Marc Quinn

Bibliography

Monographs

Oliva, Achille Bonito, Danilo Eccher. Marc Quinn, Museo d’Arte Contemporanea Roma, Electa, Milan 2007
Mengham, Rod, Marc Quinn, Sue-An van der Zijpp. Marc Quinn: Recent Work Recent Sculpture, Groninger Museum, Nai Publishers 2006
Rogers, Richard. Marc Quinn Forth Plinth, SteidlMACK, Germany 2006
Renton, Andrew. Marc Quinn. Chemical Life Support, Jay Jopling/White Cube, London 2005
Thomas, Rachael, Darian Leader and Susie Orbach. Marc Quinn. Flesh, Irish Museum of Modern Art, Dublin 2004
Marlow, Tim and Phillip Cribb. Marc Quinn. The Overwhelming World of Desire (Paphiopedelium Winston Churchill Hybrid, Sculpture at Goodwood, Goodwood 2003
Whitfield, Sarah. Marc Quinn, Tate Liverpool, Tate Publishing, London 2002
Celant, Germano, Darian Leader and Marc Quinn. Marc Quinn, Fondazione Prada, Milan 2000
Leader, Darian. Marc Quinn, Kunstverein Hannover, Hannover 1999
Juncosa, Enrique. Marc Quinn Drawings, Sala Amárica-Amárica Aretoa, Victoria 1999
Gisbourne, Mark, David Thorp, Will Self and Brian Eno. Incarnate, Booth-Clibborn Editions, London & Gagosian Gallery, New York 1998
Thorp, David. Marc Quinn, South London Gallery, London 1998


Publications

Ireson, Nancy. Love, National Gallery, London, City Museum and Art Gallery, Bristol and Laing Art Gallery, Newcastle Upon Tyne 2008
Bonami, Francesco, Arte Contemporanea, Volume Sei. Duemila, La Biblioteca di Repubblica-l’Espresso / Electa, Milan 2008
Bernadelli, Francesco, Arte Contemporanea, Volume Cinque. Anni Novanta, La Biblioteca di Repubblica-l’Espresso / Electa, Milan 2008
Collings, Matthew. This is Civilisation, 21 Publishing, London 2008
Gielen, Denis. Atlas of Contemporary Art for use Everyone, Museum of Contemporary Arts of Grand-Hornu (MAC's), Boussu 2007
Hall-Duncan, Nancy and Peter C. Sutton. Contemporary + cutting edge: pleasures of collecting, part III, Bruce Museum, Connecticut 2007
Yukihiro, Hirayoshi and Tamaki Saito. Skin of/in Contemporary Art, National Museum of Art, Osaka 2007
Hammer, Martin. The Naked Portrait, National Galleries of Scotland, Edinburgh 2007
Cripps, Stephanie, Amy Puttman, James Tregaskes and Kate Simms. Cass Sculpture Foundation 2004-2007, Cass Sculpture Foundation, Chichester 2007
Mair, Robert and Rod Mengham. Sculpture in the Close, Jesus College, Cambridge 2007
Oberhollenzer, Günther, Andreas Hoffer and Silvia Köpf. Passion for Art: 35th Anniversary of the Essl Collection, Edition Sammlung Essl, Wien 2007
Hirst, Mark and Alistair Hicks. Beyond Sensation, Deutsche Bank Art Collection, London and Frankfurt 2007
Lullin, Etienne and Florian-Oliver Simm. Contemporary Art in Print: The Publications of Charles Booth-Clibborn and his imprint. The Paragon Press 2001-2006, The Paragon Press: Contemporary Editions Ltd, London 2007
Mercurio, Gianni, Demetrio Paparoni and Davide Rampello. Timer: Intimità/Intimacy, Skira, Milan 2007
Sandell, Richard. Museums, Prejudice and the Reframing of Difference, Routledge, Oxen 2007
Bracewell, Michael, Pi Li and Emily Butler. Aftershock: Contemporary British Art 1990 – 2006, The British Council, London 2006
Jones, Amelia. Self/Image, Routledge, Oxon/New York, 2006
Imanse, Geurt. Aanwinsten / Acquisitions 1993 2003, Stedelijk Museum, Amsterdam 2006
Belliti, Chiara. Eretica Civica Galleria d’ Arte Moderna, Palermo 2006
Fibicher, Bernhard. Six Feet Under, Kerber Verlag, Bern 2006
Leismann, Burkhard and Ralf Scherer. Diagnosis (Art): Contemporary Art Reflecting Medicine, Wienand, Berlin 2006
Howgate, Sarah, Sandy Nairne. The Portrait Now, The National Portrait Gallery, London 2006
Richer, Francesca and Matthew Rosenzweig. No. 1 First Works by 362 Artists, Distributed Art Publishers, Inc, New York 2005
Finckh, Gerhard , Alexandra Kolossa, Gerhard Graulich, Ute Riese. Blumenstück - Künstlers Glück: Vom Paradiesgärtlein zur Prilblume, Museum Morsbroich, Leverkusen 2005
Dickins, Rosie. The Usborne Book of Art, Usborne Publishing, London 2005
Webster, Jeremy. Wunderkammer. The Artificial Kingdom, The Collection, Arty and Archeology in Lincolnshire 2005
Karin Altmann. Figure Sculpture, Sammlung Essl 2005
Johannesen, Ina, Marianne Holtermann and Sarah Kent. London Calling: Y[oung] B[ritish] A[rtists] Criss-Crossed, Galleri Kaare Berntsen, Olso 2005
Ten Kate, Joke, Christien Oele and Hanna Vos-Niël. Kunst en Hulpmiddelen, George In der Maur, VRA, Drukkerij Rosbeek 2005
Weimarck, Torsten, Mårten Snickare, Eva-Lena Bengtsson, Ove Hagelin, Måns Holst-Ekström, Karin Sidén, Ulrika Nilsson, Eva Ahrén Snickare, Solveig Jülichand Ingela Lind. Kroppen. Konst och vetenskap, The National Museum of Fine Arts, Stockholm 2005
Doy, Gen. Picturing the Self. Changing Views of the Subject in Visual Culture, I.B. Tauris & Co Ltd, London / New York 2005
Kopp, Robert, Philippe Büttner and Ulf Küster. Blumenmythos: Flower Myth, Fondation Beyeler, Riehen / Basel 2005

