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Isamu Noguchi

Lever House

14 September 2026 – 31 August 2027

Location

Lever House, 390 Park Avenue, New York, NY 10002

Lever House presents a year-long public presentation of work by Isamu Noguchi (1904–88) across the landmark modernist building at 390 Park Avenue, New York, designed by Gordon Bunshaft (1909–90) in 1952. The exhibition, ‘Isamu Noguchi at Lever House’, is presented in collaboration with White Cube, The Isamu Noguchi Foundation and Garden Museum, BGRE and WatermanCLARK.

Installation Views

Isamu Noguchi, Octetra (five-element pyramid), 1965 (2021); and Octetra (one element, inverted), 1965 (2021). Fiberglass reinforced plastic and paint. Collection of The Isamu Noguchi Foundation and Garden Museum. Courtesy of White Cube.

Isamu Noguchi, Octetra (one element, inverted), 1965 (2021). Fiberglass reinforced plastic and paint. Collection of The Isamu Noguchi Foundation and Garden Museum. Courtesy of White Cube.

Isamu Noguchi, Play Sculpture, c.1965-80. Steel and paint. Collection of The Isamu Noguchi Foundation and Garden Museum.

Isamu Noguchi, Magritte’s Stone, 1982-83 (2022). Hot-dipped galvanized steel. Collection of The Isamu Noguchi Foundation and Garden Museum. Courtesy of White Cube.

Isamu Noguchi, Katsura, c. 1968. Miharu granite, stainless steel, wood. Collection of The Isamu Noguchi Foundation and Garden Museum.

Isamu Noguchi, Mountains Forming, 1982-83 (2020). Hot-dipped galvanized steel. Isamu Noguchi, Atomic Haystack, 1982/84 (2022). Bronze plate. Collection of The Isamu Noguchi Foundation and Garden Museum. Courtesy of White Cube.

Isamu Noguchi, Bird B, 1958. Greek marble. Collection of The Isamu Noguchi Foundation and Garden Museum.

Installation view, Isamu Noguchi at Lever House, Lever House, New York, 2026,

‘It is my belief that the place of sculpture in relation to architecture should be as part of a general consideration of space, use, mood, environment, as accents and as meaning.’

— Isamu Noguchi, ‘Yoshio Taniguchi as Architect, Isamu Noguchi as Sculptor’, 1983.

Spanning the building’s courtyard, plaza and lobby, the presentation traces the creative dialogue between Noguchi and Bunshaft, focusing on their unrealised efforts to create a sculptural environment for the Lever House courtyard in 1951–52. The project crystallised ideas that would occupy Noguchi for decades: sculpture as landscape, public space as a place for contemplation and play, and the integration of natural materials within modern architecture.

Coinciding with the 75th anniversary of Lever House and Noguchi’s creation of the Akari light sculptures, ‘Isamu Noguchi at Lever House’ features sculptures, models, architectural drawings, and a special presentation of Akari, allowing visitors to reconsider this remarkable collaboration and the many ideas it inspired.


Model of First Proposal for Lever Brothers Building, New York, 1952.

Above images: Isamu Noguchi, Model of First Proposal for Lever Brothers Building, New York, 1952. The Noguchi Museum Archives, 152053. © The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS)

‘The essence of sculpture is for me the perception of space, the continuum of our existence.’

— Isamu Noguchi, 1946

Model of Second Proposal for Lever Brothers Building, New York, 1952.

Above images: Isamu Noguchi, Model of Second Proposal for Lever Brothers Building, New York, 1952. The Noguchi Museum Archives, 152059. © The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS)

Available Artworks

Isamu Noguchi

Octetra (one element), 1965 (2021)

Isamu Noguchi

Octetra (one element, inverted), 1965 (2021)

Isamu Noguchi

Octetra (five-element pyramid), 1965 (2021)

Isamu Noguchi

Jack in the Box, 1984 (2022)

Isamu Noguchi

Magritte's Stone, 1982-83 (2022)

Isamu Noguchi

Atomic Haystack, 1982/1984 (2022)

Isamu Noguchi

Space Blot, 1984 (2025)

Isamu Noguchi

Play Sculpture, c.1965-80

Isamu Noguchi

2=1, 1988 (TBC)

Isamu Noguchi

Linga, 1987-88

Isamu Noguchi

One of the most significant artists of the 20th century, Isamu Noguchi (1904–88) was an idealist whose timeless work blended ancient and modern ideas. An itinerant cultural synthesizer, he consistently rejected categorization and the false dichotomies of his time, espoused globalism and anticipated the social practice of art by several decades.

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‘We hoped to have sculpture integrated with the total design, including landscape, and Noguchi was the only sculptor that I knew of in the world who had the requisite knowledge of architecture, of plant material, and of space design.’

— Gordon Bunshaft, quoted in Richard D. Marshall, ‘Isamu Noguchi: Sculpture in Stone, Steel and Bronze’, Lever House Art Collection, c. 2003–04.

Plan your visit to ‘Isamu Noguchi at Lever House’

Find out more
Top image: Isamu Noguchi with Model of First Proposal for Lever Brothers Building, New York, 1952. Photo: Charles Uht. The Noguchi Museum Archives, 03806. © The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS)


Installation views: Isamu Noguchi at Lever House, Lever House, New York, 2026. Photo: Timothy Schenck. © The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS)

First Portrait: Louise Dahl-Wolfe, Portrait of Isamu Noguchi, 1955. © Center for Creative Photography, The University of Arizona Foundation / The Isamu Noguchi Foundation and Garden Museum Archives, New York / ARS-ADAGP, Paris, 2023

Second Portrait: Isamu Noguchi with Akari light sculptures, 1968. The Noguchi Museum Archives, 03619. © The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS)

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