Chuck Close

Bibliography

Books and monographs (selection)

1971 Dempsey, Michael. The Year's Art 1969-70: Europe and the U.S.A. New York: G.P. Putnam's Sons, 1971.
Thomas, Karin. Bis Heute: Stilgeschichte der bildenen Kunste im 20 Jahrhundert. Cologne: Verlag M. DuMont Schauberg, 1971.

1972 Coke, Van Deren. The Painter and the Photograph: From Delacroix to Warhol. Albuquerque: University of New Mexico Press, 1972.
Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, Inc., 1972.
Kulterman, Udo. New Realism. New York: New York Graphic Society, 1972.
Rose, Barbara. American Art Since 1900. New York: Praeger Publishers, 1972.

1973 John Wilmerding, ed. The Genius of American Painting. New York: William Morrow and Co., 1973.
Brachot, Isy, ed. Hyperrealisme. Brussels: Imprimeries F. Van Buggenhoudt, 1973.
Chase, Linda. Grands Musees No.2/ L'Hyperrealisme Americain: Peintures et Sculptures Rev. ed. Paris: Filipacchi, 1973.
Robinson, Franklin W. One Hundred Master Drawings from New
England Private Collections. Hanover, NH: The University Press of New England, 1973.
Sager, Peter. Neue Formen des Realismus. Cologne: Verlag M. DuMont Schauberg, 1973.

1974 Carucci, Beniamino (Editor). I potesi per Una Casa Esistenziale, "Spazio Dedicato a Charles Close." Translation by Barbara Radice. Rome, 1974.
Calamandrei, Mauro, with photographs by Gianfranco Gorgoni. ART USA.: Arte e Vita dell'America d'Oggi. Milan: Fratelli Fabbri Editori, 1974.
Cotler, Sheldon, Ed. Photography Year/1974 Edition. New York: Time- Life Books, 1974.
Mussa, Italo. L'Iperrealismo: Il Vero Piu Vero Del Vero. Rome: Romana Libri Alfabeto, 1974.
Read, Herbert. A Concise History of Modern Painting. New York: Praeger Publishers, 1974.

1975 Battcock, Gregory, ed. Super Realism: A Critical Anthology. New York: E.P. Dutton, 1975.
Daval, Jean-Luc, ed. Art Actuel/Skira Annuel 75: Skira Annuel No. 1 Geneva: Skira, 1975.
Hobbs, Jack A. Art in Context. New York:Harcourt Brace Javanovich, 1975.
Popper, Frank. Art--Action and Participation. New York: New York University Press, 1975.
Rose, Barbara. ed. Readings in American Art: 1900-1975. Rev. ed. New York: Praeger Publishers, 1975.
Rose, Barbara. American Art Since 1900. Revised and expanded edition. New York: Praeger Publishers, 1975. Walker, John A. Art Since Pop. London: Thames and Hudson, 1975.

1976 Castleman, Riva. Prints of the 20th Century: A History. New York: Museum of Modern Art; London: Thames and Hudson, 1976.
Honish, Dieter and Jens Christian Jensen. Amerikanische Kunst von 1945 bis heute. Cologne: DuMont Buchverlag, 1976.
Hunter, Sam and John Jacobus. Modern Art: From Post-Impressionism to the Present--Painting, Sculpture and Architecture. New York: Harry N. Abrams, Inc., in association with Alexis Gregory, 1976.
Johnson, Ellen. Modern Art and the Object. New York: Harper & Row. 1976.
Kulterman, Udo. The New Painting. Revised and updated version (translated from the German by Wesley V. Blomster). Colorado: Westview Press, 1976.
Lipman, Jean and Helen M. Franc. Bright Stars: American Painting and Sculpture Since 1776. New York: E.P. Dutton & Co., Inc., 1976.
Lucie-Smith, Edward. Super Realism. Oxford, England: Phaidon Press, Ltd.(U.S. edition published by E.P. Dutton & Co., Inc., 1979), 1976.
Stebbins, Theodore E., Jr. American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present., New York: Harper & Row in association with the Drawing Society, 1976.
Wilmerding, John. American Art (Pelican History of Art), New York: Penguin Books, 1976.

1977 Arnason, H.H. History of Modern Art (revised and enlarged edition). New York: Harry N. Abrams, Inc., 1977.
Becker, Wolfgang, introduction. Art for the Museum Since 1945. Second edition, Vol. 2, Aachen, West Germany: The Neue Gallery, 1977.
Bevlin, Marjorie E. Design through Discovery. 3d ed. New York: Holt, Reinhart and Winston, 1977.
Billeter, Erika. Malerei und Photographie im Dialog von 1840 bis Heute. Bern: Benteli Verlag, 1977.
Brommer, Gerald F. and George Horn. Art in Your World. Worcester, MA: Davis Publications Inc., 1977.
Cummings, Paul. Dictionary of Contemporary American Artists, 3rd Edition. New York: St. Martin's Press, 1977.
Daval, Jean-Luc. Skira Annuel No.4/ Art Actuel '78. Geneva: Editions d'Albert Skira SA. 1977.
Donson, Theodore B. Prints and the Print Market. New York: Thomas Crowell, 1977.
Emanuel, Muriel and Sharon Harris et al., Contemporary Artists. New York: St. Martin's Press, 1977.
Lucie-Smith, Edward. Art Now: From Abstract Expressionism to Superrealism. New York: William Morrow and Co., 1977.
Rattemeyer, Volker. Kunst und Median: Materialien sur Documenta 6. Kassel, West Germany: Stadtzeitung Verlag, 1977.
Rose, Barbara. and Jules D. Prown. American Painting. New York: Skira, Rizzoli, 1977.
Selleck, Jack. Looking at Faces. Worcester, MA: Davis Publications, 1977.
Thomas, Karin and Gerd de Vries. DuMont's Hunstler Lexikon: Von 1945 bis zur Gegenwart. Cologne: DuMont Buchverlag, 1977.

1978 Distel, Herbert. The Museum of Drawers. Zurich: Kunsthaus Zürich, 1978.
Mathey, Francois. American Realism. Geneva: Editions d'Art Albert Skira, 1978.
Naylor, Colin, and Genesis P. Orridge. Contemporary Artists. Calne, England: Hilmarton Manor Press, 1978.
Saff, Donald and Deli Sacilotto. Printmaking: History and Process. New York: Holt, Rinehart and Winston, 1978.
Vyverberg, Henry. The Living Tradition: Art, Music and Ideas in the Modern Western World. New York: Harcourt, Brace and Jovanovich, 1978.

1979 Alloway, Lawrence. Great Drawings of All Time: The Twentieth Century. (2 vols.) New York: Shorewood Fine Books, 1979.
Baigell, Mathew. Dictionary of American Art. New York: Harper and Row, 1979.
Brown, Milton W., et al. American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography. New York: Harry N. Abrams, Inc., 1979.
Castleman, Riva. Prints of the 20th Century: A History. New York: Holt, Rinehart and Winston, 1979.
Chaet, Bernard. An Artists' Notebook, Techniques and Materials. New York: Holt, Reinhart and Winston, 1979.
Close, Chuck. Keith/Six Drawings/1979. New York: Lapp Princess Press, Ltd. 1979.
Diamonstein, Barbaralee. Inside New York's Art World. New York: Rizzoli International Publications, 1979. INTERVIEW
Lucie-Smith, Edward. Super Realism. Oxford, England: Phaidon Press Ltd, 1979.
Warner, Malcolm. Portrait Painting. New York: Phaidon Press, 1979.

1980 Arthur, John. Realist Drawings and Watercolors: Contemporary Works on Paper. Boston: New York Graphic Arts Society/Little, Brown and Co., 1980.
Betti, Claudia and Teel Sale. Drawing: A Contemporary Approach. New York: Holt, Rinehart and Winston, with Capital City Press, Vermont, 1980.
Butler, Christopher. After the Wake, An Essay on the Contemporary Avant-Garde. Oxford: Clarendon Press, 1980.
Canaday, John. What is Art? An Introduction to Painting, Sculpture, and Architecture. New York: Alfred A. Knopf, 1980.
Daval, Jean-Luc, ed. Art Actuel/Skira Annuel 80/ Skira Annuel No. 6. Geneva: Skira, 1980.
Goodrum, Charles A. Treasures of the Library of Congress. New York: Harry N. Abrams, Inc., 1980.
Hill, Patricia, and Tarbell, Roberta K. The Figurative Tradition and The Whitney Museum of American Art. New York: Whitney Museum of American Art in association with University of Delaware Press, 1980.
Hobbs, Jack A. Art in Context. 2nd ed. New York: Harcourt Brace Jovanovich, 1980.
Johnson, Una E. American Prints and Printmakers. New York: Doubleday and Co., 1980.
Lindey, Christine. Superrealist Painting and Sculpture. New York: William Morrow and Co., 1980.
Lucie-Smith, Edward. Art in the Seventies. Ithaca, NY: Cornell University Press, 1980.
Meisel, Louis K. Photorealism. New York: Harry N. Abrams, Inc., 1980.

