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Christian Marclay
CV
Born 1955 San Rafael, California
Lives and works in New York City
1975-1977 Geneva, Switzerland, Ecole Supérieure d'Art Visuel
1977-1980 Boston Massachusetts College of Art, Bachelor of Fine Arts
1978 Cooper Union in New York exchange student program
Selected Solo Exhibitions
2008 “Rolywholyover Cycle, The Fifth Episode,” Musée d’Art Moderne et Contemporain, Geneva, Switzerland
“Christian Marclay,” Galerie Art and Essai, Rennes, France
“Christain Marclay: Stereo,” Fraenkel Gallery, San Francisco, United States
2007 “Screenplay,” The Wire 25, London, England
“Christian Marclay,” Michael Benevento, Los Angeles, United States
“Christian Marclay, The Sounds of Christmas,” Musée d’Art Moderne et Contemporain, Geneva, Switzerland
“Up and Out,” ARTPROJX and White Cube, Prince Charles Cinema, London, England
“Up and Out,” Anthology Film Archives, New York, United States
“Christian Marclay,” Woodruff Art Center and The High Museum of Art, Atlanta, United States
"Video Quartet," Western Bridge, Seattle, United States
‘’Replay,’’ Cité de la Musique, Paris, France
''Crossfire," White Cube Hoxton Square, London, England
2006 “The Bell and the Glass,” Moderna Museet, Stockholm, Sweden, April 1, 2006
“Christian Marclay,” Paula Cooper Gallery, New York, 7 October – 18 November 2006
“Hypervision,” curated by Denise Markonish, Westport Art Center, Westport, CT February 24- April 4, 2006
“Mixed Reviews,” MIT List Visual Art Center, Cambridge, MA, January 14-March 17, 2006.
2005 “Shake, Rattle and Roll (Fluxmix),” Paula Cooper Gallery, New York, NY, January
8 - February 5, 2005.
“Christian Marclay,” Galerie Yvon Lambert, Paris, France, September 10 – October 20, 2005.
“Video Score,” Eyebeam, New York, NY, November 11, 2005
“Works on Paper – 2005,” Schmidt Contemporary Art, St. Louis, MO, May 13 - June 11, 2005.
2004 “Shake, Rattle and Roll: Christian Marclay,” Franklin Art Works in collaboration with the Walker Art Center, Minneapolis, MN, June 26 – August 14, 2004.
“The Listening Eyes with Christian Marclay,” Telecom Italia Future Centre, Venice, Italy, June 15-20, 2004.
“Christian Marclay,” Seattle Art Museum, Feb. 5, 2004–Apr. 25, 2004; Kunstmuseum Thun, Switzerland, June 13 – Sep. 5, 2004; Collection Lambert, Avignon, Oct. 30, 2004 – Jan. 16, 2005.
“The Sounds of Christmas” Tate Modern, London, England, Dec. 10 - 22, 2004.
2003 “Christian Marclay: Telephones,” Sprengel Museum Hannover, September 10 – November 23, 2003.
“Christian Marclay,” UCLA Hammer Museum, Los Angeles, CA, June 1 – August 31, 2003. Travelling to The Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY, September 28 – December 19, 2003; The Seattle Art Museum, WA, February 5 – Apr 25, 2004; Kunstmuseum Thun, Switzerland, June 12 – September 6, 2004; Collection Lambert, Avignon, Oct. 30, 2004 – Jan. 9, 2005; Barbican Art Gallery, London, UK, Feb. 17 – May 2, 2005.
“Christian Marclay: The Bell and the Glass,” Philadelphia Museum of Art, Philadelphia, May 17 – July 6, 2003.
“Christian Marclay: Video Quartet,” Kunsthalle Fridericianum, Kassel, Germany, January 19 – March 16, 2003.
“Christian Marclay: Video Quartet,” White Cube, London, England, July 7 – August 30, 2003.
2002 “Christian Marclay: Video Quartet”, Paula Cooper Gallery, NY, 12/12/02-02/01/03.
“Christian Marclay: Three Compositions”, Contemporary Arts Center, New
Orleans, (10/5-12/15/2002)
“Look at the Music/SeeSound: Christian Marclay,” Ystad Art Museum, Sweden (10/12–12/1/02)
“Graffiti Composition,” Neue Nationalgalerie, Berlin, Germany, (3/11/02).
