 |  |
 |  |
Gary Hume
Bibliography
Monographs
Anfam, David, Gary Hume and Ulrich Loock. American Tan, Jay Jopling/White Cube, London 2007
Livingstone, Marco and Gary Hume. Prints, White Cube/The Paragon Press, London 2007
Prenzler, Anne and Michael Wilson. Gary Hume. Carnival, Kestnergesellschaft, Hannover, and Matthew Marks Gallery, New York, Hannover 2004
Barrett, David and Lucy Head. Gary Hume, Royal Jelly Factory, London 2004
Schneider, Eckhard, Kay Heymer and Rudolf Sagmeister. The Bird Has a Yellow Beak, Kunsthaus Bregenz, Bregenz 2004
Juncosa, Enrique and Brenda McParland. Gary Hume, Irish Museum of Modern Art, Dublin 2003
Cook, Angus. Gary Hume, Jay Jopling / White Cube, London 2002
Rose, Andrea, Enrique Juncosa, Keith Hartley and Adrian Searle. Gary Hume, Fundació ‘La Caixa’, Barcelona 2000
Hartley, Keith. Gary Hume. New Work, The Dean Gallery, Edinburgh, National Galleries of Scotland, Edinburgh 1999
Searle, Adrian and David Batchelor. Gary Hume, second edition, Whitechapel Art Gallery, London 1999
Searle, Adrian and David Batchelor. Gary Hume. XLVIII Venice Biennale, The British Council, London 1999
Bonami, Francesco. Gary Hume, Bonnefantenmuseum Maastricht, Maastricth 1996
Douglas, Caroline. Gary Hume: Floor to Ceiling, The British Council, London 1996
Loock, Ulrich and Gregor Muir. Gary Hume Paintings, Kunsthalle Berne/Institute of Contemporary Arts; London 1995
Exhibition Catalogues
Bernstein, Joanne, ed. Moving Horizons: UBS Art Collection: 1960s to the present day. Beijing: NAMOC and UBS, 2008.
Lawson, Thomas and Suzanne Cotter. Gary Hume: Door Paintings, Modern Art Oxford, Oxford 2008
Hirst, Mark and Alistair Hicks. Beyond Sensation, Deutsche Bank Art Collection, London and Frankfurt 2007
Bracewell, Michael, Pi Li and Emily Butler. Aftershock: Contemporary British Art 1990 – 2006, The British Council, London 2006
Johannesen, Ina, Marianne Holtermann and Sarah Kent. London Calling: Y[oung] B[ritish] A[rtists] Criss-Crossed, Galleri Kaare Berntsen, Olso 2005
Rose, Andrea and Caroline Douglas. Supernova, British Council, London 2005
Kopp, Robert, Philippe Büttner and Ulf Küster. Blumenmythos: Flower Myth, Fondation Beyeler, Riehen / Basel 2005
Malik, Suhail. Paper Democracy. Contemporary Art in Editions on Paper, Edifício Cultura Inglesa, São Paulo 2004
Tøjner, Poul Erik and Ernst Jonas Bencard. The Flower As Image, Louisiana Museum of Modern Art, Humlebaek 2004
Postle, Martin, Stephen Daniels, Nicholas Alfrey, Brent Elliott, Stephan Bann and Mary Horlock. Art of the Garden. The Garden in British Art, 1800 to the Present Day, Tate Britain, Tate Publishing, London 2004
Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, 2003
Hwa Joo, Yeon, British Contemporary 28 October – 31 January 2004, Arario Gallery, Korea, 2003
Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, 2003
Burgi, Berhard and Pakesch, Peter. Painting on the Move, Kunstmuseum Basel,Museum fur Gegenwartskunst Basel, Kunsthalle Basel, Basel 2002
George Melly and Louisa Buck, 2001 A Space Oddity, A22 Projects, London 2001
Blake, Peter. Royal Academy Illustrated. Summer Exhibition 2001, Royal Academy of Arts, London 2001
Kyander, Pontus. Sur face, Lunds Konsthall, Sweden 2001
Muir, Gregor, Gavin Eddy, Sam Cowan. Group Exhibition, UBS Warburg, London 2001
Schimel, Paul. Public Offerings, The Museum of Contemporary Arts, Los Angeles, Published by Thames and Hudson 2001
Thorkildsen, Åsmund and Øystein Ustvedt. Sincerely Yours, Astrup Fearnley Museum of Moderne Art, Oslo 2000
Malbert, Roger. Richard Wentworth’s. Thinking Aloud, Kettle’s Yard, Cambridge 1998
Fortes, Márcia. ArtLovers Tracey, The Liverpool Biennial of Contemporary Art, Liverpool 1999
Examining Pictures: exhibiting paintings, Whitechapel Art Gallery, London 1999
Hirst, Fairhurst, Hume, Helly Nahmad Gallery Ltd, London 1999
Livingstone, Marco. Signature Pieces. Contemporary British Prints and Multiples, Alan Cristea Gallery, London 1998
Archer, Michael et al., Distinctive Elements: Contemporary British Art Exhibition, National Museum of Contemporary Art, Seoul 1998
Beudert, Monique & Rainbird, Sean, Contemporary Art: The Janet Wolfson de Botton Gift, Tate Gallery Publications, London 1998
Broeker, Holger, UK Maximum Diversity, Atelierhaus der Akademie der bildenden Künste Wien, Vienna, 1998.
