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Harland Miller - Painting for Charles Addams - 1
Harland Miller - Painting for Charles Addams - 2
Harland Miller - Painting for Charles Addams - 3
Harland Miller - Painting for Charles Addams - 4
Harland Miller - Painting for Charles Addams - 5

Harland Miller Painting for Charles Addams 2013

Price: £4,800

Edition of 50
Silkscreen print on 410gsm Somerset paper
134 x 95.2 cm | 52 3/4 x 37 1/2 in.
Signed and numbered
Unframed
Released by White Cube, 2014

• The image of the artwork shows a proof, not the final edition, and each edition may vary slightly from this image.
• The purchase price is inclusive of VAT. If VAT is not applicable to the sale, any VAT added to the price will be deducted upon confirmation of the delivery address at check-out and prior to you making payment.
• International orders may be subject to additional local taxes or import duties.
• Sales are strictly limited to one edition per household.
• The edition number will be allocated at the point of sale.
• Editions cannot be resold to a third party for a period of five years.
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• Please read our full online terms of sale.

• This edition is sold unframed.
• Collection is possible for this edition at White Cube Bermondsey. This option will appear at checkout.
• All editions are packaged to the highest standards, managed at our warehouse using archival materials.
• Shipping charges are additional and will be calculated at checkout.
• We aim to dispatch editions within two weeks of purchase, unless the edition has not yet been fabricated.
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• Shipping times are as follows:
United Kingdom: 1–2 weeks
International: 2–4 weeks (subject to customs clearance)

This silkscreen print by Harland Miller is based on the artist’s painting of the same name and features as part of his ongoing interest in obituaries and the cult of personality. Charles Addams, the titular subject to which this print is devoted, was an American cartoonist foremost known for his macabre style and creation of The Addams Family stories.


Here, Miller leverages the open-ended permutations of wordplay to challenge semantic association. Miller’s darkly theatrical image of a lovers’ embrace is overlaid with text as though subtitling a moment of filmic intimacy. Attesting to his continued engagement with the narrative, aural and typographical possibilities of language, Miller’s subversive use of satirical wit echoes the dry humour typical of the Addams tradition.

Harland Miller

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