“Sampling/Christian Marclay,” San Francisco Museum of Modern Art, San Francisco, CA (4/11 – 7/28/02)
“Christian Marclay,” November Music 2002, S-Hertogenbosch, The Netherlands (11/6-11/17/02)
“The Sounds of Christmas,” Museum of Contemporary Art, Miami (12/12 – 2/1/03)
2001 “New Works,” Paula Cooper Gallery, New York, NY (01/24 - 02/17/01)
“Guitar Drag,” Gallery Koyanagi, Tokyo, Japan (3/27-4/10/01)
“Currents: Christian Marclay,” Saint Louis Art Museum, St. Louis, Missouri (4/20 – 6/24/01)
Museum of Contemporary Art, Chicago, Illinois (5/5 – 9/2/01)
“Telephones,” Delaware Center for Contemporary Art, Wilmington, DE, (7/1- 9/20/01)
“Audible Imagery,” Museum of Contemporary Photography, Chicago, ( 10/1/01-1/15/02).
“Video Café: E/Motion Studies,” Queens Museum of Art, Long Island City, NY, (10/21/01-2/7/02).
“Feature, Art, Life and Cinema,” Govett-Brewster Art Gallery, New Plymouth, New Zealand, (12/8/ 01- 1/28/02)
2000 “Christian Marclay: Video & Photography,” Museet for Samtidskunst, Roskilde, Denmark (3/24 - 5/14/00)
“Christian Marclay: Cinema,” Oakville Galleries, Oakville, Ontario, Canada (12/9/00 - 2/4/01)
“Christian Marclay: The Sounds of Christmas,” The New Museum of Contemporary Art / Media Z Lounge (12/14 - 12/31/00)
1999 “Telephones,” Paula Cooper Gallery, New York, New York
ArtPace, A Foundation for Contemporary Art/San Antonio, San Antonio, (12/10/99 - 1/16/00)
1997 “Pictures at an Exhibition,” Whitney Museum of American Art at Phillip Morris, New York
“Arranged and Conducted,” Kunsthaus, Zurich
1995 “Accompagnement Musical,” Musée d'Art et d'Histoire, Geneva
“Amplification,” Venice Biennial, Chiesa San Staë
1994 Fawbush Gallery, New York
daadgalerie, Berlin
Fri-Art Centre d'art contemporain Kunsthalle, Fribourg
1993 Margo Leavin Gallery, Los Angeles
1992 “The Wind Section,” Galerie Jennifer Flay, Paris
“Masks,” Galleria Valentina Moncada, Rome
1991 Galerie Isabella Kacprzak, Cologne
Interim Art, London
1990 Hirshhorn Museum & Sculpture Garden, Washington
1989 Tom Cugliani Gallery, New York
“Footsteps,” Shedhalle, Zurich
1988 Tom Cugliani Gallery, New York
1987 The Clocktower, PS 1 Museum, New York
Group Exhibitions
2008 “Sonic Youth etc..: Sensational Fix,” LIFE, St. Nazaire, France
“You Dig The Tunnel, I’ll Hide The Soil," White Cube, Hoxton Square and Shoreditch Town Hall, London, England
“Art Vidéo Suisse des Années 70 et 80: Une Reconstruction,” Kunstmuseum Luzern, Luzern, Switzerland
“KRAZY! The Delirious World of Anime + Comics + Video Games + Art," Vancouver Art Gallery, Vancouver, Canada
2007 “Death Becomes Her,” Yvon Lambert Temporary Space, Miami, United States
“Stop, Look. Listen,” Herbert F. Johnson Museum of Art, Cornell University, New York, United States
“Intensities: Noncomformity, Impropriety and Rebellion Between Art and the Music Scene,” Torre Muntades Art Centre, Barcelona, Spain
“J’embrasse Pas,” Collection Lambert, Avignon, France
“Contemporary+Cutting Edge: Pleasures of Collecting, Part III,” Bruce Museum, Greenwich, United States
“Voice & Void: 2006 Hall Curatorial Fellowship Exhibition,” The Aldrich Contemporary Art Museum, Ridgefield, United States
“Sympathy for the Devil: Art and Rock and Roll Since 1967,” Museum of Contemporary Art, Chicago, United States
“Reflection,” Pinchuk Art Centre, Kyiv, Ukraine
“Listening Awry – Kimsooja, Christian Marclay, Santiago Sierra, Su-Mei Tse,” McMaster University Museum of Art, Ontario, United States
“The Freak Show,” Musée d’Art Contemporain de Lyon, Lyon, France
“RISS/LUCKE/SCHARNIER A – RIFT/GAP/HINGE A," Galerie Nächst St. Stephan/Rosemarie Schwarzwälder, Vienna, Austria,
"Music Is a Better Noise," PS1 Contemporary Art Center, New York, United States
“All About Laughter,” Mori Art Museum, Tokyo, Japan
"Merce Cunningham: Dancing on the Cutting Edge," Museum of Contemporary Art, North Miami, United States
2006 “Art, Life & Confusion,” organized by René Block, October Art Salon, Belgrade, Republic of Serbia
“Without a Camera: The Photogram,” curated by Toni Stooss, Museum der Moderne, Salzburg, Austria
