Evening Standard, 15 August 2008, p.42
Lack, Jessica. ‘Sarah Morris London’, The Guardian Guide, 19-25 July 2008, p.36
Sumpter, Helen. ‘ Regeneration Games’, Timeout, 14 August 2008 , p.55
Turner, Christopher. ‘Beijing city symphony’, Mode Painters, July / August 2008, p.56-59
Searle, Adrian. ‘Dazzled by the rings’, The Guardian, 30 July 2008, p.23-25
Eratalay, Kenan. ‘Interview with Sarah Morris’, RES, September 2007, No.1, pp.2-11
Jones, Kristin M. ‘Sarah Morris’, Frieze, November/December 2006
Rosen, Jamie. ‘Tale of Two Cities’, W, September 2006, p.404
Morris, Sarah. ‘ Im studio ist es moistens still’, Monopol, April/May 2006 , p.34
Jones, Jonathan. ‘Kate Moss and the death of British art’, The Guardian, G2, 14 April 2006, pp.6-9
Morris, Sarah. ‘The Artists’ Artist’, Artforum, December 2005, p.107
Schwendener, Martha. ‘Sarah Morris. Friedrich Petzel Gallery’, Art Forum, May 2005, p.245
Schambelan, Elizabeth. ‘New Film’, V Magazine, Spring 2005
Leffingwell, Edward. ‘Sarah Morris at Friedrich Petzel’, Art In America, March 2006, p.152
Saltz, Jerry, ‘We are theirs: Ultimately, it doesn’t matter if you’re seeing Larry King or Owen Wilson or Joan Collins’, http://www.villagevoice.com/generic/show_print.php?id=62260&p… , 18 March 2005.
Meltzer, Marisa. ‘L.A. Confidential. Indie director’s warts-and-all look at pre-Oscar H’wood’, The New York Post, 19 February 2005, p.25
Westerbeke, Julia. ‘Hot shots’, Time Out, New York, 17-23 February 2005, p.58
Wilson, Eric. ‘Glamour, Direct From Hollywood’, The New York Times, 15 February 2005, p.137
Davis, Laura. ‘Shifting aspects to criticize the critics’, Liverpool Daily Post, 14 February 2005, p.10
Kazanjian, Dodie. ‘Hollywood Ending’, Vogue, February 2005, p.138
Collings, Matthew. ‘Must culture be an inferno of drivel?’, Modern Painters, February 2005, pp.24-27
Young, Paul. ‘Oscar Night Insight’, V Life, Dec/Jan 2005, p.38
Graw, Isabelle. ‘Der Letzte Schrei’, Texte Zur Kunst, December 2004, pp.80-95
Feaver, William. ‘Sarah Morris. White Cube’, ART News, November 2004, p.164
Petronio, Ezra and Stephanie Moisdon. ‘Bar Nothing by Sarah Morris’, Self Service, No.21, Fall/Winter 2004, pp.302-315, 337
Coomer, Martin. ‘Parallel Lines’, Elle Magazine, June 2004, p.52
Oddy, Jason. ‘Sarah Morris is gripped by the grid’, Modern Painters, Summer 2004, pp.103-105
Hackworth, Nick. ‘Sarah Morris / Los Angeles’, Evening Standard, 9 June 2004, p.51
Güner, Fisun. ‘The grid and the good’, Metro, 7 June 2004, p.26
Coomer, Martin. ‘Parallel lines’, Elle, June 2004, p.52
Hackworth, Nick. ‘Into the belly of the beast’, Dazed & Confused, June 2004, p.138-141
Wood, Gaby. ‘Deconstruction worker’, Harpers & Queen, June 2004, p.128-133
Anderson, Hephzibah. ‘Sarah Morris: Los Angeles’, Metro Life Magazine, 28 May 2004, pp.28-29
Wood, Gaby. ‘Cinéma vérité’, The Observer Magazine, 23 May 2004, pp.22-26
Siegel, Katy. ‘Hollywood unveiled’, Art Review, May 2004, p.68-75
Nichols, Matthew Guy. ‘Sarah Morris at Friedrich Petzel’, Art in America, April 2004, pp.129-130
Farr, Christopher. Icon, Issue 10, February 2004
Hubertus, Grassner. ‘Preface’, Moving energies #02 1, Museum Folkwang Essen, 2004 (rep.)
