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Published following Richard Hunt’s (1935–2023) exhibition of early sculptures at White Cube New York, this catalogue marks the largest presentation of Hunt’s works in New York since his landmark retrospective at the Museum of Modern Art in 1971. Featuring sculptures created between 1955 and 1969, this publication showcases the intricacy of Hunt’s metalsmithing techniques and the evolution of his biomorphic forms.

Published on the occasion of Antony Gormley’s exhibition at White Cube Mason’s Yard (April - June 2025), WITNESS charts the artist’s experimentations with lead between the 1970s and 1990s, addressing artistic, ecological, and political concerns. From early experimentations pertaining to the material alchemical properties and potentials of lead, to the later large-scale body sculptures contending with the intrinsic stillness and silence of the form, Gormley’s preoccupation with lead enabled a fertile visual language to develop.

Bringing together three interconnected bodies of work, Marguerite Humeau’s first monograph Auguries is a view into some of the mysterious patterns that can be found in the natural world, from which the artist draws inspiration. From the termite colonies of the Australian outback that underpin meys, to the windswept sprawl of Orisons occupying Colorado’s San Luis Valley and its eventual figuration in Dust, this lavishly illustrated publication offers a discovery of Humeau’s manifold research and practice.