Tracey Emin

Bibliography

Monographs and solo exhibition catalogues

Tracey Emin: One Thousand Drawings (Rizzoli International Publications Inc., New York 2009)
20 Years (National Galleries of Scotland, Edinburgh 2008); texts by Patrick Elliot and Julian Schnabel
Borrowed Light (British Council, London 2007); texts by Rudi Fuchs, Andrea Rose and Toby Forward
Tracey Emin: Works 1963-2006 (Rizzoli International Publications Inc., New York 2006); texts by Carl Freedman, Rudi Fuchs and Jeanette Winterson
Brown, Neal, Tracey Emin (Tate Publishing, London 2006)
Fuchs, Rudi, Tracey Emin: When I Think About Sex... (Jay Jopling/White Cube, London 2005)
Merck, Mandy and Chris Townsend, The Art of Tracey Emin (Thames & Hudson, London 2002)
Fuchs, Rudi, Ten Years: Tracey Emin (Stedelijk Museum, Amsterdam 2002)
Tracey Emin (Modern Art Oxford, 2002); interview with the artist by Andrew Nairne
Tracey Emin (Jay Jopling/White Cube, London 1998); texts by Neal Brown, Sarah Kent and Matthew Collings
Brehm, Magrit, All I Wanted Was Your Spunk Dry on My Face (Staatliche Kunsthalle/Urbane Legenden, Baden-Baden 1997)


General Publications and Group Catalogues

Bernstein, Joanne (ed.), Moving Horizons: UBS Art Collection – 1960s to the present day (NAMOC/UBS, Beijing 2008)
St-Gelais, Therese (ed.), The Undecidable: Gaps and Displacements in Contemporary Art (Quebec 2008)
Miller, Harland, You dig the tunnel, I’ll hide the soil (Jay Jopling/White Cube, London 2008)
Rowan, Tiddy. A guide to modern + contemporary Art in the city: London (Quadrille, London 2008)
Ireson, Nancy, Love (National Gallery, London, City Museum and Art Gallery, Bristol and Laing Art Gallery, Newcastle, 2008)
Heartney, Eleanor, Art & Today (Phaidon Press, London and New York 2008)
Bernadelli, Francesco, Arte Contemporanea, Volume Cinque. Anni Novanta (La Biblioteca di Repubblica-l’Espresso/Electa, Milan 2008)
Downs, Simon, Russell Marshall, Phil Sawdon, Andrew Selby, and Jane Tormey (eds.), Drawing Now: Between the Lines of Contemporary Art (I.B. Tauris & Co Ltd, London and New York 2007)
Gustavs, Jorinde, Original: Bilder aus Leben und Kunst (weiw-Verlag, Stralsund, Germany 2007)
Shpungin, Diana, Delicatessen (Florida Atlantic University, 2007)
Whitford, Frank, Royal Academy Illustrated (Royal Academy, London 2007)
Jones, Liz, Fur babies (Quadrille Publishing Limited, London 2007)
Caruso, Laura (ed.), Radar: Selections from the Collection of Vicki and Kent Logan (Denver Art Museum, Colorado 2007)
Chadwick, Whitney, Women, Art, and Society (Thames & Hudson, London 2007)
Hirst, Mark and Alistair Hicks, Beyond Sensation (Deutsche Bank Art Collection, London and Frankfurt 2007)
Timer: Intimità/Intimacy (Skira, Milan 2007); texts by Gianni Mercurio, Demetrio Paparoni and Davide Rampello
The Youth of Today (Walther König, Cologne 2007); texts by Hollein, Max, Jens Hoffmann, George Seeßlen, Niels Werber, Mercedes Bunz and Matthias Ulrich
Fortnum, Rebecca, Contemporary British Women Artists in their own words (I.B. Tauris, London and New York 2007)
Hammer, Martin, The Naked Portrait (National Galleries of Scotland, Edinburgh 2007)
Reilly, Maura and Linda Nochlin (eds.), Global Feminisms: New Directions in Contemporary Art (Merrell, London and New York 2007)
Quincoces, Fernando, Para Todos Los Publicos (Sala Rekalde, Bilbao 2006)
Wiseman, Caroline, Modern Art Now: From Conception to Consumption (Strawberry Art Press, Ipswich 2006)
Aftershock: Contemporary British Art 1990 – 2006 (The British Council, London 2006); texts by Michael Bracewell, Pi Li and Emily Butler)
How to Improve the World: 60 Years of British Art (Hayward Gallery, London 2006); texts by Ralph Rugoff, Michael Archer, Marjorie Allthorpe-Guyton and Roger Malbert
Doyle, Jennifer, Sex Objects: Art and the Dialectics of Desire (University of Minnesota Press, Minneapolis 2006)
Nairne, Sandy and Sarah Howgate, The Portrait Now (National Portrait Gallery, London 2006)
Freeman, Julian, British Art: A Walk Round the Rusty Pier (Southbank Publishing, London 2006)
Miller, Harland and Hans Ulrich Obrist, In the Darkest Hour there may be Light – Works from Damien Hirst’s Murderme Collection (Serpentine Gallery, London 2006)
Rowan, Tiddy, At Home with Art, (Quadrille Publishing Ltd, London 2006)
Van Tuyl, Gijs, Aanwinsten /Acquisitions 1993-2003 (Stedelijk Museum, Amsterdam 2006)
Belliti, Chiara (ed.), Eretica (Skira, Palermo 2006)
Nata Libera (Gender Bender Festival Internazionale, Bologna 2006)
Pesenti, Allegra, Motion On Paper (Ben Brown Fine Arts, London 2006)
McGregor, Sheila, New Art on View (Scala Publishers, London 2006)
Kovats, Tania (ed.), The Drawing Book A Survey of Drawing: the Primary Means of Expression (Black Dog Publishing, London 2006)
You’ll Never Know (Hayward Gallery, London 2006); texts by Jeni Walwin, Henry Krokatsis, James Flint, Janna Levin, Sally O’ Reilly
Brewińska, Maria and Benjamin Cope, Hot/Cold Summer Loving (Zachęta Narodowa Galeria Sztuki, Warsaw 2006)
Mahon, Alyce, Eroticism & Art (Oxford University Press, 2006)
Mandelinck, Gwy, Joost Declercq and Koen Van Synghel, Extiem (Poëziezomers-Kunstzomers, Watou, Belgium 2006)
You’ll Never Know (Hayward Gallery, London 2006); texts by Roger Malbert, Susan May, Jeni Walwin, Henry Krokatsis, James Flint, Janna Levin and Sally O’ Reilly
Krause-Wahl, Antje, Konstruktionen von Identität: Renée Green, Tracey Emin, Rirkrit Tiravanija (Verlag Silke Schreiber, Munich 2006)
Bonnant, Arlène and David Breuer-Weil, CAP Collection (CAP Art Limited, Switzerland 2005)
Mé Tissages (Museum voor Industriële Archeologie en Textiel, Ghent, Belgium, 2005); texts by René De Herdt, Isabelle De Baets, Stef Van Bellingen and Everlyn Nicodemus
Brandtzaeg, Karl J., (ed.), Kiss the Frog! The Art of Transformation (The National Museum of Art, Architecture and Design, Oslo 2005)
Grosenick, Uta (ed.), Art Now (Taschen, Cologne 2005)
Anja Dreschke (ed.), KunstFilmBiennale Koln 2005 (Heinz Peter Schwerfel and Detlef Langer, Cologne 2005)
Antony Mason, Knowledge Quest Series: Sport, Culture and Entertainment (Reader’s Digest Books, London 2005)
Lippert, Werner, Video II: Allegorie (NRW-Forum Kultur und Wirtschaft, Dusseldorf, 2005)
Hovdenakk, Per and Thorvald Steen, Munch Revisited (Henie Onstad Kunstsenter, Oslo 2005)
Grenville, Bruce, Douglas Coupland and Colin Ledwith, Body: New Art from the UK (Vancouver Art Gallery, 2005)
Gade, Rune, Kønnet, Kroppen, Kunsten (Informations Forlag, Copenhagen 2005)
Johannesen, Ina, Marianne Holtermann and Sarah Kent, London Calling: Y[oung] B[ritish] A[rtists] Criss-Crossed (Galleri Kaare Berntsen, Olso 2005)
Phelan, J. W., Philosophy: Themes and Thinkers (Cambridge University Press, 2005)
25 Visuell: Deutsche Bank Art (Deutsche Bank Art, Frankfurt 2005)
Doy, Gen, Picturing the Self: Changing Views of the Subject in Visual Culture (I.B. Tauris & Co Ltd, London and New York, 2005)
Pahlke, Rosemarie E., Per Hovdenakk, Christoph Kivelitz, Regina Selter, Cornelia Gerner, Barbara Nierhoff, Rosemarie E. Pahlke (ed.), Munch Revisited. Edvard Munch and the Art of Today (Museum am Ostwall, Dortmund and Kerber Verlag, Bielefeld, Germany 2005)
Müller, Hans-Joachim, La Alegria De Mis Suenos, (Fundación BIACS, Seville 2004)
Deitch, Jeffrey (ed.), Monument to Now (DESTE Foundation for Contemporary Art, London 2004)
Bouwhuis, Jelle, Stedelijk Museum, Amsterdam 2003/2004 (Stedelijk Museum, Amsterdam 2004)
Riley, Richard and Patrick Elliott, Desde El Reino Unido: David Hockney. Tracey Emin. Museo Nacional De Bellas Artes 17 Nov Al 06 Mar 2005 (The British Council, Chile 2004)
Sandhu, Sukhdev and Isobel Johnstone, Stranger Than Fiction (Hayward Gallery Publishing, London 2004)
Harris, Jonathan (ed.), Art, Money, Parties. New Institutions in the Political Economy of Contemporary Art (Liverpool University Press and Tate Publishing, Liverpool 2004)
The Joy Of My Dreams (International Biennial of Contemporary Art, Seville 2004); texts by Sánchez Monteseirín, Alfredo, Fernando Franco, Juana de Aizpuru, Harald Szeemann and Hans-Joachim Müller
Art & Australia: 2004 Biennale of Sydney (Art & Australia Pty Ltd, Paddington, Australia 2004); texts by Isabel Carlos, Sally Couacaud, Dinah Dysart, Michael Dysart, Juliana Engberg, Felicity Fenner, Barbara Flynn, Anne Marsh, Colin Martin, Tjalaminu Mia, James Mollison, Robert C. Morgan, Sally Morgan, Ingrid Periz, Trevor Smith, Dr Daniel Thomas AM, Samantha Togni and Stephen Williamson
van Tuyl, Gijs and Carl H. Hahn, The Open Museum: The First Ten Years (Kunstmuseum Wolfsburg, Germany 2004)
Foster, Alicia, Tate Women Artists (Tate Publishing, London 2004)
West, Shearer, Portraiture (Oxford University Press, 2004)
Mey, Kerstin, Sculpsit: Contemporary Artists on Sculpture and Beyond (Duncan of Jordanstone College of Art and Design, University of Dundee, 2004)
Jones, Allen and David Hockney, Royal Academy Illustrated 2004 (Royal Academy of Arts, London 2004)
Zyman, Daniela, ein-leuchten (Museum der Modern Salzburg, Vienna 2004)
Windsor, Alan, British Sculptors of the Twentieth Century (Ashgate Publishing Limited, London and Burlington, Vermont 2003)
The Believer (McSweeney’s Publishing, San Francisco 2003)
Grynsztejn, Madeleine (ed.), Supernova: Art of the 1990s from the Logan Collection (San Francisco Museum of Modern Art, 2003)
Flexible: 4 Identities (The Whitworth Art Gallery, Manchester 2003)
A Bigger Splash: British Art from Tate 1960-2003 (Oca Parque Ibirapuera and Instituto Tomie Ohtake, São Paulo 2003)
De Cruz, Gemma, British Artists at Work (Assouline, London 2003)
Goetz, Ingvild and Stephan Urbaschek, Fast Forward: Media Art (ZKM, Karlsruhe, Germany 2003)
Elliot, David and Pier Luigi Tazzi, Happiness (Tankosha Publishing Co. Ltd, Tokyo 2003)
Hwa Joo, Yeon, British Contemporary 28 October-31 January 2004 (Arario Gallery, Cheonan 2003)
Schumacher, Rainald and Matthias Winzen (eds.), Just Love Me: Post/Feminist Positions of the 1990s from the Goetz Collection (Verlag Der Buchhandlung Walther König, Cologne 2003)
Martinez, Rosa, Europe Exists (Macedonian Museum of Contemporary Art, Thessaloniki 2003)