Kelley, Mike, John C. Welchman and Christoph Grunenberg. The Uncanny. Mike Kelley, Tate Liverpool and Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Verlag der Buchhandlung Walther König, Cologne 2004
Von Herz, Juliane and Rudolf Schmitz. Kunstgriffe Helaba, Landesbank Hessen-Thuringen, DuMont monte Verlag, Cologne 2004
Guild, Trisha and Elspeth Thompson. Private View, Quadrille Publishing Ltd, London 2004
Padon, Thomas, Shirin Neshat, Ronald Jones and Robert Harrison. Deceits & Fantasies. Contemporary Photography and the Garden, The Middlebury College Museum of Art, Vermont / The Parrish Art Museum, New York / Columbia Museum of Art, South Carolina / Tacoma Art Museum, Washington, Harry N. Abrams, New York 2004
Lee, Yong-Woo, Kerry Brougher, Milena Kalinovska, Chika Okeke, Roberto Pinto, Won-il Rhee, Yoon-gyoo Jang, Chang-hoon Shin. Gwangju Biennale, Gwangju Biennale Foundation, Gwangju 2004
Kemp, Sandra, Alf Linney and Vicki Bruce. Future Face. Image, Identity, Innovation, The Welcome Trust, Profile Books, London 2004
Bakker, Gijs and Renny Ramakers. Design etc, Open Borders. Lille 2004, Droog Design, Amsterdam 2004
Karabelnik, Marianne, Victor Tupitsyn, Thomas Koerfer and Juri Steiner. Stripped Bare. The Body Revealed in Contemporary Art, Merrell Publishers Limited, New York and London 2004
Tøjner, Poul Erik and Ernst Jonas Bencard. The Flower As Image, Louisiana Museum of Modern Art, Humlebaek 2004
Ramakers, Renny. Droog Event 01, Tri Postal, Lille Cultural Capital of the World, Lille 2004
Postle, Martin, Stephen Daniels, Nicholas Alfrey, Brent Elliott, Stephan Bann and Mary Horlock. Art of the Garden. The Garden in British Art, 1800 to the Present Day, Tate Britain, Tate Publishing, London 2004
Arell, Berndt, Jaako Heinimäki, Väinö Kirstinä, Tarja Halonen, Marika Hausen, Irma Savolainen, Leena Hämet-Ahti, Eeva Ruoff and Kaj Kalin. Paratiisin Puutarha. Garden of Eden, Helsinki City Art Museum, Art Museum Meilahti, Helsinki 2004
Anker, Suzanne and Dorothy Nelkin, The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor Laboratory Press, New York, 2004
Arell, Berndt. Garden of Eden, Helsinki City Art Museum, Helsinki 2004

Windsor, Alan. British Sculptors of the Twentieth Century, Ashgate Publishing Limited, Hants 2003
De Cruz, Gemma and Amanda Eliasch. British Artists at Work, Assouline, London, 2003
Hwa Joo, Yeon, British Contemporary 28 October – 31 January 2004, Arario Gallery, Korea, 2003
Moore, Andrew and Christopher Geribaldi. Flower Power, Norfolk Museums & Archaeology Service and Sheffield Galleries and Museums Trust, Phillip Wilson Publishers, Sheffield 2003
Lombino, Mary-Kay and Philip K. Dick, UnNaturally, Contemporary Art Museum, University of South Florida, Kansas City Art Institute, Fisher Gallery, University of Southern California, F. Donald Kenney Museum, The American Center for Wine, Lowe Art Museum, Independent Curators International, New York 2003
Meire, Mike. Statements 7. The Overwhelming World of Desire, Revolver Verlag, Frankfurt am Main 2003
Von Herz, Juliane and Rudolf Schmitz. Kunstgriffe Helaba, Landesbank Hessen-Thuringen, DuMont Verlag, Cologne 2003
Anderberg, Birgitte, Christian Gether, Gunnar B. Kvaran. PLETSKUD Vaerker fra Astrup Fearnley Samlingen, ARKEN, Denmark 2003

Gisbourne, Mark. Face Off, Kettle’s Yard, University of Cambridge, 2002
Hubbard, Sue and Ann Elliot, Sculpture at Goodwood: a vision for twenty-first century british sculpture, Sculpture at Goodwood, 2002
Miguel Fernandes Jorge, Joao. Territorios Singulares Na Coleccao Berardo, Sintra Museu de Arte Moderna,
Sintra, Portugal, October 2002
Feeke, Stephen. Second Skin, Henry Moore Institute, Leeds 2002
Ebenbilder. Kopien von Körpern-Modelle des Menschen Herausgegeben von Jan Gerchow, Ruhrlandmuseum Essen, Hatje Cantz, 26 March- 30 June 2002
Gillick, Liam. White Cube. 44 Duke Street, St James’ London, Steidl, Gottingen 2002
Ottmann, Klaus. Extreme Existence, Pratt Manhatten Gallery, New York 2002
Latour, Bruno and Peter Weibel. Iconoclash, Center for Art and Media, Karlsruhe, MIT Press, Karlsruhe 2002

Invisible London, Ellipsis, London 2001
Collings, Matthew, Art Crazy Nation, 21 Publishing Ltd , London 2001
Milne, Julie. Sacred and Profane, Mappin Art Gallery Sheffield Galleries & Museum Trust 2001
Marchant, Sandra Grant. Metamorphosis and Cloning, Musee d'art Contemporaine de Montreal, Montreal 2001
Blake, Peter. Royal Academy Illustrated. Summer Exhibition 2001, Royal Academy of Arts, London 2001
Nordenfelt, Amelie and Ebba Setterblad. Mind the Gap, Wetterling Gallery, Stockholm 2001
Booth-Clibborn, Patrick Elliot and Jeremy Lewison. Contemporary Art in Print, Booth-Clibborn Edition, London 2001

Kemp, Martin and Marina Wallace. Spectacular Bodies, Hayward Gallery, London, University of California Press, London/San Francisco 2000
Zweite, Armin, Doris Krystof and Reinhard Spieler. Ich ist etwas Anderes. Kunstsammlung Nordrhein-Westfalen, Dusseldorf 2000
Menegoi, Simone. The End Game Aesthete, Milan, 2000
Bond, Anthony. Body, The Art Gallery of New South Wales, Bookman Schwarz, Melbourne 2000

Naisbitt, John. High Tech High Touch, Broadway Books, New York 1999
Bevan, Rogar. Now It’s My Turn to Scream. Works by Contemporary British Artists from the Logan Collection, San Francisco Museum of Modern Art, California 1999
Joannou, Dakis, Katerina Gregos and Andrea Gilbert. Skin, Deste Foundation Centre for Contemporary Art, Athens 1999
Lawrence, Rinder. Spaced Out: Late 1990s Works from Vicki and Kent Logan Collection, The CCA Institute, California 1999
Müller-Tamm, Pia and Katharina Sykora. Puppen Körper Automaten. Phantansmen der Moderne, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Oktagon 1999
Timms, Robert, Alexandra Bradley and Vicky Hayward (ed.), Young British Art: The Saatchi Decade, Booth Clibborn Editions, London 1999
Stallabrass, Julian. High Art Lite, Verso, London 1999
Essl, Karlheinz, Rudi Fuchs and Heinz Tesar. The Essl Collection. The First View, Sammlung Essl, Klosterneuburg, Dumont, Cologne 1999
Rinder, Lawrence. Spaced Out, California College of Arts and Crafts, San Francisco 1999