Sandbye, Mette. ‘Kunstrevy’, Weekendavisen, 12 February 2004
Nielsen, Toke. ‘‘Maleri’ pa sporet af et motiv’’, Information, 3 February 2004
Det Skersondag, Fortsat. ‘En Passion for Storbyer’, Jyllandspoten, Morgenavis , 31 January 2004
Leg Med Kunst. ‘Maleri af Sarah Morris’, Femina , 30 January 2004, p.38
‘Den amerikanske overdadighed Storbyens puls’, Kristeligt Dagblad, 23 January 2004
Hornung, Peter Michael. ‘Portraet af samfundet der aldrig sover’, Politiken, 23 January 2004
Scavenius, Bente. ‘Taet pa storbyernes rum og larm’, Borsen, 14 January 2004
Anker, Pernille Kristensen. ‘I magtens korridorer’, Kunst and Kultur, 12 January 2004
Kristensen, Pernille. ‘I magtens korridorer’, Kunst and Kultur, January 2004
‘Event of the Week: Sarah Morris at Kunstforeningen’, In & Out The Copenhagen Post Guide, 15 January 2004
Pollack, Barbara. ‘The Catalysts’, ArtReview, International Edition 2004, p.67
Morris, Sarah. ‘Project Room’, Tema Celeste, #100, November/December 2003, pp.82-87
‘Sarah Morris’, The New Yorker, 8 December 2003, p.33
‘Sarah Morris’, The New Yorker, 15 December 2003, p.26
Aiden, Rose. ‘Brush with Fame’, The Observer Review, 12 October 2003, p.5
Keats, Jonathon. ‘The Art of Architecture’, Dwell, September 2003, pp.116-122
Werneburg, Brigitte. ‘Ich nenne es Strategische odipale Fixierung’, Tazmag, 26 July 2003, p. V
Herbert, Martin. ‘Days like These: Tate Triennial Exhibition of Contemporay British Art 2003’, Art Monthly, April 2003, pp.264-265
Denny, Ned. ‘Variety Show’, New Statesman, 17 March 2003, p.4
Dorment, Richard. ‘Serious Pleasure’, The Daily Telegraph, 26 February 2003
Gayford, Martin. ‘All Things Bright and Banal’, The Sunday Telegraph, 2 March 2003
Darwent, Charles. ‘You Could Call It Post-Op, but ‘Amiless’ Would Do’, The Independent on Sunday, 12 March 2003, p.10
Holroyd, Alex. ‘A Colourful Celebration’, Morning Star, 3 November 2003
Searle, Adrian. ‘There’s Nothing Gentle About Days Like These’, The Guardian, 25 February 2003, p.13
Jansen, Gregor. ‘Adorno im Kunstverein’, Kunst-Bulletin Zurich, 12 November 2003
Schmitz, Rudolf. ‘Bangemachen Gilt Nicht’, Suddeutche Zeitung Munich, 18 November 2003
Snoek, Anke. ‘Adorno Blijft Kunstenaars Inspireren’, Filosofie Magazine, October 2003
Pisano, Hortense. ‘Radikal Minimal’, Journal Frankfurt, October 2003
Nowak, Christine. ‘Kunst von Adornos Theorien Beflugelt’, Offenbach Post, 30 October 2003
Peschke, Marc. ‘Die Schwierigkeit, Nein zu Sagen’, Der Wochenplaner fur Frankfurt und Rhein-Main, Frankfurt, 23-29 October 2003
Willfuhr, Corinna. ‘Adorno Kommt Gut An’, Frankfurter Rundschau, 28 October 2003
Hierholzer, Michael ‘Die Sehnsucht nach dem Verschwundenen’, Faz-Sonntagszeitung, 26 October 2003
Colard, Jean-Max. ‘Sim City’, Les Inrockuptibles, #387, 30 April – 6 May 2003, pp.76-77
‘Swimming Pool’, British Vogue, May 2003, p.52
Pointurier, Marie. ‘Hors Saison’, British Vogue, May 2003, p.96
Trembley, Nicolas. ‘Pool Position’, Numéro, no. 42, April 2003, p.68
