“Honor Roll: A Top 10 For Your Radar.” Papercity. Houston, May 2006. p.45.
Kosha, Pratima. “Treasure House of Images.” Matrika Yoga, Spring 2006, Vol. 2. p.66-71.
“A Night at Christie’s.” Studio: The Studio Museum in Harlem Magazine, Spring 2006, p.52-53.
Murray, Derek Conrad and Soraya. “Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity.”
Art Journal, Spring 2006, vol. 65, no. 1, p.23-39
“New This Month in U.S. Museums”, ArtNet Magazine. www.artnet.com/magazineus/news/ ntm/ntm12-1-
05.asp. December 1, 2005.
Kino, Carol. “Teaming With the Artists to Buoy the Bottom Line.” The New York Times, 29 March 2006.
Dodie, Kazanjian. “Art: Apocalypse Now”, Vogue, September 2004.
H., L. “Enjambre”, EXIT Express. March 2006. No.18.
Row, D.K. “Ovitz Collection Takes on an Adventurous Dimension.” The Sunday Oregonian. February 19,
2006. p.6.
Hughes, Jeffrey. “Julie Mehretu – St. Louis.” Art Papers, January-February 2006, pp. 68-69.
Sozanski, Edward. “By Multiplication, Products of Art”, The Philadelphia Inquirer, December 25, 2005,
pg.H10.
Rosof, Libby. “Swarm From The Art World Ether”, Artblog. www.fallonandrosof.com/2005/12/swarm-fromart-
world-ether.html. December 7, 2005.
“Swarm Opens at Fabric Workshop and Museum”, Artdaily.com,
www.artdaily.com/section/news/index.asp?int_sec=2&int_new=15679, December 3, 2005.
Golden, Thelma. ArtForum International: Best of 2005. December 2005, No.4. p.250.
Mehretu. Julie. “The Artists’ Artists.” ArtForum International: Best of 2005. December 2005, No.4. p.107.
Chaplin, Julia. “In Miami Beach, Parties, Boldface Names and, Yes, Some Art.” The New York Times,
27 November 2005.
“ Mapping Space Charts New Ways of Seeing Our World”, Entertainment News and Views, November 18 –
24, 2005, p.8
“’Mapping Space’ MAM exhibition offers 37 perspectives on environs”, Coral Gables Gazette, November 17
– 23, 2005
Lee, Felicia R. “This Year’s ‘Genius Awards’ Reach Into Unusual Fields.” The New York Times, 20
September 2005: p. E3.
Siemaszko, Corky. “Gotham Geniuses.” Daily News, 20 September 2005.
“Studio: Hausbesuche.” Elle (Deutche Ausgabe), September 2005. p 43.
Grosenick, Uta. “Julie Mehretu.” Art Now, Vol. 2. Taschen, 2005. p.288-291.
“Julie Mehretu in Remote Viewing: Invented Worlds in Recent Painting and Drawings.” Studio: The Studio
Museum in Harlem Magazine, Summer 2005, p.12.
“Remote Viewing Invented Worlds in Recent Painting.” artdaily.com, 13 June 2005.
Zeaman, John. “Complex Worlds in a high-tech Age.” NorthJersey.com, 10 June 2005.
Gural, Natasha. “Show Bridges Abstraction, Representation.” Associated Press, 6 June 2005.
Glueck, Grace. “Tapping Into a Glut of Information and Making Sense (and Art) of It All.” The New York
Times, 3 June 2005.
“Remote Viewing Invented Worlds in Recent Painting.” Art Knowledge News, www.artknowledgenews.com
Rimanelli, David. “Greater New York 2005.” Artforum.com, May 2005.
Rabinowitz, Cay Sophie. “Julie Mehretu’s Baroque Look Back.” Db artmag, May 2005.
Sholis, Brian. “Julie Mehretu – Projectile Gallery.” Critic’s Pick. Artforum.com, May 2005.
Chua, Lawrence. “Julie Mehretu.” Bomb Magazine. Spring 2005, pp. 24 – 31.
Dannatt, Adrian. “New York Diary.” The Art Newspaper, No. 156, March 2005: p.33.
Harris, Jane. “The Ruling Class: Seeking the poetic potential of neutral signs.” The Village Voice Voice,
Choices 16-22 March 2005: p.8.
Plagens, Peter. "Portrait of The Artist." Newsweek, January 2005: p 105.