Verzotti, Giorgio, Francesca Pasini and Nicoletta Misler, Il racconto del filo (Museo di Arte Moderna, Trento, Italy 2003)
Brüninghaus-Knubel, Cornelia and Sabine Maria Schmidt, Tactics of the Ego (Kerber Verlag, Bielefeld, Germany 2003)
Ottoman, Klaus and Pamela Auchincloss, Social Strategies; Redefining Social Realism (Pamela Auchincloss Arts Management, New York 2003)
Bildstörung (Gesellschaft der Freunde junger Kunst, Baden-Baden, Germany 2003)
Tunnicliffe, Wayne, Tracey Emin: Moving On (Art Gallery New South Wales, Sydney 2003)
Douglas, Caroline, Micro/Macro; British Art 1996-2002 (Mũcsarnok, Budapest 2003)
Stadler, Kurt and Josef Fink, Cadavre Exquis (Gruppe 77, Brussels 2003)
Rosenblum, Robert and Katherina McArthur, The Beach (Windsor, Florida 2002)
Landscape (The Saatchi Gallery, London 2002)
Gisbourne, Mark, Face Off (Kettle’s Yard, Cambridge 2002)
Fusion Cuisine (Deste Foundation, Athens 2002)
Die Wohltat der Kunst: Post/Feministische Positionen der neunziger Jahre aus der Sammlung Goetz (Staatliche Kunsthalle, Baden-Baden, Germany 2002)
Knöfel, Ulrike, Public Affairs: Von Beuys bis Zittel: Das Offentliche in der Kunst (Kunsthaus Zurich, 2002)
Gillick, Liam, White Cube: 44 Duke Street, St James’ London (Steidl, Gottingen 2002)
Giannini, Claudia (ed.), Installations Mattress Factory 1990/1999 (University of Pittsburgh Press, Pennsylvania 2001)
Decter, Joshua, Tele[visions] Kunst Sieht Fern (Kunsthalle Wien, Austria 2001)
Blake, Peter, Royal Academy Illustrated: Summer Exhibition 2001 (Royal Academy of Arts, London 2001)
Collings, Matthew, Art Crazy Nation (21 Publishing Ltd, London 2001)
Eliasson, Olafur, Freestyle: Werke Aus der Sammlung Boros (Verlag Der Buchhandlung Walther König, Cologne 2001)
Muir, Gregor, Gavin Eddy and Sam Cowan, Group Exhibition (UBS Warburg, London 2001)
Riemschneider, Burkhard and Uta Grosenick (eds.), Art Now (Taschen, Cologne 2001)
Pragnell, Hubert J., Invisible London (B.T Batsford Ltd, London 2001)
Grosnick, Uta (ed.), Women Artists in the 20th and 21st Century (Taschen, Cologne 2001)
Kent, Sarah, YBA Woman (Thames & Hudson, London 2001)
Arakistain, Xabier and Rosa Martínez, Trans Sexual Express (Generalitat de Catalunya Departament de Cultura, Barcelona 2001)
Carson, Fiona and Claire Pajaczkowska (eds.), Feminist Visual Culture (Edinburgh University Press, 2000)
Coles, Pippa, Matthew Higgs and Jacqui Poncelet, The British Art Show 5 (The South Bank Centre, London 2000)
Blake, Peter, Dawn Ades and Natalie Rudd, Peter Blake: About Collage (Tate Gallery Publishing, London 2000)
Godfrey, Tony, Diary (Cornerhouse, Manchester 2000)
Huxley, Paul, The TI Group Art Collection: Painting Graduates of the Royal College of Art 1975-2000 (TI Group plc, Oxford 2000)
Rosenthal, Norman, Sex and the British (Galerie Thaddaeus Ropac, Paris and Salzburg 2000)
Cooper, Jeremy, no FuN without U, the art of Factual Nonsense (Ellipsis, London 2000)
Grosenick, Uta, ART NOW (Taschen, Cologne 2000)
Fortes, Márcia, ArtLovers (The Liverpool Biennial of Contemporary Art, 1999)
Bevan, Rogar, Now It’s My Turn to Scream: Works by Contemporary British Artists from the Logan Collection (San Francisco Museum of Modern Art, 1999)
Button, Virginia, The Turner Prize, (Tate Publishing, London 1999 [1997])
Zdenek, Felix (ed.), Emotion: Young British and American Art from the Goetz Collection (Hatje Cantz, Ostfildern 1999)
Collings, Matthew, This is Modern Art (Weidenfeld & Nicolson, London 1999)
Hall, James, The World as Sculpture (Chatto & Windus, London 1999)
Perrella, Cristiana, Maria Rosa Sossai, Michael Maziere and Catherine Elwes, Sweetie: Indentitá femminile nel video britannico (The British School at Rome, 1999)
Resende, Ricardo, Imagen em Movimento: Moving Image (Chiva [S]ynergies Art, São Paulo 1999)
Stallabrass, Julian, High Art Lite (Verso, London 1999)
Scarlnii, Luca, Riccione TTV: 14a Edition (exh. pamphlet, Riccione TTV, Bologna, Italy 1999)
Louis Maubant, Jean and Yannick Miloux (eds.), Collection Rhône-Alpes (I’Institut d’art contemporian, Villeurbanne, France 1999)
Bachmann, Ingrid and Ruth Scheuing (eds.), Material Matters: The Art and Culture of Contemporary Textiles (YYZ Books, Canada 1998)
Brown, Neal, La Biennale de Montréal 98 (exh. pamphlet, Centre International d’Art Contemporain de Montréal, Canada 1998)
Corrin, Lisa, Loose Threads (Serpentine Gallery, London 1998)
Farquharson, Alex, Personal Effects (Spacex Gallery, Exeter 1998)
Kittelman, Udo, Live and Let Die: Tracey Emin, Noritoshi Hirakawa, Pierre Joseph (exh. pamphlet, Apex Art C.P., New York 1998)
May, Susan, Here to Stay: Arts Council Collection Purchases of the 1990s (Arts Council, London 1998)
Morgan, Stuart, Life is a Bitch (De Appel, Amsterdam 1998)
Muller, Brian, UK Maximum Diversity (Galerie Krinzinger, Vienna 1998)
Whittington, Richard and John McEwen, Colony Room Club: Members Only (London, 1998)
Hegewisch, Katharina, Der Mensch Liche Fak Tor (Hypobank International S.A., Luxembourg 1997)
Package Holiday (The Hydra Workshop, Greece 1997)
Sensation: Young British Artists from The Saatchi Collection (Royal Academy of Arts, London 1997); texts by Brooks Adams, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone
Kunst..Arbeit (Südwest LB, Stuttgart 1997)
Buck, Louisa, Moving Targets: A User’s Guide to British Art Now (Tate Publishing, London 1997)
Collings, Matthew, Blimey! From Bohemia to Britpop: London Art World from Francis Bacon to Damien Hirst
(21 Publishing Ltd, Cambridge 1997)
Esche, Charles, Tales from the City (Stills Gallery, Edinburgh 1997)
Art from the UK (Sammlung Goetz, Munich 1997)
Larner, Melissa (ed.), History: Image Based Work in the Late 20th Century (Ferens Art Gallery, Hull 1997)
Marshall, Catherine (ed.), Breaking the Mould: British Art of the 1980s and 1990s – The Weltkunst Collection (Lund Humphries Publishers, London and The Irish Museum of Modern Art, Dublin 1997)
Meyric Hughes, Henry and Katerina Gregos, Private Face-Urban Space (Gasworks, Athens 1997)
Monk, Philip, Hypermnesiac Fabulations (The Power Plant, Toronto 1997)
Shand-Kydd, Johnnie, Spit Fire: Photographs from the Artworld – London 1996/97 (Thames & Hudson, London 1997)
Schmidt-Wulffen, Stephan (ed.), Time out (Das Kunstprojekt der RENTA Gruppe Nürnberg, Germany 1997)
Lapa, Pedro, David Bathelor, Laurence Bossé and Hans Ulrich Obrist, Life/Live (Musee d’Art Moderne de la Ville de Paris, 1997)
Stallabrass, Julian, Between the devil and the deep (blue) sea (Beaconsfield, London 1997)
Poetter, Jochen and Margrit Brehm, Urban Legends (Staatliche Kunsthalle, Baden-Baden, Germany 1997
Evans, Stuart and Richard Shone, Made in London (Simmons and Simmons, London 1996)
Obrist, Hans Ulrich, Life/Live (Musee d’Art Moderne de la Ville de Paris, 1996)
Worsdale, Godfrey, Co-Operators (Southampton City Art Gallery, UK 1996)
The Aggression of Beauty (Galerie Arndt & Partner, Berlin 1996)
Full House: Young British Art (Kunstmuseum Wolfsburg, Germany 1996)
Olsen, Sanne Kofod and Simon Sheikh (eds.), I Confess (Nikolaj Copenhagen Contemporary Art Centre, Denmark 1995)
Freedman, Carl, Minky Manky (South London Gallery, 1995)
Brilliant: New Art from London (Walker Art Centre, Minneapolis 1995); texts by Stuart Morgan, Neville Wakefield, Richard Flood and Douglas Fogle
Smolik, Noemi, Mysterium Alltag (Kampnagel, Hamburg 1995)
Nimarkoh, Virginia, The Phone Box: Art in Telephone Boxes (Arts Council of Great Britain and London Arts Board, London 1993)



Newspapers and magazines

Hoyle, Ben, ‘Why wait for the critics? Artist does a demolition job on star painter’s ‘failures,’ The Times, 29 January 2010, p. 27
Akbar, Arifa, ‘Damien, can I bin that work you gave me?’ The Independent, 29 January 2010, p.13
Akbar, Arifa, ‘Fake Tracey Emin paintings found,’ The Independent, 23 January 2010
Fresco, Adam, ‘Copy of master forger’s garden shed in V&A display of fakes,’ The Times, 23 January 2010, p.43
Campbell-Johnson, Rachel, ‘Look ahead,’ The Sunday Times, 2-8 January 2010, p.21
Copping, Jasper, ‘Oops… the gallery of broken arts,’ The Sunday Telegraph, 20 December 2010, p.9
Hari, Johann, ‘At last our artists are confronting the reality of climate change,’ The Independent, 9 December 2009, p.31
Usbourne, David, ‘Lady liberty,’ The Independent, 26 November 2009, pp.6-7
Douglas, Sarah, ‘Tracey Emin,’ Artinfo.com, 12 November 2009
Yablonka, Linda, ‘New sensation,’ New York Magazine, 13 November 2009
Remes, Outi, ‘Replaying the old stereotypes into an artistic role: the case of Tracey Emin,’ Women’s History Review, Vol. 18, No. 4, September 2009, pp.559-575
Boldizar, Alexander, ‘Today I met with a subliminal advertising executive for just a second,’ C Magazine (Canada), March – April 2009, pp.111-116
Gladwell, Shaun, ‘Shaun Gladwell & Tracey Emin,’ Adam & Eve, Spring 2009, pp.50-51
Evans, Alun, ‘An evening with Tracey Emin,’ Art and Music Magazine, 2008

‘The Guardian: 1000 artworks to see before you die, Volume 2’, The Guardian, 27 October 2009, p.11
‘Shop Girls’, The Times Magazine, 15 October 2009, pp.38-45
‘Frieze Frontline: Alexandra Hill’, Vogue.co.uk/blogs/the-vogue-blog/articles/091016-frieze-london-2009-alexandra-hill-tracy-emin-damien-hirst.aspx, 16 October 2009
Lack, Jessica, ‘I’ll have a Matisse please’ The Guardian G2, 15 October 2009, pp.14-15
Dorment, Richard, ‘Sex, Money and Art’, The Daily Telegraph, 6 October 2009, p.31
Coghlan, Niamh, ‘Art in a Material World’. Aesthetica, No.31, October-November 2009, pp.22-25
Akbar, Afrika, ‘’Good Business is the best art’ said Andy Warhol – and the big new show at Tate Modern proves just how right he was’, The Independent Magazine, 26 September 2009, pp.28-33
Collings, Matthew, ‘The 15 minutes of fame that isn’t over yet’, The Times, 26 September 2009, pp.6-7
Pyke, Steve, ‘The art of selling out’, The Observer Magazine, 6 September 2009, pp.24-32
McKenzie, Janet. ‘One Thousand Drawings by Tracey Emin’, http://www.studio-international.co.uk/books/tracey_emin09.asp, 26 August 2009
Rajan, Amol, ‘Big names giving it up for Africa’. The Independent, 7 August 2009, p.8