1981 Armstrong, Tom. Amerikanische Malerei 1930-1980. Munich: Prestel- Verlag, 1981.
Brommer, Gerald F. Discovering Art History. Worcester, MA: Davis Publications, Inc., 1981.
Close, Charles. Transcribed lecture in: Excellence: The Pursuit, The Commitment, The Achievement. Washington, D.C.: The LTV Corporation, 1981.
Cummings, Paul. Twentieth-Century Drawings: Selections from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1981.
Elsen, Albert E. Purposes of Art. 4th ed. New York: CBS College Publishers, 1981.
Gabay, Neil. Modern Painters: An Art Appreciation . Akron, OH: Nina Books, 1981.
Goodyear, Frank H., Jr. Contemporary American Realism Since 1960. New York: New York Graphic Society, 1981.
Huyghe, Rene, ed. Larousse Encyclopedia of Modern Art from 1880 to the Present Day. New York: Excalibur Books, 1981.
Melot, Michael, Antony Griffiths, and Richard S. Field. Prints: History of an Art. New York: Skira/ Rizzoli International Publications, 1981.
Piper, David, ed. The Random House Library of Paintings and Sculpture, Vol .I. New York: Random House, 1981.
Sachs, Samuel. Favorite Paintings from the Minneapolis Institute of Arts. New York: Abbeville Press, 1981.
Selz, Peter. Art in Our Times: A Pictorial History 1890-1980. New York: Harry N. Abrams, Inc., 1981.
Vogt, Paul. Contemporary Painting. New York: Harry N. Abrams, Inc. 1981.
Wise, Kelly, ed. Portrait: Theory. New York: Lustrum Press, 1981.

1982 Bujese, Arlene, ed. Twenty-five Artists. Foreword by Thomas M. Messer. Frederich, MD: University Publications of America, Inc., 1982.
Daval, Jean-Luc, ed. Photography: History of an Art. New York: Rizzoli International Publications, 1982.
Goldstein, Nathan. One Hundred American and European Drawings: A Portfolio. Englewood Cliffs, NJ: Prentice Hall, 1982.
Herrmanns, Ralf. Varfor New York ? Stockholm, Sweden: Forlags AB Wilken, 1982.
Johnson, Ellen H. American Artists on Art from 1940 to 1980. New York: Harper & Row, 1982.
Mendelowitz, Daniel. Mendelowitz's Guide to Drawing. 3d ed. Revised by Duane A. Wakeham. New York: CBS College Publishing / Holt, Rinehart and Winston, 1982.
Mollison, James, and Laura Murray, eds. Australian National Gallery: An Introduction. Canberra: Australian National Gallery, 1982.
Ronte, Dieter. Museum moderner kunst Wien. Braunshweig, Germany: Georg Westermann Verlag, 1982
Vaizey, Marina. The Artist as Photographer. New York: Holt, Rinehart and Winston, 1982.

1983 Arthur, John. Realists at Work. New York: Watson-Guptill Publications, 1983.
Emanuel, Muriel, et. al., eds. Contemporary Artists. 2d ed. New York: St. Martin's Press, 1983.
Kaplan, Ellen. Prints: A Collector's Guide. New York: Coward-McCann, Inc., 1983.
Martin, Judy. The Complete Guide to Airbrushing Technique and Materials. New Jersey: Chartwell Books, 1983.
Naef, Weston. New Trends from The Gallery of World Photography Series. Japan: Shueisha Publishing Co., 1983.

1984 Armstrong, Tom, forward, Richard Marshall, essay. American Art Since 1970: Painting, Sculpture and Drawing from the Collection of The Whitney Museum of American Art.. New York: Whitney Museum of American Art, 1984.
Baigell, Matthew. A Concise History of American Painting and Sculpture. New York: Harper and Row, 1984.
Lee, Marshall, ed. Art at Work. The Chase Manhattan Collection. New York: E.P. Dutton, Inc., 1984.
Levin, Kim, essay. Art of Our Time, The Saatchi Collection, Vol. 4. New York: Rizzoli International Publishers, 1984.
Lucie-Smith, Edward. Movements in Art Since 1945, New Revised Edition. New York: Thames and Hudson, 1984.
Markowski, Eugene, D. Image and Illusion. Englewood Cliffs, NJ: Prentice Hall, 1984.
Oldenburg, Richard E., preface. Sam Hunter, essay. The Museum of Modern Art: The History of the Collection. New York: Harry N. Abrams, Inc., 1984.
Piper, David, ed. Looking at Art. New York: Random House, 1984.
Robins, Corinne. The Pluralist Era: American Arts, 1968-1981. New York: Harper & Row, 1984.
Rosenblum, Naomi. A World History of Photography. New York: Abbeville Press, 1984.
Russell, Stella Pandell. Art in the World, 2nd Ed. New York: CBS College Publishing, 1984.
Vitz, Paul and Arnold Glimcher. Modern Art and Modern Science: The Parallel Analysis of Vision. New York: Praeger Publishers, 1984.
Watrous, James. A Century of American Printmaking 1880-1980. Madison, WI: The University of Wisconsin Press, 1984.

1985 Adrian, Dennis. Sight Out of Mind: Essays and Criticism on Art.. Ann Arbor: UMI Research Press, 1985.
Billeter, Erika. Das Selbstportrait.. Lausanne: Musée Cantonal des Beaux- Arts, 1985.
Feldman, Edmund Burke. Thinking About Art.. Englewood Cliffs, NJ: Prentice Hall, 1985.
Gorgoni, Gianfranco. Beyond the Canvas: Artists of the Seventies and Eighties. New York: Rizzoli International Publications, 1985.
Hertz, Richard. Theories of Contemporary Art.. Englewood Cliffs, NJ: Prentice Hall, 1985.
Hunter, Sam, and John Jacobus. Modern Art: Painting, Sculpture, Architecture. 2nd ed. New York: Harry N. Abrams, Inc., 1985.
Kramer, Hilton. The Revenge of the Philistines: Art and Culture, 1972- 1984. New York: The Free Press, 1985.
Krantz, Les. American Art Galleries and Illustrated Guide to Their Art and Artists. New York: Facts on File Publishers, 1985.
Krantz, Les. American Artists: An Illustrated Survey of Leading Contemporary Americans. Chicago: The Krantz Company Publishers, 1985.
Lucie-Smith, Edward. Movements in Art Since 1945. Rev. ed. New York: Thames & Hudson, 1985.
Pelfrey, Robert, and Mary Hall-Pelfrey. Art and Mass Media. New York: Harper and Row, 1985.
Simms, Patterson. The Whitney Museum of American Art: Selected Works from the Permanent Collection. New York: W. W. Norton & Co., in association with the Whitney Museum of American Art, 1985.

1986 Arnason, H.H. History of Modern Art: Painting, Sculpture, Architecture. 3rd ed. New York: Harry N. Abrams, Inc., 1986.
Bowman, Russell, introduction, Cynthia Holly (essay). Milwaukee Art Museum Guide to the Permanent Collection. Milwaukee, WI: Milwaukee Art Museum, 1986.
Fischl, Eric and Jerry Saltz, eds. Sketchbook with Voices. New York: Alfred Van der Marck Editions, 1986.
Finch, Christopher. American Watercolors. New York: Abbeville Press, 1986.
Marshall, Richard and Robert Mapplethorpe. 50 New York Artists. San Francisco: Chronicle Books, 1986.
Martin, Alvin. American Realism: Twentieth Century Drawings and Watercolors. New York: Harry N. Abrams, Inc., in association with the San Francisco Museum of Art, 1986.
Piper David. The Illustrated Library of Art. 4 vols. New York: Portland House, 1986.
Rose, Barbara. American Painting: The Twentieth Century. New York: Rizzoli International Publishers, 1986.
Stein, Harvey, photographs and Elaine King essay. Artists Observed. New York: Harry N. Abrams, Inc., 1986.

1987 Crane, Diane. The Ttansformation of the Avante Guarde, The New York Art World 1945-1985. Chicago: The University of Chicago Press, 1987.
Faulkner, Ray with Edwin Ziegfeld and Howard Smagula. Art Today, 6th Ed. New York: Holt Reinhardt and Winston, 1987.
Grundberg, Andy and Kathleen McCarthy Gauss. Photography and Art, Interactions Since 1946. New York: Abbeville Press, 1987.
Hoy, Ann H. Fabrications: Staged, Altered and Appropriated Photographs. New York: Abbeville Press, 1987.
Lyons, Lisa and Robert Storr. Chuck Close. New York: Rizzoli International Publications, 1987. Monograph.
Sullivan, Constance, ed. Legacy of Light. New York: Alfred A. Knopf, Inc., 1987.

1988 Finch, Christopher. Twentieth Century Watercolors. New York: Abbeville Press, 1988.
Harvey, Steven, Michael Krondl, Tennyson Schad and Paul Villinski. SmithKline & French Research and Development Art Collection. Upper Merion, CT: SmithKline & French Laboratories, Inc., 1988.
Legg, Alicia, ed. with Mary Beth Smalley. Painting and Sculpture in the Museum of Modern Art. New York: The Museum of Modern Art, 1988.
Levin, Kim. Beyond Modernism, Essays on the Art from the 70's and 80's. New York: Harper & Row Publishers, Inc., 1988.
Sandler, Irving. American Art of the 1960's. New York: Harper & Row Publishers, Inc., 1988.
1989 Bishop, Margaret. Young Artists :Visual Arts Activities for Young Artists at Home and at School. Annandale, Australia: Piper Press, 1989.
Landau, Terry. About Faces. New York: Anchor Books Doubleday, 1989.
Ward, John L. American Realist Painting 1945-1980. Michigan: UMI Research Press, 1989.

1990 Cooper, Emmanuel. Fully Exposed The Male Nude in Photography. London: Unwin Hyman, 1990.
Friedman, Martin, introduction. Walker Art Center: Paintings and Sculpture from the Collection. New York: Rizzoli International Inc., in conjunction with the Walker Art Center, Minneapolis, 1990.
Goddard, Donald. American Painting. Hugh Lauter Levin Assoc., 1990.
Schwartz, Sanford. Artists and Writers. New York: Yarrow Press, 1990.
Wax, Carol. The Mezzotint: History and Technique. New York: Harry N. Abrams, Inc., 1990.

