White Cube
Mason’s Yard, London
Opening hours this week
- Monday Closed
- Tuesday Closed
- Wednesday Closed
- Thursday Closed
- Friday Closed
- Saturday Closed
- Sunday Closed
No admission charge
The gallery is closed for installation until 24 June 2025.
Contact
Please note: White Cube does not conduct open calls or competitions and does not accept physical or electronic artwork submissions.
Tel: +44 (0) 207 766 3550
For sales enquiries or to organise a virtual viewing, please get in touch.
White Cube Mason’s Yard opened in 2006 near the original Duke Street space. The building, constructed on the site of an electricity sub-station, was designed by architects MRJ Rundell & Associates. It is the first free-standing structure to have been built in the historic St James’s area for more than 30 years and consists of a ground floor gallery on street level and a double-height, naturally-lit basement gallery. An exhibition by Mexico-based artist Gabriel Orozco inaugurated the space.
Accessibility Information
- The public gallery is on the ground floor and lower ground floor. Both galleries are accessible via a lift
- A wheelchair accessible toilet is located on the lower ground floor
- Fold out seating can be collected from reception
- Hearing loops are installed for video works
Current and Upcoming Exhibitions
Anselm Kiefer
25 June – 16 August 2025
Preview: Tuesday 24 June 2025, 6–8.30 pm
In June 2025, White Cube Mason’s Yard will open a solo exhibition of paintings by Anselm Kiefer.
Suzanne Song
4 – 27 September 2025
White Cube opens a solo presentation of new paintings and works on paper by Korean American artist Suzanne Song (b. 1974), marking her first exhibition in the UK.
Beatriz Milhazes
18 November 2025 – 17 January 2026
White Cube Mason’s Yard is pleased to present a solo exhibition by Brazilian artist Beatriz Milhazes, comprising new paintings and a site-specific installation.
Known for her densely layered compositions, Milhazes’s practice spans painting, collage and intricate sculpture. Poised between rational structure and spontaneity, her work lies at the intersection of European and Brazilian modernism.
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