Luke, Ben, ‘Tracey Emin: “Drawing to me is a singular pursuit, it’s what I do alone with my imagination. It’s exactly like masturbation”’, Art World, August - September 2009, pp.56-59
Hudson, Mark, ‘The idiot savant of modern art’, The Daily Telegraph, 2 June 2009, p.25
Lewis, Ben, ‘Tracey’s really done it this time’, Evening Standard, 28 May 2009, pp.34-35
Ward, Ossian. ‘Reviews: Tracey Emin at White Cube’, Time Out, 4-10 June 2009, p.43
‘Critics’ Choice: Galleries’, Time Out, 2-8 July 2009 p.50
Gardner, Jasmine, ‘Is Tracey Emin the last taboo?’, Evening Standard, 2 June 2009, p.29
Guner, Fison, ‘Tracy Emin: Those who suffer love’, Metro, 1 June 2009, p.28
Jury, Louise, ‘Sex? I’m more interested in ideas says Emin (not that you can tell from her new show)’, Evening Standard, 27 May 2009, p.11
Jones, Alice, ‘Art from the heart’, The Independent Magazine, 18 May 2009, pp.2-5
‘What does glamour mean to you?’, Glamour, April 2009, pp.258-267
Conrad, Peter, ‘Confessions of a saucy seamstress’, The Observer, 31 May 2009, p.13
Brewis, Kathy, ‘’I’m more interested in ideas than sex’, The Sunday Times Magazine, 17 May 2009, pp.12-16
Brooks, Richard. ‘Wily Cameron coaxes Emin into Tory bed’, The Sunday Times, 3 May 2009, p.9
Sovinsky, Mia Hessner, ‘Stella McCartney kober kin kunst – og jeg car I Hendes toj’, eurowoman, No. 132, March 2009, pp.76-79
‘Shaun Gladwell and Tracey Emin’, Adam and Eve, No.2, March – May 2009, pp.50-51
‘Collagen und Arbeiten auf Papier’, Kerber Art, Spring 2009, p.38
Hattenstone, Simon, ‘Myra Margaret and me’, The Guardian, 21 February 2009, pp.26-29
‘Titian Treasure’, The Sunday Times Review, 8 February 2009, p.10
‘Buy me’, The Times (T2), 10 February 2009, p.13
Siddique, Haroon, ‘Titian triumph £50m painting saved for the nation’, The Guardian, 2 February 2009, p.5
‘Emin and friends win battle to save bar’, The Evening Standard, 30 January 2009
Morrison, Richard, ‘How a bunch of shameless, foul-mouthed bed-hopping kids came to rule the art world’, The Times, 28 January 2009, p.7
‘Market News’, The Daily Telegraph, 27 January 2009, p.24
Ruiz, Cristina, ‘Saatchi to host art X Factor’, The Sunday Times, 25 January 2009, p.2
Muir, Gregor, ‘Recession? Lets Party!’, The Guardian, 20 January 2009, pp.20-25
Januszczak, Waldemar, ‘Lucky Kunst: The Rise and Fall of Young British Art by Gregor Muir’, The Sunday Times Review online, 18 January 2009
Januszczak, Waldemar, ‘A Talent to Abuse’, The Sunday Times, 18 January 2009, pp.39-40
Burt, Kate, ‘How we met: Peter Blake & Gavin Turk’, The Independent on Sunday, 18 January 2009, p.46
‘News just in! Lily’s agony over married older lover’, Look, January 2009
‘Double Impact’, Harper’s Bazaar, January 2009, pp.149-153
Van Der Post, Lucia, ‘Magicians of light’, Financial Times, 10 January 2009, pp.18-20
Hogan, Dave, ‘A mismatch – or inspired casting?’, The Independent, 10 January 2009, p.47
Hoyle, Ben, ‘Crunch time for Mr Brit Art’, The Times, 7 January 2009, pp.15-16
Carter, Imogen, ‘Pillow talk with a bunch of artists’, The Observer, 4 January 2009, p.3
Darwent, Charles, ‘How the Tate was given a run for its money’, The Independent on Sunday, 28 December 2008, pp.48-49
Walsh, John, ‘Just three days left to bid’, The Independent, 20 December 2008, p.23
Nichol, Katie and Laura Collins, ‘Jay Jopling and Sam Taylor-Wood: The £100m divorce that is splitting the art world’, Daily Mail, 18 January 2009
Jardine, Cassandra, ‘Power players from the fields of Eton’, The Daily Telegraph, 18 December 2008, p.21
‘Raconteur on Investing in Art’, Raconteur Media, 16 December 2008, pp.2-18
Walsh, John, ‘Time to place your bids’, The Independent, 16 December 2008, p.15
Walsh, John, ‘Place your bids, please’, The Independent, 15 December 2008, p.17
Thornton, Sarah, ‘Feeling the pinch in the Miami Vice’, The Times (T2), 9 December 2008, p.14
Brown, Mark, ‘Modest art: out goes the controversy as magpie of the artworld steals the show’, The Guardian,
2 December 2008, p.3
‘Tracey Emin: 20 years on show in Malaga’, Surinenglish.com, 2 December 2008
Jude, Dan, ‘Meet Billy Childish’, Disappear Here Magazine, Winter 2008, pp.72-75
‘GQ 20, 1988-2008’, GQ, December 2008, p.464
Graham-Dixon, Andrew, ‘The vanishing masterpiece’, The Sunday Telegraph (Seven), 30 November 2008, pp.30-31
Fentiman, Paula, ‘Lucky dip for art lovers in secret postcards sale’, Press Association, 22 November 2008
‘Tracy Emin says Government faces embarrassment if Titian paintings are lost’, http://www.telegraph.co.uk/news/uknews/3418438/Tracy-Emin-says-Government-faces-embarrassment-if-Titiam-paintings-are-lost.html, 10 November 2008
’Life and Arts: whats on today’, The Scotsman, 7 November 2008, p.42
Miller, Phil, ‘Emin gives £75,000 sculpture as thank-you for Scots show’, The Herald (Glasgow), 6 November 2008, p.12
Jury, Louise, ‘Yours for £40…and it could be an Emin’, Thisislondon.co.uk/standard/article-23582320-yours-for-40-and-it-could-be-a-tracey-emin.do, 5 November 2008
Alexander, Martha, ‘Focus on East London’, Artists & Illustrators Magazine, November 2008, pp.33-35
‘Vogue British’, China Vogue, November 2008, pp.220-226
Collings, Matthew, ‘God Save the Queen – Tracey Emin: failure + charisma = success’, Modern Painters, November 2008, pp.24-26
Cole, Olivia, ’24 Hour Party People’, Tatler, November 2008, p.200
‘Peace and Quiet for the creator of that infamous work My Bed…’, Tatler, November 2008, p.243
Pasini, Francesca, ‘It’s not a Lasso, an Arabesque, Nor a Piece of Spaghetti’, Tate Etc., No. 14, Autumn 2008, p.90
Kirwan-Taylor, Helen, ‘Design Spy – Ghostly Furnishings and DIY Design Art’, The Evening Standard (Magazine), 31 October 2008, p.43
Corner, Lena, ‘Why Frieze is still hot’, The Independent on Sunday, 26 October 2008, p.8
Reynolds, Nigel, ‘The Definitive Guide to Modern British Art’, The Daily Telegraph, 25 October 2008, p.13
Wullschlager, Jackie, ‘Jackie Wullschlager on 20 years of the YBAs’, The Art Newspaper, 18-19 October 2009, p.3
Watts, Robert, ‘Let’s Party like its 1929’, The Sunday Times, 19 October 2008, p.14
Cadwalladr, Carole, ‘Before the bubbly stops flowing…’, The Observer, 19 October 2008, pp.12-13
McMeekan, Emilie, ‘King Charles: The Saatchi Gallery Opening’, The Evening Standard (Magazine), 17 October 2008, pp.8-13
Lewis, Ben, ‘Will the party soon be over for the Frieze crowd?’, The Evening Standard, 16 October 2008, pp.18-19
‘Recent Openings’, Haunch, October 2008, p.34
Snelson, John, ‘Shining Example’, House & Garden, October 2008, pp.216-221
Allsoff, Laura, ‘Consumed: The pick of this month’s offering’s from shops, galleries and museums’, Art Review, October 2008, No.26, pp.48-50
‘News in brief’, The Observer, 14 September 2008, p.4
Sherwin, Adam, ‘Emin comes out fighting for first Olympic losers’, The Times, 3 September 2008
‘Women on top’, The Times (T2), 2 September 2008, p.8
Clarkson, Lamar, ‘Art Talk: Hitting a Sour Note’, ArtNews, No. 8, September 2008, p.45-52
‘Why don’t you..? By Tracey Emin’, Harper’s Bazaar, September 2008, p.360
Johnson, Andrew, ‘Surf’s up, as Emin and team paint against pollution’, The Independent on Sunday, 24 August 2008, p.22
Higgins, Charlotte, ‘What lies beneath: galleries set for modern art makeover’, G2, 13 August 2008, p.29
Malvern, Jack, ‘Has anyone seen Emin without her clothes?’, The Times, 12 August 2008, p.15
Hind, John, ‘Did I say that? Tracey Emin’, The Observer (Magazine), 10 August 2008, p.8
Cork, Richard, ‘Artful Dodgers’, RA Magazine, Summer 2008, pp.48-52
Cumming, Laura, ‘Something’s amiss with Cupid’s aim’, The Observer Review, 3 August 2008, p.15
Whitford, Frank, ‘Top 20 things to see Edinburgh’, The Sunday Times (Culture), 3 August 2008, pp.18-19
Wullschlager, Jackie, ‘Visual arts’, Financial Times, 2 August 2008, p.17
‘Smashing start to Emin show’, The Independent, 30 July 2008, p.16
Hamilton, Fiona, ‘East Enders stand firm against march of the city developers’, The Times, 30 July 2008, p.21
Brown, Mark and Sarah Knapton, ‘Smashed sculpture proves show stopper’, The Guardian, 29 July 2008, p.5
‘The latest news on the art and architecture of royal academicians’, RA Magazine, Spring 2008, pp.95-96
Higgins, Charlotte, ‘The great leap foreword’, The Guardian, 23 July 2008, p.23
Campbell-Johnston, Rachel, ‘ Art with a heart’, The Times, 22 July 2008, pp.15-16
Fletcher, Richard, ‘Hammerson wins bar-room planning brawl’, The Daily Telegraph (Business), 21 July 2008, p.8
‘I got very scared about dying alone, getting old alone’, The Independent on Sunday, 20 July 2008, p.43
‘Art for beer’s sake’, The Independent on Sunday (Business), 20 July 2008, p.24
Lewis, Jemima, ‘Emin sees reproduction with the eyes of a true original’, The Sunday Telegraph, 20 July 2008, p.27
Marsh, Stefanie, ‘ Tracey Island’, The Times (T2), 16 July 2008, pp. 4-6
Crichton-Miller, Emma, ‘From Russia with cash’, The Financial Times (Life and Arts), 12 July 2008, p.14
Johnson, Andrew, ‘There’s never been a great woman artist’, The Independent on Sunday, 6 July 2008, p.12
Carter, Helen, ‘Emin work feared stolen from outside Cathedral’, The Guardian, 3 July 2008, p.6
Sharpe, Laura, ‘Has Traey Emin’s bird flown the coop’, Liverpooldailypost.co.uk , 2 July 2008
Wade, Mike, ‘Tracey Emin chooses Edinburgh to host first retrospective of her work’, The Times, 27 June 2008, p.21
‘Tracey Emin to appear at festival’, Bbc.co.uk, 26 June 2008
‘Art05: Tracey Emin unveils public art in Liverpool’, Bbc.co.uk, 2 July 2008
‘Winning victory’, The Guardian, 24 June 2008
Searle, Adrian, ‘The exhibition, Folkestone Triennial’, The Guardian, 21 June 2008, p.18
Searle, Adrian, ‘Magical moments as Folkestone emerges from the waves’, The Guardian, 20 June 2008, p.42
Wright, Karen, ‘Resurrection of Folkestone’, phillipsARTexper.com/forums, 18 June 2008
Sooke, Alastair, ‘A breath of fresh air blows away the seaside blues’, The Daily Telegraph, 17 June 2008, p.24
Darwent, Charles, ‘Still life with old hat – it must be summer’, The Independent on Sunday, 15 June 2008, p.68
Cooke, Rachel, ‘There’s life in the old gull yet’, The Observer, 15 June 2008, p.13
‘Folkestone Triennial’, Financial Times, 14-15 June 2008, p.21