Ross, David and Gary Garrels. A Portrait of Our Times: An Introduction to the Logan Collection, San Francisco Museum of Modern Art, San Francisco 1998
Muller, Brian. UK Maximum Diversity, Galerie Krinzinger, Vienna 1998
Wallis, Simon. Physical Evidence, Kettle’s Yard, Cambridge 1998
Lynton, Norbert. British Figurative Art Part 2: Sculpture. Pale Green Press, London 1998
Faurschou, Luise and Jens. Janine Antoni, Wim Delvoye, Christian Lemmerz, Zbigniew Libera and Marc Quinn, Galleri Faurschou, Copenhagen 1998
Whittington, Richard and John McEwen. Colony Room Club: Members Only, (London: unknown, 1998)

Buck, Louisa. Moving Targets: A User’s Guide to British Art Now, Tate Gallery Publishing, London 1997
Bond, Anthony. Body, The Art Gallery of New South Wales 1997
Collings, Matthew. Blimey! From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst, 21 Publishing Ltd, London 1997
Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, Royal Academy of Arts, London 1997
Schröder, Hans-Georg, Follow Me, Kunstverein Kehdingen, Freiburg 1997
Petherbridge, Deanna. The Quick and the Dead: Artists and Anatomy, Royal College of Art, London; Mead Gallery, University of Warwick; City Art Gallery, Leeds 1997
Molder, Jorge, Sanches Rui, de Vasconcelos Ana e Melo. A Ilha do Tesouro, Fundaçao Calouste Gulbenkian, Lisbon 1997
Marshall, Catherine (ed.), Essays by Richard Cork, Penelope Curtis. Breaking the Mould. British Art of the 1980s and 1990s, The Weltkunst Collection, Lund Humphries Publishers, London and the Irish Museum of Modern Art, Dublin 1997
Shand Kydd, Johnnie. Spit Fire: Photographs from the Artworld. London 1996/97, Thames & Hudson, London 1997

Burton, Jane. The East Wing Exhibition, Courtauld Institute of Art, London 1996-1998
Haden-Guest, Anthony. True Colours.The Real Life of the Art World, The Atlantic Monthly Press, New York 1996
Syring, Marie Luise. Happy End, Kunsthalle Dusseldorf, Dusseldorf 1996
Thinking Prints, Books to Billboards 1980-95, Museum of Modern Art, New York 1996
Feed and Greed, MAK, Vienna 1996

Lucie-Smith, Edward. Artoday, Phaidon Press Limited, London 1995
Elliott, Patrick, Jeremy Lewison, Duncan Macmillan. Contemporary British Art in Print, Scottish National Gallery of Modern Art, Edinburgh 1995
Rainbird, Sean. Emotional Detox, Tate Gallery, London 1995
Watari, Koichi. Ripple Across the Water, Watari-Um, The Watari Museum of Contemporary Art, Tokyo 1995
Faith, Hope, Charity, Kunsthalle Wien, Vienna 1995
Various writers. Glaude Hoffnung Liebe Tod, Kunsthalle wien / Graphische Sammlung Albertina, Vienna 1995

Kent, Sarah. Shark Infested Waters. The Saatchi Collection of British Art in the 90s, Zwemmer, London 1994

Kent, Sarah. Young British Artists II, Saatchi Gallery, London 1993
Brandt, Jan, Catelijne de Muynck and Valerie Smith. Sonsbeek 93’, Sonsbeek Villa, Sonsbeek Foundation, Arnhem 1993
Prospect ’93, Frankfurt 1993
Sonsbeek ’93, Arnhem 1993
Real, Vienna 1993
Restaurant, Marc Jancou, Paris 1993
Sydney Biennial, Sydney 1993

Gillick, Liam. British Art, Barbara Gladstone Gallery, New York 1992
Bond, Anthony. The Boundary Rider, Biennale of Sydney 1992, National Library of Australia, Sydney 1992


Periodicals

Akbar, Arifa. ‘Boris and Benn form unlikely plinth alliance’, The Independent, 8 March 2008, p.29
Unknown. ‘Urban Fix’, Evening Standard Magazine, 22 February 2008, p.14
Bogle, Joanna. ‘Theories of ‘Evolution’ ’, National Catholic Register, 17 February 2008, p.4
Sumpter, Helen. ‘Marc Quinn’, Timeout, 13-19 February 2008, p.63
Campbell-Johnston, Rachel. ‘Top Five Galleries’, The Times, The Knowledge, 2-8 February 2008, p.30
Greig, Geordie. ‘Original Quinn’, Tatler, February 2008, Volume 303, No.2, pp.92-97
Macdonald, Fiona. ‘Art Review, Marc Quinn: Evolution’, Metro, 30 January 2008, p.31
Akbar, Arifa. ‘Quinn assumes foetal position’, The Independent, 25 January 2008, p.3
Tibbetts, Graham. ‘From ‘tadpole’ to newborn, in nine blocks of marble’, The Daily Telegraph, 25 January 2008, p.18
Unknown. ‘We believe in yesterday’, Evening Standard, 25 January 2008, p.15
Jury, Louise. ‘The womb with a view’, Evening Standard, 24 January 2008, p.3
Marsh, Stefanie. ‘Baby, it’s all of you’, The Times, times2, 22 January 2008, p.12
Unknown. ‘Cold War II is thawed by Russia gems’, The London Paper, 22 January 2008, p.14
Johnson, Andrew. ‘What next for the fourth plinth?’, The Independent on Sunday, 6 January 2008, p.46
Unknown. ‘The 50 hottest tickets for the year ahead’, Evening Standard, 4 January 2008, pp.38-40
http://www.thefirstpost.co.uk/?storyID=14948
Cavendish, Lucy. ‘Body Talk’, Harper’s Bazaar, January 2008, pp. 116-119
Kazanjian, Dodie. ‘big love’, Vogue Japan, January 2008, No. 136, pp.240-249
Lutyens, Dominic. ‘Creative juices’, The Observer, Food Monthly, December 2007, No.81, pp.73-77
Unknown. ‘Events, The Naked Portrait 1900-2007’, Compton Verney, September – December 2007, p.5
West, Naomi. ‘Wildlife, For art’s sake’, The Telegraph Magazine, 13 October 2007, pp.10-11
Maddocks, Fiona. ‘The man who put Kate Moss on a pedestal’, Evening Standard, 14 September 2007, pp.36-37
Hensher, Phillip. ‘The Artist’s Model’, The Independent, 17 August 2007, pp.20-21
Lawson, Dominic. ‘If more doctors are refusing to carry out abortions, it is for good moral reasons’, The Independent, 4 May 2007, p.49
Newman, Sara and Arifa Akbar. ‘The Almighty Quinn’, The Independent, 3 May 2007, pp.16-17
Higgins, Charlotte. ‘Memento mori: Art show at cathedral’, The Guardian, 3 May 2007, p.13
Somers, Thierry. ‘Marc Quinn’, 200%, Issue 2 2007, p.118-129

