Portrait of Patrick Martinez. Photo: Troy Ezequiel
Introductions: Patrick Martinez
Patrick Martinez (b. 1980 Pasadena, CA) lives andworks in Los Angeles. As part of White Cube’s ‘Introductions’ online programme, the artist presents an exhibition of mixed media painting and neon work.
Martinez’s large-scale abstracted landscape paintings, reflect the visual language of East Los Angeles and the changing nature of the artist's local community. Collaging elements from vernacular architecture with aerosol paint tags and references to, for example, Nahua, Aztec and Mayan mythological forms, the paintings unearth a hybrid sense of people and place.
Fabricated to mirror commercial signage and inspired by words and phrases from 20th-century black American literature, civil rights speeches and anti-slavery oration, Martinez’s neon sign works create contemporary forms of political expression. His acrylic on panel ‘Cake’ paintings memorialise social justice leaders, activists and thinkers, colliding the history of portraiture with everyday confectionary. In his ongoing ‘Pee Chee’ series, Martinezappropriates the well-known, high school folderthat depictstraditional drawings of students engaged in sports and other safe youth activitiesby adding portraits of black and brown people who have lost their lives to police violence.
Martinez is represented by Charles James Gallery in Los Angeles.
Patrick Martinez (b. 1980 Pasadena, CA) lives andworks in Los Angeles. As part of White Cube’s ‘Introductions’ online programme, the artist presents an exhibition of mixed media painting and neon work.
Martinez’s large-scale abstracted landscape paintings, reflect the visual language of East Los Angeles and the changing nature of the artist's local community. Collaging elements from vernacular architecture with aerosol paint tags and references to, for example, Nahua, Aztec and Mayan mythological forms, the paintings unearth a hybrid sense of people and place.
Fabricated to mirror commercial signage and inspired by words and phrases from 20th-century black American literature, civil rights speeches and anti-slavery oration, Martinez’s neon sign works create contemporary forms of political expression. His acrylic on panel ‘Cake’ paintings memorialise social justice leaders, activists and thinkers, colliding the history of portraiture with everyday confectionary. In his ongoing ‘Pee Chee’ series, Martinezappropriates the well-known, high school folderthat depictstraditional drawings of students engaged in sports and other safe youth activitiesby adding portraits of black and brown people who have lost their lives to police violence.
Martinez is represented by Charles James Gallery in Los Angeles.
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