Since the late 1990s, El Anatsui’s (b. 1944, Anyako, Ghana) large-scale bottle-cap works have rewritten the possibilities of sculpture, transforming metal debris into expansive fields of form and colour.
Since the late 1990s, El Anatsui’s (b. 1944, Anyako, Ghana) large-scale bottle-cap works have rewritten the possibilities of sculpture, transforming metal debris into expansive fields of form and colour.