Gayford, Martin. ‘I’m quite perverse’, Art News, December 2006, pp.124-127
Trevisan, Alice. ‘L’imbalsamatore di giardini’, Arte, No.397, September 2006, pp.110-114
Sumpter, Helen. ‘Blooming marvellous’, Time Out, 2-9 August 2006, p.36
Darwent, Charles. ‘ Please do not feed the artists’, The Independent, 6 August 2006, p.4
Quinn,Marc. ‘Sfinge del XXI secolo’ Estetica Italia, NO.4 June/July 2006, p.32-33
http://www.wantedinrome.com/articles/complete_articles.php?id_art=384, 23 June 2006
De Coninck,Frits. ‘Ken u zleve’ Museum Tijdschrift, June/July 2006, p.36-39
http://www.poloxygen.com/?direct=art&tid=432 12 May 2006
Herbert, Martin. ‘Marc Quinn’, Artforum, May 2006, p.162.
‘Kate’s Yoga Sculpture’. The Star, 24 April 2006, p.18
Quinn, Marc. ‘Our culture is a sea of floating images’, The Guardian, April 15/04 2006, p.37
Jones, Jonathan. ‘Kate Moss and the death of British art’, The Guardian, G2, April 14/04 2006, pp. 6-9
Hagan, Lucy. ‘Looks like Kate’s got a leg over’, The Sun, 13 April 2006, p.35.
Moyes, Stephen. ‘Venus de Mosso’, Daily Mirror, 13 April 2006, pp. 20-21.
Malley, Paul. ‘Kate Moss plastered!’, Daily Star, 13 April 2006, p. 28.
Quinn, Marc. ‘He tied Kate Moss in knots’, The Times, Times2,13 April 2006.
Higgins, Charlotte. ‘First there was Alison Lapper Pregnant. Now meet Kate Moss contorted’, The Guardian,12 April 2006, pp. 20-21.
Teodorczuk, Tom. ‘It’s Kate…cast in bronze’, Evening Standard,12 April 2006, p.17.
Haden-Guest, Anthony. ‘A Venus for our time’, Financial Times, March 11/12 2006, p.9
Bennett, Ronan. ‘Zugzwang’, The Observer, 19 February 2006, p.12
Taher, Abul. ‘Kate Moss to rise as bronze Aphrodite’, The Sunday Times, 5 February 2005
‘Marc Quinn’, Huge, January 2006, p.88
Phillips,Sarah. ‘Sitting comfortably’,February 2006, pp.6-7
http://thestar.com.my/lifestyle/story.asp?file=/2006/1/15/lifearts/13108070&sec=lifearts, 16 January 2006

