White Cube returns to the 2026 edition of ART SG (Booth BC05), presenting works by artists including Michael Armitage, Cai Guo-Qiang, Enrico David, Theaster Gates, Mona Hatoum, Marguerite Humeau, Richard Hunt, Danica Lundy, Ibrahim Mahama, Park Seo-Bo, Shao Fan and Raqib Shaw, among others.
Highlights from the booth include:
Park Seo-Bo’s Ecriture No.090711 (2009), from the artist’s ‘Colour Ecriture’ series, which he began in the 2000s. Inspired by the exuberant autumn colours around Mount Bandai near Fukushima, the artist’s use of vivid tones marks a sharp transition from the neutral palette of earlier paintings.
Michael Armitage’s bronze sculpture 1: The Trial (2025) marks the artist’s foray into the medium. Referencing the Passion of Christ, in this work Armitage employs symbolism drawn from Kenya’s realities to question themes of innocence and power. Coinciding with the Venice Biennale, his solo exhibition at Palazzo Grassi is on view from 29 March 2026 until 10 January 2027.
Burnt to a crisp or bloody as hell (2025), a new painting by Danica Lundy. Exploring structures of power, the artist’s detail-laden, panoptical compositions draw on daily events, subjecting them to the scrutiny of an augmented lens.
Shao Fan’s Paired Rabbits 0725 (2025) presents two rabbits gently merged into a single form. In fusing Eastern and Western traditions, the painting becomes a contemplative reflection on harmony, impermanence and the fleeting nature of existence. The artist’s first solo exhibition with White Cube opens at the gallery’s Mason’s Yard location in London, from 22 May until 27 June 2026.
Ibrahim Mahama’s Meriga (2023–24), part of a body of work in which Mahama uses the leather excavated from the interior of the abandoned trains he has collected at his not-for-profit space, Red Clay in Tamale, Northern Ghana. The sheets are marked with place and personal names from the region, referencing a rural practice of inscribing names or birthplaces on the body in the absence of formal identification.
Horizontal Growing (2023) by Richard Hunt. Created in the final year of the artist’s life, the work exemplifies the sculptor’s mastery of welded bronze cultivated over seven decades of artistic practice.