Brown, Mark, ‘Emin leaves trail of baby clothes through Folkestone as Britart comes to seaside’, The Guardian, 14 June 2008, p.3
‘A quirky festival of art inspired by…Folkestone’, The Independent, 14 June 2008, p.14
‘Oi! Are you looking at my bed?’, Private Eye, 13-26 June 2008, p.14
Unwin, Phoebe, ‘Charles Saatchi: a blessing or a curse for young artists?’, The Independent, 13 June 2008, pp.24-25
‘New Emin artwork inspired by town’s teenage mothers’, The Daily Telegraph, 11 June 2008, p.10
Pill, Steve, ‘Art Review: Royal Academy Summer Exhibition’, Metro, 10 June 2008, p.33
Higgins, Ria, ‘Tracey Emin, the bad girl of British art’, The Sunday Times (Magazine), 8 June 2008, p.74
‘RA Summer Exhibition party: 4 June’, The Independent, 8 June 2008, p.17
Byrne, Ciar, ‘Middle England will love my show – Emin’, The Independent, 5 June 2008, pp.8-9
Crompton, Sarah, ‘Emin retains shock tactics’, The Daily Telegraph, 5 June 2008, p.13
Alberge, Dalya, ‘My show is not shocking, it’s titillating, says Emin’, The Times, 4 June 2008, p.17
‘Folkestone Triennial’, The Art Newspaper, June 2008, p.78
‘What’s on: United Kingdom, Our selection A-Z’, The Art Newspaper, No.12, June 2008, p.78
Brooks, Richard, ‘Emin puts on erotic show for Royal Academy’, The Sunday Times, 25 May 2008, p.9
Durrant, Nancy, ‘Shore Favourite’, The Times (The Knowledge), 17-23 May 2008, pp.27-28
‘Today, I thought I would combust. I imagine Mum coming in and there’s just a singed shirt-cuff’,
The Independent, 16 May 2008, p.7
Sharp, Jennifer, ‘East goes West’, Harrods Estates, Spring/Summer 2008, pp.20-24
‘Totally Tracey’, Southeastern Newsletter, No. 2, April/June 2008, p.4
Brooks, Richard, ‘This will just run and run at Tate’, The Sunday Times, 27 April 2008, p.11
Barber, Lynn, ‘Some day his plinth will come’, The Observer (Review), 27 April 2008, p.3
Cornwell, Tim, ‘Sponsorship deal for Emin looks like an unmade bed’, The Scotsman, 22 April 2008, p.14
Darwent, Charles, ‘ Old hat or new bag?’, Art Review, April 2008, pp.92-97
de Cruz, Gemma, ‘Sebastian Sharples’, Art and Music, No. 1, Spring 2008, pp.28-29
Wilkinson, Carl (ed.), ‘Three of the best interventions’, The Observer Book of Art, 13 April 2008, p.49
Blacksquare, March/April 2008, p.1
Adam, Georgia, Judith H. Dobrzynski, and Brook S. Mason, ‘Crash, what crash? Sales hold up despite market jitters’, The Art Newspaper, 28-29 March 2008, p.1
Prodger, Michael, ‘Seven Says, This is the week to…’, The Sunday Telegraph (Seven Magazine), 16 March 2008, p.5
Akbar, Arifa, ‘Boris and Benn form an unlikely plinth alliance’, The Independent, 8 March 2008, p.29
Littlejohn, Georgina, ‘Tracey’s £4m art school (bed included)’, London Lite, 3 March 2008, p.17
Thorpe, Vanessa, ‘Emin pays £4m to save art district’, The Observer, 2 March 2008, p.18
‘And the winner is banality’, The Jackdaw, March 2008, p.17
‘Mayor’s art auction’, The Art Newspaper, March 2008, p.66
Armstrong, Claire, ‘Tracey Emin: A good year’, Art World, February/March 2008, p.45-47
‘Art landmarks: not all the work’s indoors’, Art World, February/March, p.137
‘Emin unveils ‘sparrow’ sculpture’, News.bbc.co.uk/1/hi/england/merseyside/4293245.stm, 24 Febuary 2008
Hall, Jerry, ‘Aspects of Love’, The Independent, 9 February 2008, pp.20-21
‘Down to Margate for sun, sand, Emin and Turner’, The Financial Times (Life&Arts), 2-3 February 2008, p.1
Dambrot, Shana Nys, ‘Reviews: Tracey Emin: You Left Me Breathing’, Art Review, February 2008, p.121
Hind, John, ‘Art Attack’, The Observer (Magazine), 27 January 2008, pp.20-25
Brown, Craig, ‘Diary-Alan Yentob’, Private Eye, 25 January 2008, p.23
Jury, Louise, ‘Fair prices for modern art’, The Evening Standard, 15 January 2008, p.21
Darwent, Charles, ‘Mirrors and the meercats fight the new battle of Trafalgar’, The Independent, 13 January 2008, pp.54-55
Wullschlager, Jackie, ‘Art on a pedestal’, The Financial Times (Life&Arts), 12-13 January 2008, p.13
Akbar, Arifa, ‘The battle of Trafalgar (square that is)’, The Independent, 9 January 2008, p.12
Alberge, Dalya, ‘‘Public on a plinth’ plan offers us all 60 minutes of fame’, The Times, 9 January 2008, p.22
Brown, Mark, ‘What’s the big idea? Six artists square up in new battle of Trafalgar’, The Guardian, 9 January 2008, p.9
Johnson, Andrew, ‘What next for the fourth plinth?’, The Independent, 6 January 2008, p.46
Thorpe, Vanessa, ‘Emin gives meerkats a brush with stardom’, The Observer, 6 January 2008, p.12
Weston, Alan, ‘Britartist to light up cathedral’, Liverpool Daily Post, 2 January 2008, p.3
Aidin, Rose, ‘The Many Lives of a Collector’, Apollo, January 2008, pp.62-66
Feaver, William, ‘Reviews: Seduced’ Barbican Art Gallery, London’, ARTnews, January 2008, p.137
von Stilb, Jeremy, ‘Tracey Emin, You Left Me Breathing, Gagosian Gallery, Beverly Hills’, Whitehot Magazine, January 2008
Robecchi, Michelle, ‘Tracey Emin’, Contemporary Conversations, No. 1, 2008, pp.56-61
‘Roman standard, Tracey Emin’, Bbc.co.uk/mobile/liverpool08/liverpool/story5.shtml, 2008
Darwent, Charles, ‘Emin’s Venice outing fails to mar a fine 12 months’, The Independent on Sunday, 30 December 2007, p.44
Dugan, Emily, ‘Emin artwork goes for £25,150 as auction raises more that £100,000’, The Independent, 21 December 2007, p.5
Cumming, Laura, ‘2007: What we loved’, The Observer, 16 December 2007, pp.12-13
Sharp, Rob, ‘The Auction of the Year’, The Independent, 7 December 2007, p.11
‘Grab an art bargain at RCA Secret 2007’, Art of England, December 2007, p.43
Heartfield, James, ‘The Price of Everything and the Value of Nothing’, Art Review, December 2007, No. 17, pp.79-83
McClurg-Welland, Ian, ‘A Class Divided: Another Awakening for the Turner!’, Art of England, December 2007, pp.12-15
The Evening Standard (News Extra), 15 November 2007, p.20
Dickson, Tim, ‘How to collect Tracey Emin on a shoestring’, Art World, October/November 2007, p.12
Hutchinson, Charles, ‘Emin: Portrait of the artist as me’, The Press (York), 19 October 2007, p.12
‘New Car launch’, Express & Echo, 19 October 2007, p.4
‘Bear that wants to get his paws on Turner Prize’, London Lite, 18 October 2007, p.19
Jackson, Tina, ‘Back to her roots’, Metro (Yorkshire), 5 October 2007, p.31
Smith, Rupert, ‘Kenny Goss and Tracey Emin Interview’, Gay Times, October 2007, pp.64-68
Tenorman, Scott, ’60 second interview’, Metro, 26 June 2007, p.10
Dugan, Emily, ‘Emin does a paint job for the Fiat 500’s new model’, The Independent, 6 October 2007, p.28
Terranova, Charissa, ‘Female Forces’, The Dallas Morning News, 18 September 2009, p.2E
Pietsch, Hans, ‘Das Private ist poetisch’, Art, June 2007, pp.34-37
Douglas, Scott, ‘Being Tracey’, Harpers Bazaar, July 2007, pp.112-117
Jury, Louise, ‘Whose art is it anyway’, The Scotsman, 11 June 2007, pp.24-25
Darwent, Charles, ‘What’s a good artist like you doing in a place like this’, The Independent on Sunday, 10 June 2007, p.54
Street-Porter, Janet, ‘Here amid the Venice glitz, our Trace is bigger than Beckham’, The Independent on Sunday, 10 June 2007, p.19
Brook, Richard, ‘Emin turns to religion with cathedral work’, The Sunday Times, 10 June 2007, p.4
Barber, Lynn, ‘Wild at art’, The Independent, 10 June 2007, pp.3-4
Barber, Lynn, ‘Everyone wants a bit of Tracey’, The Observer, 10 June 2007, p.3
Wullschlager, Jackie, ‘Emin and femininity’, Financial Times, 9-10 June 2007, p.14
Henderson, Michael, ‘Britain’s noble ambassador in Venice’, The Daily Telegraph, 9 June 2007, p.25
Fletcher, Damien, ‘I’m in bed with Tracey Emin’, The Daily Mirror, 8 June 2007, pp.20-21
Leris, Sophie, ‘Tracey on top’, The Evening Standard (Magazine), 8 June 2007, pp.12-16
Horan, Tom, ‘Row as ‘outsider’ Emin is picked for art Olympics’, The Daily Telegraph, 7 June 2007, p.7
Dillon, Brian, ‘What does Tracey Emin mean to you’, Art Review, June 2007, pp.10-15
Nayeri, Farah, ‘Tracey Emin Hoists Flag in London, Complains She’s Underpriced’, Bloomberg.com, 13 April 2007
Ward, Ossian, ‘Bin ich etwa milder geworden?’, Monopol, No. 6, 2007, pp.33-35
Jury, Louise, ‘Whose art is it anyway?’, The Evening Standard (Life & Culture), 8 June 2007, pp.36-37
Fletcher, Damien, ‘I’m in bed with Tracey Emin..’, Daily Mirror, 8 June 2007, pp.20-21
Akbar, Arifa, ‘How Emin is not the only woman flying the flag at Venice Biennale’, The Independent, 8 June 2007, pp.12-13
Alberge, Dalya, ‘Emin reveals grim personal past that inspired latest show’, The Times, 7 June 2007, p.35
Higgins, Charlotte, ‘Middle-aged Brit Artist waves the flag in Venice’, The Guardian, 7 June 2007, p.15
Horan, Tom, ‘Emin is Britain’s surprise choice for ‘art Olympics’’, The Daily Telegraph, 7 June 2007, p.7
Ward, Ossian, ‘Stuck in the middle’, Time Out, 6-12 June 2007, p.40
Jury, Louise, ‘Not loud, but proud… understated Emin is UK ambassador at Venice Biennale’, Evening Standard, 6 June 2007, p.9
Gayford, Martin, ‘It’s so Tracey, it’s ridiculous’, The Daily Telegraph, 4 June 2007, p.29
Barber, Lynn, ‘Tracey’s big adventure’, The Observer (Review), 3 June 2007, pp.8-9
‘What does Tracey Emin mean to you?’, Art Review, June 2007, pp.110-115
Schwabsky, Barry, ‘Tracey Emin: au centre de ses rêves’, Art News, June 2007, pp.44-49
Pietsch, Von Hans, ‘Das Private ist poetisch’, Das Kunstmagazin, June 2007, pp.34-37
Higgins, Charlotte, ‘Emin tops artistic bill as a dozen Brits make grand tour to Venice’, The Guardian, 2 May 2007, p.9
Buck, Louisa, ‘It’s Showtime’, Vogue, May 2007, p.73
Kent, Sarah, ‘A Star is Reborn’, So London, 4 April 2007, pp.38-45
Jones, Simon, ‘Artist who found her voice’, Church Times, 1 December 2006, pp.18-19
Honigman, Ana Finel, ‘Pure Traceyland’, Whitewall, Fall 2006, pp.70-79
Soncini, Guia, ‘La Bisbetica Indomata’, IO Donna, 28 October 2006, pp.214-220
Midgley, Dominic, ‘Tracey the Eminent’, The London Paper, 23 October 2006, p.10
Byrnes, Sholto, ‘Unwashed pots and dirty beds’, The Independent on Sunday, 15 October 2006, p.23
Leris, Sophie, ‘The art party’, The Independent on Sunday, 8 October 2009, pp.6-7
Lezard, Nicholas, ‘In bed with Tracey Emin’, The Guardian, 7 October 2006, p.18
Emin, Tracey, ‘Artists in Residence’, The Sunday Telegraph (Stella), 24 September 2006, pp.60-66