Groom, Nick et al., Richard Wentworth's Thinking Aloud, National Touring Exhibition, Hayward Gallery, The South Bank Centre, London, 1998.
Schorr, Collier, The Sound of One Hand: the collection of Collier Schorr, Apex Art C.P.,New York, 1998.
Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, Royal Academy of Arts, London 1997
Anderson, Michael, Display, Charlottenborg Museum of Contemporary Art, Copenhagen, 1997.
Bumpus, Judith, Jerwood Painting Prize 1997, Jerwood Foundaiton, London, 1997.
Button, Virginia, The Turner Prize, London, 1997.
Coles, Sadie, Package Holiday, Hydra Workshops, Hydra, 1997.
Gallagher, Ann, Dimensions Variable: New Works for the British Council Collection, The British Council, London, 1997.
Kent, Sarah, Fiona Rae, Gary Hume, The Saatchi Gallery, London, 1997.
Molder, Jorge et al., A Ilho do Tesouro/Treasure Island, Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian, Lisbon, 1997.
Roberts, Sarah, Multiple Choice: Obras impesad de jovenes artistas Britanicos, The British Council, London, 1997.
Sieja, Janine (ed), Truce: Echoes of Art in an Age of Endless Conclusions, Site Santa Fe, New Mexico, 1997.
Bill, Simon, XXIII Bienal de São Paulo, Fundação Bienal de São Paulo, 1996 (p. 170).
Button, Virginia, The Turner Prize 1996, Tate Gallery Publishing Ltd, London, 1996.
Codognato, Mario, Artisti britannici a Roma, Umberto Allemandi & Co, Rome, 1996.
Elliott, David, About Vision: New British Painting in the 1990s, Museum of Modern Art, Oxford, 1996.
Görner, Veit, Full House: Young British Art, Kunstmuseum Wolfsburg, Wolfsburg, 1996.
Robson, Gavin, Ace! Arts Council Collection New Purchases, National Touring Exhibitions, The South Bank Centre, London 1996
Coelewij, Leontine & van Nieuwenhuyzen, Martin, Wild Walls, Stedelijk Museum, Amsterdam, 1995.
Cork, Richard et al., The British Art Show 4, National Touring Exhibitions, The South Bank Centre, London 1995
Flood, Richard et al., Brilliant! New Art from London, Walker Art Center, Minneapolis, 1995.
Freedman, Carl, Minky Manky, South London Art Gallery, London, 1995.
Gallagher, Anne & Roberts, James (eds), General Release: Young British Artists at Scuola di San Pasquale, The British Council, London, 1995.
The Magic Touch: New works by Gary Hume, Mark Wigan and PPQ, PPQ; London, 1994.
Searle, Adrian, Unbound: Possibilities in Painting, The South Bank Centre, London, 1994.
Gladstone, Barbara & Westreich, Thea; Johnson, Diana L., The Rome Project, Brown University, Providence; New York, 1993.
Archer, Michael & Cohen, Françoise, Etats spécifiques, Musée des Beaux-Arts André Malraux, Le Havre, 1992.
Gillick, Liam, Il Mistero dei 100 Dollari Scomparsi, Gio’ Marconi Gallery, Milan, 1992.
Gillick, Liam, Lea Andrews, Keith Coventry, Anya Gallaccio, Damien Hirst, Gary Hume, Abigail Lane,
Sarah Lucas, Steven Pippin, Marc Quinn, Marcus Taylor, Rachel Whiteread, Barbara Gladstone/ Stein Gladstone, New York, 1992.
Hedley, Gill, New Voices: New works for the British Council Collection, The British Council, London, 1992.
Blanch, Teresa et al., Confrontaciones: Arte último británico y español, Instituto de la Juventud, Madrid, 1991.
Davenport, Guy, Artists’ Sketchbooks, Matthew Marks Gallery, New York, 1991.
Graham-Dixon, Andrew, Broken English, Serpentine Gallery, London, 1991.
Collier, Caroline; Nairne, Andrew; Ward, David, The British Art Show 1990, The South Bank Centre, London, 1990.
Cooke, Lynne, A Paintings Show: Michael Craig-Martin, Gary Hume, Christopher Wool, Karsten Schubert Ltd, London, 1990.
East Country Yard Show, London, 1990.
Graw, Isabelle (ed.), Supply: The Köln Show, Cologne, 1990.