‘London Tate Britain: Days Like These’, Contemporary, Issue 47/48, October/November 2002, pp.40-41
Fraser, Nathalie. ‘Jeu de Piste’, Numéro, no. 30 December 2002 - January 2003, pp.42-43
‘Gleaming the Cube’, V, no. 22, March-April 2003
‘Private Viewing’, Self Service, no. 18, Spring/Summer 2003, pp.158-159
Dunlop, Beth. ‘Artist Captures Essence of Miami, a City in Motion’, Miami Herald, 15 December 2002, p.3
Smith, Roberta. ‘Torben Giehler’, The New York Times, 4 October 2002
‘Sarah Morris at Miami MoCA’, The Miami Herald, 1 December 2002
Karcher, Eva. ‘Utopia Am Pool’, German Vogue, November 2002, pp.171-172
‘Rapture’, British Vogue, November 2002, p.69
Coomer, Martin. ‘Rapture’, Time Out London, 6-13 November 2002
‘Art Loves Fashion’, Loaded Magazine, October 2002
‘Rapture’, Design Week, 10 October 2002
Smith, Roberta. ‘Clare Woods’, The New York Times, 21 October 2002
‘Pure Rapture’, International Textiles, September 2002
Smith, Roberta. ‘Europe Shows the Staying Power of Painting’, The New York Times, 21 July 2002
Jothady, Manisha. ‘The Construction of Sarah Morris’, Frame, Number 12, Summer 2002, pp. 42-47
Pakesch, Peter .‘After Reality’, Painting on the Move, 2002, pp. 218-230,
Richards, Kristina. ‘Hot-Colored Cashmeres’, Harper's Bazaar, August 2002, p.85
Israel, Nico. ‘XXV Bienal De Sao Paulo’, Artforum, Summer 2002, pp.171-172
Mahrzan, Alexander. ‘Kunsthalle: Statt Selbstbehauptung waltet die Bestimmtheit’, Basler Zeitung, pp.45-46
Aidin, Rose. ‘Something's Afoot’, Telegraph Magazine, 11 May 2002, pp.64-67
Luz, Kathrin. ‘Hymnen ans Adrenalin, Hommagen an die Elektrizitat’, Frame, April/May 2002, pp.94-100
‘Normative Krafte’, Der Standard, 15 April 2002
‘Observer: Fine Art for Work’s Sake’, Financial Times, 19 April 2002
Montague, Jemima. ‘Urgent Painting’, Frieze, #66, April 2002, pp.88-89
‘Cinecity: The Films of Sarah Morris’, Washington City Paper, 5 April 2002, p.106
Howe, Desson and O’Sullivan, Michael. ‘Morris’s Cityscapes’, Washington Post Weekend, 29 March 2002
Bouruet-Aubertot, Veronique. ‘Urgent Painting’, Beaux Arts Magazine, March 2002
Smith, Roberta. ‘The Armory Show, Grown Up and in Love With Color’, The New York Times, 22 February 2002, p.38
Pe-Win, Stella ‘Urban Grids’, The Cambridge Student, 21 February 2002, p.32
Grenon, Ariane. La France Catholique, 8 February 2002, pp.26-27
Vettese, Angela. ‘Oltre lo Steccato Della Pittura si o Pittura no’, Il Sole – 24 Ore, 3 February 2002
‘After Andy: Ten Artists Discuss The Significance of Warhol For Them’, Contemporary Visual Arts, February 2002, pp.32-39
Michelon, Olivier. ‘Un Debrayage Bienvenu’, Journal des Arts, 25 January – 7 February 2002
Regnie, Philippe. ‘Attention peinture!’, Journal des Arts, 25 January – 7 February 2002
Parker, Lauren. ‘Tale of Two Cities’, Smock, Winter 2002
Dagen, Philippe. ‘L’Urgent Painting avec Precipitation’, Le Monde, 25 January 2002
Bethenod, ‘Le Portrait de MRCLBRNT’, Connaissance des Arts, #587,October 2001, pp.102-109