Aspden, Peter, ‘I will not be boxed in by success’, Financial Times, 5 June 2006, p.15
‘Body, Face and Soul’, The Art Newspaper, June 2006, p.10
Schnabel, Julian, ‘Tracey Emin’, Interview Magazine, June 2006, pp.102-109
Swift, Simon, ‘I wanted to have a baby and my gay mates were queuing up’, Pink Paper, 4 May 2006, pp.24-25
‘Tracey Emin’, The Art Newspaper, No. 169, May 2006, p.2
Didcock, Barry, ‘The E Spot’, Sunday Herald, 30 April 2006, pp.10-11
Leiris, Sophie, ‘Sex and Art’, The Independent On Sunday, 12 March 2006, pp.4-6
Kempers, Paul, ‘Kunst is geen maïzena’, Vrij Nederland, 11 March 2006, No. 10, pp.68-73
Emin, Tracey, ‘ Tracey Emin revealed’, Oi!, No. 1, March 2006, p.4
Buck, Louisa, ‘Sex, art and turmoil, revealing very little’, The Art Newspaper, No.167, March 2006, p.41
Manchester, Clare, ‘Access Hollywood’, Whitewall, No. 1, Spring 2006, pp.122-123
Armardeil, Coco, ‘Arty London’, Code d’acces: Cultitude, Spring 2006, pp.105-117
Burton, Johanna, ‘Tracey Emin’, Artforum, February 2006, p.209
Beattie, Geoffrey, ‘On the couch with Tracey Emin’, The Observer (Magazine), 15 January 2006, pp.21-27
Gray, Louise, ‘Sex, lies and videotape-teas with Gillian Wearing’, Blind Date, 2006, pp.148-151
Wright, Karen, ‘The year Brit Art died’, The Independent Review, 16 December 2005, pp.1-4
‘Celebrity art auction for NI charity’, News.bbc.co.uk/2/hi/uk_news/northern_ireland/4524636.stm, 15 December 2005
Walsh, John, ‘Our Auction of the Year’, The Independent, 6 December 2005, pp.14 -15
Griseil, Luke, ‘Bigmouth Strikes Again’, The Culture Pages, 5 December 2005, pp.83-84
Jones, Simon, ‘Artist who found her voice’, Church Times, 1 December 2007, pp.18-19
Cox, Roger, ‘Tracing Emin’, The Scotsman, 29 November 2005, pp.8-9
Guest, Katy, ‘The good feud guide’, The Observer, 27 November 2005, pp.24-25
Walden, Celia, ‘No whingeing’, The Daily Telegraph, 26 November 2005, p.18
‘What Ruby said to Tracey: Have a shave and make your bed, you dirty cow’, Daily Star, 25 November 2005, p.16
Kent, Sarah, ‘Books: Strangeland, Tracey Emin’, Time Out, 23 November 2005, p.49
‘BBC gloom over bright Sky’, The Daily Telegraph (Business), 22 November 2005, p.6
‘Artist Emin a top draw for show’, Evening News (City Final Edition Edinburgh), 21 November 2005, p.21
Munro, Peter, ‘BBC invented excuse to buy Emin sculpture’, The Sunday Times, 20 November, p.14
Barnett, Antony, ‘Row hits BBC over Emin’s Liver bird’, The Observer, 20 November 2005, p.11
Gregoridis, Xenia, ‘Books’, The Argus Guide, 18 November 2005, p.28
Russell, Carmen, ‘The strange world of Tracey Emin’, The Yorkshire Post, 18 November 2005, p.4
Hughes, Kathryn, ‘Grim picture of Emin’, The Mail On Sunday, 13 November 2005, p. 69
Walter, Natasha, ‘Art of life’, The Guardian, 12 November 2005, p.9
McGrath, Melanie, ‘Sporadic Beauty of Emin’, The Eastern Daily Press, 5 November 2005, p.18
Feaver, Willliam, ‘Ego trip with excess baggage’, The Spectator, 5 November 2005, pp. 67-68
‘Emin and Blake to judge £25,000 city arts comp’, The Liverpool Echo, 4 November 2005, p.11
Huntley, Vicky, ‘Childish has more that just paint up his sleeve’, Bracknell News, November 2005, p.23
Cowan, Amber, ‘A picture of health’, The Times: Body and Soul, November 2005, p.23
Higgins, Charlotte, ‘Damien Hirst reigns supreme in art world’, The Guardian, 31 October 2005, p.7
Walker, Tim, ‘Wait Emin’, The Sunday Telegraph, 30 October 2005, p.32
Byrnes, Sholto, ‘Mad Tracey on Meercats, Margate and Marilyn’, The Independent on Sunday, 23 October 2005, p.10
Saunders, Kate, ‘As Tracey sees it’, The Sunday Times (Culture Magazine), 23 October 2005, p. 45
Winterson, Jeanette, ‘Like her art, Tracey Emin’s book turns the personal into the public’, The Times, 22 October 2005, p.8
‘Portrait of the artist’, Coulsdon and Purley, 21 October 2005, p.22
Blincoe, Nicholas, ‘The long road to Tracey’s Strangeland’, The Times (T2), 18 October 2005, p. 23
Appleyard, Bryan, ‘The girl most likely to…’, The Sunday Times, 16 October 2005, pp.1-6
Cusk, Rachel, ‘Tracey Emin’s unmade head’, The Sunday Telegraph, 16 October, p.5
Brooks, Richard, ‘Naked Emin upsets faithful in Marrakesh’, The Times, 16 October 2005, p.10
Jamieson, Teddy, ‘My mum reckons if I hadn’t done art I’d be dead’, The Herald Magazine, 15 October 2005, pp.8-12
Gayford, Martin, ‘Respect’, Telegraph Magazine, 8 October 2005, pp.28-35
Finel Honigman, Ana, ‘Reviews: Tracey Emin’, ARTNews, September 2005, p.137
Lucas, Stephen, ‘The art of misspelling’, TES Teacher, 30 September 2005, pp.22-23
Glazebrook, Mark, ‘Raising Standards? Lowering the rope?’, State of the Art, Autumn 2005, p.9
Walter, Natasha, ‘Painted out of the picture’, The Guardian, 30 August 2005, p.18
Aspden, Peter, ‘Artists to sue over loss of works in fire’, The Financial Times, 24 August 2005, p.4
‘Momart faces lawsuits over works of art blaze ‘disaster’’, The Evening Standard, 23 August 2005, p.26
Flintoff, John-Paul, ‘Wonder Walls’, The Sunday Times (Magazine), 21 August 2005, pp.28-33
Morrison, Marion, ‘They Wear it Well?’, The Scotland on Sunday, 17 August 2005, p.7
‘Bedfellows’, The Sunday Telegraph, 14 August 2005, p.30
Winterson, Jeanette, ‘Heads or Tails Tracey?’, The Evening Standard, 12 August 2005, p.15
Foulkes, Caroline, ‘Think quilting is just about bedspreads? Think again’, The Birmingham Post, 10 August 2005, pp.4-5
Clements, Neil, ‘Emin wants a return of Margate lido glory days’, Kent on Sunday, 7 August 2005, pp.10-11
‘Strong art for sale in show’, Battle Observer, 5 August 2005. p.79
Hume, Mick, ‘Before irony began’, The Times (T2), 3 August 2005, p.16
Fox, Tom, ‘Top Spot’, Ultimate DVD Year Book, August 2005, p.171
Falconer, Morgan, ‘The Summer Starts Here’, ArtReview, August 2005, pp.58-63
Carter, Mike, ‘Inspiration: Artists Secrets’, The Observer, 24 July 2005, p.9
Callender, Cat, ‘The Sole’, The Independent, 19 July 2005, pp.12-13
Barber, Lynn, ‘Anyone for Venice?’, The Observer, 19 June 2005, p.2
Hubbard, Sue, ‘Tracey Emin. White Cube’, The Independent, 2 June 2005, p.44
Wright, Karen, ‘Interview’, Modern Painters, June 2005
Güner, Fisun, ‘A perennial teenager’, Metro, 31 May 2005, p.25
Januszczak, Waldemar, ‘Two for sorrow’, The Sunday Times (Culture Magazine), 29 May 2005, pp.10-11
Reynolds, Nigel, ‘RA loses another member and nearly recruits Tracey Emin’, The Daily Telegraph, 28 May 2005, p.1
Reynolds, Nigel, ‘Emin bares her soul in explicit new show’, The Daily Telegraph, 27 May 2005, p.13
Hackworth, Nick, ‘Brash but beautiful’, The Evening Standard, 27 May 2005, p.36
Higgins, Charlotte, ‘Lonely pleasures: Tracey Emin takes a new look at herself’, The Guardian, 27 May 2005, p.9
Searle, Adrian, ‘The main event’, The Guardian, 27 May 2005, p.26
Campbell-Johnston, Rachel, ‘When Emin thinks about sex, she thinks about art’, The Times, 27 May 2005, p.6
Leitch, Luke, ‘The bare truth about Tracey…she paints’, The Evening Standard, 26 May 2005, p.11
Cole, Olivia, ‘Beamed up to Planet Emin’, The Times (T2), 25 May 2005, p.16
Wright, Karen, ‘Maid of Margate’, The Independent on Sunday, 22 May 2005, pp.4-6
O’Hagan, Sean, ‘Interview’, The Observer, 22 May 2005, p.3
Kent, Sarah, ‘The Naked Truth’, Time Out, 11-18 May 2005, pp.16-18
Benedictus, Leo, ‘Close the Arts Council, let children in for free – and give us money. Lots of money’, The Guardian, 21 April 2005, p.8
Darwent, Charles, ‘Absence minded’, Art Review, Vol. 56, April 2005, pp.54-59
‘The power of art at Cromwell Hospital’, The Art Newspaper, No.157, April 2005, p.38
Núňez-Fernández, Lupe and Tom Phongsathorn, ‘Past and future’, Art Review, Vol. 56, April 2005, p.19
Shuckburg, Hannah, ‘Emotional intelligence’, Easy Living, April 2005, p.152
Charles, Marissa, ’60 second interview’, Metro, 1 April 2005, p.10
McClymont, Fiona, ‘How do I look? Tracey Emin’, The Independent (Magazine), 12 March 2005, p.9
Burchill, Julie, ‘Lovely girl, Tracey – shame about her art’, The Times (T2), 10 March 2005, pp.6-7
Spanier, Samson, ‘Virtual values in the online marketplace’, The Financial Times, 28 February 2005, p.17
‘Tracey Emin’s Liver Bird tribute takes up its perch’, The Daily Telegraph, 25 February 2005, p.11
Mouland, Bill, ‘Tracey Emin gets £60,000 of your money to stick a bird on top of a scaffolding pole’, Daily Mail, 25 February 2005, p.3
‘Tracey Emin’s flight of fancy’, The Guardian, 24 February 2005, p.1
‘Sophie makes an artistic impression at Sketch’, The Evening Standard, 22 February 2005
Davies, Caroline, ‘Stars help mend broken hearts’, The Daily Telegraph, 21 February 2005
Brooks, Jo, Latest Homes, 16 February 2005, pp.4-5
Shaw, Joanne, ‘Home truths from best of British’, Hull Daily Mail, 5 February 2005, p.8
‘In the frame’, The Art Newspaper, February 2005, p.2
Barker, Godfrey, ‘Is Charles in charge?’, The Evening Standard (Magazine), 4 February 2005, pp.21-22
Cartner-Morley, Jess, ‘Tracey Emin to make lightwork of London fashion week’, The Guardian, 7 February 2005, p.7
‘In Bed With Tracey’, The Observer (Travel Magazine), 30 January 2005, pp.12-13
Romney, Jonathan, ‘Beach Bummer’, Artforum, Vol. 43, January 2005, pp.35-36
Bumpus, Judith, ‘Is controversy old hat?’, The Art Newspaper, No.154, January 2005, p.34
Graw, Isabelle, ‘Der Letzte Schrei’, Texte Zur Kunst, December 2004, pp.80-95
Ridge, Mian, ‘Emin Film: 18 Up’, ARTNews, December 2004, p.40
Johnson, Lucy, ‘Top Spot shines’, Madforarts.org/index.php?option=content&task=view&id=88&Itemid=, 16 December 2004
Iles, Chrissie. ‘Film: Best of 2004’, Artforum, December 2004, p.32
Brockes, Emma, ‘Two go mad in Margate’, The Guardian, 3 December 2004, pp.8-9
Pomery, Victoria, ‘Margate’s the winner as film hits the spot’, Isle of Thanet Gazette, 3 December 2004, p.2
Livingstone, Marco, ‘Dos monsturos británicos’, El Mercurio, 28 November 2004, p.19
Barnes, Anthony, ‘Tracey Emin: the suicide scene in my film is so bad it’s good for teenagers’, The Independent on Sunday, 21 November 2004, p.5
Blackstock, Colin, ‘Emin withdraws film in rating row’, The Guardian, 17 November 2004, p.9
Alexander, Lucy, ‘Fonetography’, The Times Magazine, 13 November 2004, p.59