1991 Close, Chuck and Kirk Varnedoe. Artist’s Choice: Chuck Close, Head-On / The Modern Portrait. New York: The Museum of Modern Art, 1991.
Hoffman, Katherine. Explorations The Visual Arts Since 1945. New York: Harper Collins, 1991.
Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present. New York: The Vendome Press, 1991.
Yenawine, Philip. How to Look at Modern Art. New York: Harry N. Abrams Inc., 1991. Published in Japanese by Bijutu Shuppan-Sha, Ltd., 1993.

1992 Gotz, Stephan. American Artists in their New York Studios. Stuttgart: Daco-Verlag Gunter Blase, 1992.
Lloyd, Michael and Michael Desmond. European and American Paintings and Sculpture 1870-1970 in the Australian National Gallery. Canberra: The Australian National Gallery, 1992.
Seitz, William. Art in the Age of Aquarius 1955-1970. Washington and London: Smithsonian Institution Press, 1992.
Strickland, Carol. The Annotated Mona Lisa. A Crash Course from Prehistoric to Post-Modern. Kansas City: Universal Press Syndicate Co., 1992.

1993 Kismaric, Carole, ed. Art Works Teenagers and Artists Collaborate on the 20" x 24" Camera. New York: Art Works/The Education Project, 1993.
Halle, David. Inside Culture. Chicago: University of Chicago Press, 1993.
Jeffri, Joan, ed. The Painter Speaks: Artists Discuss Their Experiences and Careers. New York: Columbia University and Greenwood Press, Wesport, CT., 1993.
Kennedy-Smith, Jean and George Plimpton. Chronicles of Courage, Very Special Artists. New York: Random House, 1993.
Meisel, Louis K. Photorealism Since 1980. New York: Harry N. Abrams, 1993.
Mendelowitz, Daniel M. A Guide to Drawing. Fifth ed., Orlando, FL: Harcourt Brace Jovanovich College Publishers, 1993.
Smith, Ray. The DK School: An Introduction to Acrylics. London: Dorling Kindersley, 1993.
Whipple, Enez. Guild Hall of East Hampton An Adventure in the Arts the First 60 Years. New York: Harry N. Abrams, 1993.

1994 Craven, Wayne. American Art: History and Culture. New York: Harry N. Abrams, 1994.
Diamonstein, Barbaralee. Inside the Art World: Conversations with Barbaralee Diamonstein. New York: Barbaralee Diamonstein and Rizzoli International Publications, 1994.
Ewing, William E. The Body: Photographs of the Human Form. San Francisco: Chronicle Books, 1994.
Lucie-Smith, Edward. American Realism. London: Thames and Hudson, Ltd., 1994.
Rose, Ted. Discovering Drawing. Worcester, MA: Davis Publications, Inc., 1994.
Schneider Adams, Laurie. A History of Western Art. New York: Harry N. Abrams, Inc., 1994

1995 Guare, John. Chuck Close: Life and Work 1988-1995, Thames and Hudson, New York, 1995. Monograph.
Johnson, Kathryn C. Made in America, 10 Centuries in American Art. New York: Hudson Hills Press, 1995.
Lauer, David and Stephen Pentak. Design Basics. Florida: Harcourt Brace & Company, 1995.
Le Thorel, Edward. Dictionary of Contemporary Artists. France: Bordas, 1995.
Lucie-Smith, Edward. ARTODAY. New York: Phaidon Press, 1995.
Walther, Ingo, senior editor. Malerei Der Welt. 2 vols. Koln: Benedikttaschen Verlag, 1995.
Wilson, Janet. National Museum of American Art. Washington, D.C.:Smithsonian Institution, 1995.

1996 Barnes, Rachel with others. The 20th Century Art Book. London: Phaidon Press Limited, 1996.
Brown, Kathan. Ink, paper , metal, wood. Painters and sculptotrs at Crown Point Press. San Francisco: Chronicle Books, 1996.
Demetrion, James T., introduction. Hirshhorn Museum and Sculpture Garden 150 Works of Art. Washington, D.C.: Hirshhorn Museum and Sculpture Garden with Harry N. Abrams, Inc., 1996.
Editors, Bijutsu Shupan-Sha, Ltd. New Materials Guide. Tokyo: BBS Ltd., 1996.
Hickey, Dave, introduction. Between Artists. Los Angeles: ART Press, Inc., 1996. Interviews Vija Celmins.
Piras, Sebastiano, photographs; David Ross, foreward, Paul Brach, introduction. Artists Exposed. Italy: Ilisso, Nuoro.
Seidner, David. The Face of Contemporary Art. Munich: Gina Kehayoff Verlag, 1996.
Stiles, Kristine and Peter Selz, eds. Theories and Documents of Contemporary Art. A Sourcebook of Artist's Writings. Berkelely, CA: University of California Press, 1996.
Sweetkind, Irene S., ed. Master Paintings from the Butler Institute of American Art. Harry N. Abrams, Inc., with association with The Butler Institute of America, 1996.
Tansey, Richard G. and Fred S. Kleiner, eds. Gardiner's Art Through the Ages. New York: Harcourt Brace College Publishers, Inc., 1996.
Weintraub, Linda with Arthur Danto and Thomas McEvilley. Art on the Edge and Over. Connecticut: Art Insights, Inc., 1996.

1997 Hickey, Dave, intro. Between Artists: Twelve Contemporary American Interview Twelve Contemporary American Artists, A.R.T. Press, 1997.
Kesten, Joanne. The portraits speak: Chuck Close in conversation with 27 of his subjects, A.R.T. Press, 1997. Introduction by Dave Hickey.
Literatura Abremundos, Coleccion de lecturas, Colleccion 3, libro 2. A Spanish-language version of the “Literature Works” reading program. Boston: Silver Burdett Ginn, Simon & Schuster Education Group, 1997.
Sussler, Betsy. Speak Art! the Best of Bomb Magazine’s Interviews with Artists, G&B Arts International, 1997. Introduction by A.M. Homes.

1998 Greenberg, Jan and Sandra Jordan. Chuck Close: Up Close. New York: DK Publishing, Inc., 1998. (Children’s book)
Kimmelman, Michael. Portraits: Talking with Artists at the Met, The Modern, The Louvre and Elsewhere, New York: Random House, 1998.

1999 Kosinski, Dorothy M. The Artist and the Camera: Degas to Picasso. New Haven: Dalla Museum of Art, 1999.
Spaulding, Karen Lee. Masterworks at the Albright-Knox Art Gallery. Enlarged and revised edition of: 125 Masterpieces from the Collection of the Albright-Knox Art Gallery. New York: Rizzoli, 1987; New York: Hudson Hills Press in association with Albright-Knox Art Gallery, 1999

2001 Glimcher, Mildred, ed. Adventures in Art: 40 Years at Pace. Essay by Arne Glimcher. Milan: Leaonardo International, 2001.

2003 Buskirk, Martha. The Contingent Object of Contemporary Art. Cambridge, Mass.: MIT Press, 2003.

2004 Cempellin, Leda. L’Iperrealismo “Fotografico” Americano in Pittura: Risonanze Storiche Nella East e Nella West Coast. Padua, Italy: CLEUP Ed., 2004: 206–207, illustrated.
Glass, Philip. A Musical Portrait of Chuck Close. Performance commissioned in honor of the 90th birthday of David Rockefeller. Premiere Commission Foundation, 2004.
Schama, Simon. Hang-Ups: Essays on Painting (Mostly). London: BBC Books, 2004: picture section 2, no. 19.

2005 Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis, Minnesota: Walker Art Center, 2005: 25, 161–163.
Friedman, Martin. Close Reading: Chuck Close and the Art of the Self-Portrait. New York: Harry N. Abrams, Inc., 2005.
High Museum of Art: Selected Works from the Collection. Atlanta: High Museum of Art, 2005: 149, illustrated; 166, illustrated.
Sajet, Kim. In Private Hands: 200 Years of American Painting. Philadelphia: Pennsylvania Academy of the Fine Arts, 2005: 225, 90, illustrated.
Fine Art Works and Japanese Waka Poems. Tokushima, Japan: TheTokushima Modern Art Museum, 2005: 29, illustrated.

2006 Dantzic, Cynthia Maris. 100 New York Painters. Atglen, Pennsylvania: Schiffer Publishing, 2006: 8, 66–67, illustrated.
Lindemann, Adam. Collecting Contemporary. Cologne: Taschen GmbH, 2006: 83, illustrated.
Ocvirk, Otto G. et al. Art Fundamentals: Theory and Practice. 10th ed. New York: Mcgraw-Hill, 2006: 36, illustrated; 37, 62, 63, 317.
Richer, Francesca and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. New York: D.A.P./Distributed Arts Publishers, Inc., 2006: 88, illustrated.

2007 Brommer, Gerald F. Discovering Art History. 4th ed. Worcester, Massachusetts: Davis Publications, Inc., 2007: 570–571, illustrated.

Ravenal, John B. Modern & Contemporary Art at the Virginia Museum of Fine Arts. Richmond: Virginia Museum of Fine Arts, 2007: 78, 204, illustrated.

An Incomplete World: Works from the UBS Art Collection. Text by Wayne Tunnicliffe and Jason Smith. Sydney and Melbourne: Art Gallery of New South Wales; National Gallery of Victoria, 2007: 53, 55, illustrated.

Exhibition catalogues (selection)

1969 1969 Annual Exhibition Contemporary American Painting. Foreword by John H. Bauer. New York: Whitney Museum of American Art, 1969.

1970 Three Young Americans. Oberlin: Allen Memorial Art Museum, Oberlin College, 1970.
Monte, James. 22 Realists. New York: Whitney Museum of American Art, 1970.

