Doris Salcedo

Bibliography

Monographs

Bal, Mieke, Achim Borchardt-Hume, Paul Gilroy, Eyal Weizman. Doris Salcedo: Sibboleth. London: Tate Publishing
Mengham, Rod and Carlos Basualdo. Doris Salcedo: Neither. London: Jay Jopling/White Cube , 2004
Basualdo, Carlos, Andreas Huyssen, Nancy Princenthal. Doris Salcedo. London: Phaidon Press , 2000
Cameron, Dan, and Charles Merewether, Doris Salcedo ex. cat. New York: The New Museum of Contemporary Art/SITE Santa Fe, New Mexico, 1998

SELECTED BIBLIOGRAPHY -- Essays in Books and Catalogues

Klanten, Robert and Lukas Feireiss (eds.), Spacecraft 2, Gestalten, Berlin 2009
Graham-Dixon, Andrew (Ed.), Art: The Definitive Visual Guide, London: Dorling Kindersly, 2008
Sirmans, Franklin, ed. NeoHooDoo: Art For A Forgotten Faith. Houston: Menil Foundation, Inc
Christov-Bakargiev, Carolyn. “Abyss: Notes on the Art of Doris Salcedo.” in The Pantagruel Syndrome ex. cat. for T1 Torino Triennale Tremusei. Milan: Skira Editore S.p.A. , 2005
Birnbaum, Daniel. “Nachträglich – Like Kissing the Hand of History.” The Unthought Known. ex. cat. London: White Cube, 2002
Imagine, You Are Standing Here In Front Of Me. ex. cat. Rotterdam: Museum Boijmans Van Beuningen
Birulés, Fina, José Miguel G. Cortés, Romà Gubern, Eduardo Haro Tecglen. Lugares de la Memoria. Castello: Espai d’Art Contemporani de Castelló, 2001
Merewether, Charles. ARS 01- Unfolding Perspectives. Helsinki: Museum of Contemporary Art Kiasma, 2001
Merewether, Charles. eztetyka del sueño, Versiones del Sur. Madrid: Museo Nacional Centro de Arte Reina Sofia, 2001
Oguibe, Olu. Fresh Cream: Contemporary Art in Culture: 10 Curators, 10 Writers, 100 Artists. London: Phaidon Press, 2000
Morin, France. The Quiet in the Land, Everyday Life, Contemporary Art and Projeto Axé.
Salvador: Museu de Arte Moderna da Bahia, Brazil, 2000
Beudert, Monique. text in cat. artnow 18: Doris Salcedo. London: Tate Gallery, 1999
Bond, Anthony, Charles Merewether, et al. Trace: The Liverpool Biennial of Contemporary Art. Liverpool Biennial of Contemporary Art/Tate Gallery Liverpool, 1999
Merewether, Charles and Doris Salcedo. “An Interview with Doris Salcedo.” Unland/Doris Salcedo: New Work. exh. broch. San Francisco: San Francisco Museum of Modern Art, 1999
Bradley, Jessica, “Introduction,” and Andreas Huyssen, “Sculpture, Materiality and Memory in an Age of Amnesia.” Displacements: Balka, Salcedo, Whiteread. ex. cat. Toronto: The Art Gallery of Ontario, 1998
Elliott, David, Pier Luigi Tazzi, et al. Wounds: between democracy and redemption in contemporary art. ex.cat. Stockholm: Moderna Museet, 1998
Herkenhoff, Paulo, Rina Carvajal, et al. “Roteiros.” XXIV Bienal de Sao Paulo. ex.cat. Sao Paulo: Fundaçio Bienal de Sao Paulo, 1998
Eickel, Nancy. The Hirshhorn Collects: Recent Acquisitions. ex. cat. Washington D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. 1997
Bond, Anthony, ed. “Embodying the Real,” and Charles Merewether, “The Unspeakable Condition of Figuration.” in Body. ex. cat. Sydney: Bookman Press in association with The Art Gallery of New South Wales, 1997
Merewether, Charles, "Doris Salcedo, The anonymity of violence: re-elaborating the nonsite." in Propositions. ex. cat. 102-106, (56-57 French translation). Limoges: Le Musée departemental d'art contemporain de Rochechouart, 1996. Revised and reprinted as "Anonymity of Violence." in Doris Salcedo Atrabiliarios ex. broch.
Wichita: The Edwin A. Ulrich Museum of Art, Wichita State University, 1997
Salcedo, Doris, Santiago Villaveces-Izquierdo, “Art and Media-tion.” Cultural Producers in
Perilous States: Editing Events, Documenting Change. ed. George E. Marcus, University of Chicago Press, 1997
Benezra, Neal, and Olga M. Viso. Distemper: Dissonant Themes in the Art of the 1990's. ex. cat. Washington D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in association with D.A.P./Distributed Art Publishers, New York, 1996
Merewether, Charles, "Zones of Marked Instability: Displacement, Women and the Public Sphere." Rethinking Borders. ed. John Welchman. Minneapolis: University of Minnesota Press in association with MacMillan Academic Press, London, 1996
Vicario-Heras, Gilbert. Dissonant Wounds: Zones of Display/Metaphors of Atrophy. ex. broch. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 1996
Armstrong, Richard, Charles Merewether. Carnegie International 1995. ex. cat. Pittsburgh: Carnegie Museum of Modern Art, 1995
Grachos, Louis and Kathryn Kanjo, "The Anxiety of the Unknown." Sleeper: Katerina Fritsch, Robert Gober, Guillermo Kuitca, Doris Salcedo. ex. cat. San Diego: Museum of Contemporary Art, 1995
Grynsztejn, Madeleine, essay by Dave Hickey. About Place: Recent Art of the Americas. ex. cat. Chicago: Art Institute of Chicago, 1995
Cocido y crudo. ex. cat. Madrid: Museo Nacional Centro de Arte Reina Sofia (essays by Cameron, Fisher, Mosquera, Villaespesa and Saltz), 1994
Van Duyn, Edna, and Bos, Saskia. The Spine. ex. cat. Amsterdam: Stichting De Appel, 1994
Aperto '93 (Venice, Italy). Aperto 93 Emergenza/Emergency: Flash Art International, XLV Biennale di Venezia. ex. cat. Milan: Giancarlo Politi Editore, 1993. pp. 394-95, 1993
Merewether, Charles. "Doris Salcedo." (Excerpt) ex. broch. Madrid: Galería Garcés- Velasquez, ARCO, 1993
Bond, Anthony, Charles Merewether, et al. The Boundary Rider 9th Biennale of Sydney. ex cat. Sydney: The Biennale of Sydney, 1993
Teitelbaum, Matthew. text in cat.Currents 92: The Absent Body. Boston: Institute of Contemporary Art, 1992
Krebs, Edith, "The Power of the Norm: Children, Artists, and Other Delinquents." Ulf Rollof, Doris Salcedo, Cecile Huber, Liliana Moro, Marianna Uutinen. ex. cat. Zürich: Shedhalle, 1992
Ponce de Leon, Carolina. Imagenes de Duelo. ex. broch. Bogotá: Galería Garcés-Velásquez, 1990