Jeffrey, Ian, Freeze, 1988
Publications
NSPCC, Art For Baby: Twelve works by famous contemporary artists to explore with your baby, Dorking, Templar, 2008
Pipes, Alan. foundations of art + design, Laurence King Publishing Ltd, London, 2008
Clarke, Michael. Verbalising the Visual, AVA Publishing SA, Lausanne, 2007
Gasparina, Jill. L’ Art Contemporain et la Mode, Editions Cercle D’ Art, Paris 2006
Lullin, Etienne and Florian-Oliver Simm. Contemporary Art in Print: The Publications of Charles Booth-Clibborn and his imprint. The Paragon Press 2001-2006, The Paragon Press: Contemporary Editions Ltd, London 2007
Bright, Susan, Mario Sorrenti, Julianne Moore, Vince Aletti, Mert Alas, Marcus Piggott, Corinne Day, Steven Klein, Paolo Roversi, Mario Sorrenti. Face of Fashion, The National Portrait Gallery, London 2007
Howgate, Sarah, Sandy Nairne. The Portrait Now, The National Portrait Gallery, London 2006
Nemitz, Barbara. Pink, Hatje Cantz, Ostfildern 2006
Grosenick, Uta. ART NOW, Taschen 2005
Richer, Francesca and Matthew Rosenzweig. No. 1 First Works by 362 Artists Distributed Art Publishers, Inc, New York 2005
Keller, Anne, Beatrix Ruf, Stefan Kalmar. Art at 30 St Mary Axe, Swiss Reinsurance Group, Zurich 2005
Schwabsky, Barry. Matisse. Masterpieces at Statens Museum for Kunst, Statens Museum, Denmark 2005
Rose, Andrea and Caroline Douglas. Supernova, British Council, London 2005
Carlos, Isabel, Jeremy Gilbert-Rolfe, Donald Kuspitt, Kevin Power, Alexandre Melo, Edgar Morin, Marcella Beccaria, Brigitte Ulmer. Glamour. Arte Seduzida E Sedutora, Colecção de Arte Contemporãnea Público Serralves, Fundação de Serralves, Jornal Público, Porto 2005
Brumfield, Jane. Painting is Dead, Long Live Painting. Contemporary British Painting Part One, Hastings Museum & Art Gallery, Hastings 2004
van Tuyl, Gijs and Carl H. Hahn. The Open Museum. The First Ten Years, Kunstmuseum Wolfsburg, Wolfsburg 2004
Jones, Allen, David Hockney. Royal Academy Illustrated 2004, Royal Academy of Arts, London 2004
Farr, Christopher, Matthew Bourne and Fiona Leslie. Contemporary Rugs, Merrell, New York 2004
De Cruz Gemma, Amanda Eliasch. British Artists at Work, Assouline, London 2003
Gillick, Liam. White Cube. 44 Duke Street, St James’ London, Steidl, Gottingen 2002
Invisible London, Ellipsis, London 2001
Booth-Clibborn, Patrick Elliot and Jeremy Lewison. Contemporary Art in Print, Booth-Clibborn Edition, London 2001
Gibson, Robin and Norbert Lynton. Painting the Century. 101 Portrait Masterpieces 1900-2000, National Portrait Gallery, London 2000
Grosenick, Uta. ART NOW, Taschen, 2000
Christopher Saunders. Sincerely Yours. Astrup Fearnley Museum of Modern Art, Oslo. 2000
Collings, Matthew, This is Modern Art, London, 1999
Stallabrass, Julian. High Art Lite, Verso, London 1999
Cork, Richard et al., Young British Art: The Saatchi Decade, London, 1999
Forrester, Gillian, Graphics! British Prints Now, Yale Center for British Art, New Haven 1999
Gooding, Mel, Artists, London, 1999
Young British Art: The Saatchi Decade, Booth-Cilibborn Editions, London 1999
Roberts, James et al., Real/Life: New British Art, The Asahi Shimbun, Tokyo 1998
Buck, Louisa, Moving Targets: A user's guide to British Art now, London, 1997
Collings, Matthew, Blimey! From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst, Cambridge, 1997.
Shand Kydd, Johnnie. Spit Fire: Photographs from the Artworld. London 1996/97, Thames & Hudson, London 1997
Loock, Ulrich, Jahresbericht des Veriens Kunsthalle Bern, Berne, 1995.
Searle, Adrian, New Voices, The British Council, London, 1995.
Wilson, Andrew, From Here, Waddington Galleries/Karsten Schubert, London, 1995.