1971 Fischer, Konrad, Jurgen Harten, and Han Strelow. “Projection.” In Prospect 71. Düsseldorf: Städtische Kunsthalle and Art-Press Verlag, 1971.
Scott, Gail R. Chuck Close: Recent Work. Los Angeles: Los Angeles County Museum of Art, 1971.
Young, Dennis. Recent Vanguard Acquisitions. Ontario: Art Gallery of Ontario, 1971.

1972 Abadie, Daniel. Hyperrealistes Americains. Paris: Galerie des Quatre Mouvements, 1972.
Adrian, Dennis. Chuck Close. Chicago: Museum of Contemporary Art, 1972.
Amaya, Mario. Realism Now. New York: New York Cultural Center,
1972
Ammann, Jean Christophe. Documenta 5. Kassel, West Germany: Neue Galerie; Museum Fridericianum, 1972.
Bauer, John I. H. 1972 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1972.
Becker, Wolfgang. Kunst um 197—Art Around 1970 Der Bestand ‘72. Aachen, West Germany: Neue Galerie, 1972.
Colossal Scale. New York: Sidney Janis Gallery, 1972.
Crown Point Press. Introduction by Helene Fried, essay by Kathan Brown. San Francisco: San Francisco Art Institute, 1972.
Lunn, Jr., Harry J. 19th and 20th Century Prints, Photographs, Drawings (cat. 2). Washington, DC: Graphics International Ltd., 1972.
Miller, Jo. Eighteenth National Print Exhibition. Brooklyn: The Brooklyn Museum, 1972.
Schneede, Uwe. Amerikanisher Fotorealismus. Stuttgart: Württembergischer Kunstverein, 1972.
Warrum, Richard L. Painting and Sculpture Today, 1972. Indianapolis: Indianapolis Museum of Art, 1972.

1973 Alloway, Lawrence. Photo-Realism: Paintings, Sculpture and Prints from The Ludwig Collection and Others. London: Serpentine Gallery, 1973.
Becker, Wolfgang. Kunst nach Wirklichkeit. Ein neuer Realismus in Amerika und in Europa. Hannover: Kunstverein Hannover, 1973.
Combattimento Per Un`immagine. Turin: Galleria Civica d'Arte Moderna, 1973.
Grand Maitres Hyperrealistes Americains. Introduction by Salvador Dali. Paris: Galerie des Quatre Mouvements, 1973.
Grochowiak, Thomas. Mit Kamera, Pinsel und Spritzpistole, Realistische Kunst in Unsever Zeit. Recklinghausen, Germany: Städtische Kunsthalle Recklinghausen, 1973.
Laursen, Steingrim. Young American Artists. Germany: Gentofte Radhus, 1973.
Nemser, Cindy. "Fotografiet Son Sandhed" (interview with Chuck Close) Louisiana Revy, 13 Argang, Nr. 3, February 1973.
Robinson, Franklin W. One Hundred Master Drawings from New England Private Collections, Dartmouth College, 1973.
Solomon, Elke M. American Drawings 1963-1973. New York: Whitney Museum of American Art, 1973.
The Super-Realist Vision. Foreward by Carlo Lamagna. Lincoln, Mass.: De Cordova Museum, 1973.
van der Marck, Jan. American Art Third Quarter Century. Seattle: Seattle Art Museum, 1973. Foreword by Thomas N. Maythan and Robert B.Dootson.

1974 Abadie, Daniel and others. Hyperrélistes Americains/Réalistes Européens. Paris: Centre National d’Art. Contemporain/Archives, 1974.
Abadie, Daniel. Kijken naar de Werkelijkheid. Rotterdam: Museum Boymans-van-Beuningen, 1974.
Amerikaan Fotorealisme/Grafiek. Utrecht, Netherlands: Hedenaagse Kunst, 1974.
Armstrong, Thomas N., III. Three Decades of American Art Selected by the Whitney Museum of American Art. Tokyo: Seibu Museum, 1974.
Carucci, Beniamino. Ico Parisi: Ipotesi per una Casa Esistenziale. Rome: Biblioteca d’arte contemporanea, 1974.
Chase, Linda. “Photo-Realism.” In Tokyo Biennale ‘74. Tokyo, 1974.
Clair, Jean, Daniel Abadie, Wolfgang Becker, and Pierre Restany. Hyperrealistes Americains/Realistes Europeens. Paris: Centre National d'Art Contemporain, 1974.
Colossal Scale Exhibition, 25 Years of Janis, Part 2. New York: Sidney Janis Gallery, 1974.
de Menil, Dominique. Gray Is The Color: An Exhibition of Grisaille Painting XIIIth–XXth Centuries, Houston: Institute for the Arts, Rice University, 1974, introduction by J. Patrice Marandel.
Field, Richard S. Recent American Etching. Middletown, Conn.: Davison Center, Wesleyan University; Washington, DC: National Collection of Fine Arts, 1974.
Holtmann, Heinz. Amerikaans Fotorealisme/Grafiek. Utrecht: Hedenaaglse Kunst, 1974.
Ronte, Dieter et al. Kunst Bleibt Kunst Projekt '74, Cologne: Wallraf-Richartz Museum, 1974.
Sarajas-Korte, Salme. ARS’74. Helsinki: The Ateneum, Fine Arts Academy of Finland, 1974.
Shulman, Leon. Three Realists: Close, Estes, Raffael. Worcester, MA: Worcester Museum, 1974.
25 Years of Janis, Part 2. New York: Sidney Janis Gallery, 1974.
Walthard, Dr. Frederic P. Art 5 '74. Basel, Switzerland, 1974.

1975 Barette, G.W. and Allan Frumkin. Portrait Painting 1970-1975. New York: Allan Frumkin Gallery, 1975.
Delahanty, Suzanne. Painting, Drawing and Sculpture of the 60s and 70s from the Dorothy and Herbert Vogel Collection. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1975.
Field, Richard S. Recent American Etching. Middletown, Conn.: Wesleyan University, 1975.
Finch, Christopher. Chuck Close Dot Drawings 1973-1975. Austin, TX: Laguna Gloria Art Museum, 1975.
Meisel, Susan Pear. Watercolors and Drawings-American Realists. New York: Louise K. Meisel Gallery, 1975. Slade, Roy. 34th Biennial of Contemporary American Painting. Washington, DC: The Corcoran Gallery of Art, 1975.

1976 Armstrong, Thomas N. Three Decades of American Art Selected by the Whitney Museum, New York: Whitney Museum of American Art, 1976.
Chase, Linda. Aspects of Realisme/Aspects du Realisme. Stratford, Ontario: Rothmans of Pall Mall Canada, Ltd., 1976.
Haskell, Barbara and Jay Belloli. American Artists: A New Decade. Fort Worth: Fort Worth Art Museum and Detroit: Detroit Institute of Arts, 1976.
Honisch, Dieter and Jens Christian Jensen. Amerikanische kunst von 1945 bis haute, Berlin: Nationalgalerie Berlin and Cologne: Kunsthalle Zukiel, 1976.
Janis, Sydney. The Photographer and the Artist. New York: Sidney Janis Gallery, 1976.
Kord, Catherine. Richard Artschwager, Chuck Close, Joe Zucker. San Francisco: Daniel Weinberg Gallery, 1976.
Marioni, Tom, ed. Vision #3. New York: Crown Point Press, 1976.
Rose, Bernice. Drawing Now. New York: The Museum of Modern Art, 1976. German translation: Zeichnung Haute. Translation and introduction by Dr. Erika Gyeling-Billeter, Zurich: Kunsthaus Zurich, 1976. Hebrew translation: Tel Aviv: The Tel Aviv Museum, 1977.
Rorimer, Anne. Seventy-second American Exhibition. Chicago: The Art Institute of Chicago, 1976.
Varnedoe, Kirk R. ed. Modern Portraits: The Self and Others. New York: Columbia University, 1976.
Walthard, Dr. Frederic P. Art 7 /76. Basel, 1976.

1977 Becker, Wolfgang. Der ausgestellte Kunstler/Museumskunst seit 45/The Artist Exhibited/Art for the Museum since ‘45/L’artiste expose/L’art de Musee depuis ‘45. Aachen, Germany: Neue Galerie-Sammlung Ludwig, 1977 (2 vol.).
Belsito, Peter. Space. (A Guide to the Student Union Art Gallery University of Massachusetts Fall 1977). Amherst: The Student Union Gallery, University of Massachusetts, 1977.
Chuck Close/Matrix 35. Hartford, Conn.: Wadsworth Atheneum, 1977.
Chuck Close: Recent Work. New York: The Pace Gallery, 1977.
Cummings. Paul. American Drawing 1927-1977. St. Paul: Minnesota Museum of Art, 1977.
Documenta 6. Kassel: Verlag und Gesam Therstellung, 1977, 3 volumes.
Friedman, Martin and Robert Pincus-Witken and Peter Gay. 1967–1977: Ten Years Museum of Contemporary Art: A view of a Decade. Chicago: Museum of Contemporary Art, 1977.
Hess, Thomas B. and Gene Baro, Hayden Herrara, and Carter Ratcliff. Critics' Choice. Syracuse, N.Y.: Lowe Art Gallery, Syracuse University, 1977.
Karp, Ivan. New Realism: Modern Art Form. Boise, Idaho: Boise Gallery of Art, 1977.
Kirschner, Judith Russi. Land Fall Press. Chicago: Museum of Contemporary Art, 1977.
Kunst und Medien: Materialen zur documenta 6. Kassel: Stadtzeitung und Verlag, 1977.
Sims, Patterson and Marcia Tucker. 1977 Biennial Exhibition. New York: Whitney Museum of American Art, 1977.
Stringer, John. Illusion and Reality. Australian Gallery Directors Council, 1977.
Waller, Bret A. Works from The Collection of Dorothy and Herbert Vogel. Ann Arbor: The University of Michigan Museum of Art, 1977.