“Arte de Temporada.” Exit Express, No. 6 October 2004. pp. 8-9.
Ligon, Glenn. “Glenn Ligon”, Artforum, September 2004.
Miles, Christopher, “Julie Mehretu: The Gallery at RedCat” Artforum, September 2004.
Frank, Peter, “Art Pick of the Week: Julie Mehretu”, LA Weekly, July 23-29, 2004, p. 134.
Hirsch, Faye. “Full-Throttle Abstract”, Art in America, June/July 2004.
Lorenza Pignatti. “The art of noise”, Kult, June 2004.
Joselit, David. “Apocalipse not”, Artforum, May 2004, pp.172-3.
Jerry Saltz. “Blotto, meet buzzed”, Village Voice, May 11, 2004, p. C89.
Clark, Chris. “Visions from abstract Voyager”, The Spectrum. SUNY, February 4, 2004.
Hughes, Robert J. “Rising Stars of Spring”, The Wall Street Journal, 12 March 2004, p. W2
Gouveia, Georgette. “Living in a Material World”, The Journal News, 12 March 2004, p. E1
Kimmelman, Michael. “Touching All Bases, Even Beauty, at the Whitney Biennial”, The New York Times, March 12, 2004, p. 38.
Stange, Raimar. “Julie Mehretu bei Carlier/Gebauer”, Kunst Bulletin, March 2004, p. 37
Herbstreuth, Peter. “Explosionen in Zeitlupe”, Der Tagesspiegel, 21 February 2004
http://www.DEPAUW.EDU/news/story.asp?id=379364467939815, 26 January 2004
Huntington, Richard. “Technical Ecstasy”, The Buffalo News, January 30, 2004, pp. 21-23.
Schwan, Gary. “Young Artists eschew "art correctness"”, The Palm Beach Post, 26 October 2003.
“Post-Modern Pollocks & Explorations”, Closer, October 2003, pp. 45-7.
Turner, Elisa. “Close Encounters”, The Herald, 21 September 2003.
Sjostrom, Jan. “Painter's show at PBICA a cultural whirlwind on canvas”, Palm Beach Daily News, 29 September 2003, p.3
Turner, Elisa. “Mehretu Magic”, The Miami Herald, 26 October 2003.
“Abstractionism”, Art+Auction, July 2003, p. 94.
Berwick, Carly. "Julie Mehretu", Elle Decor, June/July 2003.
Beatrice, Luca. “I Moderni”, Flash Art, June/July 2003.
Casciani, Stefano. “Are the moderns back?”, Domus, June 2003.
“Histoires passees et futures”, Le journal des arts, May/June 2003.
Barilli, Renato. “Come sono "antichi" questi moderni”, l'Unita', 4 May 2003.
Bosco, Roberta. “Quienes son los modernos?”, El Pais, 3 May 2003.
Curto, Guido. “I Moderni al Castello”, Torino Sette, 17 April 2003.
Fanelli, Franco. “Moderni si', modaioli no: chi sono gli artisti della generazione post-Twin Towers”, Il giornale dell'arte, April 2003.
Kim, Christine Y. "color blind", V magazine, March-April 2003.
“Castello di Rivoli”, Tema Celeste, March/April 2003.
Rosenberg, Karen. “Biennial Favorites”, March 01, 2003.
Sjostrom, Jan. “Painter’s show at PBICA a cultural whirlwind on canvas”, Palm Beach Daily News.
“I Moderni/The Moderns”, Artforum, January 2003.
“The Moderns”, World of art, 2003.
Dumbadze, Alexander. “Julie’s World”. Branna. Winter 2002.
Chua, Lawrence. "Julie Mehretu", Black Book Magazine. December 2002.
Firstenberg, Lauri. "Painting Platform in NY", Flash Art, Nov- Dec 2002.
Gomez, Edward M. “Art/Architecture New Yorkers Now, Their Gifts Were Nurtured in Texas”, The New York Times, September 22, 2002.
Schroeder, Ivy. “Terra Scoped”, Riverfront Times, July 10, 2002.
Berwick, Carley. “10 Artists to Watch”, ArtNews, March 2002.
Harris, Susan. Art in America, March 2002.
Griffin, Tim. “Exploded view”, Time Out New York, Dec. 6-13, 2001.
