Damien Hirst

Damien Hirst’s wide-ranging practice – installations, sculpture, painting and drawing – has sought to challenge the boundaries between art, science and popular culture. His energy and inventiveness, and his consistently visceral, visually arresting work, has made him a leading artist of his generation.

Hirst explores the uncertainty at the core of human experience; love, life, death, loyalty and betrayal through unexpected and unconventional media. Best known for the ‘Natural History’ works, which present animals in vitrines suspended in formaldehyde such as the iconic The Physical Impossibility of Death in the Mind of Someone Living (1991) and Mother and Child Divided (1993), his works recast fundamental questions concerning the meaning of life and the fragility of biological existence. For Hirst, the vitrine functions as both window and barrier, seducing the viewer into the work visually while providing a minimalist geometry to frame, contain and objectify his subject. In many of the sculptures of the 1990s, such as The Acquired Inability to Escape (1991) and The Asthmatic Escaped (1992) a human presence was implied through the inclusion of relic-like objects: clothes, cigarettes, ashtrays, tables and chairs. That implied human presence became explicit in Ways of Seeing (2000), a vitrine sculpture with a figure of a laboratory technician seated at a desk looking through a microscope. The more celebratory work Hymn (2000), a polychrome bronze sculpture, reveals the anatomical musculature and internal organs of the human body on a monumental scale. Hirst is equally renowned for his paintings. These include his ‘Butterfly Paintings’, tableaux of actual butterflies suspended in paint, or in Amazing Revelations (2003), for instance, he arranged thousands of butterfly wings in a mandala-like pattern. His ‘Spin’ series are made with a machine that centrifugally disperses the paint steadily poured onto a shaped canvas surface, while his ‘Spot’ series have a rigorous grid of uniform sized dots. Recently, he has explored photo-realism in the ‘Fact’ paintings.

Damien Hirst was born in 1965 in Bristol, UK. He lives and works in London and Devon. He has participated in numerous group exhibitions including Into Me / Out of Me, P.S.1 Contemporary Art Center, New York (2006), In-A-Gadda-Da-Vida, Tate Britain, the 50th Venice Biennale (2003) and Century City, Tate Modern (2001). Solo exhibitions include Astrup Fearnley Museet fur Moderne Kunst, Oslo (2005), Museum of Fine Arts, Boston (2005) and Archaeological Museum, Naples (2004). He received the DAAD fellowship in Berlin in 1994 and the Turner Prize in 1995.

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The Hat Makes The Man (After Max Ernst)Memories Lost, Fragments of ParadiseMemories Lost, Fragments of ParadiseMatthew, Mark, Luke and John

More on Damien Hirst


Artworks
Vitrine works I
4 Images
Spin paintings
4 Images
Vitrine works II
4 Images
Figurative sculptures
4 Images
Butterfly paintings
4 Images
Miscellaneous II
4 Images
Miscellaneous III
4 Images
Medicine Cabinets
4 Images
Spot paintings
2 Images

Related Texts
CV
Bibliography

Exhibitions
Beyond Belief
3 Jun—7 Jul 2007
Romance in the Age of Uncertainty
10 Sep—19 Oct 2003
Still
19 May—1 Jul 1995

Editions
For the Love of God, Believe
Edition of 1700
For the Love of God, Laugh
Edition of 250
For the Love of God, Pray
Edition of 750
For the Love of God, Shine
Edition of 250
For the Love of God, The Diamond Skull
Edition of 250
Untitled Pill and Syringe 1
Edition of 200
Untitled Pill and Syringe 2
Edition of 300
Untitled Pill and Syringe 3
Edition of 400

Artist's Publications
Damien Hirst
2004
The Cancer Chronicles
2003

Artist's Publications
Available in the Bookshop
Beyond Belief
2008
For the Love of God The Making of the Diamond Skull
2007
Romance in the Age of Uncertainty
2003

Related Links
http://www.damienhirst.com/
Damien Hirst
http://www.othercriteria.com
Other Criteria
http://www.tate.org.uk/phar...
Tate Online
http://www.tate.org.uk/brit...
Tate Online

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