1978 Cathcart, Linda L. American Painting of the 1970's. Buffalo, NY: Albright-Knox Art Gallery, 1978.
Contemporary Drawing/New York. Santa Barbara: University of California at Santa Barbara Art Museum, 1978.
Cummings, Paul. 20th Century American Drawings: Five Years of Acquisitions. New York: Whitney Museum of American Art, 1978.
d'Harnoncourt, Anne. 8 Artists. Philadelphia: Philadelphia Museum of Art, 1978.
Documenta 6 (Sixth Annual Documenta Exhibition ). Kassel, Germany, 1978. Vol. I, Painting and Vol. II, Drawing.
Friedman, Martin, Robert Pincus-Witten and Peter Gay. A View of a Decade. Chicago: Museum of Contemporary Art, 1978.
Gilmour, Pat. The Mechanized Image: An Historical Perspective on 20th Century Prints. London: Arts Council of Great Britain, 1978.
Imports: An Exhibition of Contemporary Art from across the Country. Murray, KY: Clara M. Eagle Gallery and Murray State University, 1979, essays by R. Abrahams and others.
Kardon, Jannet (introduction). Point. Philadelphia: Philadelphia College of Art, 1978.
Krauss, Rosalind, essay. Grids. Format and Image in 20th Century Art. New York: The Pace Gallery, 1978.
Late Twentieth Century Art. The Sydney and Frances Lewis Foundation, Richmond, Va.: Anderson Gallery, Virginia Commonwealth University, 1978.
Meisel, Susan Pear. Photo-Realist Printmaking. New York: Louise K. Meisel Gallery, 1978.
Plous, Phyllis. Contemporary Drawing/New York. Santa Barbara: University of California at Santa Barbara Art Museum, 1978.
Young, Mahonri Sharp, foreword. Aspects of Realism. East Hampton, N.Y.: Guild Hall Museum, 1978.

1979 Alexander, Carolyn and Judith Goldman. Print Publishing in America. 1979.
Armstrong, Tom. 1979 Biennial Exhibition. New York: Whitney Museum of American Art, 1979.
Brutler, Hiram Carruthers, and others. Documents, Drawings and Collages: Fifty American Works on Paper From the Collection of Mr. and Mrs. Stephan D. Paine., Williamstown, Mass.: Williams College Museum of Art, 1979.
Callner, Richard. Faculty Choice. Albany: State University of New York at Albany, 1979.
Levin, Kim, essay. Chuck Close: Recent Work. New York: The Pace Gallery, 1979.
Levin, Kim, essay, and others, portait by Pontus Hulten. Copie Conforme? Paris: Centre Georges Pompidou, Musée nationale d'art moderne, 1979.
Everson Museum of Art Bulletin. Syracuse, NY: Everson Museum of Art, 1979.
Kern, Hermann. Chuck Close. Munich: Kunstraum, 1979.
Landis, Ellen. Reflections of Realism. Albuquerque, N. Mex.: Albuquerque Museum, 1979.
Lochridge, Katherine. As We See Ourselves; Artists' Self Portraits. Huntington, N.Y.: Heckscher Museum, 1979.
MacGill, Peter. 20 x 24/Light. Essay by Garry Metz. New York: Light Gallery, 1979.
Miller, Wayne. Realist Space. Greenvale, N.Y.: C.W. Post Art Gallery, School of the AAS, 1979.
Rubin, David S. Black and White Are Colors: Paintings of the 1950's - 1970's. Claremont, Calif.: Trustees of Pomona College, 1979.
Shoemaker, Innis H. Drawings about Drawing Today. Chapel Hill, N.C.: The Ackland Art Museum, 1979.
Sims, Patterson. The Decade in Review: Selections from the 1970's. New York: Whitney Museum of American Art, 1979.
Yard, Sally. Images of the Self. Hampshire, MA: Hampshire College, 1979.

1980 Carmean, E. A., Trinkett Clark and Eliza E. Rathbone. The Morton G. Neumann Family Collection: Selected works. Washington, D.C.: National Gallery of Art, 1980, two volumes.
Castleman, Riva. Printed Art: A View of Two Decades. New York: The Museum of Modern Art, 1980.
Gelburd, Gail. American Realism of the 20th Century. Morristown, N.J.: Morris Museum of the Arts and Sciences, 1980.
Hills, Patricia and Roberta K. Tarbell. The Figurative Tradition and the Whitney Museum of American Art: Paintings and Sculpture from the Permanent Collection. New York: Whitney Museum of American Art, 1980.
Kalan, Mitchell D. American Painting of the Sixties and Seventies. Montgomery, AL: Montgomery Museum of Fine Arts, 1980.
Lyons, Lisa and Martin Friedman. Close Portraits. Minneapolis: Walker Art Center, 1980.
Perreault, John. Aspects of the 70's: Directions in Realism. Framingham, Mass.: Danforth Museum, 1980.
Metz, Gary. Box 24. Philadelphia: Light Gallery, The Philadelphia College of Art and Polaroid Corporation, 1980.
Sadik, Marvin and Harold Francis Phister. American Portrait Drawings. Washington, D.C.: Smithsonian Institution Press for The National Portrait Gallery, 1980.
Spaeth, Eloise. Portraits, Real and Imagined. East Hampton, N.Y.: Guild Hall Museum, 1980.
Ten American Artists From Pace. London: Wildenstein & Co. and Pace Gallery, 1980.

1981 Badger, Gerry. Photographer as Printmaker: 140 Years of Photographic Printmaking. Northampton: Belmont Press and London: Arts Council of Great Britain, 1981.
Barents, Els. Instant Fotographie. Amsterdam: Stedelijk Museum, 1981.
Berreth, David. A Seventies Selection: An Exhibition of Works from the Collection of The Whitney Museum of American Art. Oxford, Ohio: Miami University Art Museum, 1981.
Brandt, Frederick P. and Susan L. Butler. Late Twentieth Century Art From the Sydney and Frances Lewis Foundation. Richmond, Va.: The Sydney and Frances Lewis Foundation, 1981.
Chase, Linda. Super Realism from the Morton G. Neumann Family Collection. Kalamaazoo, Mich.: Kalamazoo Institute of Arts, 1981.
Danoff, Michael I. The Image in American Painting and Sculpture, 1950-1980. Akron, Ohio: Akron Art Museum, 1981.
Gamwell, Lynn and Victoria Kogan. Inside/Out: Self Beyond Likeness. Newport Beach, Calif.: Newport Harbor Art Museum, 1981.
Goldman, Judith. American Prints: Process and Proofs. New York: Harper & Row and Whitney Museum of American Art, 1981.
Goodyear, Frank H. Jr. Contemporary American Realism Since 1960. Boston: New York Graphic Society in association with Pennsylvania Academy of Fine Arts, 1981.
Infield, Warren. The Tyler Offset Workshop: An Exhibition of Prints and Posters. Philadelphia: Tyler School of Art, 1981.
Morrin, Peter and Eric Zafran. Drawings from Georgia Collections: 19th and 20th Centuries. Atlanta: High Museum of Art, 1981.
Sandler, Irving. 20 Artists: Yale School of Art 1950-1970. New Haven, Conn.: Yale University Art Gallery, 1981.

1982 Armstrong, Tom. Amerikanische Malerei 1930-1980. Munich: Haus der Kunst and Prestel-Verlag, 1982.
Garver, Thomas H., Warrinton Colescott, and Gordon Scott. New American Graphics 2. Madison, Wis.: Madison Art Center, 1982.
Haenlein, Carl. Momentbuild: Kunstler Photographie. Essay by Els Barents. Hannover: Kestner-Gesellschaft, 1982.
Houk, Pamela. New Portraits: Behind Faces. Dayton, Ohio: The Dayton Art Institute, 1982.
Lewallen, Constance. Chuck Close. Matrix/Berkeley 50. Berkeley, Calif.: University Art Museum, University of California, 1982.
Monett, Alexandra. The Human Figure. New Orleans: The Contemporary Arts Center, 1982.
Phillips, Lisa. Surveying the Seventies. Stamford, Conn.: Whitney Museum of American Art, Fairfield County Branch, 1982.
Photo-Realisme. Dix ans apres. Paris: Galerie Isy Brachot, 1982.
Smith, Paul A. Making Paper. Essays by Lillian A. Bell, David Kimball, Donald Farnesworth and Timothy Barrett. New York: American Craft Museum, 1982.
Sosnoff, Martin (introduction). Homo Sapiens: The Many Images. Ridgefield, Conn.: The Aldrich Museum of Contemporary Art, 1982.

1983 Brouwer, Bert. Paper Transformed. Terre Haute, Ind.: Turrman Gallery, Indiana State University, 1983.
Brown, Julia and Bridget Johnson, eds. The First Show: Painting and Sculpture from Eight Collections, 1940-1980. Los Angeles: The Museum of Contemporary Art, in association with Arts Publisher Inc., New York, 1983, with interviews and essays by Pontus Hulten, Susan C. Larsen and others.
Coleman, A.D (introduction). Subjective Vision. The Lucinda Bunnen Collection of Photographs. Atlanta: High Museum of Art, 1983.
Frank, Peter. Self-Portraits. Seattle: Linda Farris Gallery and Los Angeles Municipal Art Gallery, 1983.
Jacobs, Joseph. Faces Since the 50's: A Generation of American Portraiture. Lewisburg, Pa.: Center Gallery, Bucknell University, 1983.
Perreault, John, essay. Chuck Close. New York: The Pace Gallery, 1983.
The Tate Gallery Illustrated Biennial Report, 1980–82. Uxbridge, Middlesex, England: The Hillingdon Press, 1983.
Varely, William. New Work New York. Newcastle-upon-Tyne, England: Newcastle Polytechnic Gallery, 1983.