Johnson, Ken. ‘Crystal’, The New York Times, 21 December 2001
‘If You Could Have Any Five artworks for your home, what would you choose?’ Frieze, November/December 2001, p.75
Aidin, Rose. ‘Sarah Morris’, Elle Decor, December 2001, pp.68-72
Klein, Jennie. ‘It’s A Beautiful Morning’, New Art Examiner, November - December 2001, pp.75-81
Rindge, Debora. ‘Reviews SouthWest: Santa Fe’, Art Papers, November - December 2001
Mitchell, Charles Dee. ‘Making the Case for Pleasure’, Art in America, November 2001, pp.122-129
De Righi, Roberta. ‘Liebesperlen und Bandnudeln’, AZ, 31 October 2001
Grockel, Cornelia. ‘Im Sog des kirschroten Mundes’, Suddeutsche Zeitung, 29 October 2001, p.16
Erfle, Anne. ‘Mit dem Dung von Elefanten’, Suddeutsche Zeitung Extra, 25 October 2001
Von Astrid, Mayerle. ‘Die Malerei Kehrt Zuruck’, Die Welt, 25 October 2001
Dattenberger, Simone. ‘Mit strahlender Vitalitat’, Munchner Merkur, 23 October 2001
Kempkes, Anke. ‘Sarah Morris’, Frieze, #62, October 2001, pp.100-101
Duncan, Michael. ‘Beau Monde: Towards a Redeemed Cosmopolitanism’, Artforum, October 2001, pp.153-154
Harris, Susan. ‘Beau Monde: Towards a Redeemed Cosmopolitanism’, Tema Celeste, September - October 2001
Imdahl, Georg. ‘Wo Huaser zu Phantomen verschwimmen: Saisonstart in Koln’, FAZ, 15 September 2001
Boecker, Susanna. ‘Abstraktion von Lebensraumen’, Kolner Stadtanzeiger, 21-27 September 2001
Frangenberg, Frank. ‘Die Welt im Minimalen Raster’, Kolner Stadtanzeiger, 8-9 September 2001
‘Sarah Morris’, ZOO, September 2001, p.144
Kuhn, Nicola ‘Big City Fascination’, The Berlin Journal, No. 2, Summer 2001, p.22
Rizk, Mysoon. ‘Comfort’, New Art Examiner, July-August 2001, p.90
Lehnart, Ilona. ‘Hier Wirkt Auch Die Gegenwart Historisch’, Frankfurter Allgemeine Zeitung, 9 June 2001
Daniels, Corinna. ‘Rastlos in der Grossen Rasterstadt’, Die Welt, 4 June 2001
‘Der Charme der Pappbecher-Helden’, Focus, No.23, 2 June 2001, p.120
Von Kuhn, Nicola. ‘Betorungen Grosfstadt’, Der Tagesspiegel Kultur, 2 June 2001, p.25
Thiem, Anne. ‘Wohlstrukturiertes Chaos’, Berliner Morgenpost, 1 June 2001, p. 19
‘Berlin Liegt Leider Nicht in Amerika’, Berliner Zeitung, 1 June 2001
Spaid, Susan. ‘Comfort’, Artext, June 2001, pp. 82-83
Peden, Paul. ‘Hybrids’, [a-n] Magazine, June 2001
Godfrey, Tony. ‘Exhibition Reviews’, Burlington Magazine, June 2001, pp. 390-392
‘Hybrids’, Tema Celeste, May/June 2001
Gleisser, Benjamin. ‘Center of Attention’, Northern Ohio Live, May 2001
Ryan, David. Hybrids, Art Press, No.269, May 2001, pp.75-76
Siekkinen, Riitta. ‘Maalaustaide Risteytyy ja Ajankohtaistuu’, Kaleva, May 2001
‘Hybrids’, North West What's On, April 2001
‘Opening’, Art Review, April 2001
Shave, Stuart. ‘You Must Curate!’, i-D, No.208, April 2001, p. 203
Chapman, Miles. ‘Jenny and the Amazing Technicolor Guest House’, Elle Decor, No. 82, April 2001, pp.92-197
Dannatt, Adrian. ‘Let them eat art’, The Art Newspaper, No. 113, April 2001, p.15
Key, Philip. ‘A Thoroughly Modern Mix’, Daily Post, April 6 2001