‘Quinn’s take on lupus’, Arthritis News, December/January 2005, p.3
Ebony, David. ‘Quinn marble for Trafalgar Square’, Art In America, December 2005, p.37
Rosenblum, Robert. ‘Marc Quinn, Alsion Lapper Pregnant’, Artforum, December 2005, p.254
Melrose, Jan. ‘Striking a pose against violence’, The Argus, 22 November 2005, p.6
VLNA, Issue No.23, 2005, pp.6-14
Quin, John. ‘Disabled woman wins battle of Trafalgar’, British Medical Journal, 8 October 2005, p.849
Aspden, Peter. ‘Rather Well Conceived’, Financial Times Magazine, Issue No. 126, 8-9 October 2005
‘In praise of…public art’, The Guardian, 3 October 2005, p.26
Steiner, Susie. ‘Show Time’, The Guardian Weekend, 01 October 2005, pp.84-87
‘Marc Quinn, Alison Lapper Pregnant, September 2005- March 2007, The Art Newspaper, October 2005, p.34
‘Square’s naked sculpture revealed’, http://news.bbc.co.uk/1/hi/england/london/4247000.stm, 20 September 2005
‘Disabled Statue Unveiled’, http://www.sky.com/skynews/article/0,,30100-1195802,00.html, 20 September 2005
Gleadell, Colin. ‘Market News’, The Daily Telegraph, 19 September 2005, p.20
Cooke, Rachel. ‘Bold, brave, beautiful’, The Observer, 18 September 2005, p.10
Hensher, Philip. ‘She’s worth a second look’, The Mail on Sunday, 18 September 2005, p.64
Liddle, Rod. ‘The fashion for disability’, The Sunday Times, 18 September, p.18
Sullivan, David. ‘Publisher-The voice of common sense’, Sunday Sport, 18 September 2005, p.31
Orr, Deborah. ‘People love the statue… but would they coo at the image if it was on their scan?’ , The Independent, 17 September 2005, p.14
Rooney, Ben. ‘Today on the web’, The Guardian, 17 September 2005, p.2
Reynolds, Nigel. ‘Whatever would Nelson think?’, The Daily Telegraph, 16 September 2005, p.3
Dorment, Richard. ‘An empty monument to artist’s smugness’ The Daily Telegraph, 16 September 2005, p.39
Higgins, Charlotte. ‘Sculpture’s unveiling is pregnant with meaning’, The Guardian, 16 September 2005, p.7
Searle, Adrian. ‘Arresting, strange and beautiful’, The Guardian, 16 September 2005, p.7
Marsh, Geoff. ‘On a pedestal, the Venus de Milo of the Square’, The Daily Express, 16 September 2005, p.27
‘On a pedestal. Alison Lapper Pregnant’, Financial Times, 16 September 2005, p.2
Alberge, Dalya. ‘Disability ‘naked, pregnant and proud’ on Trafalgar Square, The Times, 16 September 2005
‘Alison’s a real eye-opener for Nelson’, Daily Sport, 16 September 2005, p.4
Jury, Louise. ‘New hero takes seat in Trafalgar Square…but what do artists and the public think?’ ,
The Independent, 16 September 2005, pp.6-7
‘A powerful and positive image’, The Independent, 16 September 2005, p.33
Mouland, Bill. ‘Nelson looks down as statue of disabled mother is unveiled in the rain’, Daily Mail, 16 September 2005, p.27
‘Unveiled: Naked, pregnant, proud’, Metro, 16 September 2005, p.31
Ivan-Zadeh, Larushka. ‘Her body of art’, Metro, 16 September 2005, p.39
Higgins, Charlotte. ‘Marc Quinn at work, Pietrasanta, Tuscany’, The Guardian, 13 September 2005, pp.18-19
Leitch, Luke. ‘Gently does it…Alison Lapper Pregnant is lowered into place on the Trafalgar Square plinth’. Evening Standard, 12 September 2005, p.3
‘Heroes come in all shapes and sizes’, Daily Mirror, 9 September 2005, p.25
‘Putting the future on a pedestal’. The Times, 7 September 2005, p.18
Jennings, Rose. ‘Autumn Essentials’, The Observer, 4 September 2005, p.6
Darwent, Charles. ‘Battle of Trafalgar’, The Independent on Sunday, 4 September 2005, pp.4-6
Lapper, Alison. ‘ Beauty Unseen, Unsung’, The Guardian Weekend, 3 September 2005, pp.13-22
Hunt, Jeremy. ‘The Fourth Man’, State of Art 2005, pp.6-7
‘Saatchi starts Britart sell-off’, The Sunday Times, 28 August 2005, p.10
‘Saatchi starts Britart sell-off’, The Sunday Times, 28 August 2005, p.10
Garratt, Sheryl. ‘Body of work’, Telegraph Magazine, 13 August 2005, pp.22-27
Appleyard, Bryan. ‘Going out in a blaze of gory’, Sunday Times Culture Magazine, 24 July 2005, pp.6-7
Kirkham, Sophie.‘Has Saatchi, patron of sharks and unmade beds, gone off Brit Art?’, The Times, 4 July 2005, p.11
Capasso, Angelo. ‘Fiori per tutte le stagioni’, Exibart.Onpaper, June-July 2005, pp.30-31
Akbar, Arifa. ‘A female hero for Trafalgar Square’, The Independent, 16 June 2005, p.13
‘The sign of a healthy culture’, The Independent, 16 June 2005, p.32
‘In the air’, Art & Auction, June 2005, p.25
Moulton, Aaron. ‘Marc Quinn. White Cube’, Flash Art, May/June 2005, pp.150-151
Nadelman, Cynthia. ‘Marc Quinn. Mary Boone’, ARTNews, May 2005, p.141
Higgins, Charlotte. ‘Bloody fortune. Saatchi sells Britart classic for £1.5m’, The Guardian, 21 April 2005, p.8
Aspden, Peter. ‘Saatchi sale seen as ending of love affair with Brit art’, Financial Times, 21 April 2005, p.4
Akbar, Arifa. ‘Head made of blood sold by Saatchi for profit of £1,487,000’, The Independent, 21 April 2005, p.18
Leitch, Luke. ‘Blow to Young British Artists as Saatchi loses his head’, Evening Standard, 20 April 2005, p.19
Jones, Dafydd. ‘Marc Quinn’, Art Review, Vol. LVI, April 2005, p.112
Field, Marcus. ‘Medicated to the one I love’, The Independent on Sunday, 27 March 2005, p.26
‘Kissing in public’, Sheffield Telegraph, 25 March 2005, p.25
Kent, Sarah. ‘Marc Quinn. White Cube’, Time Out, London, 16-23 March 2005, p.58
Lubbock, Tom. ‘Already mades’, The Independent Review, 14 March 2005, p.12
Seal, Rebecca. ‘There be more monsters’, The Observer, 13 March 2005, p.12
McMeekan, Emilie. ‘Pill seekers’, ES Magazine, 11 March 2005, pp.4-5
Steward, Sue. ‘Waxing lyrical on the fragile body’, Evening Standard, 7 March 2005, p.75
Güner, Fisun. ‘The art of staying alive’, Metro, 7 March 2005, p.31
Leitch, Luke. ‘Keep taking the tablets’, Evening Standard, 4 March 2005, p.11
Campbell-Johnston, Rachel. ‘Body of work shows art as a matter of life and death’, The Times, 4 March 2005, p.24
Güner, Fisun. ‘The world according to…Marc Quinn’, Metro, 1 March 2005, p.27
‘How to sound clever about: Marc Quinn’, Arena, March 2005, p.76
‘Marc Quinn’, The Guardian: Guide, 26 February 2005, p.36
Millard, Rosie. ‘Modelled on medicine’, The Times, 26 February 2005, p.6
Millard, Rosie. ‘Six hundred years separate Marc Quinn from Rogier van der Weyden. But there are similarities’, The New Statesman, 21 February 2005, p.41
Barrell, Tony. ‘Daddy Cool’, The Sunday Times Magazine, 20 February 2005, pp.23-29
Harris, Jane. ‘One Man’s Meat: Marc Quinn Plunders the Butcher Shop’, The Village Voice, New York, 7 February 2005
Barker, Godfrey. ‘Is Charles in charge?’, ES Magazine, 4 February 2005, pp.21-22
The Art Newspaper, No.155, February 2005, p.7