1984 Ackley, Clifford S., Thomas Krens and Deborah Menaker,essays. The Modern Art of The Print: Selections from the Collection of Lois and Michael Torf. Williamstown, Mass.: Williams College Museum of Art in collaboration with the Museum of Fine Arts, Boston, 1984.
Gettings, Frank. Drawings 1974-1984. Washington, DC: Smithsonian Institution, 1984.
Kettenring, Pat and Ann Kent. Viewpoint: The Artist as Photographer. Summit, NJ: Summit Art Center, 1984.
Marshall, Richard. American Art Since 1970: Paintings, Sculpture, and Drawings from the Collection of the Whitney Museum of American Art, New York. New York: Whitney Museum of American Art, 1984.
McDonald, Robert. Art of the States: Works From A Santa Barbara Collection. Santa Barbara, Calif.: The Santa Barbara Museum of Art, 1984, foreword by Robert Fitzpatrick.
Paper Transformed: A National Exhibition of Paper Art. Terre Haute, Ind.: Turman Gallery, Indiana State University, 1984
Viewpoint (exhibition catalogue). Essay by Pat Kettering and Ann Kent. Summit, New Jersey: Summit Art Center, 1984: 5, illustrated.

1985 Arthur, John. American Realism: The Precise Image. Tokyo: Isetan Museum of Art, 1985.
Billeter, Erika, ed. Dae Selbstportrait im Zeitafter der Photographie/L’autoportrait a l’age de la photographie. Lausanne: Musee Cantonal des Beaux-Arts, 1985. English version: Self Portrait in the Age of Photography, translated by Birgit Remmel and Catherine Schelbert.
Lyons, Lisa. “Changing Faces: A Close Chronology.” In Chuck Close. Tokyo: Fuji Television Gallery, 1985. Reprint of “Changing Faces: A Close Chronology.” In Close Portraits. Minneapolis: Walker Art Center, 1980. Translated into Japanese.
Pillsbury, Edmund P. Chuck Close: Works on Paper. Houston: Contemporary Arts Museum, 1985.
Taylor, Susan. Workshop Experiments: Clay, Paper, Fabric, Glass. Brattleboro, VT: Brattleboro Museum and Art Center, 1985, foreword by Alison Devine.
Walker, Barry. Public and Private: American Prints Today. The 24th National Print Exhibition at The Brooklyn Museum. Brooklyn, N.Y.: The Brooklyn Museum, 1985.

1986 Ackley, Clifford S. and David P. Becker and Barbara Stern Shapiro. 70s into 80s: Printmaking Now, Boston: Museum of Fine Arts, 1986.
Alvin, Martin. American Realism: Twentieth Century Drawings and Watercolors. San Francisco: San Francisco Museum of Modern Art and New York: Harry N. Abrams, Inc., 1986, foreword by Henry T. Hopkins and introduction by Glenn C. Jans.
Barnett, Vivian Endicott, introduction. Drawings from the Collection of Dorothy and Herbert Vogel. Little Rick, Ark.: The University of Arkansas at Little Rock, Department of Art Galleries, 1986.
Close, Chuck (interview with Arnold Glimcher). Chuck Close: Recent Work. New York: The Pace Gallery, 1986.
Cummings, Paul. The Changing Likeness: Twentieth Century Portrait Drawings. New York: Whitney Museum of American Art at Phillip Morris, 1986.
Day, Holliday T. Painting and Sculpture Today—1986. Indianapolis: Indianapolis Museum of Art, 1986.
Friis-Hansen, Dana. Nude, Naked, Stripped. Cambridge, Mass.: MIT Committee on The Visual Arts, 1986.
Heiferman, Marvin. The Real Big Picture. Flushing, N.Y.: The Queens Museum of New York, 1986.
Heiting, Manfred with Gert Koshofer and Hans Staubach. 50 Years of Modern Color Photography. Cologne: Photokina, 1986.
Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940. Fort Lauderdale, FL: Museum of Arts and New York: Abbeville Press, 1986.
Structured Vision: Collage and Sequential Photography. Boise, Idaho: Boise Gallery of Art, 1986.

1987 Chuck Close: Drawings 1974-1986, New York: Pace Gallery, 1987.
Cummings, Paul. 20th-Century Drawings from The Whitney Museum of American Art, New York: Whitney Museum of American Art in association with W.W. Norton & Co., 1987.
Davis, Sandra. The Monumental Image. Essay by Judith Dunbau. Rolmert Park, Calif.: University Art Gallery, Sonoma State University, 1987.
Fryberger, Betsy G. The Andreson Collection: Two Decades of American Graphics 1967-1987. Prints, Multiples, Monotypes, Works on Paper. Stanford, CA: Stanford Museum of Art, 1987.
Grundberg, Andy and Kathleen McCarthy Gauss. Photography and Art: Interactive Since 1946. Fort Lauderdale: Museum of Art; Los Angeles County Museum of Art; and New York: Abbeville Press, Publishers, 1987.
Hendricks, James. Assemblage/Collage. Westfield, MA: Westfield State College, Gallery, 1987.
Jacobs, Joseph and Marvin Heiferman. This is not a Photograph: Twenty Years of Large-Scale Photography 1966-1986. Foreword by Dr. Lawrence J. Ruggiero, introduction by Gordon Lewis, and preface by Joseph Jacobs.
Sarasota, Fla.: The John and Mable Ringling Museum of Art, 1987.
Morgan, Dahlia. American Art Today: The Portrait. Miami: The Art Museum at Florida International University, 1987.
Rosenblum, Robert, essay. Art Against Aids, New York: American Foundation for AIDS Research.
Squiers, Carol, essay, introduction by Charles Staiziback. Portrayals. New York: International Center of Photography, Midtown, 1987.

1988 Bowman, Russell. 1988 The World of Art Today. Milwaukee: Milwaukee Art Museum, 1988.
Fifty-Second National Midyear Exhibition. Youngstown, Ohio: The Butler Institute of American Art, 1988.
Gianfranco Gorgoni Altered Images. New York: The Penson Gallery, 1988.
Identity: Representations of the Self. New York: Whitney Museum of American Art, 1988.
Kertess, Klaus. Chuck Close, New Paintings. New York: The Pace Gallery, 1988.
Kertess, Klaus essay and foreword by Trudy C. Kramer. Drawing on the East End, 1940-1988. Southampton, N.Y.: The Parrish Art Museum, 1988.
Guenther, Bruce, essay. Three Decades: The Oliver-Hoffman Collection. Chicago: The Museum of Contemporary Art, 1988.
Weinberg, Adam D. Aldo Crommelynck Master Prints with American Artists. New York: Whitney Museum of American Art at Equitable Center, 1988.

1989 Fifty-Second National Midyear Exhibition. Youngstown, Ohio: The Butler Institute of American Art, 1989.
Greenough, Sarah, Joel Snyder, David Travis, and Colin Westerbeck. On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography. Washington, D.C.: National Gallery of Art, 1989.
Guenther, Bruce. Three Decades: The Oliver-Hoffman Collection. Chicago: Museum of Contemporary Art, 1988.
Heiferman, Marvin and Lisa Phillips with John G. Hanhardt. Image World: Art and Media Culture. New York: Whitney Museum of American Art, 1989.
Pernotto, Jim. Chuck Close Editions: A Cagalog Raisonné and Exhibition. Essay and introduction by Louis A. Zona. Youngstown, Ohio: The Butler Institute of American Art, 1989.
Strick, Jeremy. Twentieth-Century Painting and Sculpture: Selections for the Tenth Anniversary of the East Building. Washington, D.C.: National Gallery of Art, 1989.
Westerbeck, Colin. Chuck Close. Chicago: The Art Institute of Chicago in collaboration with San Francisco: The Friends of Photography, 1989.

1990 Leval, Susanna Torruella. Signs of the Self: Changing Perceptions. Woodstock, N.Y.: Woodstock Artists Association, 1990.
Stern, Jerome and Allys Palladino-Craig. MONOCHROME/
POLYCHROME: Contemporary Realist Drawings. Tallahassee, Fla.: Florida State University Gallery & Museum, 1990.
Tallman, Susan, essay. Contemporary Woodblock Prints. Jersey City, N.J.: Jersey City Museum, 1990.
The 20th Anniversary 1970–1990 and The 20th Anniversary 1990. Tokyo: Fuji Television Gallery, 1990.

1991 Ferrulli, Helen. Six Takes on Photo-Realism. New York: Whitney Museum of American Art, 1991.
Fine, Ruth E. and Mary Lee Corlett. Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida. Washington, D.C.: National Gallery of Art, 1991.
Jensen, Knud W., ed. Louisiana: The New Graphics Wing. Humlebaek, Denmark: Louisiana Museum, 1991.
Large Scale Works on Paper. San Francisco: John Berggruen Gallery, 1991.
Armstrong, Richard, Lisa Phillips and John G.Hamberdt. 1991 Biennial Exhibition. Essays, foreword by David A. Ross, introduction by Richard Marshall. New York: Whitney Museum of American Art, 1991.
Schjeldahl, Peter. Chuck Close: Recent Paintings. New York: The Pace Gallery, 1991.
Schwartz, Constance. In Sharp Focus: Super-Realism. Roslyn Harbor, NY: Nassau County Museum of Art, 1991.
Tallman, Susan. Contemporary Woodblock Prints from Crown Point Press. Fort Meyers, Fla.: Edison Community College, 1991.
Westerbeck, Colin and Joy L. Gordon. Chuck Close: Up Close. East Hampton, N.Y.: Guild Hall of East Hampton, 1991.
Yankov, Edmund and Andy Grundberg. Departures: Photography 1923–1990. New York: Independent Curators Incorporated, 1991.