‘Hybrids’, ‘Liverpool’, The Guardian - Guide, April 7-13, 2001, p.32
Hornbrook, Kathy. ‘Museum of Contemporary Art reclaiming 'Comfort' zone’, The Plain Dealer, 27 April 2001
Litt, Steven. ‘A Spunky Vision of Domestic Future in the Modern Age’, The Plain Dealer, April 2003
Darwent, Charles. ‘Crossover Canvases Dressed Up as Film? That's not Painting, It's Panic’, The Independent on Sunday, 15 April 2001
Clark, Robert. ‘Hybrids’, The Guardian, 18 April 2001
Handley, Malcolm.’Room for Excitement in Potent Color Mix’, Daily Post, 19 April 2001
Lack, Jessica. ‘Exhibitions’, The Guardian, 23 April 2001
‘Pushing the Boundaries of Art’, Wrexham Evening Reader, 25 April 2001
Cowan, Amber. ‘Hybrids’, The Times, 31 March –6 April 2001, p.1F
Yannopoulos, Charles. ‘Digital Discomfort’, clevescene.com, 29 March 2001
Utter, Douglas Max. ‘Cold Comfort’, Cleveland Free Times, 14-20 March 2001, p.26
‘Hybrids’, Merseyside Arts, March-April 2001
‘The Future of Comfort’, Flash Art, March-April 2001, p.50
‘Worldwide Artists Exhibit’, Formby Times, 29 March 2001
‘Number 4’, Artivents, 6 March 2001
‘Comfort’, Dwell, March 2001
Hammonds, Chris. ‘Sarah Morris’, Playing Amongst the Ruins, March 2001, pp.63-67
Troncy, Eric. ‘Epoque Epique et Pop’, Numero, #21, March 2001, pp.185-195
‘Zurich Kosmos Laserart’, Frame, January/February 2001
Mayer, Anjte. ‘Wein: Sarah Morris Steigt Aufs Dach’, Kunstzeitung, January 2001, p.19
‘Sarah Morris’, Flash Art, January 2001, p.52
Geerling, Let. ‘Geschilderde Natuurbeelden’, Metropolis M, Number 6, December/January, 2000/2001, pp.24-28
‘Zeichen setzen’, Top Gewinn, December 2000
Birnbaum, Daniel. ‘What If: Art on the Verge of Architecture and Design’, Artforum, December 2000, p.143
‘Laser-Kunst in der Lasallestrasse’, Bezirksjournal, December 2000
Cosgrave, Bronwyn. ‘A Fashion for Female Painters’, Harvey Nicols Magazine, Winter 2000, pp.35-36
Twisted, Witte Raaf, November /December 2000
Hunt, David. ‘When Worlds Collide’, Time Out, Nov. 16-23 2000, p.81
‘Up on the Roof with Sarah’, Austria Today, 7-13 November, p.9
Spijkerman, Sandra. ‘Beeldende Kunst’, Trouw, 1 November 2000, p.17
‘Twisted’, Vitrine, November 2000
Baldon, Diana. ‘Sarah Morris’, Tema Celeste, October/December 2000, p. 91
Grzonka, Patricia. ‘Clever and Smart’, Profil, 23 October 23 2000, pp.182-184
Kattenberg, Peter. ‘Kunstmatige Schilderkunst’, Financieele Dagblad, 14 October 2000, p. 27
M.V., ‘Carp Kunst’, Carp, 10 October 2000
Herbstreuth, Peter. ‘Angriff an der Oberflache’, Berliner Tagesspiegel, 7 October 2000
‘Twisted’, Expats Magazine, 6 October 2000, p. 40
S.B., ‘Limo Chic’, British Vogue, October 2000, p. 40
Jothady, Manisha. ‘Sarah Morris’, Frame, September/October 2000, p.127
Stierner, Flora. ‘De Tijdgeest Betrapt’, Algemeen Dagblad, 26 September 2000, p.29
‘Twisted’, Weekblad Voor Deurne, 9 September 2000
MacRictchie, Lynn. ‘Style for Style’s Sake’, Financial Times, 12-13 August 2000
Herbert, Martin. ‘Sarah Morris’, Time Out, 2-9 August 2000, p.50