SELECTED BIBLIOGRAPHY -- Reviews and Articles

Bluemier, Detlef. “Doris Salcedo.” Kunstler: Kritisches Lexikon der Gegenwartskunst (Ausgabe 74, no. 13, second quarter 2006)
Pini, Ivonne. “Doris Salcedo.” ArtNexus No. 56, vol. 3 (2005): 44-45
Cork, Richard. “Down to the wire.” The Times (September 11, 2004): 18-19
Marx, Gary. “Sculptor molds Colombia’s pain into art.” Chicago Tribune (June 27, 2004): 3
Searle, Adrian. “Doris Salcedo.” The Guardian (September 15, 2004): 28
Doherty, Claire. “The Unthought Known.” Art Monthly no. 255 (April 2002): 25-27
Wright, Jonathan. “Doris Salcedo.” Contemporary Magazine. (January 2002): 85
ed. Germano Celant. “Doris Salcedo.” Interni (October 2001): 188-193
Jiménez, Carlos. “Los duelos ocultos del silencio.” Lapiz no. 174 (2001): 18-25
Smith, Dan. “Doris Salcedo/Sophie Ristelhueber/Jose Dávila.” Art Monthly no. 251 (November 2001): 33-35
Walen, Audrey. “New York: Doris Salcedo.” Sculpture Vol. 20, no. 4 (May 2001): 69-70
Cotter, Holland. “Art in Review: Doris Salcedo.” The New York Times (November 17, 2000): E41
Schmerler, Sarah. “Doris Salcedo, Tenebrae Noviembre 7, 1985.” Time Out New York (November 16-23, 2000): 81
Kent, Sarah. “Doris Salcedo.” Time Out (London) (June 2-9, 1999): 42
Anastas, Rhea. “Doris Salcedo: A Tour of the Borderland of Unland.” Art Nexus no. 29 (August – October 1998): 104-105
Arratia, Euridice. “Spotlight: Doris Salcedo.” Flash Art XXXI, no. 202 (October 1998): 122
Camhi, Leslie. “Last Supper.” The Village Voice XLIII, no. 15 (April 14, 1998): 125
Smith, Roberta. “The ‘New’ New Museum, With a Tableau of Wrenching Reality.” The New York Times (March 20, 1998): E35
Amor, Monica. "Doris Salcedo." Art Nexus, no.13 (July-September 1994): 166-67
Cameron, Dan. "Absence Makes the Art." Artforum 33 (October 1994): 88-91

More on Doris Salcedo

	Related Texts
CV
Failing Better - Salcedo's Trajectory by Rod Mengham

Exhibitions
Doris Salcedo 15 Sep—20 Oct 2007
Neither 10 Sep—18 Oct 2004
La Casa Viuda VI 15 Sep—14 Oct 1995

	Related Links
http://www.alexanderandboni... Alexander and Bonin, New York
http://www.tate.org.uk/serv... Tate Online
http://www.newmuseum.org/ex... New Museum of Contemporary Art, New York
http://collections.sfmoma.o... San Francisco Museum of Modern Art, San Francisco