1992 American Art 1930-1970. Milan: Fabbri Editori, 1992.
Arthur, John. American Realism & Figurative Art: 1950–1990. Japan Association of Art Museums, 1992.
de Loisy, Jean. A Visage Decouvert. Paris: La Fondation Cartier pour l’art Contemporain, 1992.
Dietz, Steve. American Art. Washington, D.C.: National Museum of American Art, Smithsonian Institution and New York: Rizzoli International, Inc., 1992.
Le Portrait Dans l'Art Contemporain. Nice: Musée D'Art Moderne et D'Art Contemporain, 1992.
Leigh, Christian. Psysho. Essays by Octavio Zaya, Donald Kuspit, and Adrian Dannatt. New York: Kunst Halle, 1992.
Persona. Essay by Arthur Ollman. San Diego: Museum of Photographic Arts, 1992.

1993 Brunon, Bernard. Autoportraits Contemporains. Here’s Looking at Me. Lyon, France: Lyonnais d’Art Contemporain, 1993.
Caws, Mary Ann, Charles Simic, and Ingrid Shaffner, essays, foreword by Ann Philbin The Return of the Cadavre Exquis. New York: The Drawing Center, 1993.
Danto, Arthur C. Chuck Close: Recent Paintings. New York: The Pace Gallery, 1993.
Feldman, Andrea. A Print Project by Chuck Close. New York: Museum of Modern Art, 1993. [brochure]
Ganz, Kate. Heads and Portraits: Drawings from Piero di Cosino to Jasper Johns. New York: Jason McCoy, Inc., 1993.
Gibson, Robin. The Portrait Now. London: National Portrait Gallery Publications, 1993.
Newman, Sasha M. and Lesley R. Baies (ed.). Yale Collects Yale. Essay by Nicholas Fox Weber. New Haven: Yale University Art Gallery, 1993.
Phillips, Lisa. Photoplay: Works from the Chase Manhattan Collection. New York: The Chase Manhattan Corporation, 1993.
Rollins, Tim. Art Works: The Education Project. New York: Art Works/The Education Project, 1993.
Watrous, James and Andrew Stevens. American Color Woodcuts: Bounty from the Block, 1890s–1990s. Madison: Elevehjem Museum of Art, University of Wisconsin, 1993.

1994 Chuck Close: 8 peinture recentes. Paris: Fondation Cartier pour l’art contemporain, 1994.
Feldman, Melissa E. Essay by Benjamin H. D. Buchloh. Face-Off: The Portrait in Recent Art. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1994.
Fine, Ruth E. and John T. Paoletti, essays. From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection. Washington, D.C.: National Gallery of Art, 1994.
Johnson, Ken, essayist. Democratic Vistas: 150 Years of American Art from Regional Collections. Albany: University Art Museum, University of Albany, State University of New York, 1994.
Poetter, Jochen and Helmut Friedel (ed.). Chuck Close: Retrospektive. Baden-Baden: Staatliche Kunsthalleand Stuttgart: Edition Cantz, 1994, essays by Robert Storr and Margrit Franziska Brehm.
Westerbeck, Colin. Lessons in Life: Photographic Works from the Boardroom Collection. Chicago: The Art Institute of Chicago, 1994.

1995 Armstrong, Richard. Carnegie International 1995. Pittsburgh: The Carnegie Museum of Art, 1995.
Beyond the Borders: The First International Kwangju Biennale: International Exhibition of Contemporary Art. Seoul: Kwang-Ju Biennale Foundation Publisher/Life and Dream Publishing, Co., 1995.
Babbitt, Sherry, ed. Philadelphia Museum of Art: Handbook of the Collections. Essay by Ann Temkin. Philadelphia: Philadelphia Museum of Art, 1995.
Broun, Elizabeth, foreward and William Kloss, introduction. National Museum of American Art, Smithsonian Institution. Washington, D.C.: National Museum of American Art with Bulfinch Press-Little, Brown and Company, 1995.
Clair, Jean and Manlio Brusatin, ed. La Biennale di Venezia, 46 esposizione internationale d’arte Identity and Alterity, Figures of the Body 1895/1995. Venice: Marsilio Editori s.p.a., 1995.
De Salvo, Donna. Face Value: American Portraits. Essays by Kenneth E. Selver, Max Kozloff, Michele Wallace and Maurice Berger. Southampton, New York: The Parrish Art Museum and Paris: Flammarion, 1995.
Flam, Jack, Monique Beudert, and Jennifer Wells. The Paine Webber Collection. New York: Rizzoli International Publications and Paine Webber, Inc., 1995.
Hanson, Trudy N., David Mickenberg, Joann Moser, and Barry Walker. Printmaking in America: Collaborative Prints and Presses, 1960-1990. Evanston, IL: Mary and Leigh Block Gallery, Northwestern University in association with Harry N. Abrams Inc., 1995.
Humanism and Technology. The Human Figure in Industrial Society. Seoul: Seoul International Art Festival, National Museum of Contemporary Art, 1995.
Johnson, Kathryn C., ed. Made in America: Ten Centuries of American Art. St. Louis: The St. Louis Art Museum and New York: Hudson Hills Press, 1995.
Sobel, Dean. 25 Americans: Painting in the 90’s. Milwaukee, Wis.: Milwaukee Art Museum, 1995.
Yates, Sam. Pace Prints. Knoxville, Tenn.: University of Tennessee, 1995.
Yau, John. Chuck Close: Recent Paintings. New York: PaceWildenstein, 1995.

1996 Barnes, Rachel and others. The 20th Century Art Book. London: Phaidon Press Limited, 1996, p. 94.
Bruzelius, Caroline, introduction. Annual Exhibition 1996. Rome: American Academy in Rome, 1996.
Courville, Marianne. Collection in Context: Selected Contemporary Photographs of Hands from the Collection of Henry Mendelssohn Buhl. New York: Thread Waxing Space, 1996.
Grausman, Jennifer, Andrew Lohr and Lisa Pasquariello. Fractured Fairy Tales: Art in the Age of Categorical Disintegration. Essay by Jennifer Grausman and interview with Chuck Close. Durham, N.C.: Duke University Museum of Art, 1996.
Greenfield-Sanders, Timothy. Selected Portraits, 1985-1995. Cologne:
Kunst-Station Sankt Peter Koln, 1996.
Grynsztejn, Madeleine. Affinities: Chuck Close and Tom Friedman. Chicago: The Art Institute of Chicago, 1996.
Shaw, Reesy, foreword. Narcissism, Artists Reflect Themselves. California Center for the Arts Museum, 1996.
Wye, Deborah. Thinking Print: Books to Billboards, 1980-95. New York: The Museum of Modern Art, 1996.

1997 Breuer, Karin, Ruth E. Fine and Steven A. Nash. Twenty-Five Years at Crown Point Press: Making Prints, Doing Art. Berkeley and Los Angeles: The University of California Press, Fine Arts Museum of San Francisco, 1997.
Curiger, Bice. ed. “Artists in Conversation: Chuck Close, Philip Taaffe, Sue Williams, Christopher Wool. Moderated by Alan Schwartzman.” In
Birth of the Cool: American Painting from Georgia O'Keefe to Christopher Wool. Zurich: Kunsthaus Zurich and Hamburg: Deichtorhallen Hamburg, 1997.
Joachimides, Christos M. and Norman Rosenthal, eds. The Age of Moderism: Art in the 20th Century. Berlin: Zeitgeist-Gesellschaft e.V., 1997.
Ross, David A., Director's Foreward. Views from Abroad: European Perspectives on American Art 3: American Realities. Essays by Nicholas Serota, Adam D. Weinberg and Sandy Nairne. New York: Whitney Museum of American Art and Harry N. Abrams, Inc. 1997.
Ruzicka, Joseph. Landfall Press: Twenty-five Years of Printmaking. Contributions by Jack Lemon, Vernon Fisher, Mark Pascale. Milwaukee: Milwaukee Art Museum, 1997.
Serota, Nicholas, Sandy Nairne and Adam Weinberg. American Realities: Views from Abroad, Europen Perspectives on American Art 3 (volume 3). Essays by Andrew Brighton and Peter Wollen. New York: Whitney Museum of American Art, 1997.
Schaffner, Ingrid. Project Painting. New York: Basilico Fine Arts and Lehman Maupin, Unpaginated. 1997.
Temkin, Ann, introduction. Chuck Close/Paul Cadmus: In Dialogue. Interview with Chuck Close and Paul Cadmus. Philadelphia: Philadelphia Museum of Art, 1997.

1998 Storr, Robert. Chuck Close. Essays by Kirk Varnedoe and Deborah Wye. New York: The Museum of Modern Art, 1998.

1999 Green, Pauline, ed. Developing the Collection: Acquisitions

1997–1999. Canberra: National Gallery of Australia, 1999.
Phillips, Lisa. The American Century: Art & Culture 1950–2000. New York: Whitney Museum of American Art, 1999.

2000 Galerie Daniel Blau. Daguerreotypien. Munich: Galerie Daniel Blau, 2000.
Detroit Institute of Arts. Dorn, Roland, et al. Van Gough Face to Face: The Portraits. Detroit: Detroit Institute of Arts, 2000.
PaceWildenstein. Chuck Close: Recent Paintings. Essay by Richard Shiff. New York: PaceWildenstein, 2000.
San Francisco Museum of Modern Art. Celebrating Modern Art: Highlights of the Anderson Collection. San Francisco: San Francisco Museum of Modern Art, 2000.
Schwabsky, Barry. “Between Matter and Memory.” In Under Pressure: Prints from Two Palms Press (exhibition catalogue). New London, Connecticut: Lyman Allyn Museum of Art, 2000.

