4 Mar—9 Apr 2005
Hoxton Square

Quinn presented a body of work that explores our distanced relationship with our physical selves through the culturally constructed notion of the 'natural' and its hold on the contemporary psyche. Chemical Life Support included several compelling figurative sculptures of p...

21 Jan—26 Feb 2005
Hoxton Square

Japanese artist Mika Kato (born 1975) makes intensely rendered oil paintings of young girl's faces, close-cropped and hallucinatory in quality, they create a portal into a fantastical and psychologically disturbing world. Kato's technique is interesting since she starts no...

21 Jan—26 Feb 2005
Hoxton Square

Martin Kobe is a painter whose works depict dynamic architectural visions: impossible virtual spaces that while meticulously painted, also seem provisional and in the process of breaking down. Interior and exterior views are compressed using interlocking horizontal planes, sha...

9 Dec—22 Jan 2005
Hoxton Square

‘(an) inquiry into utopia/dystopia – framed by artifice but motivated by the desire for the ‘real' and the transformative – has turned out to be the primary subject of my work.’ Fred Tomaselli (Monsters of Paradise, Edinburgh: 2004) American artist Fred Tomaselli is a pain...

10 Dec—15 Jan 2005
Hoxton Square

American artist Steven Gontarski is a sculptor who deals mostly with the human figure, using a sleek, elegant and fetishised aesthetic that borrows from both Classical sculpture and the flamboyant excess of Baroque as much as from underground music and alternative youth subcul...

29 Oct—4 Dec 2004
Hoxton Square

British artist Sam Taylor-Wood presented, amongst other works, two new series of photographs: Crying Men and Self Portrait Suspended. Taylor-Wood's work explores our physical and emotional limits, often using enigmatic and subversive images to investigate the contemporary ...

10 Sep—18 Oct 2004
Hoxton Square

For her exhibition at White Cube Columbian artist Doris Salcedo presented Neither, a new large-scale work. The artist made a charged and discrete installation, a complete re-working of the building's interior walls. On closer inspection, it became clear that there were new ‘wa...

10 Sep—8 Oct 2004


For his first solo British exhibition White Cube presented a project by Damián Ortega that was to be experienced in both Inside the White Cube and Hoxton Square. Ortega (born 1967) lives and works in Mexico City. He began his career as a political cartoonist and his art has th...

15 Jul—21 Aug 2004
Hoxton Square

An eclipse is an interruption of the everyday that occurs when the moon crosses between the earth and the sun, casting them into shade. With the source of the visible veiled, new conditions are set up and other things come into view. Eclipse, then, serves as a metaphor for a d...

3 Jun—10 Jul 2004
Hoxton Square

For her exhibition at White Cube Sarah Morris exhibited a body of new paintings and a film based on Los Angeles. The work focuses on the city's unique and spectacular architecture, its sprawling, de-centred urban plan and, most importantly, its role as a centre for image produ...

21 Apr—4 May 2004
Hoxton Square

Although Gormley is known for his sculpture in elemental materials such as lead, iron, clay or steel that frequently use a cast of his own body as the starting point for what the artist describes as ‘a phenomenological or psycho-spatial experience', this installation represent...

4 Mar—8 Apr 2004
Hoxton Square

For his White Cube exhibition Polish artist Miroslaw Balka, known for his careful, resonant sculptural installations that often relate to his own body and to a collective sense of corporeality felt keenly through its manifest absence, exhibited a series of new work. Wax, metal...