Nadelman, Cynthia. ‘Middle-Aged Gods and Giant Babies’, ARTNews, December 2004, pp.116-121
‘Frieze already an established British tradition’, The Art Newspaper, No.152, November 2004, p.45
Weinberg, Michelle. ‘Get Unreal’, Miami Newtimes, 21-27 October 2004, p.52
‘Growing Creativity’, Frieze, Issue 86, October 2004, p.110
Ebony, David. ‘Marc Quinn at Mary Boone’, Art In America, September 2004, pp.123-124
Dunne, Aidan. ‘Art that you can get your teeth into’, The Irish Times, 5 July 2004, p.10
Lucas, Vicky. ‘’Alison Lapper Pregnant’ sculpture debate’, Dail Magazine, Issue 182, Summer 2004, p.2
Hackworth, Nick. ‘A brush with nature’, Evening Standard, 2 June 2004, p.50
Campbell-Johnston, Rachel. ‘Field of dreams’, The Times, 22 May 2004, p.24
Ward, Ossian. ‘Home from Home’, The Observer. Review, 16 May 2004, p.8
Buck, Louisa. ‘Alison Lapper goes on the plinth’, The Art Newspaper, No.146, April 2004, p.36
‘Fourth Plinth’, Art Monthly, No.275, April 2995, p.16
Thorpe, Vanessa. ‘Mother courage’, The Observer, 21 March 2004, p.25
Street-Porter, Janet. ‘Like it or not, we get the art we deserve’, The Independent on Sunday, 21 March 2004, p.24
Orr, Deborah. ‘We still have plenty of taboos to lose about women, sex and pregnancy’, The Independent, 20 March 2004, p.13
Hattersley, Roy. ‘Yes, she is a truly courageous woman. But the home of Nelson is no place for this statue’, Daily Mail, 17 March 2004, p.15
Leitch, Luke. ‘So what is your verdict on the plinth?’, Evening Standard, 17 March 2004, p.9
Malvern, Jack. ‘I deserve to be on a pedestal, says model for plinth statue’, The Times, 17 March 2004, p.14
‘Trafalgar tribute’, The Guardian, 17 March 2004, p.23
Freeman, Hadley. ‘Why shouldn’t my body be art?’, The Guardian, 17 March 2004, p.6
Milmo, Cahal. ‘The woman on the plinth: the story of Alison Lapper’, The Independent, 17 March 2004, pp.14-15
Reynolds, Nigel. ‘Disabled mother ‘delighted’ with Trafalgar statue’, The Daily Telegraph, 17 March 2004, p.10
Mcleod, Maurice. ‘Pregnant, armless…and going on display in London’, Daily Express, 16 March 2004, p.24
Hall, Tim. ‘The new star of Trafalgar Square…a disabled nude who is 8½ months pregnant’, Daily Mail, 16 March 2004, p.9
Reynolds, Nigel. ‘Trafalgar gets two works for one plinth’, The Daily Telegraph, 16 March 2004, p.5
Malvern, Jack. ‘Pregnant, no arms, but star of the square’, The Times, 16 March 2004, p.17
Jury, Louise. ‘Armless sculpture chosen for Trafalgar’s plinth’, The Independent, 16 March 2004, p.13
Jones, Jonathan. ‘Pregnant and proud: statue of artist wins place in Trafalgar Square’, The Guardian, 16 March 2004, p.3
Kennedy, Maev. ‘Pregnant and proud: statue of artist wins place in Trafalgar Square’, The Guardian, 16 March 2004, p.3
Leitch, Luke. ‘Art world divided by marble disabled nude’, Evening Standard, 16 March 2004, p.3
‘The Plinth Problem’, Evening Standard, 16 March 2004, p.11
Kennedy, Steve. ‘Travulgar Square’, The Sun, 16 March 2004, p.27
‘The Art of Dying’, The Independent Magazine, 6 March 2004, p.18
Adams, Tim. ‘Art on a plate’, The Observer Food Monthly, March 2004, p.22-25
Usherwood, Paul. ‘The Battle of Trafalgar Square’, Art Monthly, March 2004, p.43
‘Marc Quinn-Alison Lapper Pregnant’, Evening Standard, 16 January 2004, p.33
Pagel, David. ‘Reality and irony collide’, LA Times, 2 January 2004, pp.1, 40

Leitch, Luke. ‘Are they serious?’, Evening Standard, 11 December 2003, p.3
Kiderra, Inga. ‘It’s a Focus on the Faux in This New Exhibition’, Chronicle, Volume 23, Number 13, 17 November 2003, p.1
Kirsch, Elisabeth. ‘Other Nature’, The Kansas City Star, 24 October 2003, p.18
May, Marianne. ‘Taken Out of Circulation’, Chicago Art Journal, July 2003, pp.14-23
Darwent, Charles. ‘Loch Lomond, the Grand Canal: spot the difference’, The Independent on Sunday, 15 June 2003, p.10
O’Kelly, Emma. ‘Viewfinder: The Overwhelming World of Desire’, The Daily Telegraph, Arts, June 7 2003, p.3
Sawyer, Miranda. ‘Flower Show’, Observer Magazine, 25 May 2003, pp.18-24
Jenkins, David. ‘All White Now’, The Sunday Telegraph Magazine, 11 May 2003, pp.12-18
Picardie, Justine. ‘Raw Talent’, Vogue, May 2003, pp.194-197
Cassidy, Sarah. ‘No Blood spilt as Brit Art star gives pupils a hands-on lesson’, The Independent, 3 May 2003, p.9
‘Saatchi: The definitive guide to the new Thameside gallery’, The Observer (Supplement), April 6 2003
‘Goodwood goes to town’, Art Review, April 2003, Vol. LIV, p.29
Crow, Thomas. ‘Marx to sharks’, Artforum, April 2003, pp.45-52
‘Gleaming The Cube’, V Magazine, March/April 2003
Collings, Matthew. ‘Everything you wanted to know about contemporary art…’, Arena, March 2003, pp.130-131
Bennett, Lennie. ‘Fooling around with Mother Nature’, St Petersburg Times, 26 January 2003

‘A genetic portrait’, Q1, Welcome news Supplement, December 2002, p.38
Parker, Lauren. ‘Harmony Garden’, Smock, Winter 2002 , Vol.2, No.1.
Mullins, Charlotte. ‘Liverpool, Marc Quinn at the Tate Liverpool’, Art in America , October 2002
Self, Will. ‘Going off their heads’, Evening Standard, 5 July 2002, p.15
Bosco, Roberta. ‘Marc Quinn presenta en Barcelona su obra mas poetica y menos polemica’, La Cultura, 12 June 2002, p.36
Ross, Peter. ‘Head to Head’, Sunday Herald, May 12 2002, pp.16-23
Darwent, Charles. ‘Keeping Time’, Modern Painters, Spring 2002, Vol.15, No.1, p.50
Arnold, Ken. ‘Framed: Marc Quinn’, Tate Magazine, Issue 28, Spring 2002, p.19
Darwent, Charles. ‘Flick the Switch and its done for’, The Independent on Sunday, Arts, February 24 2002, p.10
Gayford, Martin. ‘What a bloody mess’, The Daily Telegraph, 13 February 2002, p.25
Cumming, Laura. ‘Out of body experiences’, The Observer Review, February 3 2002, p.9
Hickling, Alfred. ‘Marc Quinn’s bloody beauty’, The Guardian, 1 February 2002, p.18
Buck, Louisa. ‘Exhibition Diary’, The World of Interiors, February 2002, p.111
Gisbourne, Mark. ‘The Self and others, the art of Marc Quinn’, Contemporary, February 2002, pp.51-57
Werner, Marc. ‘Self-Made Man’, Art Review, February 2002, Vol LII, pp.33-39
Pietsch, Hans. Art Das Kunstmagazin, February 2002, p.91
Gavin, Francesca. ‘Do It Fluid’, Dazed & Confused, February 2002, p.44
Cowan, Amber. ‘Marc Quinn: Tate Liverpool’, Play, 26 January – 1 February 2002, p.24
Murphy, Dominic. ‘Blood and Guts’, The Guardian, Arts, January 24 2002, p12
Aidin, Rose. ‘The Mighty Quinn’, The Times magazine, January 19 2002, pp.24-27