Kent, Sarah, Shark Infested Waters: The Saatchi Collection of British Art in the 90s, London 1994
Gillick, Liam and Renton, Andrew (eds), Technique Anglaise: Current Trends in British Art, London 1991
Periodicals
Muir, Gregor. ‘Recession? Lets party!’, The Guardian, 20 January 2009, pp.22-25
Trevor, Tom. ‘The Gorilla in the room’, The Times 2, 14 January 2009, p.15
Whitworth, Damian. ‘A god of small and ordinary things’, The Times, 6 January 2009, p.12-13
Darwent, Charles. ‘How the Tate was given a good run for its money’, The Independent on Sunday, 28 December 2008, pp.48-49
Unknown. ‘ Raconteur on investing in Art’, Raconteur Media, 16 December 2008, p.4-18
Barneby, Vanessa. ‘By your weave’, Vogue, November 2008, pp.99-101
Wullschlager, Jackie. ‘Jackie Wullschlager on 20 years of the YBAs’, Financial Times, 18/19 October 2008, p.3
Barber, Lynn. ‘Profit and gloss’, The Observer Magazine, 12 October 2008, pp.16-24
Bennett, Oliver. ‘Hanging cool’, The Sunday Times Style, 12 October 2008, pp.58-61
Lovett, Laura. ‘Retail therapy’, The Sunday Times Magazine, 11 October 2008, p.13
Unknown. ‘Days to view’, Telegraph Magazine, 4 October 2008, p.19
Neal, Jane. ‘Reviews’, Modern Painters, October 2008, p.119
Wullschlager, Jackie. ‘Visual arts’, The Financial times, 9-10 August 2008, p.17
Unknown. ‘Critics’ choice’, Timeout, 7-13 August 2008, p.65
Unknown. ‘Gems from the Auld Alliance, The Observer Review, 17 August 2008, p.16
Unknown. ‘New work’, Art World, Issue 6, August 2008, pp. 59-63 and cover
Unknown. ‘Listings’, The Art Newspaper, July-August 2008, p.65
Lubbock, Tom. ‘Five best shows…and around the country’, The Independent, The Information, 19-25 July 2008, p.14
Unknown. ‘Critics’ pick’, The Guardian, 17 July 2008, p.38
Chapman, Peter. ‘Pick of the week’, The Independent, The Information, 12-18 July 2008, p.13
Unknown. ‘Eyes wide open: Gary Hume’s doors’, The Independent, The information, 12-18 July 2008, p.3
Lubbock, Tom. ‘Five best London shows…and around the country’, The Independent, The information, 5-11 July 2008, p.12
Lubbock, Tom. ‘Five best London shows…and around the country’, The Independent, The information, 28 June- 4 July
Stokes, Emily. ‘Eloquent silence’, Financial Times, 28-29 June 2008, p.14
Lubbock, Ton. ‘Double trouble’, The Independent, 23 June 2008, pp.14-15
Unknown. ‘Three to see’, Saturday Guardian, 21 June 2008
Unknown. ‘Five best exhibitions’, The Independent, extra, 17 June 2008, p.4
Unknown. ‘Gary Hume: Door paintings’, Financial Times, 14-15 June 2008, p.21
Sooke, Alastair. ‘The doors that unhinged the establishment’, Telegraph review, 14 June 2008, p.4
Lubbock, Tom. ‘Five best London shows…and around the country’, The Independent, The information, 14-20 June 2008, p.12
Clark, Robert. ‘Gary Hume, Oxford’, The Guardian Guide, 14-20 June 2008, p.36, Critics choice
Januszczac, Waldemar. ‘A raucous room of one’s own’, The Sunday Times, 8 June 2008, p.17
Sharp, Jennifer. ‘East goes West’, Harrods Estates, Spring/Summer 2008, p.20-24
Adrin, Rose. ‘The Many Lives of a Collector’, Apollo, January 2008, pp.62-66
Williams, Gilda. ‘Gary Hume, White Cube’, ArtForum, January 2008, p.291
Greenberg, Sarah. ‘American Dreams’, RA Magazine, Autumn 2007, p.103
Lewis, Ben. ‘What’s left when you strip away all the gloss (paint)?’, Evening Standard, 14 September 2007, pp38-39
Cumming, Laura. ‘New Amercian beauties’, The Observer, 9 September 2007, p.22
Vallely, Paul. ‘Colour magic’, The Independent, 8 September 2007, p.p.35-39
Pearman, Hugh. ‘A new gloss on American culture’, The Sunday Times Culture Magazine, 9 September 2007, pp.20-21
Perry, Grayson. ‘How unfashionable: an artist who makes beautiful things’, The Times, 29 August 2007, p?
Hubbard, Sue. ‘Monomania’ , The Independent, 12 August 2006, p.12
Coomer, Martin. ‘Dark Matter’, Time Out, 26 July – 2 August 2006, p.34
Wullschlager, Jakie. ‘ Mortal concerns against a dark background’, Financial Times, 14 July 2006, p.11
Davis, Serena. ‘The art of darkness cast its spell’, The Daily Telegraph, 11 July 2006, p.23
Buck, Louisa. ‘Elton John’s bathroom more inspiring than renaissance art’, The Art Newspaper, No 171 July/ August 2006, p.35
Lubbock, Tom. ‘ Apocalypse now and again’, The Independent, 26 June 2006, p.15
Theobald, Stephanie. ‘Life is sweet’, Harper’s Bazaar, June 2006, pp. 82-83