Sirmans, Franklin. “Mapping a New, and Urgent, History of the World”, New York Times, December 9, 2001.
Chua Lawrence. Jalouse, November, 2001.
Cotter, Holland. "A Full Studio Museum Show Starts with 28 Young Artists and a Shoehorn," The New York Times, May 11, 2001.
Tim Griffin. "Race Matters," Time Out, May 24-31, 2001
David Hunt et al. Freestyle, exhibition catalogue, The Studio Museum in Harlem, New York, 2001.
Bill Maxwell. "Art offers new notions of being black" St. Petersburg Times, 2001
Ed., "The New Masters" Vibe, May 2001
Meghan Daily, "Freestyle" Artforum, May 2001
Hoptman, Laura, "Crosstown Traffic", frieze, September 2000
Anton, Saul, "The Art World's Best-Kept Secret-Revealed!", www.edificerex.com, June 2000
Anton, Saul, "Glenn Brown, Julie Mehretu, Peter Rostovsky", Time Out New York, June 15-22, 2000
Cotter, Holland, "Glenn Brown, Julie Mehretu, Peter Rostovsky", The New York Times, June 23, 2000
Saltz, Jerry. "Greater Expectations". The Village Voice. March 7-13, 2000
Cotter, Holland. "New York Contemporary, Defined 150 Ways." The New York Times. March 6, 2000
Dumbadze, Alexander. "Julie Mehretu and Amy Brock". New Art Examiner. September,1999.
Dumbadze, Alexander. "Core 1999". Art Papers. July/August, 1999.
Dewan, Shaila. "Remaining Calm".Houston Press, April, 07, 1999.
Johnson, Patricia. "Esprit de Core/Fresh visions light the way for city's young artists". Houston Chronicle, March 21, 1999.
Lauster, Daryl. "Introductions '98". Artlies. Summer, 1998.
Dewan, Shaila. "Bugs to Beauty". Houston Press. July, 30, 1998.
Exhibition Catalogues and Publications
Else/where: Mapping – New Cartographies of Networks and Territories. Janet Abrams & Peter Hall, Editors.
Minnesota: University of Minnesota Design Institute, 2006. Pp. 248-253
Miller, Abbott and Ellen, Lupton. Swarm. The Fabric Workshop and Museum. Philadelphia, 2005. p.80-83.
Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Joan
Rothfuss and Elizabeth Carpenter, editors. Minneapolis: Walker Art Center, 2005. pp. 384-385.
Rabinowitz, Cay Sophie. “Julie Mehretu’s Baroque Look Back.” 25 Visuell. Dr. Ariane Grigoteit, editor.
Berlin: Deutsche Bank Art, 2005. pp. 27-33.
Julie Mehretu, Entropia: Construction. Minneapolis, Minnesota, 2005.
Logical Conclusions; 40 Years of Rule-Based Art. Bernice Rose, editor. New York: Pace Wildenstein, 2005.
pp 151-151.
Künstlerinnen: Atelierbesuche in Berlin, Moskau, New York. Irene von Hardenberg, Editor. pp 126-134.
Conrads, Martin. “Right Here, Right Now.” Julie Mehretu. Berlin: carlier l gebauer, 2004.
Jacobson, Heidi Zuckerman. “Manifesting Social Change: Julie Mehretu’s Recent Paintings and Drawings.”
Julie Mehretu / Matrix 211 Manifestation. Berkeley:University of California, Berkeley Art Museum,
2004.
Thomas, Elizabeth. “Julie Mehretu.” 54th Carnegie International. Michelle Piranio, Editor. Pittsburgh:
Carnegie Museum of Art, Carnegie Institute, 2004. pp 188-191.
Jacobson, Heidi Zuckerman. “Manifesting Social Change: Julie Mehretu’s Recent Paintings and Drawings.”
26th Bienal de São Paulo. (reprinted with permission from Matrix catalogue, see above). Alfons
Hug, Editor. São Paulo: Fundação Bienal de São Paulo, 2004. pp 154-7.
Whitney Biennial 2004. Chrissie Iles, Shamim M. Momin, Debra Singer, curators. New York: The Whitney
Museum of American Art, 2004.
Christofori, Ralf. “Julie Mehretu: The eye of ra.” Firewall. Kulturamt der Stadt Münster, editor. Germany:
Kerber Edition Fine Art, 2004. pp 62-7.
