7 Apr—13 May 1995
Duke Street

Gary Hume is best known for his paintings that use gloss paint on aluminium panels to present a visual vocabulary distinguished by a bright palette, singular and graphic imagery, and flat areas of colour. In the four paintings exhibited at White Cube, symmetry and mirrored for...

3 Mar—1 Apr 1995
Duke Street

Gregory Crewdson exhibited ten photographs that explore the pathology of American suburbia. His large-scale colour prints include clapboard houses, fences, flowers, and animals. These domestic spaces seem familiar, yet, much like the families that inhabit them, Crewdson’s imag...

13 Jan—25 Feb 1995
Duke Street

Densely black and light-absorbing, Mona Hatoum’s sculpture Socle du Monde (1992–93), physically dominated the gallery space. Paying explicit homage to the work of Piero Manzoni, it also related to the aesthetic of Eva Hesse and her subversion of the cold industrial forms of ...

9 Dec—7 Jan 1995
Duke Street

For her first exhibition in the UK, the New York artist Karen Kilimnik created an unnerving theatrical installation that invited the viewer into a world of self-imposed adolescent isolation, obsession and anxiety. Kilimnik makes work in the guise of an alienated teenager, ...

28 Oct—3 Dec 1994
Duke Street

For her first exhibition in the UK, the New York artist Karen Kilimnik created an unnerving theatrical installation that invited the viewer into a world of self-imposed adolescent isolation, obsession and anxiety. Kilimnik makes work in the guise of an alienated teenager, ...

16 Sep—22 Oct 1994
Duke Street

In the ‘Unconscious Tokyo: Tokyo Cube’ series of photographs, Nobuyoshi Araki restlessly chronicled the urban life of his favourite Tokyo neighbourhood, Shinjuku—the city’s steamy, nocturnal nerve centre. For the White Cube show, Araki ran two lines of images around the entire...

24 Jun—10 Sep 1994


Sarah Lucas presented Bucket of Tea (1994) in the gallery space, a mobile suspended from the ceiling by a network of wires and rods, that featured four large, colour-photocopied self-portraits backed by mirrored styrene. The artist had made cut outs from a series of self-portr...

13 May—25 Jun 1994
Duke Street

Testing the boundaries of what can be considered acceptable as subject matter for art, Sean Landers creates paintings, sculptures and videos that are both confrontational and humorous. In the video he presented at White Cube, Remissionem Peccatorum (1994), Landers is witnessed...

1 Apr—7 May 1994
Duke Street

Antony Gormley exhibited a new sculpture called Lost Subject (1994). The starting point for the piece, as with earlier work, was a mould taken from his own body, which becomes a vehicle for feeling. Lost Subject marks a radical departure, as for the first time, Gormley make...

4 Mar—26 Mar 1994
Duke Street

The work of New York artist Paul Ramírez-Jonas derives from a fascination with prototypes. In his exhibition at White Cube, Ramírez-Jonas showed three kite models based on the designs of turn-of-the-century American inventors, such as Alexander Graham Bell, Walter Brooks and S...

11 Feb—26 Feb 1994
Duke Street

In contrast to Jeff Wall’s large-scale works, the single work he showed at White Cube, The Giant (1994), is small and claustrophobic. Wall’s composite image features a naked, elderly woman standing on the landing of a staircase in a busy library that could belong to a universi...

14 Jan—5 Feb 1994
Duke Street

Marcus Harvey’s large, brightly-coloured canvases, made active by broad sweeps of impasto paint, literally bear the mark of his hand. The impressions made in the thick surface of the paint scrape through the layers of colour and smear the different hues to create a highly agit...