Dougray, Ginny, ‘Me, myself, I’, The Times Magazine, 13 November 2004, pp.26-37
Christopher, James, ‘Teenage kicks all through the night’, The Times, 28 October 2004, pp.8-9
Stuart, Julia, ‘Growing up is hard to do’, The Independent Review, 26 October 2004, pp.2-3
Campbell-Johnstone, Rachel, ‘Artists should answer the call’, The Times, 26 October 2004, p.3
Johnstone, Sheila, ‘Margate moments hit the spot’, The Evening Standard, 25 October 2004, p.80
Smith, David, ‘Director defends rating for explicit film’, The Observer, 24 October 2004, p.12
Barkham, Patrick, ‘Tracey Emin takes on the censors over ‘Orwellian’, 18 rating for biopic’, The Guardian, 22 October 2004, p.1
Jury, Louise, ‘Emin fury at ‘18’ certificate for teenage angst film’, The Independent, 22 October 2004, p.14
Alberge, Dalya, ‘Under-18s are barred from Emin’s morality tale for teenagers’, The Times, 22 October 2004, p.20
Lowthrope, Rebecca and Kate Blythe, ‘What Tracey Did Next’, Elle, October 2004, p.72
‘What’s On?’, Art Price, October 2004, p.50
Jury, Louise, ‘Emin takes her place among the greats of British art as Tate dedicates room to her work’, The Independent, 8 September 2004, p.16
Reynolds, Nigel, ‘Tracey Emin enters the Tate’s hall of fame’, The Daily Telegraph, 8 September 2004, p.3
Leitch, Luke, ‘First it was just a bed, now Tracey has a whole room’, The Evening Standard, 7 September 2004, p.3
Brown, Neal, ‘Tracey Emin’s Exploration of the Soul 1994’, Tate Etc., Autumn 2004, p.107
Gleadell, Colin, ‘British Art Tops the Bill’, Art Monthly, September 2004, pp.44-45
Jones, Liz, ‘The reaction to the fire was like when the Nazis burned all the books. The fact that people laughed will go down in history’, The Scotsman (Magazine), 28 August 2004, pp.18-21
Byrne, Ciar, ‘Emin paints film portrait of Margate life’, The Independent, 25 August 2004, p.9
Jones, Liz, ‘Those people who laughed at the Momart fire were just like Nazis’, The Evening Standard, 19 July 2004, p.23
Asome, Carolyn, ‘I’ll wear a mini when I’m pregnant to make me sexy’, The Times (T2), 15 July 2004, p.10
‘Tracey Does Couture’, Vogue.co.uk/news/daily/2004-07/040709-tracey-does-couture.aspx, 9 July 2004
Cartner-Morley, Jess, ‘Haute art’, The Guardian (G2), 9 July 2004, pp.1-2
Bailey, Martin, ‘A ‘wake-up call’ to the storage business’, The Art Newspaper, No.149, July/August 2004, p.4
Harper, Dr Catherine, ‘I need Tracey Emin like I need God’, Selvedge, No. 1, July/August 2004, pp.22-25
Agostinis, Valentina, ‘Tracey Emin’, Carnet Arte, No.3, June/July 2004, pp.54-61
Petronio, Ezra, ‘Stars & Styles. Portraits of London’, Self Service, No.20, Spring/Summer 2004, pp.135
Reitmaier, Heidi, ‘Tracey Emin: Sketch’, www.artforum.com, 23 June 2004
Leris, Sophie, ‘Tracey Emin. My London’, The Evening Standard (Magazine), 18 June 2004, p.66
‘Emin and AK47: they deserve each other’, The Guardian (G2), 17 June 2004, p.11
Higgins, Charlotte, ‘Target practice: Art ‘terrorist’ AK47 strikes again’, The Guardian, 16 June 2004, p.5
Armstrong, Lisa, ‘Frocks and art’, The Times (T2), 16 June 2004, pp.10-11
Stubbs, Flora, ‘Tracey Emin neon sign is kidnapped by ‘art terrorist’’, The Evening Standard, 16 June 2004, p.20
Higgins, Charlotte, ‘Art ‘terrorist’ AK47 strikes again’, The Guardian, 16 June 2004
Menkes, Suzy, ‘A coup for Longchamp’, International Herald Tribune, 15 June 2004, p.10
Rose, Hilary, ‘The Saatchi of the North’, The Times (Magazine), 12 June 2004, pp.30-32
Cooke, Rachel, ‘Doesn’t everyone have an aubergine-coloured shed?’, The Observer (Review), 6 June 2004, p.2
Buck, Louisa, ‘Art, life and autobiography’, The Art Newspaper, No.148, June 2004, p.34
Cox, Roger, ‘Why get so fired up? It’s only art…’, The Scotsman, 5 June 2004, p.5
Higgins, Charlotte and Vikram Dodd, ‘50 years of British art goes up in smoke’, The Guardian, 4 June 2004, p.10
‘How a corner of Tracey’s beach hut missed blaze’, The Evening Standard, 3 June 2004, p.12
Baracaia, Alexa, ‘Shock. Critic lambasts modern works as RA show unveiled’, The Evening Standard, 3 June 2004, p.2
Fleming, Nic, ‘Art collection worth millions goes up in flames’, The Weekly Telegraph, 2 June 2004, pp.12-13
Llewellyn Smith, Julia, ‘Tracey Emin’, The Sunday Times Style (Magazine), 30 May 2004, pp.13-15
Januszczak, Waldemar, ‘Tragedy of the burnt masterworks’, The Sunday Times, 30 May 2004, p.9
Aaronovitch, David, ‘Ashes to ashes’, The Observer, 30 May 2004, p.29
Jones, Geraint, ‘Bonfire of the vanities’, The Sunday Express, 30 May 2004, pp.20-21
Lawson, Mark, ‘Nothing lasts for ever’, The Guardian, 29 May 2004, p.21
Reynolds, Nigel, ‘Emin sheds light on an English love’, The Daily Telegraph, 29 May 2004, p.8
Roux, Caroline, ‘Cabin fever’, The Guardian (Weekend), 29 May 2004, p.57
Brown, Jonathan, ‘Shedding of a stereotype: the gardener’s humble refuge becomes a work of art’, The Independent, 29 May 2004, p.22
‘Emin Wendy house in new V & A ‘Other Garden Show’’, Media Press Journal, 29 May 2004, p.14
Julius, Corinne, ‘BritArt’s finest come up with alternative to Chelsea Flower Show’, Bath Chronicle, 29 May 2004, p.6
‘Tracey designs shed for show’, Express & Star, 28 May 2004, p.13
Kennedy, Maev, ‘Alternative flower show. Artists’ takes on garden sheds’, The Guardian, 28 May 2004, p.11
Ogg, Kirsty, ‘Britart can rise from the ashes’, The Herald, 28 May 2004, p.21
‘Burning desires’, The Guardian, 28 May 2004, p.27
Kleeman, Jenny, ‘What they said about…art going up in flames’, The Guardian, 28 May 2004, p.28
Collins, Ian, ‘Smoke and mirrors’, Eastern Daily Press, 27 May 2004, p.10
Price, Brian, ‘The lost treasures’, Western Daily Press, 27 May 2004, p.3
Winterson, Jeanette, ‘Only art’s enemies cheer the Saatchi bonfire’, The Times, 27 May 2004, p.26
Leitch, Luke, ‘Don’t fret Tracey, we’ve made you a new one’, The Evening Standard, 27 May 2004, p.3
Pickles, Anne, ‘Lost art?’, Yorkshire Evening Post, 27 May 2004, p.38
McVeigh, Karen, ‘Art in ashes as collectors mourn loss of modern masterpieces’, The Scotsman, 27 May 2004, p.7
Malvern, Jack, ‘Brit Art’s finest bear brunt of £20m warehouse fire’, The Times, 27 May 2004, p.10
Brown, Jonathan, ‘‘I’m more upset about kids being killed in Iraq’, says Emin’, The Independent, 27 May 2004, p.1
Johnson, Andrew, ‘Fears for Saatchi’s collection after fire guts art warehouse’, The Independent, 26 May 2004, p.3
Higgins, Charlotte and Steven Morris, ‘Britart blaze. Emin tent feared to be among Saatchi works lost in fire’, The Guardian, 26 May 2004
Fleming, Nic and Will Bennet, ‘Saatchi art worth millions goes up in flames’, The Daily Telegraph, 26 May 2004, p.1
Barker, Will, ‘Fire destroys Saatchi art worth millions’, The Sun, 26 May 2004, p.35
Leitch, Luke, ‘Emin tent feared lost as fire guts Saatchi warehouse’, The Evening Standard, 26 May 2004, p.19
‘Make way for Designer sheds’, Hull Daily Mail, 26 May 2004, p.19
Güner, Fisun, ‘Tortured art form’, Metro, 25 May 2004, p.22
Cripps, Charlotte, ‘Garden of earthy delights’, The Independent, 24 May 2004, p.18
‘The World According To: Tracey Emin, Artist’, 9 to 5 & MW, 24 May 2004, p.4
Jennings, Rose, ‘Emin meets Emin’, The Observer (Review), 23 May 2004, p.12
Gillian, Lesley, ‘Shed, office, hideaway…’, The Financial Times (Weekend), 22 May 2004, p.15
Elston, Annabel, ‘Cabin Fever’, The Daily Telegraph (Magazine), 22 May 2004, pp.52-57
‘Hair-brained’, The Observer (Review), 16 May 2004, p.4
Ward, Ossian, ‘Home from Home’, The Observer (Review), 16 May 2004, p.8
Halliburton, Rachel, ‘Royal illusion’, The Spectator, 15 May 2004, p.76, 78
Long, Camilla, ‘Stuck up in the mud’, The Guardian (G2), 14 May 2004, pp.10-11
Pavey, Ruth, ‘Unearthing the roots of British gardening’, Ham & High Hampstead & Highgate Express, 14 May 2004, p.10
Leitch, Luke, ‘Tracey’s video album’, The Evening Standard, 12 May 2004, p.3
Tysome, Tony, ‘University of Arts has an instant imitator’, The Times (Higher Education), 7 May 2004, p.7
Sharp, Craig, ‘Fanning The Flames’, The Times (Business), 2 May 2004, p.33
‘Food for thought’, The Mayfair Times, May 2004, p.4
‘Tracey dazzles at last but not at Droit House’, Thanet Times, 27 April 2004, p.2
‘Exhibition of Christian Art at City Venues’, Lincoln Chronicle, 22 April 2004, p.9
Methven, Charlie, ‘Emin’s work to go centre-stage and beyond’, The Daily Telegraph, 10 April 2004, p.18
Thorpe, Vanessa, ‘Angry Emin blames school in squabble over £35,000 quilt’, The Observer, 11 April 2004, p.5 Blanks, Tim, ‘The Art of Being Valentino’, photography by Tracey Emin, V Magazine, Spring 2004, pp.172-173
Mooney, Tony, ‘Blanket refusal’, The Guardian (Education), 30 March 2004, pp.2-3
Ward, Lucy, ‘A £35,000 Tracey Emin quilt – but worthless if school tries to sell it’, The Guardian, 30 March 2004, p.1
Adams, Tim, ‘Art on a plate’, The Observer (Food Monthly), March 2004, p.28
Baker, Kenneth, ‘Manipulation, aggression and shock – revisiting the ‘90s’, San Francisco Chronicle, 12 January 2004
‘Getting to know Tracey Emin’, G3, January 2004, p.8
Hackworth, Nick, ‘Tracey by Tracey’, The Evening Standard, 24 November 2003, p.47
Van der Zee, Bibi, ‘And the nominations are..’, The Guardian (Weekend), 1 November 2003, pp.144-153
Aiden, Rose, ‘Brush with fame’, The Observer (Review), 12 October 2003, p.5
Emin, Tracey, ‘Heroes and Villains, Jay Jopling’, The Independent Magazine, 11 October 2003, p.78
Collings, Matthew, ‘The case of Emin vs Hensher’, Art Review, October 2003, p.134
‘Tracey takes the Top Spot’, The Evening Standard, 25 September 2003, p.31
Leris, Sophie, ‘Playing to the gallery’, The Times (Magazine), September 6 2003, pp.30-37
‘Glass-jawed diplomacy’, The Evening Standard, 19 August 2003, p.10
Bailey, Paul, ‘Tracey Emin is innocent’, The Guardian (G2), 19 August 2003, pp.2-3
Pook, Sally, ‘Its not my work, Emin tells the persecuted critic’, The Daily Telegraph, 18 August 2003, p.5
Porter, Henry, ‘Take the jibes in your stride’, The Evening Standard, 18 August 2003, p.13
Bourne, Brendan, ‘‘Revenge’ of Tracey soils an art critic’, The Sunday Times, 17 August 2003, p.3
Hill, Amelia, ‘A new work of art, or a very British spat?’, The Observer, 17 August 2003, p.3