Cosgrave, Bronwyn. ‘Desert Storm’, British Vogue, August 2000, pp.164-167
Peter, Jens, Uberblick, Ein and Koerver, ‘New Painting’, Frame, July - August 2000, p.40
Buck, Louisa. ‘Sarah Morris’, The Art Newspaper, July - August 2000, p.71
‘Art: Listings’, TimeOut, 26 July – 2 August 2000, p. 51
Grant, Simon. ‘Lost and Vague in Las Vegas’, Evening Standard, 21 July 2000
Herbstreuth, Peter. ‘Megastructuren Urbaner Raume’, Kunst-Bulletin, July 2000, pp.14-19
Gayford, Martin. ‘Viva Las Vegas!’, The Independent Magazine, 8 July 2000, pp.30-31
Morley, Simon. ‘Two Painters and a Fresh Attempt at Subversion’, The Independent on Sunday, 16 July 2000, p.4
Allfree, Claire. ‘Sarah Morris’, Metro, 10 July 2000, p.18
Buys, Sara. ‘Don’t Miss’, British Vogue, July 2000, p.31
‘Sept Facons de Voir Kate Moss’, PHOTO, July 2000, p.20
Basting, Barbara. ‘Aus der Grossen Jukebox’, Frankfurter Allgemeine Zeitung, 24 June 2000, p. 55
‘Hysterisch Sexualisiert, Zuritipp’, Tages Anzeiger, 8 June 2000, p.56
Graw, Isabelle. ‘Glanzend in die Moderne Verwickelt’, Die Tagezeitung, 16 June 2000, p.15
Moore, Margaret. ‘Sarah Morris’, Hemispheres, June 2000, pp.90-95
Graw, Isabelle. ‘Learning from Fashion’, Make, #88, June 2000, pp.18-19
Karcher, Eva. ‘Die Jungen Bunten’, German Vogue, June 2000, pp.62-64
‘Vienna: Sarah Morris’, AUA, Skylines, June 2000
Hedberg, Hans. ‘What If’, The Nordic Art Review, no. 5, 2000
‘Konstguiden’, Dagens Nyheter, 5 May 2000
‘Konst, Design och Arkitektur’, Upsala Nya Tidning, 4 May 2000
Troncey, Eric. ‘Pop Star’, Numero, #13, May 2000, pp.168-173
Picardie, Justine. ‘Creating Kate’, British Vogue, May 2000, pp.158-171
O'Connell, Alex. ‘Moss is Muse for Brit Art Pack’, The Times, 15 April 2000, pp.9-21
Pesch, Martin. ‘Sarah Morris’, Kunstforum, April - June 2000, pp.425 -426
Eberl, Robert. ‘Die Raster-Queen’, International, Spring 2000, pp.110-115
Lintzel, Aram. ‘Urbane Glucksspiele’, Frankfurter Allgemeine,20 April 2000, p.BS 8
A.K., ‘Talking Fashion’, American Vogue, March 2000
Lintzel, Aram. ‘Hier ist Noch Niemand fit for Fun’, Frankfurter Allgemeine Zeitung, p.BS 3
Morris, Sarah. ‘Tyre’, Zing, Winter 2000, pp.115-116
T.S., ‘Fetische der Grosstadt’, Art, February 2000, p.85
Neubaur, Caroline. ‘Ankerplatz fur US-Intelligenz’, Focus, February 2000, pp.138-141
Cotter, Holland. ‘With a Nervy Sense of Today’, The New York Times, 25 February 2000
Dailey, Meghan. ‘Sarah Morris’, Artforum, March 2000, p.130
Kuhn, Nicola. ‘Selbstportrat in Sandaletten’, Der Tagespeigel, 27 February 2000, p.25
Bennett, Oliver. ‘Midtown - HBO/Grace’, The Independent Magazine, 1 January 2000, p. 6
Von Heydebreck, Amelie. ‘Dichten und Forschen am Wannsee’, Berliner Zeitung, 28 January 2000
Tatlow, Kirsten. ‘American Academy stellt Fruhjahrsprogramm 2000 vor’, 28 January 2000
Smith, Roberta. ‘Sarah Morris’, The New York Times, 26 November 1999, p. E41
Saltz, Jerry. ‘Out of the Fog’, The Village Voice, December 1999
Scott, Andrea. ‘Sarah Morris’, The New Yorker, 20 December 1999, p. 18
