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Cerith Wyn Evans - 3.7.15 - 1
Cerith Wyn Evans - 3.7.15 - 2
Cerith Wyn Evans - 3.7.15 - 3
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Cerith Wyn Evans 3.7.15 2015

Price: £800

Edition of 50
Black an white silver gelatin fibre print
25.5 x 34 cm | 10 1/16 x 13 3/8 in.
Signed and numbered
Published by White Cube, 2015

• The image of the artwork shows a proof, not the final edition, and each edition may vary slightly from this image.
• The purchase price is inclusive of VAT. If VAT is not applicable to the sale, any VAT added to the price will be deducted upon confirmation of the delivery address at check-out and prior to you making payment.
• International orders may be subject to additional local taxes or import duties.• Sales are strictly limited to one edition per household.
• The edition number will be allocated at the point of sale.• Editions cannot be resold to a third party for a period of five years.
• White Cube reserves the right to cancel or refund orders for any reason.
• Please read our full online terms of sale.

• This edition is sold unframed.
• Collection is possible for this edition at White Cube Bermondsey. This option will appear at checkout.
• All editions are packaged to the highest standards, managed at our warehouse using archival materials.
• Shipping charges are additional and will be calculated at checkout.• We aim to dispatch editions within two weeks of purchase, unless the edition has not yet been fabricated.
• Your edition will be dispatched with a tracked and signed courier service. You will receive an email notification when your order is on its way.
• Prints will dispatch within 8 weeks.
• Shipping times are as follows:
United Kingdom: 1–2 weeks
International: 2–4 weeks (subject to customs clearance)

Cerith Wyn Evans’s conceptual practice explores the way ideas can be communicated through form, incorporating various media including photography to create moments of rupture and delight, where desire and reality conjoin.

The title 3.7.15 marks the timestamp of the image, a recurring signature of Evans’s photographs. The phenomenology of photography, and Evans’s work with it, connects to his wider concern with accessing, as the artist states, ‘an image that thought gives itself’, what it means ‘to think, to pause for thought, to find one’s bearing in thought’. Evans attempts to disrupt existing systems of communication, either through the practice of subverting certain given material forms, by altering spatial-temporal coordinates, or by adopting a communal rather than a singular authorial voice.

‘Apparently, the viewer is mirrored in the vanishing point, and thereby constructed through it… yet here, we encounter something unlike a picture, more a frequency in the shade.’

— Cerith Wyn Evans

Cerith Wyn Evans

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