http://www.telegraph.co.uk/art/main.jhtml?xml=/arts/2006/05/30/garyhume.xml, 30 May 2006
http://entertainment.timesonline,co.uk/article/0,,14936-2201218,00.html, 29 May 2006
http://www.artnet.com/magazineus//reviews/honigman/honigman6-26-06.asp, 26 May 2006
http://www.timesonlime.co.uk/article/0,,585-2193122.html, 24 May 2006
http://thestar.com.my/lifestyle/story.asp?file=/2006/1/15/lifearts/13108070&sec=lifearts, 16 January 2006
Jury, Louise. ‘Christmas at the Tate – and a flock of blackbirds in a fire tree’, The Independent, 3 December 2005, p.13
Reynolds, Nigel. ‘Tate and bile as Stuckists round on arts elite’, The Daily Telegraph, 3 December 2005, p. 11
‘Strong’ art for sale in show’, Battle Observer, 5 August 2005. p. 79
‘Vespa Art’, Art Monthly, No.281, November 2004, p.16
Hudson, John. ‘It’s been the height of chic for 50 years, but just what’s made this scooter such an icon?’,
Moore, Toby. ‘Portrait of an Enigma’, FT Magazine, 4 September 2004, p.8
Sweet, Matthew. ‘Surviving Britart’, The Independent Magazine, 12 June 2004, pp.26-32
Stocks, Christopher. ‘Budding genius’, The Independent on Sunday, 30 May 2004, p.29
‘Artwork with a cutting edge’, East London Advertiser, 22 April 2004, p.25
Graham-Dixon, Andrew. ‘Gary Hume’, Contemporary, December 2003, no.58, p.62-65
Dunne, Aidan. ‘Preview: Hanging Out’, R A Magazine, Summer 2003, p.36
‘Gary Hume, Irish Museum of Modern Art’, The Art Newspaper, April 2003, p.26
Aidin, Rose. ‘The Future’s Bright’, The Times Magazine, 1 March 2003, pp.30-31
‘Gary Hume’, Modern Painters, Winter 2002, p.139
Scwabsky, Barry. ‘Gary Hume’, Tema Celeste, November/December 2002, pp.44-49
O’Reilly, Sally. ‘Gary Hume’, Time Out, 9 October 2002, p.58
Gayford, Martin. ‘Sense of mystery without depth’, The Daily Telegraph, 2 October 2002, p.20
Güner, Fisun. ‘Sombre but still sexy’, Metro London, 1 October 2002, p.18
Buck, Louisa. ‘I want to abolish ‘me’ in my art’, The Art Newspaper, September 2002, p.28
Gayford, Martin. ‘Happy As Gary’, Harpers & Queen, September 2002, pp.113-114
Hall, Sarah. ‘The Misfits, Gary Hume’s Royal Academy exhibition, The Guardian, 17 May 2002, p.10
Kino, Carol. ‘Gary Hume at Matthew Marks’, Art in America, February 2002, p.121
Muir, Robin. ‘Nude awakening’, The Independent magazine, 20 October 2001, pp.7-8
Gleadell, Colin. ‘Artists’ Colony’, Telegraph Magazine, 13 October 2001, pp.40-41
Wilson, Simon. ‘Deep Reflections’, Tate Magazine, Summer 2001, p.6
A.M.Holmes. ‘Hume for More’, Vanity Fair, March 2001, p.46
Higgins, Rita, 'Mixing it in the art world', The Sunday Times, 7 March 1999, magazine section, p. 17
Fulcher, Dawn, 'The Enchanted Garden', Contemporary Visual Arts, issue 19, p. 90
Higgie, Jennifer, 'Gary Hume', Bijutsu Techo (Tokyo), November 1998, pp. 10-15
Redhead, David, 'When Gary met Georgie', Elle Decoration, November 1998, pp. 94-101
Falconer, Morgan, 'Beneath the surface of a shy superstar of painting', Highbury & Islington Express, 30 October 1998, arts & leisure section, p. 27
Buck, Louisa, 'London Calling: Gary Hume at Sadler's Wells', The Art Newspaper, vol. 10, no. 85, October 1998, p. 53
Ingleby, Richard, 'Art', The Independent, 15 September 1998
Mi-Lui, Kim, 'New Era in British Contemporary Art on show in Seoul', The Korean Times, 4 September 1998, p. 2
Relyea, Lane, 'Virtually Formal', Artforum, vol. 37, no. 1, September 1998, pp. 126-133, 173
Auerbach, Annabella et al., 'Art's New Establishment', Independent on Sunday, 31 August 1998, review section, pp. 9-14
Lee, Sook-Kyung, 'A look at Life and Art: British Contemporary Art Exhibition at the National Museum of ‘Contemporary Art', Woolgan Misool (Korea), August 1998, pp. 54-57
Millard, Rosie, 'Summer Pudding', Art Review, July/August 1998, pp. 48-49
Sladen, Mark, 'The South Bank Show: Young British Artists', tate: The Art Magazine, issue 15, Summer 1998, p. 78
Baker, Lindsay, 'The Beauty Bomber', The Guardian, 2 May 1998, pp. 40-43
Pollack, Barbara, 'Green Cards: yBa's in the US', Art Monthly, no. 214, March 1998, pp. 44-45.
Collings, Matthew, 'Sensation', Artforum, vol. 36, no. 5, January 1998, pp. 94-95
Ville de, Nicholas, 'Ways of Seeing and the Pleasure of the Visual', Contemporary Visual Arts, issue 18, pp. 56-62
Adams, Brooks, 'Gary Hume', Elle Decor (US edition), October/November 1997, pp. 72-78.