Oakley, Ann. ‘Genomic Portrait’, Mouth, Winter 2001, pp.74-75
Gleadell, Colin. ‘Artists’ Colony’, Telegraph Magazine, 13 October 2001, pp.40-41
Steadman, Daniel. ‘Marc and Miuccia’, ID The popular Issue , October 2001, pp.206-212
Palmer Judith. ‘Sir John Sulston and Marc Quinn’, The Independent on Sunday, 30 September 2001, pp.5-6
Jones, Jonathan. ‘Portrait of the week no 76’, The Guardian, 22 September 2001, p.4
Smith, Charles Saumarez, ‘When is a portrait not a portrait?’, The Daily Telegraph, 19 September 2001, p.23
‘An abstract perfect likeness’, The Times, 19 September 2001, p.16
‘Power’, Visionaire 36, 2001
O’Connell, Alex. ‘Frankenstein’s mantra’, The Times, 18 September 2001, pp.16-17
Brooks, Richard. ‘Gallery unveils portrait of the scientist as a piece of DNA’, The Sunday Times, 16 September 2001, p.7
‘The Mighty Quinn’, ArtReview, September 2001, p.19
‘How I froze my head and made £10m’, The Independent on Sunday, 22 June 2001, p.9
‘Share divided’, I-D Magazine, April 2001, p.66
‘The Medium and the Message’, BBC Introduction to Modern and Contemporary Art, April 2001, p.7, 14
Griffiths, Dr Mark. ‘Stumped!’, Bizarre, April 2001, p.71
Bussel, David. ‘Body Language’, Numero, April 2001, pp.61, 206-211
Gayford, Martin. ‘Trip into the unknown’, The Spectator, 17 February 2001
‘Exhibition of the week’, The Week, 16 February 2001, p.22
Kent, Sarah. ‘Shock of the old’, Timeout, 14-21 February 2001
Aiden, Rose. ‘A Statuesque kind of honesty’, The Sunday Telegraph, 11 February 2001, p.9
Haliburton, Racheal. ‘Bouncers pack a punch’, Evening Standard, 5 February 2001, p.61
Sutcliff, Thomas.’Reinventing the old masters’, Independent, 3 February 2001
Cork, Richard. ‘At home from home’, The Times, 24 January 2001, pp.17-18
Sheriff, Kate. ‘ Marc Quinn, Sculptor’, Southbank, January 2001, p.38
Coxhead, Gabriel. ‘Exhibit B:Still Life’, Dazed and Confused , January 2001, p.60

Cumming, Laura. ‘Blood, blood, glorious blood’, The Observer Review, December 17 2000, p.11
Januszczk, Waldemar. ‘Matter of Life and Death’, The Sunday Times, 10 December 2000, p.6
Buck, Louisa. ‘Body language’, Evening Standard, 1 December 2000, p.32
Buck, Louisa. ‘Fruit of the Bloom’, Esquire, December 2000
Aiden, Rose. ‘How he turned his body into art’, The Independent on Sunday, 26 November 2000, p.5
Barragan, Paco. ‘Los pecados de Quinn’, ABC Cultural, 25 November 2000, p.38
Alvarez,Maria. ‘Capturing the moment’, Telegraph Magazine, 25 November 2000, pp.64-68
Buck, Louisa. ‘Away from his body’, The Art Newspaper, November 2000, p.28
GV. ‘Marc Quinn. Fondazione Prada’, Artforum, October 2000, xxxix no.2
Preece, Robert. ‘Shock : An Interview with Marc Quinn’, Sculpture ,October 2000, pp.15-19
Poli, Franceso. ‘Marc Quinn: Fondazione Prada, Milan’, Tema Celeste, July/September 2000, p.82
Tazzi, Pier Luigi. ‘Marc Quinn so many wonders’, Interview Magazine, July 2000, p.22
Menegoi, Simone. ‘The End Game’, Activa Human F@cto, July 2000, pp.200-208
Vendrame, Von Simona, ‘der unsterbliche Korper und dessen Verganglichkeit’, Frame, July 2000, pp. 57-61
Irvine, Susan.’Silicone Alley’, The Sunday Telegraph Magazine , 11 June 2003, pp.40-41
‘Il sangue alla testa’, Vernissace, May 2000, No.5, pp.17-18
‘Kate Moss. Fashion Meets’, Vogue (UK), May 2000, pp.157-171
Graham-Dixon, Andrew. ‘The Art of Success’, Vogue (UK), May 2000, pp.178-191
Bennett, Oliver. ‘Britart grows up’, The Independent Magazine, 1 April 2000, pp.8-15

Leader, Darian. ‘Thoughts on the work of Marc Quinn’, Kunstverein Hannover Germany, 1999
Ludeking, Karlheinz. ‘What it means to be living, material being’, Kunstforum International, Issue 148, 1999, pp. 182-193
‘Marc Quinn in Conversation with Karljeinz Lüdeking’, Kunstforum International, No.148, December 1999, pp.182-193
Field, Marcus. ‘Pumping Art’, The Independent on Sunday, 19 December 1999, p.33
Hattenstone, Simon. ‘Marc Quinn. Blood Brother’, The Guardian, 25 October 1999, p.4
‘Art Crystal Ball’, Interview Magazine, October 1999, p.234
Lyall, Sarah. ‘Furor is Nothing New for Young British Artists’, Herald Tribune, 19 October 1999
Lall, Sarah. ‘Where the Brouhaha Was Born’, The New York Times, 14 October 1999, pp.1-3
Kimmelman, Michael. ‘After All That Yelling, Time to Think’, The New York Times Weekend, 1 October 1999, pp.31-32,35
Ellison, Michael. ‘New York Seeks to Ban Britart Sensation’, The Guardian, 24 September 1999
McNair, James. ‘ How we met: David Huggins and Marc Quinn’, The Independent on Sunday , 13 June 1999, p.57
Vendrame, Simona. ‘Il corpo indelebile e la sua caducità’, Tema Celeste, No.74, May/June 1999, pp.32-39

