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Julie Curtiss - Horse Chestnut - 2
Julie Curtiss - Horse Chestnut - 3
Julie Curtiss - Horse Chestnut - 1

Julie Curtiss Horse Chestnut 2023

Price: £10,500

Edition of 50
Image: 33 x 23.8 cm | 13 x 9 3/8 in.
Paper: 36.3 x 26.4 cm | 14 5/16 x 10 3/8 in.
Signed and numbered
Released by White Cube, 2023

• The image of the artwork shows a proof, not a final print, and the edition may vary slightly from this image.
• This edition will be dispatched from New York. New York State sales tax is included in the published price. International orders may be subject to additional local taxes or import duties.
• Sales are strictly limited to one edition per household.
• The edition number will be allocated at point of sale.
• Local collection is not possible for this edition.
• Editions cannot be resold to a third party for a period of five years.
• White Cube reserves the right to cancel or refund orders for any reason.
• We are legally required to obtain and check identity documents for all our collectors who purchase an artwork of €10,000 or more, and title to this edition will not pass to you until these checks are satisfactorily completed. A member of our compliance team will be in contact with you after you place your order.
• Please read our full online terms of sale here.

• This edition is sold unframed.
• After purchase, you give us permission to share your details with ThePackengers, who will be in touch to arrange shipping.
• Shipping estimates:
Europe - £220/$265
USA - £150/$180
Canada - £190/$230
Hong Kong - £230/$275
Mainland China - £275/$330
Australia - £300/$360

Horse Chestnut (2023) was produced on the occasion of Julie Curtiss’ exhibition ‘Bitter Apples’ at White Cube Hong Kong. While often influenced by traditional Japanese woodblock prints in the making of her work, this new edition marks Curtiss’ first use of the medium.

Informed by time spent in Japan, for this edition Julie Curtiss collaborated with The Adachi Institute of Woodcut Prints, Tokyo, an organisation that continues the tradition of Japanese woodcut print techniques, including the Edo-period practice of ukiyo-e. Facilitating a meticulous realisation of detail, the tactility of the hand-carved woodcut fittingly translates the complexities of Curtiss’ compositions, accentuating the conflicting tones, crisp outlines and the variety of textures characteristic of her paintings.

The print is exclusive to White Cube. An edition of 50 prints are available to purchase.

Courtesy of The Adachi Institute of Woodcut Prints

Julie Curtiss’ work often focuses on the absurdities of life and the reworkings of female archetypes, infusing figurative and highly symbolic scenes with seductive details, deadpan humour and a latent erotic charge. While often influenced by traditional Japanese woodblock prints in the making of her work, this new edition marks Curtiss’ first use of the medium, produced on the occasion of her solo exhibition at White Cube Hong Kong (21 September – 11 November 2023).

Horse Chestnut (2023) originates from Curtiss’ gouache on paper of the same name, continuing the artist’s examination of the coded female body. Centred in this cropped composition is a suggestive view of female genitalia, taking the form of a ripening conker. A slyly amusing reference to the female reproductive system, the agitative textures of the jagged conker against smooth skin, nails and flesh become exquisitely emphasised in the act of engraving. Musing on the barbed, deceptive tendencies of temptation, Horse Chestnut deftly realises Curtiss’ psychologically charged depictions of sexuality which are at once libidinal and sinister. In its caustic tone and uneasy confluence of implicit violence and erotic delight, Horse Chestnut questions a lineage of female objectification, summoning uncanny subtext from the intimate objectivity of the fetishistic gaze.

Julie Curtiss

Bitter Apples

21 September – 11 November 2023

Hong Kong

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