Graw, Isabelle. ‘Bilderstreit’, Texte Zur Kunst, December 1999, pp.194-197
Fiedler, Tanja. ‘Jagerin Der Codes’, Berliner Morgenpost, 2 November 1999, p. 23
Pryde, Josephine. ‘Corporate Chic’, Text Zur Kunst, p.306-311
Kuhn, Nicola. ‘Visuelle Ode an den Flimmer’, Der Tagespeigel, 16 September 1999
Sarah Morris ‘Innerscapes’, in, ed. Pellegrin, Maurizo. An Anthology of Artist's Writings, 1999
Hunt, Jemima. ‘For Your Eyes Only’, British Vogue, October 1999, pp.64-67
Lubbbke, Maren. ‘Aufnahmen’ , Camera Austria, #66, p.118
Caniglia, Julia. ‘Frieze’, Artforum, September 1999, pp.171-172
Cosgrave, Bronwyn. ‘It's Show Time’, British Vogue, September 1999, p.148
Troncy, Eric. ‘Les Enfants d'Andy Warhol’, Numero, 4 June 1999, pp.150-155
Searle, Adrian. ‘Life Thru a Lens’, The Guardian, 4 May 1999, pp.12-13
Morley, Simon. ‘The Painted Word’, Contemporary Visual Arts, #23, pp. 22-27
Tozer, John. ‘Sarah Morris’, Contemporary Visual Arts, #23, p. 62
Elwes, Catherine. ‘Sarah Morris’, Art Monthly, June 1999, pp. 226-227
Art Press, #245, p.10
Heathcote, Graham. ‘Mysteries of Life Bind’, The Herald Sun, 28 May 28 1999, p.2
‘A Couple of Swells’, British Esquire, May 1999, p.176
Shave, Stuart. ‘Up For It’, I-D, #186, p. 90
Farquharson, Alex. ‘Painting Lab’, Art Monthly, #225, pp. 34-36
Morrison, Paul. ‘Bonjour Monsieur Caufield’, Contemporary Visual Arts, #22, pp. 26-32
Gisbourne, Mark. ‘I Love New York’, Contemporary Visual Arts, #2, p. 77
Peacocke, Helen. ‘Bold Grids of Color’, The Oxford Times, 16 April 1999, p.17
Graf, Isabell. ‘Lieblose Liebeserklarung’, Texte Zur Kunst, March 1999
O’Neill, Lorcan. ‘Generation XX’, Numero, #1, March 1999, pp.196-201
Theil, Wolf Gunther. ‘Berlin Culture Discovers Style’, Flash Art, #205, March 1999, pp.96-99
British Vogue, February 1999
Heinz-Jocks, Norbert. ‘Sarah Morris - New York als Extrakt’, Kunstforum, January 1999, p.342
‘Aktuelle Malerei’, Noema, January-March 1999, p.107
Sladen, Mark ‘Painting Lab’, Contemporary Visual Arts, Issue 21, pp.32-37
Packer, William. ‘Dumb by Name But Not by Nature’, Financial Times, 12 January 1999
Collings, Matthew. ‘Diary’, Modern Painters, Winter 1998
Benjamin, Marina. ‘Meet The Dumbpop Pack’, Evening Standard, 2 December 1998, p.35
Byrne, Richard. ‘Exit Poll’, The Independent, 12 December 1998
Hilton, Tim. ‘Dumb, Dumber, and Dumbest’, The Independent on Sunday, 13 December 1998
Kent, Sarah. ‘Dumb and Dumber’, Time Out, 9-16 December 1998
Luz, Kathrin. ‘Pop,Plop, Ex und Hopp’, Die Ziet, 12 November 1998, p.59
Haase, Amine. ‘Kunst aud der Disko-Treppe’, Kolner Stadt-Anzeiger, 6 November 1998
‘Young Americans 2’, The Times, 5 September 1998, p. 5
Coomer, Martin. ‘Young at Art’, Time Out, 9-16 September 1998, p. 51
‘Young Americans 2’, The Times Metro, 5-11 September 1998, p. 5
Packer, William. ‘The Pointlessness of Irony’, Financial Times, 16 September 1998
Negrotti, Rosanna. ‘States of Mind’, What’s On, 7 October 1998
‘In Safe Hands’, I-D, October 1998
Farel, Zena. ‘All the Young Guns’, Arts, 11 September 1998