"New York, New York," curated by Lisa Dennison, Germano Celant and Melissa Harris, Grimaldi Forum, Monaco
“Thank You for the Music (London Beat),” Sprüth Magers, Munich, Germany; Sprüth Magers Lee, London, England
“Case Studies: Art in a Valise,” curated by Suzanne Ramljak, Katonah Museum of Art, Katonah, New York
“Upsetting the Balance,” Zentrum Paul Klee, Bern, Switzerland
“From the Audible to the Visible,” Galerie Frank Elbaz, Paris, France
“Une Vision du Monde,” the video collection of Isabelle and Jean-Conrad Lemaître at La Maison Rouge, Paris, France
“AUDIO,” curated by Francis Baudevin, Geneva, Switzerland
“Hypervision,” curated by Denise Markonish, Westport Arts Center, Westport, CN
“Do You Think I’m Disco,” Longwood Arts Project, Bronx, NY
“Deaf,” Galerie Frank Elbaz, Paris, France
“Kill Your Timid Notion,” Dundee Contemporary Arts Music Festival, Scotland, UK
“CUT/ Film as Found Object in Contemporary Video,” Philbrook Museum of Art, Tulsa, OK
“The Downtown Show: The New York Art Scene 1974-1984,” Grey Art Gallery, New York
“Do You Think I’m Disco?” Longwood Art Gallery, Bronx, NY
2005 “Thank You for the Music,” curated by Johannes Fricke Waldthausen, Spruth Magers Projekte
“Radio Kills The Video Stars/ Side A,” FRAC Champagne-Ardenne, Reims, France
“Empreinte Moi: Une Exposition de Philippe Segalot,” Galerie Emmanuel Perrotin, Paris, France
“Suspended Narratives,” Curated by Maureen Mahoney, Lora Reynolds Gallery, Austin, TX
“New Acquisition,” FRAC Champagne-Ardenne, Reims, France
“AudioFiles,” Contemporary Art Museum: Institute for Research in Art, University of South Florida, Tampa, FL
“Collection Lambert en Avignon,” Musée d’Art Contemporain, Avignon, France
“Girls on Film,” curated by Kristine Bell, Zwirner & Wirth, New York, NY
“Vídeo música,” Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
“CUT/Film as Found Object,” Milwaukee Art Museum, Milwaukee, WI
“Le génie du lieu [The Genius of the Place],” F.R.A.C. Bourgogne, France
“Variations on a Silence: Project for a Recycling Plant,” Re-Tem Tokyo Plant, Tokyo, Japan
“Aural Cultures,” Walter Phillips Gallery, Banff, Alberta
“Material Matters,” Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY
2004 “None of the above,” curated by Cesar Marzetti, Museum of New Art, Detroit, MI
“Realm of the Senses,” James Cohan Gallery, New York, NY
“None of the above,” curated by John Armleder, Swiss Institute, New York, NY
“Cut: Film as Found Object,” Museum of Contemporary Art, North Miami, FL. Travelled to Milwaukee Art Museum, Milwaukee, WI, Philbrook Museum of Art, Tulsa
“Thinking Out Loud,” presented as a part of Melbourne International Arts Festival, Heide Museum of Modern Art, Victoria, Australia
“Audioframes 3,” Centre d’arts Limelight, Kortrijk, Belgium
“In Extremis; Printemps de septembre in Toulouse Festival of contemporary images,” Les Abattoirs, Toulouse, France
“Festival d’Automne à Paris 2004,” Espace Topographie de l’Art, Paris, France
“Sons & Lumiéres,” Centre Georges Pompidou, Paris, France
“Reactivity -unpredictable past,” ICC/InterCommunication Center, Tokyo, Japan
“The Fifth International Biennial Exhibition, Disparities and Deformations: Our Grotesque,” curated by Robert Storr, SITE Santa Fe, New Mexico
“Transmit+Transform,” Santa Fe Art Institute, New Mexico
“Genesis Sculpture, Experience Pommery #1” Domaine Pommery, Reims, France
“Collage,” Bloomberg Space, London, England
“ipeg_bild.on.maschine,” Künstlerhaus Bethanien, Berlin, Germany
“I, Assassin,” curated by Slater Bradely, Wallspace, New York
“Playlist,” Palais de Tokyo, Paris, France
“Ouroboros: Music of the Spheres” CCA Glasgow, Scotland
“Sample This: The Art of Collage,” University of Virginia Art Museum, Charlottesville, VA
2003 “Pop Rock!,” Caren Golden Fine Art, New York
2004 “fast forward. Media Art Sammlung Goetz,” Zentrym für Kunst und Medientechnologie, Karlsruhe, Germany
“Night Moves,” San Jose Institute of Contemporary Art, San Jose, CA, November 3, 2003 – January 7, 2004.
