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Harland Miller - 3 WISHES 4 EVER - 7
Harland Miller - 3 WISHES 4 EVER - 3
Harland Miller - 3 WISHES 4 EVER - 4
Harland Miller - 3 WISHES 4 EVER - 5
Harland Miller - 3 WISHES 4 EVER - 6
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Harland Miller 3 WISHES 4 EVER 2022

Edition of 50
Screen prints in bespoke cloth bound portfolio
Somerset Radiant White Tub Sized 410gsm with hand torn edges
Paper: 150 × 108.5 cm | 59 1/16 × 42 11/16 in.
Portfolio: 152 × 111 cm | 59 13/16 × 43 11/16 in.
Signed and numbered
Unframed
Released by White Cube, 2022

• The image of the artwork shows a proof, not the final edition, and each edition may vary slightly from this image.
• The purchase price is inclusive of VAT. If VAT is not applicable to the sale, any VAT added to the price will be deducted upon confirmation of the delivery address at check-out and prior to you making payment.
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• Sales are strictly limited to one edition per household.
• The edition number will be allocated at the point of sale.
• Editions cannot be resold to a third party for a period of five years.
• White Cube reserves the right to cancel or refund orders for any reason.
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• Please read our full online terms of sale.

• This edition is sold unframed.

• All editions are packaged to the highest standards, managed at our warehouse using archival materials.
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• Shipping times are as follows:
United Kingdom: 1–2 weeks
International: 2–4 weeks (subject to customs clearance)

3 WISHES 4 EVER (2022) by Harland Miller is a set of three screen prints presented in a clothbound clamshell case, each print bearing a single word – Kiss, If and Boss – alongside the artist’s name. Joining Miller’s now iconic series based on book covers, the prints take the form of the cover design for a novel. The top section of the work a complex graphic layering of letters in a bright pinks, soft blues and strong reds, is counterbalanced by a clean band of neutral colour bearing the title and author/artist’s name. This graphic rendering of the upper part of the print, subtly undermined by the painterly language of 1950s abstraction visible at the very bottom edge.

Each of the words deployed by Miller are laden with promise, for as Miller sees it, ‘it's like three coins inside the fountain. Like wishing for a desire.’ While read together, their order shuffled any which way, they offer rich narrative potential in the imagination of the viewer.

‘It's like three coins inside the fountain. Like wishing for a desire.’

— Harland Miller

Harland Miller

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