Coomer, Martin, 'The Jerwood Painting Prize', Time Out, no. 1416, 8-5 October 1997, p. 51
Gayford, Martin, 'Painted into a Corner', The Daily telegraph, 1 October 1997, p. 16
Lambirth, Andrew, 'Time to put a little gloss on the presentation', The Independent, 30 September 1997, features section, p. 19
Morrissey, Simon, 'Fiona Rae, Gary Hume', Contemporary Visual Arts, no. 14, pp. 64-65
Reynolds, Nigel, 'From Sensation to £30,000 prize', The Daily Telegraph, 30 September 1997, p. 10
Herbert, Martin et al., special supplement: 'It's a Sensation but is it Art?', Time Out, no. 1412, 10-17 September 1997
Collings, Matthew, 'The New Establishment', Independent on Sunday, 31 August 1997, pp. 9-14
Glueck, Grace, 'Gary Hume', The New York Times, Friday 16 May 1997
Garratt, Sheryl, 'Gary Hume', The Face, vol. 3, no. 1, February 1997, pp. 76-80
Fortes, Márcia, 'XXIII Bienal Internacional de São Paulo', frieze, issue 32, January/February 1997, p. 76
Ingleby, Richard, 'Fiona Rae, Gary Hume', The Independent, 24 January 1997, Arts p. 23
Cork, Richard, 'Teasing and Pleasing in full colour', The Times, 21 January 1997, p. 35a
Kent, Sarah, 'Access Denied', Time Out, no. 1377, 8-15 January 1997, p. 48
Buck, Louis, 'Works in progress', GQ Magazine, issue 90, December 1996, pp. 86-90
Graham-Dixon, Andrew, 'Spreading the Word', The Independent, 12 November 1996, pp. 4-5
MacMillan, Ian, 'Bold with beauty', Modern Painters, vol. 9, no. 4, Winder 1996, pp. 36-3
Beckett, Andy, 'Is there life after the dead cow?', The Independent on Sunday, 27 October 1996, p. 18-19
Caderno, Dois, 'Gary Hume', Correio Brazilense (Brazil), 16 October 1996, p. 1
Gonçalves Filho, Antonio, 'Gary Hume', O Estado de São Paulo, 3 October 1996
Barbosa, Mariana, 'Gary Hume aspresemta obras figurativas', O Estado de São Paulo (Brazil), 19 September, 1996, p. D7
Boogerd van den, Dominic, 'Schijingestalten: De synthetische schilderijen van Gary Hume', Jong Holland, no.1,1996, pp. 9-14
Bovier, Lionel et al., special feature on Gary Hume, Parkett, no. 48, pp. 12-39
Floravante, Celso, 'Grã-Bretanha traz Gary Hume de Sao Paulo', Folha de São Paulo, 10 August 1996, p. 4
Garnett, Robert, 'Beyond the Hype', Art Monthly, no. 195, April 1996, pp. 43-4
MacRitchie, Lynn, 'Their Brilliant Careers', Art In America, vol. 84, no. 4, April 1996, pp. 80-84
Chant, Katharine, 'Gary Hume', Exeter Express & Echo, 17 January 1996, p. 19
Herbert, Martin and Saunders, Mark, 'Next Stop Barbados', Dazed & Confused Magazine, issue 26, pp. 54-57
Lister, David. ‘Worry on Virginia’ Modern Painters, January 1996, pp.63-64
Kastner, Jeffrey, 'Brilliant?' Art Monthly, no. 192, December 1995/January 1996, pp. 10-11, 13-15
Tomkins, Calvin, 'London Calling', The New Yorker, 11 December 1995
Maloney, Martin, 'Gary Hume', Artforum, vol. 34, no. 4, December 1995, pp. 62, 65
Bangma, Anke, 'Wild Walls', frieze, issue 25, November/December 1995, pp. 61-62
'Frieze talks to Richard Flood, curator of ‘Brilliant!’', frieze, issue 25, November/December 1995, pp. 32-36
Gale, Iain, 'In the realm of the senses', The Independent, 28 November 1995, Arts section, pp. 8-9
Smith, Roberta, 'Some British Moderns Seeking to Shock', The New York Times, 23 November 1995, pp. C11,C14
MacRitchie, Lynn, 'Shock artists', Financial Times, 17 November 1995, p. 15
Corrigan, Susan, 'Americana', The Observer, 12-19 November, p. 46
Guha, Tania, 'Hardcore Part 2', Time Out, no. 1314, 25 October-1 November 1995, p. 48
Gott, Richard, 'Where the art is', The Guardian, 7 October 1995, p. 36
Bevan, Roger, 'Entrepreneurial, confrontational and working class: it's Brilliant!', The Art Newspaper, no. 52, October, 1995, p. 10
Planca, Elisabetta, 'Cittá d'arte: Londra', Arte (Italy), no. 266, October 1995, pp. 98-105
Lutyens, Dominic, 'Gary Hume', What's On In London, 27 September 1995, p. 21
Currah, Mark, 'Beige Watch', Time Out, no. 1308, 13-29 September 1995, p. 51
Cork, Richard, 'Hirst Among Equals', The Times, 12 September 1995, 10 May 1995, p. 31a