“PLUNDER: culture as material,” Dundee Contemporary Arts, Dundee, Scotland
“Go Johnny Go!,” Kunsthalle Wien, Vienna, Austria
“The Sound of Video – Voice and Rhythm in Audiovisual Art,” LAB, Copenhagen
“Incommunicado” (organized by Hayward Gallery, London for Arts Council England), Sainsbury Centre for Visual Arts, Norwich. Travelled to City Art Centre, Edinburgh; Cornerhouse, Manchester
“Living with Duchamp,” The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY
“Now Playing,” Bluecoat Gallery, Liverpool, UK
“Not Exactly Photographs,” Fraenkel Gallery, San Francisco
“Formed to Function,” John Michael Kohler Arts Center, WI
“Extended Play,” Govett-Brewster Art Gallery, New Zealand
“Pantalla suiza,” Museo Nacional Centro de Arte Reina Sofia, Madrid (organized by ARCO 2003)
“Harlem Postcards II,” The Studio Museum in Harlem, New York
“Air Guitar,” Angel Row Gallery, Nottingham, UK
2002 “Telephones,” Anthony Wilkinson Gallery, London, UK
“Stutter, Stutter” Shaheen Gallery, Cleveland, OH
“…Message sent…,” City Art Center, Edinburgh, Scotland
“Mirror Image,” UCLA Hammer Museum, CA
“Shoot the Singer: Music on Video,” Institute of Contemporary Art, Philadelphia, PA
“Whitney Biennial,” Whitney Museum of American Art, New York, NY
“Rock My World,” California College of Arts and Crafts, Oakland, CA
“Media Field: Old New Technologies,” Wiilliams College Museum of Art, Williamstown, MA
“40 Years of Fluxus events,” Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain (Musical)
“do it (home version),” online project at www.e-flux.com opening 5/2/02, curated by Hans Ulrich Obrist.
“The Second Phase: Interpretations of the Photographic Portrait,” Deutsches Museum, München, Germany
“Expo 2002,” Yverdon-les-Bans, Switzerland
“Air Guitar: Art Reconsidering Rock Music,” Milton Keynes Gallery. Travelled to Turnpike Gallery, Leigh; Angel Row Gallery, Nottingham; Tullie House, Carlisle
“Art Downtown;New Photography”, Wall Street Risini, NY
“Jack, Cinch & XLR: Amplified Images,” Le Crestet Centre d’Art, Crestet, France
“The LP Show,” Andy Warhol Museum, Pittsburgh, PA
“Something/Anything,” Matthew Marks Gallery, New York. Curated by Nayland Blake.
