White Cube
Paris
Opening Hours
- Tuesday 10:00 am – 12:30 pm, 1:30 – 6:00 pm
- Wednesday 10:00 am – 12:30 pm, 1:30 – 6:00 pm
- Thursday 10:00 am – 12:30 pm, 1:30 – 6:00 pm
- Friday 10:00 am – 12:30 pm, 1:30 – 6:00 pm
- Saturday 10:00 am – 12:30 pm, 1:30 – 6:00 pm
- Sunday Closed
- Monday Closed
During exhibitions, the gallery will be open from Tuesday – Saturday (10am – 12:30pm, 1:30 – 6pm)
No admission charge
Contact
Tel: +33 (0) 1 87 39 85 97
Please note: White Cube does not conduct open calls or competitions and does not accept physical or electronic artwork submissions.
By appointment
Building A. Please use the intercom to access White Cube. The gallery is located on the first floor.
For sales enquiries or to organise a virtual viewing, please get in touch.
White Cube opened its first premises in Paris in February 2020. Located on the first floor of a converted early 19th century residential building at 10 avenue Matignon, the space is a short walk from the Champs-Élysées. At over 200m², it features an enfilade of four interconnected, naturally-lit galleries, a reception and library, as well as private offices.
Accessibility Information
- The gallery is on the first floor and accessible by lift
- A toilet is available in the space
Current and Upcoming Exhibitions
Enrico David
The Soul Drains the Hand
21 October – 19 December 2025
‘The Soul Drains the Hand’ marks Enrico David’s debut solo exhibition in Paris, presenting over 20 new works across sculpture, textile and works on paper. The exhibition’s title overturns the well-worn formula of artistic creation: rather than the hand behaving as the channel of the soul, it is the soul that burdens and exhausts the artist’s hand. This inversion resonates with the artist’s ongoing meditation on the porous boundary between inner life and outer form, and on the emotional toll exacted when material is tasked with giving shape to the immaterial.
Léon Wuidar
14 January – 21 February 2026
Preview: 13 January 2026, 6–8pm
White Cube Paris is pleased to present a solo exhibition of paintings by Léon Wuidar. Now in his mid-80s, Wuidar’s work testifies to a lifetime of painterly exploration and the preservation of a unique presence that, as curator and critic Hans Ulrich Obrist has noted, arises from ‘radical simplicity and extreme subtlety’.
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