Cork, Richard, 'Figures add up to newfound freedom', The Times, 12 September, p. 33a
Collings, Matthew, 'Welcome to our repartee', Modern Painters, vol. 8, no. 4, Winter 1995, pp. 25-28
Wakefield, Neville, 'Quite Brilliant', tate: The Art Magazine, issue 7, Winter, pp. 32-39
Archer, Michael, 'Home and away', Art Monthly, no. 188, July/August 1995, pp. 8-10
Dannatt, Adrian, 'The Luxury of Doing Nothing', Flash Art International, no. 183, Summer 1995, pp. 97-99
Zaugg, Fred, 'Schwingtüren und die Farbe Magnolia', Der Bund, 12 May 1995
Currah, Mark, 'Gary Hume', Time Out, no. 1289, 3-10 May 1995, p. 47
Muir, Gregor, 'Vague', Art & Text, no. 51, May 1995, pp. 38-43
Guha, Tania, 'A Gloss on Gary', Vogue, April, p. 71
Searle, Adrian, 'Life, the universe and everything', The Independent, 18 April 1995, p. 20
Hall, James, 'Grime under the Gloss', The Guardian, 11 April 1995, p. 4
Lillington, David, 'Iconen van vertwijfeling: Een interview met schilder Gary Hume', Metropolis, no. 3, pp. 36-39
Wilson, Andrew, 'Breaking content from form', Art & Design, vol. 10, March/April 1995, pp. 7-19
Adams, Brooks, 'Gary Hume, frieze, issue 20, January/February 1995, pp. 50-51
‘Gary Hume bio’, Gary Hume bio, 1995, pp.1-2
Goodman, Jonathan, 'Gary Hume', Art News, vol. 94, no. 1, January 1995, p. 164
Wakefield, Neville, 'Gary Hume', Artforum, vol. 33, no. 5, January 1995, pp. 84-85
Spinelli, Marcelo. ‘Gary Hume’, ‘Brilliant!’ March 30, 1995
Smith, Roberta, ‘Gary Hume’ The New York Times, 21 October 1994
Myerson, Clifford. ‘On Painting I’, Art Monthly, No.179, September 1994, pp.13-16
Batchelor, David, Behind a painted smile, Frieze, issue 16, May 1994, pp.18-21
Currak, Mark, ‘White Cube’, Time Out, May 3
‘The Magic Touch’, Present, Apr 12th, 1994.
‘Sort of, almost in a way, nearly’, The Independent, 15th Mar, 1994, p. 23
Norman, Geraldine, ‘ The contemporary capital’, Sunday Times, Mar 6th 1994, p. 34-35
Archer, Michael. 'Unbound', Art & Text, no. 48, 1994, p. 85
Flood, Richard. ‘Smashing!’, Frieze, January 1994, pp.32-36
Hall, James. ‘Pure Gold (smiths’)’ Arts and Media, January 1994, p.50
Stock, John. ‘Acclaim for the class of ‘88’, The Arts, January 1994
Muir, Gregor. ‘Interview Gary Hume’, Vague, January 1994 p.44-45
De Ville, Nicholas. ‘Ways of Seeing’ Contemporary Visual Arts, Issue 18, January 1994 pp.55-62
Buck, Louisa. ‘Works in Progress’ CG, January 1992, pp.87-90
Sanders, Mark. ‘Next Stop Barbados’ Dazed And Confused, issue 26, January 1994 pp.54-60
Roberts, James. ‘Gary Hume’ Studio Voice’, Issue 6, January 1994 p.100
Burnet, Andrew. ‘art, B is for British’ Scotland on Sunday, January 1994
Schjelgahl, Peter ‘Down Swinging’ March 13, 1994
Bulloch, Angela. ‘Freeze’ Art and Design, Vol.5 No. 3-4 January 1994
Graham-Dixon, Andrew. ‘Pupils of the cool school, Andrew Graham-Dixon on ‘The British Art School’ 30 January 1990
Graham-Dixon, Andrew. 'Sort of, almost, in a way, nearly, The Independent, Tuesday 15 March 1994, p. 23
Batchelor, David. 'Behind a painted smile', frieze, issue 16, May/June 1994, pp. 18-21
Smith, Roberta. 'Gary Hume', The New York Times, 21 October 1994, p. C29
Searle, Adrian, 'Shut that door', frieze, issue 11, Summer 1993, pp. 46-49
Melrod, George, 'Nayland Blake, Richard Burton, Peter Cain and Gary Hume at Matthew Marks', Art News, vol. 91, no. 9, November 1992, pp. 140-142
Schenk-Sorge, Jutta, 'Zwölf Junge Britische Künstler: Stein Gladstone und Barbara Gladstone Gallery, New York', Kunstforum International, vol. 120, November 1992, pp. 397-398
Bonami, Francesco, 'Young British Artists', Flash Art International, vol. 25, no. 167, November 1992, p. 87
Moore, Susan, ‘ Young brits take center stage’, Art and Auction, Oct 1992
Smith, Roberta, 'A Young Group From Britain', The New York Times, 16 October 1992
Grout, Catherine, 'Etats Spécifiques', Artefactum, no. 45, September/November 1992, p. 47
Ardenne, Paul, 'Onze artistes anglais, Musée des Beaux-Arts (Le Havre)', Art Press Magazine, no. 172, September 1992, p. 77
Myerson, Clifford, 'On Painting I', Art Monthly, no. 179, September 1992, pp. 13-15