“Air Guitar: Art Reconsidering Rock Music,” Milton Keynes Gallery, Milton Keynes, England (travelling exhibition)
“Fluxus und die Folgen,” Kunstsommer Wiesbaden, Germany
“Guitar Drag,” Post-Fluxus Exhibition, Wiesbaden
“The Passing,” Galeria Helga de Alvear, Madrid, Spain
“Unexpected Selections from the Martin Z. Margulies Collection: Art from 1985 to the present,” The Art Museum at Florida International University, Miami, FL
“Some Assembly Required: Collage Culture in Post-War America,” Everson Museum of Art, Syracuse, NY
“The Body in Music,” Cité de la Musique, Paris, France
“Mirror Mirror,” Mass MOCA, North Adams, MA
“Electric Body: le corps en scéne,” Cité de la musique – Musée de la musique, France
“Audible Imagery: Sound and Photography,” The Museum of Contemporary Photography, Columbia College, Chicago
“Remapping the City, New Ears Festival,” Kortrijk/Begium, Lille/France
“Re:Direct,” Kuenstlerhaus Stuttgart/Germany
“Zero Visibility,” Vilnius, Ljublijana and Genazzano/Rome
2001 "Now Playing: Audio in Art," Susan Inglett Gallery, New York
“art>music”, Museum of Contemporary Art, Sydney, Australia
“In Sync, Cinema and Sound in the Work of Julie Becker and Christian Marclay,” Whitney Museum of American Art, New York
“The LP Show,” Exit Art, New York (travelling exhibition)
“Body & Sin,” Valencia Biennial, Valencia, Spain
“Looking at You,” Kunsthalle Fridericianum, Kassel, Germany
“Video Streets” Downtown Arts Festival, New York. Screening of “Mixed Reviews”
“Recasting the Past: Beneath the Hollywood Tinsel,” Main Art Gallery, California State University Fullerton, CA
“Best of the Season,” The Aldrich Museum of Contemporary Art, Ridgefield, CT
“Wiederaufnahme (Retake),” NAK Neuer Aachener Kunstverein, Frankfurt, Germany
“Translated Acts: Performance and Body Art from East Asia 1990-2001,” Queens Museum of Art, New York
“Record All-Over,” 9th Biennial of Moving Images, Centre pour l’image Contemporaine, Saint-Gervais Geneva
“Feature: Art, Life & Cinema,” Govett-Brewster Art Gallery, New Plymouth, New Zealand
2000 “Le temps, vite!” Centre Georges Pompidou, Paris, France
Group exhibition at Teachers Insurance and Annuity Association College Retirement Equities Fund organized by Viart
“Group Video Exhibition,” Galerie Barbara Thumm, Berlin, Germany. Travelled to The Badischer Kunstverein, Karlsruhe, Germany; Gallery for Contemporary Art Bunkier Sztuki, Krakow, Poland; House of Contemporary Arts Trafo, Budapest, Hungary; Lux Centre, London, England.
“Human Gender and Being,” Kwangju Biennale, Kwangju, Korea
“Sonic Boom: The Art of Sound,” Hayward Gallery, London, England
“Making Sense: Ellen Gallagher, Christian Marclay and Liliana Porter,” Contemporary Museum, Baltimore, MD
“Umedalen Skulptur 2000,” Galleri Stefan Andersson, Umea, Sweden
Group Show, Paula Cooper Gallery, New York, New York
“Volume: Bed of Sound,” P.S. 1 Contemporary Art Center, Long Island City, New York
Presentation House Gallery, Vancouver, British Columbia, Vancouver
“Internationales Videoprogramm,” Badischer KunstVerein, Karlsruhe, Germany Telephones
“La Biennale de Montreal,” Centre International D’Art Contemporain de Montreal, Montreal, Canada
“Off the Record: Music in Art,” Center Gallery, Bucknell University, Lewisburg, PA
“Berlin Open,” Trafo Galeria, Budapest, Hungary
“Print Publishers’ Spotlight,” Barbara Krakow Gallery, Boston, MA
“S.O.S.: Scenes of Sound,” Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York
“To Infinity and Beyond: Editions for the Year 2000,” Brooke Alexander Gallery, New York
“Hard Pressed: 600 Years of Prints and Process,” AXA Gallery, 787 Seventh Avenue, New York, NY
“Wanted! International Video Program,” Bunkier Sztuki
“Art on Paper,” Weatherspoon Art Gallery, Greensboro, NC
1999 “dAPERtuto,” La Biennale di Venezia
“Releasing Senses,” Tokyo Opera City Art Gallery, Tokyo
