28 Nov—12 Jan 2002
Duke Street

Belgium painter Koen van den Broek’s series of ‘Border’ paintings are active large-scale works with broad areas of bright and crisp primary colours, applied in thin washes. The pictures veer between figuration and abstraction, and have largely evolved from the artist’s interes...

17 Oct—17 Nov 2001
Hoxton Square

'Fear and suspicion melt away in the face of laughter. When I as a carrier of the virus America arrive on some distant shore, I am received with both dread and wonder. I must strip myself of vanity, lizard and cow. And lay myself naked to reveal the hairless, smelly, horny pri...

5 Sep—13 Oct 2001
Hoxton Square

'Before I begin painting I'm in an extremely agitated state. During the actual execution I experience enormous pleasure, but before that it's sheer agony. The act of painting really involves a kind of aggression or violence.' Luc Tuymans Belgian artist Luc Tuymans exhibited...

6 Sep—13 Oct 2001
Duke Street

British artist Clare Richardson’s series of photographs, entitled ‘Harlemville’, were taken in and around a rural community in North America. Here, the children are educated according to the principles of the Austrian philosopher and scientist Rudolph Steiner. Richardson spent...

19 Jul—1 Sep 2001


In his first-ever European gallery presentation Steven Meisel exhibited a number of large-format photographs that form the core of the acclaimed advertising campaign he had recently shot for Versace. At a time when the teenager continues to be the cultural staple catered for i...

10 Jul—1 Sep 2001
Duke Street

Ellsworth Kelly exhibited a single painting, Blue Panel (1999), a large canvas with five unequal sides. When placed in the gallery, it appeared as a voluptuous and monumental relief, pulsating in saturated blue—a figure that transformed the wall into its ground. Kelly’s eye...

2 Jun—15 Jul 2001
Hoxton Square

Gilbert & George began working together in 1967 when they met on the advanced sculpture course at St Martins School of Art. Since then, they have had major exhibitions at Musée d'Art Moderne de la Ville de Paris; The Solomon R Guggenheim Museum, New York; Central House of the ...

30 May—7 Jul 2001
Duke Street

New York-based artist Fred Tomaselli exhibited four paintings. In one, Seratonin Dock at the Phosphene Receptor (2001), cosmic decals made using pills and marijuana leaves ornately illuminate the picture plane, and painted red veins spin a tracery across a blue ground, intertw...

27 Apr—26 May 2001
Hoxton Square

Tracey Emin has exhibited extensively since her first solo show at White Cube in 1993, including major exhibitions in New York, Japan, Berlin, Istanbul and Montreal. This was her first solo exhibition in London since her show 'I Need Art Like I Need God' at the South London Ga...

25 Apr—26 May 2001
Duke Street

American artist Tim Davis makes photographs that examine the increasing vivid presence of commercial interests in small-town America. Taken at night using only the available light from nearby street lamps and parking lots, these images of suburban family houses are entirely de...

7 Mar—21 Apr 2001
Duke Street

Runa Islam’s two-screen film installation, Director’s Cut (Fool for Love) (2001), takes as its starting point the way in which a director and his actors interact during a vigorous rehearsal. Comprised of improvisations based loosely on the script of the 1975 play, Fool for Lov...

9 Mar—14 Apr 2001
Hoxton Square

Spanning four decades, Settings and Players: Theatrical ambiguity in American photography traced possible routes in the development of photographic practice concerned with the metaphorical nature of daily life and the advent of what has come to be known as ‘the directorial mod...