Adams, Brooks, 'Gary Hume', Art in America, vol. 80, no. 5, May 1992, pp. 134-5
Liebmann, Lisa, 'Gary Hume', Artforum, vol. 30, no. 8, April 1992, p. 94
Bonami, Francesco, 'Gary Hume at Matthew Marks', The New Yorker, 2 March 1992, p. 11
Nargi, Lela, 'Ridicule & the '80s: New Works by John Alexander and Gary Hume', New York Perspectives, 28
February 1992, p. 8
‘Goings On About Town’, The New Yorker, Feb 17 1992, p.12
Troncy, Eric. ‘London Calling’, Flash Art, Summer 1992, pp.86-87
Morgan, Stuart, ‘Karsten Schubert, London’, Artscribe, no 89, Nov/Dec 1991 p.98
Francis, Mary Anne, 'London Summer Round Up', Art Monthly, no. 149, September 1991, pp.24-25
Collings, Matthew, 'New Contemporaries at the ICA and Broken English at the Serpentine Gallery', City Limits, no. 515, 15-22 August 1991, p. 18
Kent, Sarah, 'Breaking Ground', Time Out, no. 1095, 14-21 August 1991, p. 39
Gale, Iain, 'Broken English', The Independent, 13 August 1991, arts section p. 13
Hall, Charles, 'Tests of Raw Nerves', The Sunday Times, 10 August 1991, p. V10
Sewell, Brian, 'Putting on the zits', Evening Standard, 8 August 1991, p. 21
White Tony, ‘ East country yard show’, Artist’s Newsletter, October 1990, pp.37-38
Brooks, Liz, 'Spacier and spacier', Artscribe, no. 83, September/October 1990, p. 16
Graham-Dixon, Andrew, 'The Midas Touch?: Graduates of Goldsmiths' School of Art dominate the current British art scene', The Independent, 31 July 1990, p. 13
‘The Koln Show’, View, Summer 1990, p.13
Collings, Matthew, 'Gary Hume at Karsten Schubert', City Limits, no. 510, 11 July 1991, p. 21
Lillington, David, 'Gary Hume at Karsten Schubert', Time Out, no. 1090, 10-17 July 1991, p. 49
Gillick, Liam, 'The Placebo Effect', Arts Magazine, vol. 65, no. 9, May 1991, pp. 56-59
Collings, Matthew, 'Britain is Best', Modern Painters', vol. 3, no. 1, Spring 1990, pp. 90-91
Gillick, Liam, 'Critical Dementia: The British Art Show', Art Monthly, no. 134, March 1990, pp.14-16
Graham-Dixon, Andrew, 'Young Turks and Old Masters', Art News, vol. 89, no. 9, November 1990,
pp.124-126
Graham-Dixon Andrew. ‘The Midas Touch?’ ART 31 July 1990
Renton, Andrew, 'Disfiguring: Certain New Photographers and Uncertain Images', Creative Camera,
no. 306, October/November 1990, pp. 16-45
White, Tony, 'East Country Yard Show', Artists Newsletter, October 1990, pp.37-38
Gillick, Liam. ‘Critical Dementia: the British Art Show’ Art Monthly No.134 March 1990 pp.14-16
Renton, Andrew, 'Birth of the Cool', Blitz Magazine, June 1990, pp.54-56
Roberts, James, 'Gary Hume', Artefactum, vol. 6, no. 31, November/December 1989, p.42
Carpenter, Merlin, 'Gary Hume', Artscribe, no. 78, November/December 1989, pp.74-75
Dannatt, Adrian, 'Gary Hume', Flash Art International, no. 148, October 1989, pp.138-139
Renton, Andrew, 'Gary Hume', Blitz Magazine, no. 80, August 1989, p. 82
Kent, Sarah, 'Gary Hume', Time Out, no. 986, 12-19 July 1989, p.37
Archer, Michael, 'Ian Davenport, Gary Hume, Michael Landy', Artforum, vol. 27, no. 6, February 1989, p. 147
Bulloch, Angela, 'Freeze', Art and Design, vol. 5, no. 3/4, 1989, pp.52-53
Shone, Richard, 'Ian Davenport, Gary Hume, Michael Landy', Burlington Magazine, vol. 121, no.1030, January 1989, p.56
Craddock, Sacha, 'Freeze: The fast Dockland train to simplicity', The Guardian, 13 September 1988,
p. 17
More on Gary Hume
 | Related Texts |
| CV | |
| Behind the Face of the Door by Adrian Searle | |
| Text by Anne Prenzler | |
| Gary Hume in conversation with David Barrett | |
| Exhibitions | |
| American Tan 5 Sep—6 Oct 2007 | |
| Cave Paintings 26 May—1 Jul 2006 | |
| New Work 27 Sep—26 Oct 2002 | |
| New Paintings 7 Apr—13 May 1995 | |
 | Related Links |
| http://www.illuminationsmed... Eye Series of films by Illuminations | |
| http://www.tate.org.uk/serv... Tate Online | |
| http://www.matthewmarks.com... Matthew Marks Gallery, New York | |
| http://www.tate.org.uk/brit... Tate Online | |
| http://www.imma.ie/en/page_... Irish Museum of Modern Art, Dublin | |
 | Back to Gary Hume |