“Notorious, Alfred Hitchcock and Contemporary Art,” Museum of Modern Art, Oxford, England
“Talk Show,” Von der Heydt Museum, Wuppertal; Haus der Kunst Munich
“Musique en Scène,” Musée d’art contemporain, Lyon
“Videodrome,” The New Museum of Contemporary Art, New York
“The International Artist-in-Residence Program,” ArtPace, San Antonio, Texas
Group video exhibiton, Gallerie Barbara Thumm, Berlin, Germany; travelled to Badischer Kunstverein Karlsruhe, Karlshruhe, Germany; Gallery for Contemporary Art Bunkier Sztuki, Krakow, Poland
1998 “I love New York,” Ludwig Museum, Cologne
“Dust Breeding,” Fraenkel Gallery, San Francisco
“In vitro e altro,” Cabinet des estampes, Geneva
“Freie Sicht aufs Mittelmeer,” Kunsthaus Zurich
“Crossings,” Kunsthalle Vienna; Rudolfinum, Prague
“White Noise,” Kunsthalle Bern
“Technoculture (Computer World),” Fri-Art, Fribourg
“Archiv X,” Offenes Kulturhaus, Linz, Austria
“Composed,” Angles Gallery, Santa Monica, California
1997 “Nonchalance,” Centre PasquART, Biel, Switzerland & Akademie der Kunste, Berlin
“Rrose is a Rrose is a Rrose: Gender Performance in Photography”, Solomon R. Guggenheim Museum, New York
1996 “Art and Film Since 1945: Hall of Mirrors,” Museum of Contemporary Art, Los Angeles
“Transformers: A Moving Experience,” Auckland Art Gallery, New Zealand
“Model Home,” The Clocktower, New York
“It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art,” Contemporary Art Center, Cincinnati. (Travelling)
1995 “Commercial Art,” Gallery Paule Anglim, San Francisco
“Back Beat: Art Influenced by Rock & Roll,” Cleveland Center for the Arts, Cleveland
“Klangskulpturen-Augenmusik,” Ludwig Museum im Deutschherrenhaus, Koblenz
“Temporarily Possessed: The Semi-Permanent Collection,” The New Museum of Contemporary Art, New York
Venice Biennial, Venice, Italy
1994 “Outside the Frame: Performance and the Object,” Cleveland Center for the Arts, Cleveland, Ohio
“Playoff,” Art & Public, Geneva
“Synesthesia: Sound and Vision in Contemporary Art,” San Antonio Museum of Art, Texas
“Transformers: The Art of Multiphrenia,” Center for Curatorial Studies, Bar College, NY.
“New Delhi Triennial,” New Delhi, India
1993 “At the Edge of Chaos”, Louisiana Museum, Denmark.
1991 “The Savage Garden,” Fundacion Caja De Pensiones, Madrid
“FluxAttitudes,” Hallwalls, Buffalo. Traveled to The New Museum, New York
“1991 Biennial Exhibition,” Whitney Museum of American Art, New York
“Doubletake: Collective Memory and Current Art,” Hayward Gallery, London
“Hidden Refelctions,” Israel Museum, Jerusalem
“Post Human,” FAE Musée d’art contemporain, Pully/Lausanne. Traveled to Castello di Rivoli, Torino; Deste Foundation for Contemporary Art, Athens; Deichtorhallen, Hamburg; Israel Museum, Jerusalem
1990 “Status of Sculpture,” Espace Lyonnais d'art contemporain, Lyon. Traveled to ICA, London; Provincial Museum, Hasselt; Lion's Palais, Stiftung Starke, Berlin
“New Works for New Spaces: Into the 1990's,” Wexner Art Center, Columbus, Ohio
1989 “Broken Music: Artist's Recordworks,” Daad Galerie, Berlin. Traveled to
Gemeentemuseum, Den Haag; Le Magasin, Grenoble; Musée d'Art Moderne, Montreal
“Strange Attractors: Signs of Chaos,” New Museum of Contemporary Art, New York
1988 “Group Material: Politics and Election,” DIA Art Foundation, New York
More on Christian Marclay
 | Related Texts |
| Bibliography | |
| Exhibitions | |
| Crossfire 2 Feb—10 Mar 2007 | |
| Video Quartet 10 Jul—6 Sep 2003 | |
| Antipodes Notations 2 Jul—2 Aug 2003 | |
 | Related Links |
| http://www.furious.com/perf... Perfect Sound Forever | |
| http://www.sfmoma.org/exhib... San Francisco Museum of Modern Art | |
| http://www.tate.org.uk/mode... Tate Online | |
| http://www.hammer.ucla.edu/... UCLA Hammer Museum, Los Angeles | |
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