Burton, Jane. ‘Shark Tactics: How Damien Hirst and his contemporaries became international art stars’, Artnews, November 1998, pp.137-139
Puttnam, James. ‘Book Reviews: Incarnate’, Tate Magazine, Issue 16, Winter 1998, pp.73-74
Reilly, Maura. ‘Marc Quinn at Gagosian’, Art in America , November 1998, No.11
Glassman, Julie. ‘Body Double’, Arena, Spectator Art , October 1998, p.38
Willis, Tim. ‘What Bloody Man is This?’, The Saturday Telegraph Magazine, 23 August 1998, pp.20-21
Peaker, Carol. ‘Marc Quinn’, International Contemporary Art, London, Issue 58, May-August 1998, p.48
Smith, Roberta. ‘Marc Quinn’, The New York Times, 19 June 1998
Griffin, Tim. ‘Marc Quinn’, Time Out, New York, 18-25 June 1998
Marc Quinn. Gagosian Gallery, New York Contemporary Art Report 1998, pp.28-29
Gisbourne, Mark. ‘Marc Quinn’, Contemporary Visual Arts, Issue 19, Summer 1998, p.77
Self, Will. ‘Head Case’, Details Magazine, May 1998, pp.82-83
Hall, James. ‘Marc Quinn. South London Gallery’, Artforum, New York, May 1998
Millard, Rosie. ‘Of Mice and Mendacity’, Cutting Edge: Art Review , March 1998, pp.36-37
Lubbock, Tom. ‘What a work of art is man’, The Independent, 24 February 1998, p.14
Feaver, William. ‘It will never take off’, The Observer Review, 22 February 1998
Gayford, Martin. ‘Ice man with a hot future’, The Daily Telegraph, 12 February 1998, p.26
Campbell-Johnston, Rachel. ‘Around the Galleries’, The Times, 11 February 1998
Whitford, Frank. ‘Raw flesh that looks pretty in pink.’, The Sunday Times, 8 February 1998, pp.8-9
Buck, Louisa. ‘Quinn Chills Out’, The Art Newspaper, No.78, February 1998
Hughes, Sophie. ‘Marc Quinn’, Time Out, London, 25 February -4 March 1998, p.47
Sumpter, Helen. ‘Look what’s in the freezer’, The Big Issue, 26 January – 1 February 1998, p.33
Gayford, Martin. ‘Artists on Art: Marc Quinn on Hans Holbein’s The Ambassadors (1533)’, The Daily Telegraph, January 1998

Collings, Matthew. ‘‘The New Establishment’, Independent on Sunday, August 1997, p.9

‘Incarnate. Special Artist’s Project’, Dazed & Confused, July 1996
‘A brush with genius’, The Guardian, 27 February 1996
Lennon, Peter. ‘Art in a pickle’, The Guardian, 2 February 1996, p.4

Corrigan, Susan. ‘New Art Riot’, I-D Magazine, December 1995, no.147, pp.36-37
Negrotti, Rosanna. ‘Lead and buried’, What’s On, August 2 1995, p.12
Kent, Sarah. ‘Severed states’, Time Out, 19-26 July 1995, p.47
Hall, James. ‘The Agony and the Ecstasy’, The Guardian, 8 July 1995
MacRitchie, Lynn. ‘A very good head for figures’, The Guardian, 8 July 1995, p. 30
Craddock, Sacha. ‘Cast into darkness’, The Times, 1 July 1995
Jackson, Kevin. ‘Marc Quinn: head & shoulders above the rest’, Arena, July 1995
Virdon, Bridget. ‘Detox’, G-Spot, Summer 1995, p.61
Haden-Guest, Anthony. ‘In your face and off the wall’, The Sunday Times Magazine, 18 June 1995, p.40
Sanders, Marc. ‘Invasion of the Body Sculptures’, Dazed & Confused, Issue 13, January 1995, pp.42-45
Norman, Geraldine. ‘The young pretenders’, The Independent on Sunday, 1 January 1995, p.62

Muller, Brian. ‘A Real Art. New Modernism. British Reflexive Painters in the 1990s’, Art Line, Vol. 6, No.2, Winter 1994/1995, pp.36-43
Walters, Guy. ‘Making a present from the past’, The Times, 14 December 1994
Hall, James. ‘About Time’, The Guardian, 5 December 1994
‘Marc Quinn’, The Sunday Times Magazine, 17 April 1994

Hall, James. ‘A head of the game’, The Guardian, 24 September 1993
‘Absolutely British’, Harpers & Queen, 20 September 1993, p.142
‘Sexy statue shocks church leaders’, Bangkok Post, 17 August 1993
Richardson, Paul. ‘‘Young blood’, Evening Standard, 25 February 1993, p. 41
Beaumont, Peter. ‘Is art dead? Critics paint it black’, The Observer, 14 February 1993
White, Lesley. ‘Shock Tactics’, The Sunday Times Magazine, 14 February 1993, pp.50-51
Feaver, William. ‘Phew! What a freezer!’, The Observer, 14 February 1993
Cork, Richard. ‘Blood and guts in a new vein’, The Times, 12 February 1993
Kent, Sarah. ‘Less is Gore’, Time Out, 3-10 February 1993
Rankin-Reed, Jane. ‘Bad blood’, Art + Text, January 1993, pp.26-28

Helm, Edward. ‘Blood simple’, Esquire, 26 November 1992
Corris, Michael. ‘Marc Quinn, Grob Gallery’, Artforum, January 1992
Baker, Tom. ‘Marc Quinn: Sculptor’, Arena, January 1992

Carson, Liam. ‘Wise Blood’, G-Spot, Winter 1991

‘Forging Wit and Intellect’, The Artist’s and Illustrator’s Magazine, Issue 23, August 1988
Beaumont, Mary Rose. ‘Marc Quinn: The Otis Gallery’, Arts Review, 20 May 1988

Audio and Visual
Marc Quinn, ‘The South Bank Show’, ITV broadcast, 16 December 2000

Marc Quinn, ‘The Eye’. Illuminations Publishing. VHS. Approx 26 mins. 2003

Illustration Commissions for Periodicals
Quinn, Marc and Will Self. ‘Harper’s Bizarre/The Gesture’, Harper’s Bizaar, July 2006, pp.116-119

Quinn, Marc and Ronan Bennett. ‘Zugzwang’, The Observer, 23 July 2006, p.8-11

Quinn, Marc and Ronan Bennett. ‘Zugzwang’, The Observer, 16 July 2006, p.12

Quinn, Marc and Ronan Bennett. ‘Zugzwang’, The Observer, 9 July 2006, p.12

Quinn, Marc and Ronan Bennett. ‘Zugzwang’, The Observer, 2 July 2006, p.14

Quinn, Marc and Ronan Bennett. ‘Zugzwang’, The Observer, 25 June 2006, p.12

Quinn, Marc and Ronan Bennett. ‘Zugzwang’, The Observer, 18 June 2006, p.12

Quinn, Marc and Ronan Bennett. ‘Zugzwang’, The Observer, 11 June 2006, p.12

Quinn, Marc and Ronan Bennett. ‘Zugzwang’, The Observer, 4 June 2006, p.20

More on Marc Quinn

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	Related Links
http://www.fourthplinth.co.... Fourth Plint
http://www.groningermuseum.... Groninger Museum, Groningen
http://www.marcquinn.com/ Marc Quinn
http://www.tate.org.uk/serv... Tate Online
http://www.tate.org.uk/abou... Tate Online

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