White Cube
Mason’s Yard, London
Opening Hours
- Monday 10am - 6pm
- Tuesday 10am - 6pm
- Wednesday 10am - 6pm
- Thursday 10am - 6pm
- Friday 10am - 6pm
- Saturday 10am - 6pm
- Sunday 12pm - 6pm
No admission charge
Contact
Please note: White Cube does not conduct open calls or competitions and does not accept physical or electronic artwork submissions.
Tel: +44 (0) 207 766 3550
For sales enquiries or to organise a virtual viewing, please get in touch.
White Cube Mason’s Yard opened in 2006 near the original Duke Street space. The building, constructed on the site of an electricity sub-station, was designed by architects MRJ Rundell & Associates. It is the first free-standing structure to have been built in the historic St James’s area for more than 30 years and consists of a ground floor gallery on street level and a double-height, naturally-lit basement gallery. An exhibition by Mexico-based artist Gabriel Orozco inaugurated the space.
Accessibility Information
- The public gallery is on the ground floor and lower ground floor. Both galleries are accessible via a lift
- A wheelchair accessible toilet is located on the lower ground floor
- Fold out seating can be collected from reception
- Hearing loops are installed for video works
Current and Upcoming Exhibitions
Andreas Gursky
11 October – 8 November 2025
Frieze late-night opening:
14 October 2025, 6–8pm
The expansive colour photographs of Andreas Gursky articulate what he has described as the ‘essential commonality’ of contemporary life. From multinational headquarters to performance stadiums, post-war architecture to domestic interiors, Gursky endows his subjects with a monumentality that recalls the compositional ambition of history painting.
Beatriz Milhazes
19 November 2025 – 17 January 2026
White Cube Mason’s Yard is pleased to present a solo exhibition by Brazilian artist Beatriz Milhazes, comprising new paintings and a site-specific installation.
Known for her densely layered compositions, Milhazes’s practice spans painting, collage and intricate sculpture. Poised between rational structure and spontaneity, her work lies at the intersection of European and Brazilian modernism.
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