Gayford, Martin. ‘The Art Game’, The Spectator, 12 September 1998, p. 48
Holmqvist, Karl. ‘Hospital’, Flash Art, #199, March-April 1998, p.79
Crabtree, Amanda. ‘Malade imaginaire?’, Art Monthly, April 1998, p.7
‘Schwarzwaldklinik’, Ticket, 11 December 1997
Fiedler, Tanja. ‘Auf dem Pappbett endet die Sehnsucht’, Morgenpost, 12 December 1997
Werneburg, Brigitte. ‘The Good Beuys’, Taz, 20-21 December 1997
Tannert, Christoph. ‘Zwischen Hospital’, Berlliner Zeitung, 20-21 December 1997
Gauville, Christoph. ‘Les murs de l’expo ont la parole’, Liberation, 20 November 1997, p.29
‘The Apartment’, ELLE Decoration, December 1997, pp.76-83
Casadio, Mariuccia. ‘Spooky Pop’, Vogue Italia, October 1997, pp.574-561
Thiel, Wolf Gunther. ‘Found Footage’, Flash Art, May 1997, p.75
Rubell, Jennifer. ‘Two Girls on the Phone’, Documents Sur L’art, Winter 1997, pp.40-47
Gillick, Liam. ‘Future Intense’, Documents Sur L’art, Winter 1997, No.10, p.40
Jonge, Peter de. ‘The Rubell's in Miami’, Harper’s Bazaar, February 1997, pp.204-209, 223
‘Exporama’, Art Press, February 1997, p.16
Kornbluth, Jesse. ‘Is South Beach Big Enough For Two Hotel Kings?’, New York Times, 16 February 1997, p.53
Troncy, Eric. ‘Sarah Morris’, Flash Art, January 1997, No. 192, p.103
Goumarre, Laurent. ‘Homogeneite et Feminisme’, January 1997, No.3, p.58

Core, Yan. ‘Sarah Morris, Liar’, Technikart, No.7, November 1996, p.18
Kent, Sarah. ‘Sarah Morris’, Time Out, 20-27 March 1996, p. 53
‘Donuts’, LS, March 7 1996
McKinley, Jr., James. ‘For Artists There’s No Art in a Wrecking Ball’, New York Times, 20 December 1994, p.1
Budney, Jen. Flash Art, October 1994, p.96
Ashenberg, Katherine. The New York Times, June 1994, p.14
Filipovna, Valerie. ‘Pyschos’, Paper, October 1993, p.22
Seward, Keith. ‘Sarah Morris’, Artforum, December 1992, p.93
Smith, Roberta. ‘The Curio Shop’, The New York Times, 3 July 1992
Ewen, Stuart. ‘De-Sublimated Advertising’, Artforum, January 1991, pp.27-28
Reschop, Julia. ‘Reconnaissance’, Paper, May 1990
DeCurtis, Anthony. ‘Postmodern Romance’, Rolling Stone, 23 March 1989, pp.145-148

Artist’s writings
Morris, Sarah Lightning Field, Cabinet, #3, Summer 2001, p. 4
Morris, Sarah. Like This Cherry, Texte Zur Kunst, #42, June 2001, pp. 134-9
Morris, Sarah. Black, Self Service, October 1997, pp. 15
Morris, Sarah. Permament Food, #2, 1996, pp. 143, 173
Morris, Sarah. A Project for Blam, Blam, 1993
Morris, Sarah. A Letter, Petaphysics, May 1993
Morris, Sarah. Citizens, Balcon, 8/9, 1992, pp. 249-258
Morris, Sarah. Twenty Second Close-Up, Tema Celeste, October 1992, pp. 65-66.

More on Sarah Morris

	Related Texts
CV
We Are Theirs by Jerry Saltz

	Related Links
http://www.petzel.com/exhib... Friedrich Petzel Gallery, New York
http://www.albrightknox.org... Albright Knox Art Gallery, Buffalo, New York
http://www.tate.org.uk/40ar... Tate Online, London
http://publicartfund.org/pa... Public Art Fund, New York

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