Africa Remix. Angelika Thill Verlagsbüro, Editor. Düsseldorf: Hatje Cantz Verlag, 2004. pp. 206-207.
Back to Paint. C & M Arts, New York, NY
Julie Mehretu: Drawing Into Painting. Douglas Fogle, editor. Minneapolis: Walker Art Center, 2003.
Hunt, David. “Julie Mehretu.” I Moderni / The Moderns. Claudio Nasso, editor. Milan, Italy: Skira Editore
S.p.A., 2003. pp 141-148.
Outlook: International Art Exhibition Athens 2003. Christos M. Joachimides, Editor. Athens, Greece:
Hellenic Culture Organization S.A., 2003. pp. 232-3.
Splat Boom Pow! The Influence of Comics in Contemporary Art. Houston: Contemporary Arts Museum
Houston, 2003. Pg. 69.
Harney, Elizabeth. “The Poetics of Diaspora.” Ethiopian Passages: Contemporary Art from the Diaspora.
Migs Grove, Editor. Washington D.C.: National Museum for African Art, Smithsonian Institution,
2003. pp. 27-30.
Christov-Bakargiev, Carolyn. “Julie Mehretu.” Cream 3. Gilda Williams, Editor. London: Phaidon Press,
2003. pp. 220-223.
Poetic Justice, 8th International Istanbul Biennial . Istanbul, Turkey
Lazarus Effect, Prague Biennial 1. Prague, Czech Republic
GNS. Palais du Tokyo, Paris, France
Social Strategies: Redefining Social Realism. University of California, Santa Barbara, CA
White Cube Volume I. Honey Luard, Editor. Göttingen: Steidl Publishers, 2002. pp. 10-11.
Chua, Lawrence. “Something Else.” Stalder / Solakov / Mehretu. Madeleine Schuppli, Editor. Germany:
Kunstmuseum Thun, 2002.
Ellegood, Anne. “Julie Mehretu.” Out of Site: Fictional Architectural Spaces. New York: The New Museum
of Contemporary Art, 2002. 6 pgs.
Watkin, Mel. “Julie Mehretu.” 8th Baltic Triennial of International Art : Center of Attraction. Tobias
Berger, Curator. Vilinius, Lithuania: Contemporary Art Centre, 2002. pp 148-151.
Golden, Thelma. “Julie Mehretu.” Urgent Painting. Paris: Paris-Musées, Éditions des musées de la Ville de
Paris, 2002. pp. 78-79.
Dailey, Meghan. “Julie Mehretu.” Vitamin P: New Perspectives in Painting. Valérie Breuvart, Editor.
London / New York: Phaidon Press Lilmited. 2002. pp 214-17.
The Americans. New Art. London: Booth-Clibborn Editions, 2001. pp. 68-75.
Painting at the Edge of the World. Douglas Fogle, Editor. Minneapolis: The Walker Art Center, 2001.
pp 298-301.
Hunt, David. “Julie Mehretu.” Freestyle. New York: The Studio Museum in Harlem, 2001. Pg 13, pp 58-9.
Casino 2001. Jeanne Greenberg Rohatyn, Curator. Belgium: Stedeiijk Museum Voor Actuele Kunst, 2001.
pp. 88-93.
The Louis Comfort Tiffany Foundation 2001 Awards in Painting, Sculpture, Printmaking, Photography,
Video, and Craft Media. New York; The Louis Comfort Tiffany Foundation, 2001. Pp. 56-7.
The Drawing Center’s Drawing Papers II. New York: The Drawing Center, 2000. pp. 12-13.
Oguibe, Olu. “The Burden of Painting.” Five Continents and One City; Third International Salon of
Painting. Mexcio City: Museo de la Ciudad de Mexico, 2000. pp. 37-44.
Greater New York – New Art in New York Now. New York: P.S. 1 Contemporary Art Center, 2000.
Glenn Brown, Julie Mehretu, Peter Rostovsky. New York: The Project, 2000.
Texas Draws. Houston: Contemporary Arts Museum. 1999. Pg. 12.
Association Galveston. San Angelo, El Paso, Austin, Tyler, TX.
Core 1998. The Glassell School of Art, The Museum of Fine Arts Houston, Houston, TX
A Woman's View, The World Bank International Women's Exhibition. The World Bank Art Society,
Washington DC.
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| Renegade Delirium 3 Jul—28 Sep 2002 | |
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