Hensher, Phillip, ‘Give me a break’, The Spectator, 16 August 2003, pp.16-18
Leris, Sophie, ‘Why I don’t need a man’, The Evening Standard (Magazine), 18 July 2003, pp.30-35
Kenny, Ursula, ‘Up Front: This much I know – Tracey Emin’, The Observer (Magazine), 13 July 2003, pp.8-9
Hutak, Michael, ‘Making an exhibition of herself’, Monument, June/July 2003, pp.100-103
Skilbeck, Ruth, ‘Emin, down under’, Pol Oxygen, No. 2, June 2003, pp.115-126
Lebowitz, Cathy, ‘Tracey Emin at Lehmann Maupin’, Review of Exhibitions, May 2003, pp.138-139
Aitch, Iain, ‘For Tracey, home is where the art is..’, The Observer, 25 May 2003, p.2
‘Saatchi, the definitive guide to the new Thameside Gallery’, The Observer, 25 May 2003, pp.4-27
Macdonald, Marianne, ‘Has the bad girl of BritArt grown up?’, The Scotsman, 16 April 2003, pp.2-3
Macdonald, Marianne, ‘A baby? You need to have sex for that, right’, The Evening Standard, 14 April 2003, pp.23-24
Fearon, Francesca, ‘Personal Best’, Bazaar, March 2003, p.170
Sterk, Beatrijs, ‘Flexible 4 – Identities’, Textile Forum, March 2003, p.26
Adams, Elisabeth, ‘Bleeding Art’, Who Magazine, 10 February 2003, pp.32-33
Low, Lenny Ann, ‘Naughty by Nature’, The Sydney Morning Herald, 1-2 February 2003, p.5
‘Party of the Month’, Harpers & Queen, February 2003, p.178
Schwabsky, Barry, ‘Tracey Emin’, Artforum, February 2003, p.150
Litson, Jo, ‘The art of exhibitionism’, The Weekend Australian, 18-19 January 2003, pp.4-5
Knofel, Ulrike, ‘Your Whole Existence is a Lie’, Tactics of the Ego, January 2003, p.40
‘Tracey Emin: Art Gallery of New South Wales’, The Art Newspaper, January 2003, p.26
‘Emin’s Tate tree in true spirit of Christmas’, The Times, 14 December 2002, p.16
Reynolds, Nigel, ‘Tracey Emin and the Christmas tree that disappeared’, The Daily Telegraph, 14 December 2002, p.19
Walsh, John, ‘The Tracey show’, The Independent (Review), 6 December 2002, pp.4-5
Kent, Sarah, ‘Not a Tracey of pity’, Time Out, 4 December 2002, p.52
Gibbs, Michael, ‘Tracey Emin’, Art Monthly, December 2002, p.32
Green, Harriet, ‘Still Tracey, after all these years’, Harpers & Queen, December 2002, pp.194-197
Hemmings, Jessica, ‘Stitching up the extreme’, Craft Arts International, No.56, 2002/2003, pp.72-75
Olivares, Rose, ‘Tracey Emin’, Exit, No.8, November 2002, p.84
Januszczak, Waldemar, ‘Tracey Emin is still a teenager in pain’, The Sunday Times (Culture Magazine), 24 November 2002, p.10
Darwent, Charles, ‘Come here and say that to me’, The Independent on Sunday, 17 November 2002, p.10
Lubbock, Tom, ‘Personal worst’, The Independent (Review), 12 November 2002
Searle, Adrian, ‘Ouch’, The Guardian, 12 November 2002, p.12
Paterson, Michael, ‘Pupils invited to view Emins swear words’, The Daily Telegraph, 12 November 2002, p.3
Sweet, Matthew, ‘tracey, love…’, MS London , 11 November 2002, p.19
Mullins, Charlotte, ‘Art’s wild child starts to grow up’, The Financial Times, 11 November 2002, p.19
Campbell-Johnston, Rachel, ‘A new tide in the affairs of Emin’, The Times, 8 November 2002, p.11
Walsh, John, ‘Tracey Emin paints ugly picture of Turner Prize as flawed and unjust’, The Independent, 6 November 2002, p.1
Sweet, Matthew, ‘Work in progress’, The Independent (Magazine), 2 November 2002, pp.11-12
Preece, Robert, ‘Tracey Emin, Exposed’, Sculpture, November 2002, pp.39-43
Macadam, Alfred, ‘Tracey Emin: Lehmann Maupin’, ARTnews, November 2002, p.269
Smith, Caroline, ‘True Confessions’, Attitude: Art Review, November 2002, p.102
Cork, Richard, ‘Tracey thinks twice’, ArtReview, Vol. 53, November 2002, pp.58-63
Field, Marcus, ‘Emin For Real’, Modern Painters, Autumn 2002, pp.112-117
Studd, Helen, ‘Emin to make £1/2m BBC film on teenage rape’, The Times, 26 October 2002, p.8
Davies, Hugh, ‘Emin to make film featuring her rape at 13’, The Daily Telegraph Magazine, 26 October 2002, p.80
Beard, Matthew, ‘Harrowing, sordid and promiscuous: Emin plans to depict her teenage years on big screen’, The Independent, 26 October 2002, p.9
Leitch, Luke, ‘BBC pays Emin £500,000 for film on her favourite subject – herself’, The Evening Standard, 25 October 2002
Langton, James, ‘Emin goes back to bed to reveal a traumatic past’, The Evening Standard, 15 October 2002, p.14
‘Ten Favourite Things’, The Guardian Weekend, 12 October 2002, pp.32-33
Den Breejen, Maartje, ‘Britart bestaat niet’, PS van de week, 5 October 2002, pp.6-12
Nakajima, Kyoko, ‘Tracey Emin’, Ryuko Tsushin, Vol. 4/2, October 2002, p.64
Farndale, Nigel, ‘A Real Piece of Work’, The Sunday Telegraph (Magazine), 27 October 2002, pp.15-20
Macgrath, Melanie, ‘Something’s Wrong’, Tate Etc., No. 1, September/October 2002, pp.52-59
Stallabrass, Julian, ‘Making a show of herself’, The Evening Standard, 13 September 2002, p.21
Jeffries, Stuart, ‘You’ve seen the bed, now watch the movie’, The Guardian, 27 May 2002
Kent, Sarah, ‘Tracey Emin’, Bulletin Stedelijk Museum Amsterdam, May 2002, p.37
Gargett, Adrian, ‘Going Down: The Art of Tracey Emin’, 3AM Magazine, January 2002
‘Bowie on Emin’, Harpers Bazaar, November 2001, pp.195-196
Wainwright, Jean, ‘Can we talk about contemporary video and film art in terms of genres?’, Plux, September – October 2001, pp.28-40
Gleadell, Colin, ‘Artists’ Colony’, The Daily Telegraph (Magazine), 13 October 2001, pp.40-41
‘Tracey Emin’, Perspectives. Kent Institute of Art and Design, No. 9, Autumn 2001, pp.16-18
Knight, India, ‘Tracey Emin gets out of bed and goes for the swim of her life’, The Sunday Times, 19 August 2001, p.6
‘As the artist said to the rock star’, The Guardian (G2), 18 July 2001, pp.12-13
Padel, Ruth, ‘Rejection of femininity’, The Independent on Sunday, 3 June 2001, p.43
Lister, David, ‘Hirst and Emin take their places in the RA beside established artists of the past century’, The Independent, 1 June 2001, p.12
Herbert, Martin, ‘Tracey Emin’, Time Out, 16 May 2001, p.55
Januszczak, Waldemar, ‘We’ve seen her drunk and shouting the odds. But Tracey Emin’s new work is the biggest shock of all: it shows vision’, The Sunday Times (Culture Magazine), 6 May 2001, pp.10-11
Cork, Richard, ‘What’s hot in the year of our Trace’, The Times, 2 May 2001, pp.16-17
‘Tracey Emin – older, wiser and more seductive’, The Daily Telegraph, 2 May 2001, p.21
Packer, William, ‘Portrait of the artist as a self-regarding woman’, The Financial Times, 1 May 2001, p.16
Cumming, Laura, ‘What a sew and sew’, The Observer (Review), 29 April 2001, p.11
Barber, Lynn, ‘Show and tell’, Sunday Independent (Ireland), 29 April 2001, p.4
Conversation between Carl Freedman and Tracey Emin, Countereditions.com, 27 April 2001
Renton, Alex, ‘The Daily Tracey’, The Evening Standard, 27 April 2001, p.29
Lister, David, ‘Emin back on helter skelter of self-absorption’, The Independent, 26 April 2001, p.7
Jones, Jonathan, ‘Tracey finds her voice’, The Guardian, 26 April 2001, pp.14-15
Sumpter, Helen, ‘Tracey Comes Clean’, The Big Issue, 23-29 April 2001, pp.18-19
Bagley, Christopher, ‘True Confessions’, W, April 2001, pp.318-321, 366
Sawyer, Miranda, ‘Money, fame, love and tears after bedtime’, The Times, 23 April 2001, p.24
Aidin, Rose, ‘The business of being Tracey’, The Independent on Sunday, 22 April 2001, p.4
Brooks, Richard, ‘Emin’s latest work is a helter-skelter ride’, The Sunday Times, 22 April 2001, p.9
Aidin, Rose, ‘Raw Nerve’, The Daily Telegraph (Magazine), 21 April 2001, pp.28-33
Cork, Richard, ‘Exhibitionist’, Play, 14-20 April 2001, p.23
Borden, Harry, ‘Show and tell’, The Observer (Magazine), 22 April 2001, pp.8-12
Picardie, Justine, ‘Indecent Exposure’, Vogue, April 2001, pp.254-260
Pallenberg, Anita, ‘Tracey Emin Interviewed’, Cheap Date, No. 4, Spring 2001
Bilmes, Alex, ‘GQ’s 50 Questions: Tracey Emin’, GQ February 2001, pp.116-119
Durden, Chris, ‘The Authority of Authenticity: Tracey Emin’, Parachute, No. 105, February 2001, pp.21-37
Preece, Richard, ‘Artist over – an in – the Broadsheets’, Parkett, No. 63, January 2001, pp.50-54
Muir, Gregor, ‘Like A Hole In The Head’, Parkett, No. 63, January 2001, pp.36-43
Barber, Lynn, ‘Just Be Yourself – and Wear a Low Top’, Parkett, No. 63, January 2001, pp.24-29
Brown, Craig, ‘The moment I saw it, I knew this was something that had come from the very depths of her being, something raw and pungent’, The Evening Standard, 1 December 2000, p.33
Compton, Nick, ‘She’s Made Her Bed’, i-D, No. 202, October 2000, pp.188-194
Darwent, Charles, ‘Jesus, Mrs T and the selling of that bed’, The Independent on Sunday, 10 September 2000, p.5
Garnett, Natasha. ‘…And now she must lie in it’, Tatler, August 2000, pp.106-115
Vendrame, Simona, ‘Tracey Emin’, Tema Celeste, July/September 2000, pp.44-51
Billen, Andrew, ‘The Andrew Billen Interview: Mistress of the Mattress’, The Sunday Herald, 23 July 2000
Billen, Andrew, ‘The Andrew Billen Interview: Tracey Emin’, The Evening Standard, 19 July 2000, pp.29-30
Kelso, Paul, ‘Emin to clean up as bed goes to Saatchi’, The Guardian, 17 July 2000, p.5
Brooks, Richard, ‘Saatchi pays £150,000 for Emin’s soiled bed’, The Sunday Times, 16 July 2000
Müller, Vanessa, ‘Tracey Emin. Von Lust und Leiden’, Der Tagesspiegel, 8 July 2000, p.28
Walde, Gabriela, ‘Pretty Woman der Brit Art’, Die Welt, 1 July 2000
Kelner, Simon, ‘In bed with me dinner’, GQ, April 2000, p.124
Bennett, Oliver, ‘Hip to be Square’, The Independent (Magazine), 1 April 2000, pp.8-15
Barber, Lynn, ‘This is British Art’, The Observer (Magazine), 19 March 2000, p.5
‘But is it art?’, The Independent on Sunday, 6 February 2000, pp.50-51
‘Autobiographical Self-Portraits’, Art Gallery, 5 February 2000
Molyneux, John, ‘Turning Heads. The Turner Prize’, Socialist Review, No. 237, January 2000, p.25
‘1999 Turner Prize’, Zoo Magazine, January 2000, p.152
Gisbourne, Mark, ‘Life into Art’, Studio Art Magazine, No.110, January 2000, p.104
Machado, Alvaro, ‘Emin expõe suas feridas em ‘(S)ynergies’’, Folha de São Paulo, 8 December 1999
Arning, Bill, ‘Tracey Emin at Lehmann Maupin’, December 1999, p.114
‘Celebrity Decadence’, GQ, December 1999, pp.188-190
Cork, Richard, ‘Art mavericks win over the sceptics’, The Times, 29 November 1999, p.42
