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Cerith Wyn Evans …peal (I) 2020

Price: £1,200

Edition of 25

Archival inkjet print on 300gsm Somerset photo satin paper with cut out

38.5 x 38.5 cm | 15 3/16 x 15 3/16 in.

Signed and numbered

Unframed

Released by White Cube, 2020

• The image of the artwork shows a proof, not the final edition, and each edition may vary slightly from this image.

• The purchase price is inclusive of VAT. If VAT is not applicable to the sale, any VAT added to the price will be deducted upon confirmation of the delivery address at check-out and prior to you making payment.

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• Sales are strictly limited to one edition per household.

• The edition number will be allocated at the point of sale.

• Editions cannot be resold to a third party for a period of five years.
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• This edition is sold unframed.

• Collection is possible for this edition at White Cube Bermondsey. This option will appear at checkout.

• All editions are packaged to the highest standards, managed at our warehouse using archival materials.
• Shipping charges are additional and will be calculated at checkout.
• We aim to dispatch editions within two weeks of purchase, unless the edition has not yet been fabricated.
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• Shipping times are as follows:
United Kingdom: 1–2 weeks
International: 2–4 weeks (subject to customs clearance)

Cerith Wyn Evans - …peal (I)

£1,200

Released to coincide with Cerith Wyn Evans’ exhibition ‘No realm of thought… No field of vision’ at White Cube Bermondsey, London in 2020, these prints feature a circular void cut into a photograph taken by Evans.

Circles, and specifically holes, feature throughout Evans’ work, inspired by Francis Picabia’s Jeune Fille, Yoko Ono’s A Hole to See The Sky Through, and Lucio Fontana's Concetto Spaziale works.

... peal (I) and ...peal (II) are available individually or as a diptych at a special price.

Please CONTACT US if you are interested in purchasing the set.

‘In some part, these “windows” or apertures serve to interrogate the condition of illusion – to foreground the materiality of the image. To ventilate the picture plane, leading to a view onto, say, the wall. To engage an oscillation between “figure” and “ground”, and somehow reveal a “beyond”.’

— Cerith Wyn Evans