Brooks, Richard and Hellen, Nicholas, ‘Tracey Emin’s sordid secret: she can paint’, The Sunday Times, 28 November 1999, p.6
Rugoff, Ralph, ‘Screaming for attention’, The Financial Times, 20 November 1999
Falkenstein, Michelle, ‘What’s So Good About Being Bad’, ARTnews, November 1999, pp.158-163
Dawson, Mike, ‘Enigma’, Flux Magazine, No.15, October/November 1999
Gibbons, Fiachra, ‘Scandal sheets envelop Turner prize’, The Guardian, 20 October 1999, p.5
Reynolds, Nigel, ‘Soiled bed shortlisted for Turner art prize’, The Daily Telegraph, 20 October 1999, p.5
Featherstone, Tim, ‘Tracey Emin’, The Daily Telegraph, 16 October 1999
Avgikos, Jan, ‘Tracey Emin. Lehmann Maupin, New York’, Artforum, October 1999, p.139
‘Porträt: Tracey Emin’, Brigitte, October 1999, pp.130-133
Bracewell, Michael, ‘The Madness of Queen Tracey’, The Times (Magazine), 2 October 1999, pp.16-20
Kabat, Jennifer and Tracey Emin, ‘Q + A’, The Face, October 1999, p.210
Iley, Chrissy, ‘Head Turner’, Hot Air, October/December 1999, p.27
Shone, Richard, ‘Turner Points’, Artforum, September 1999, Vol. 38, No.1, p. 48
Emin, Tracey, ‘Exploration of the Soul’, The Independent on Sunday, 19 September 1999, pp.18-20
Mowe, Sarah, ‘Store Wars’, The Evening Standard (Magazine), 17 September 1999, pp.112-115
Love, Damien, ‘Cannabis caper out of joint’, The Scotsman, 16 September 1999
French, Karl, ‘Television preview’, The Financial Times, 15 September 1999
Kent, Sarah, ‘Bleeding art’, Time Out, 8 September 1999, pp.24-25
Vendrame, Simona, ‘Non si vive di soli concetti’, Tema Celeste, No. 75, September 1999, p. 5
Grant, Simon, ‘A portrait of the artists’, Tate Etc., No. 19, Winter 1999
Collings, Matthew, ‘Anthony Van Dyck, meet Tracey Emin’, The Independent on Sunday, 29 August 1999
Jackson, Tina, ‘Woman Behaving Badly’, The Big Issue, 26 July–1 August 1999, pp.18-19
Grant, Simon, ‘Joyriding on the precipice’, The Evening Standard, 22 July 1999, p.32
Smith, Roberta, ‘Tracey Emin. Every Part of Me’s Bleeding’, The New York Times, Friday 11 June 1999
Danzinger, Danny, ‘Best of Times Worst of Times’, The Sunday Times, 6 June 1999, pp.48-54
Buck, Louisa, ‘No one is shocked by Britart abroad’, The Daily Telegraph, 2 June 1999
Carr, C., ‘The Urge to Purge’, Village Voice, Vol. 14, No. 20, 25 May 1999
‘Tracey Emin at Crack of Dawn’, Modern Painters, Vol.12, No.1, Spring 1999, p.128
Hogrefe, Jeffrey, ‘Tracey Emin: Totally Naked And Totally Vulnerable?’, The New York Observer, 10 May 1999, p.29
Kino, Carol, ‘Let it Bleed’, Time Out (New York), 29 April - 6 May 1999, pp. 63-65
O'Kane, Paul, ‘Personal Effects (Sculpture and Belongings)’, Contemporary Visual Arts, No. 21, 1999, p.79
Self, Will, ‘A Slave To Truth’, The Independent on Sunday, 21 February 1999, pp.6-9
‘Absolute Tracey, Park, November/December 1998, pp.54-56
McKay, Alistair, ‘Art is an Eminist issue’, The Scotsman, 4 August 1998, p.10
Luz, Kathrin, ‘Über das Politische des Unpolitischen’, Noëma Art Journal, No. 48, July/August 1998, pp.40-47
Ross, Deborah, ‘Tracey Emin, the art world’s bit of rough’, The Independent, 27 July 1998, pp.1-9
Januszczak, Waldemar, ‘Eminism’, The Sunday Times (Magazine), 12 July 1998, pp.28-35
Yuko, Takano, Zola, No. 20, June 1998
Ikoma, Yoshiko, ‘Special Interview’, Spur, 5 May 1998, p.19
Wiensowski, Ingeborg, ‘Tracey Emin’, Der Spiegel, March 1998, p.24
Bowie, David and Tracey Emin, ‘It’s Art, Jim, but as We Know It’, Modern Painters, Autumn 1997, pp.24-32
Riding, Alan, ‘No Sexism, Please; They’re British’, The New York Times, 29 December 1997, E1
Yates, Robert, ‘For ever and ever, Emin…’, The Observer, 14 December 1997
Eichler, Dominic, ‘How It Feels: The Tracey Emin Museum’, Like Art Magazine, No.3, Winter 1997, pp.6-9
Brooke, Simon, ‘Tracey Emin. Margate’, The Times (Magazine), 8 November 1997
Burrows, Wayne, ‘Stitch this!’, The Big Issue, 27 October 1997, p.27
Moyes, JoJo, ‘How we met: Sarah Lucas and Tracey Emin’, The Independent on Sunday, 12 October 1997, p.75
Bowie, David and Tracey Emin, ‘As Tracey Emin said to David Bowie: Come into my tent’, The Independent, 16 September 1997
Graham-Dixon, Andrew, ‘The Female Gaze’, Vogue, Vol. 163, December 1997, pp.235-239
Collings, Matthew, ‘The New Establishment’, The Independent on Sunday, 31 August 1997, p.12
Brown, Neal, ‘Pictures in the Mind’, Magma Poetry Magazine, No. 10, Summer 1997
Sawyer, Miranda, ‘Arty Spice’, The Observer (Life), 20 July 1997, pp.6-8
Czyzselska, Jane, ‘Blood and guts on canvas’, The Big Issue, 14 July 1997, pp.10-11
‘Celebrity Square’, Time Out Student Guide, July 1997
‘Brit Art’, Art, No. 7, July 1997, pp.60-61
Hubbard, Sue, ‘Sofa Drawings’, Time Out, 18-25 June 1997
Barrett, David, ‘Tracey Emin : South London Gallery’, Art Monthly, No. 207, June 1997, pp.36-37
Corrigan, SusanN ‘Exhibitionist’, i-D, No.164, May 1997
Garratt, Sheryl, ‘Share my world’, Arena, No. 68, May 1997, p.40
Morgan, Stuart, ‘The Story of I’, Frieze, No. 34, May 1997, pp.56-61
Kent, Sarah, ‘Life Skills’, Time Out, 23-30 April 1997
Dorment, Richard, ‘All about Tracey Emin’, The Daily Telegraph, 30 April 1997
Searle, Adrian, ‘Me, me, me, me’, The Guardian, 22 April 1997, p.13
Januszczak, Waldemar, ‘The quick and the dead’, The Sunday Times Culture Magazine, 20 April 1997, p.10
Thomas, Lesley, ‘From Margate to Monument Valley’, The Express, 10 April 1997
Jackson, Tina, ‘Mad Tracey of Margate’, The Big Issue, 7-13 April 1997, pp.12-15
Gott, Richard, ‘Sexual in-tent’, The Guardian (Weekend), April 5 1997, p.27
Collings, Matthew, ‘A Tart for her Art...’, The Independent, 25 March 1997, p.11
Freedman, Carl, Habitat Art Broadsheet, Spring 1997
Windsor, John, ‘A different class of bond’, The Independent, 25 January 1997, p.27
Januszczak, Waldemar, ‘The girls adding spice to still life’, The Sunday Times, 8 December 1996, p.10
‘English Rose’, Frieze, No.31, November/December 1996, pp.56-7
Buck, Louisa, ‘Works in progress’, GQ, October 1996, p.88
Bernard, Kate, ‘The women who won’t win the Turner Prize’, The Evening Standard, 30 October 1996, p.28
Holm, Eva-Lotta, ‘Painting the Unconscious as a Process’, Material, No. 29, Summer 1996
Lillington, David, ‘Emotionele zelfmoord’, Metropolis M, June 1996, pp.28-33
Male, Andrew, ‘Fact!’, Select, April 1996
Garnett, Robert, ‘Beyond the Hype’, Art Monthly, April 1996, pp.43-44
Brown, Neal, ‘Tracey Emin’, Frieze, No. 27, March/April 1996, p.82
Searle, Adrian, ‘New Habitat for bondage tackle’, The Guardian, 21 February 1996
Ronson, Jon, ‘Who wants their own museum?’, The Independent, 9 February 1996, p.8
Chaudhuri, Anita, ‘Shane, Eddie, Tony, Richard, Doug…This one’s for you’, The Guardian, 24 January 1996, p.9
‘Tracey puts daily life on display’, The Daily Telegraph, 20 January 1996
Bernard, Kate, ‘Portrait of the artist as a young woman’, Harpers & Queen, January 1996, p.21
Lloyd, Fran, ‘Bad Girls in bed with Madonna?’, Contemporary, Winter 1995/1996, pp.39-42
Von Uslar, Moritz, ‘Wohin flieht die Literatur?’, Suddeutsche Zeitung, 6 October 1995
Kent, Sarah, ‘Open art surgery’, Time Out, 23-30 August 1995, pp.16-17
Kent, Sarah, ‘Hot Shots’, Time Out, 13-20 December 1995, p.5
Corrigan, Susan, ‘New Art Riot’, i-D, No. 147, December 1995, pp.36-37
Corris, Michael, ‘Tracey Emin’, Artforum, February 1995, pp.84-85
Norman, Geraldine, ‘In Bed with My Art Installations’, The Independent on Sunday, 15 May 1994, p.78
Polla, Barbara S., ‘Peut-etre les femmes choix….’, Campus, March/April 1994, pp.26-31
Archer, Michael, ‘Im Nachhinein Tracey Emin und andere’, Texte zur Kunst, March 1994, pp.58-63
Lillington, David, ‘Private View’, Time Out, 1-8 December 1993
Heiniger, Florence, ‘From Army to Armani’, Arquebuse, August/September 1993, pp.44-46
Daly, Pauline and Brendan Quick, ‘Crazy Tracey, Sensible Lucas’, Interview, September 1993, pp.58-60
Muir, Gregor, ‘Lucas & Emin’, Frieze, February 1993, p.56
Gisbourne, Mark, ‘Life Into Art’, Contemporary, No. 20, January 1993, pp.28-35
‘Hot Shots’, Time Out, January 1993, p.5


Writing by the Artist
Monoprint Diary (White Cube, London 2009)
Those Who Suffer Love (White Cube, London 2009)
‘Rotes Nylon, Whiskey und blaue See’, Der Freitag, 26 February 2009, pp.24-25
‘Make it a special Christmas this year’, The Times, 28 December 2008, p.2-3
‘Why don’t you…?’, Harpers Bazaar, September 2008, p.380
‘For Her’, GQ.com, June 2008
‘Tracey Emin, artist’, Art and Music, No. 1, Spring 2008, pp.24-25
The Jackdaw, December 2007/January 2008, p.15
‘It’s clear to see: his time was running out’, The Independent, 22 September 2007, p.2
‘Tracey Emin head’, Harper’s Bazaar, July 2007
‘My kind of town’, Architecture Today, May 2007, p.88
‘My Life in a Column’, The Independent (Extra), weekly column April 2005 – to date
I Can Feel Your Smile (Lehmann Maupin, New York 2005)
Strangeland (Sceptre, London 2005)
Exploration of the Soul (Counter Editions, London 2003)
Details of Depression (Counter Editions, London 2003)
Emin, Tracey, (ed.), The Guardian (Weekend), 12 October 2002
‘Private Passions’, The Times, 24 January 2001, p.19
‘The Ken and Tracey show’, The Evening Standard (Magazine), 23 June 2000, p.23
Emin, Tracey and Juergen Teller, ‘Alexander McQueen Collection Autumn/Winter 2000’, Nova, June 2000, pp.92-101
‘Fashion Meets Art’, Vogue, May 2000, p.157
‘You ask the questions’, The Independent, 26 January 2000, p.7
‘Tracey Emin on ...Pandaemonium 98’, Hot Tickets, 1998
Holiday Inn (Gesellschaft für Aktuelle Kunst, Bremen, Germany 1998)
Always Glad to See You (Tracey Emin edition, 1997)
‘Shore Leave’, Time Out, 23-30 July 1997, pp.12-13
Kiss Me-Kiss Me Cover My Body in Love, Always Glad to See You (Tracey Emin editon, 1996)
Exploration of the Soul (Tracey Emin edition, 1995)
‘Other Men’s Flowers’ (Paragon Press/Factual Nonsense, London 1994)
‘On Holiday With My Dad’, Frieze, January 1994
‘Like a Fucking Dog – When The Truth Is Hard to Bear’, Fete Worse than Death (exh. pamphlet, Factual Nonsense, 1993)
‘Six Turkish Tales’ (Hangman Press, Chatham, UK 1987)
Torrid Tales form Mensin (Tracey Emin edition, 1982

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