2001 Gift To The Nation. Washington, D.C.: Friends of Art and Preservation in Embassies in Embassies, 2001.
Pakesch, Peter, Alexander Marzahn, Anne Krauter, Ingo Niermann, Sissi Tax, Georg Simmel, Antonin Artaud, Samuel Beckett, Benjamin H.D. Buchloh, Alex Pentland and Matthew Turk. ABBILD recent portraiture and depiction. Vienna: Springer-Verlag, 2001.

2002 PaceWildenstein. Chuck Close: Recent Works. Introduction by Kirk Varnedoe. New York: PaceWildenstein, 2002.
Paparoni, Demetrio, ed. Chuck Close: Daguerreotypes. Conversation between Chuck Close, Timothy Greenfield-Sanders and Jerry Spagnoli. Milan: Alberico Cetti Serbelloni editore, 2002.
Whitney Museum of American Art. An American Legacy, A Gift to New York. Recent Acquisitions from the Board of Trustees. Intoduction by Maxwell L. Anderson. New York: Whitney Museum of American Art, 2002.

2003 Carter, Foster E. Drawing Modern. Works from the Agnes Gund Collection. Cleveland: The Cleveland Museum of Art, 2003.
Imagination: Perception in Art. Edited by Peter Pakesch. Cologne: Walther König, 2003, illus. p. 74–77
North Fork/South Fork: East End Art Now. Southampton, New York: Parrish Art Museum, 2004, illus. p. 33.
Sultan, Terrie and Richard Shiff. Chuck Close Prints: Process and Collaboration. Princeton, N.J.: Princeton University Press, 2003.

2005 Contemporary Voices: Works from the UBS Art Collection (exhibition catalogue). New York: The Museum of Modern Art, 2005: 146–149, illustrated.
Chuck Close: Recent Paintings. Essay by Robert Rosenblum. New York: PaceWildenstein, 2005.
Chuck Close: Self-Portraits 1967–2005. Text by Madeleine Grynsztejn, Siri Engberg, Douglas R. Nickel. San Francisco: San Francisco Museum of Art and Walker Art Center, 2005.
From Pollock to Pop: America’s Brush with Dalí (exhibition catalogue). Essays by Hank Hine and William Jeffett. St. Petersburg, Florida: Salvador Dalí Museum, 2006: 75, illustrated.
Molinard, Stephanie. “A Double Take on American Photorealism of the 1960s and ‘70s.” In Double Take: Photorealism from the 1960s and’70s (exhibition catalogue). Waltham, Massachusetts: Brandeis University, 2005: 19, illustrated.
Self Portrait: Renaissance To Contemporary (exhibition catalogue). London: National Portrait Gallery Publications, 2005: 202–207, illustrated.

2006 Celant, Germano and Lisa Dennison. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Milan: Skira Editore S.p.A., 2006: 176–177, 402–403, illustrated.
Chuck Close: A Couple of Ways of Doing Something. New York: Aperture Gallery, 2007.
LeWitt x 2 (exhibition catalogue). Texts by Dean Swanson and Martin Friedman. Madison, Wisconsin: Madison Museum of Contemporary Art, 2006: 55, illustrated.
Tapestries (exhibition catalogue). Text by Jeremy Tessmer. Santa Barbara, California: Sullivan-Goss, 2006: illustrated.

2007 Chuck Close Paintings 1968/2006 (exhibition catalogue). Text by Robert Storr and Klaus Kertess; interview with Richard Shiff. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2007.

Boswell, Peter. LeWitt x 2 (exhibition brochure). Miami: Miami Art Museum, 2007.

Techno Sublime (exhibition catalogue). Text by Lisa Tamiris Becker and Richard Shiff. Boulder: CU Art Museum, University of Colorado, 2007: 36, 37, 39, illustrated.

Woodrow, Bill, ed. Royal Academy Illustrated 2007 (exhibition catalogue). London: Royal Academy of Arts, 2007:


Periodicals and Newspapers

1969

Kurtz, Stephan A. "Reviews and Previews." Art News 68, no. 4, summer 1969, p. 12.

Nemser, Cindy. "Reviews in the Galleries." Arts 43, no. 8, summer 1969, p. 58.

“Two Contemporary acquisitions for Minneapolis.” Minneapolis Institute Bulletin 58, 1969, pp. 82-83.

Wasserman, Emily. "Group Show/Bykert Gallery." Artforum 8, no. 1, September 1969, p. 69.

1970

Becker, Wolfgang. “Bilder und Berechte.” Die Neue Galerie, 1970, p. 3.

Berenson, Ruth. "Plight of Realism Today: Exhibition at the Whitney Museum." National Review, May 5, 1970, pp. 474-475.

Bremer, Nina. "The New York Art Scene: Realism Today." Revista de Arte/The Art Review, September 1970, pp. 3-6.

Davis, Douglas. "Return of the Real." Newsweek, February 23, 1970, p. 105.

Glueck, Grace. "Drawing Show All-Star Cast." New York Times, March 23, 1970, p. 50.

Gruen, John. "Museums and Galleries: It's Done with Mirrors." New York 3, no. 12, March 23, 1970, p. 50.

“In the Museums.” Arts 44, no. 4, February 1970, pp. 54-55.

Lord, B. “Whitney Museum’s 22 Realists Exhibition.” Artscanada 27, June 1970, p. 11.

Marandel, J. Patrice. "Expositions à la Bykert Gallery." Art International May 14, 1970, p. 86.

Nemser, Cindy. "An Interview with Chuck Close." Artforum 8 January 1970, pp. 51-55.

Nemser, Cindy. "Presenting Charles Close." Art in America 58, no. 1, January - February 1970, pp. 98-101.

Perreault, John. “Dining In.” New York Village Voice XV, no. 11, February 12, 1970, pp. 16, 18.

Perreault, John. "Get Back." New York Village Voice XV, no. 8, February 19, 1970, pp. 14-15, 17.

Perreault, John. "Chuck Close." New York Village Voice, March 12, 1970.

Ratcliff, Carter. "22 Realists Exhibit at the Whitney." Art International XIV, no. 4, April 1970, p. 67.

Ratcliff, Carter. “Reviews and Previews.” Art News 69, no. 2, April 1970, p. 16.

Perreault, John. “Return of the Real." New York Village Voice, February 23, 1970.

Richter, Wolfgang. “Bildformen der Gegenwart.” Chic, May 1970.

Spear, Athena. "Reflections on the Work of Charles Close, Ron Cooper and Neil Jenny and Other Contemporary Artists: Three Young Americans at Oberlin." Arts 44, no. 7, May 1970, pp. 44-47.

Steele, Mike. “Realism is Simply Super.” The Minneapolis Tribune, February 1, 1970.

1971

Davis, Douglas. "Nosing Out Reality." Newsweek, August 14, 1971,
p. 58.

Genauer, Emily. "Art '72: the Picture is Brighter." New York Post, December 31, 1971.

Karp, Ivan. "Rent is the Only Reality or the Hotel Instead of The Hymn." Arts Magazine 46, no. 3, December 1971 - January 1972, pp. 47-51.

Kramer, Hilton. "Art Season; A New Realism Emerges." New York Times, December 21, 1971.

Kramer, Hilton. “Stealing the Modernist Fire.” New York Times, December 26, 1971, p. D25.

Marandel, J. Patrice. “The Deductive Images: Notes on Some Figurative Painters.” Art International XV, no. 7, September 20, 1971, pp. 60-61.

Sager, Peter. "Neue Formen des Realismus." Magazin Kunst, no. 44-4, 1971, pp. 2507-2519.

Seldis, Henry J. "Art Review: Chuck Close Work Shown." Los Angeles Times, October 4, 1971.

Szeeman, Harold. "Documenta 5." L'Art vivant, no. 25, November 1971, pp. 4-7.

1972

Amman, Jean-Christophe. "Realismus." Flash Art, no. 32-33-34, May-July 1972, pp. 50-52.

Baker, Ken. "New York Commentary." Studio International 183, no. 944, May 1972, pp. 225-228.

Beaucame, Edward. “Wie realistisch sind die Realisten.” Frankfurter Allgemeine Zeitung 22, no. 178, August 4, 1972, p. 22.

Borden, Lizzie. "Cosmologies." Artforum 11, no. 2, October 1972, pp. 45-50.

Interview by Chase, Linda and Ted McBurnett. “Photorealists: 12 Interviews.” Art in America 60, no. 6, November - December 1972, pp. 76-77.

"Kunst: Asket mit Pistole." Der Spiegel, no. 50, December 4, 1972, pp. 162-163.

Collins, Nancy. "Eye View." Women's Wear Daily, September 22, 1972.

Davis, Douglas. "Art is Unnecessary, Or Is It?" Newsweek LXXX, no. 3, July 17, 1972, pp. 68-69.

Davis, Douglas. “Nosing Out Reality.” Newsweek LXXX, no. 7, August 14, 1972, p. 58.

Defner, Phyllis. "Reviews and Previews." Art News 70, no. 9, January 1972, p. 12.

"Die Kasseler Seh-Schule: Ein Warenhaus fur Wirklichkeit mit Selbstbedienung." Der Stern, no. 36, August 30, 1972, pp. 20-33.

Dönhoff, Marion Gräfin. "Die Nabelschau von Kassel." Zeit, no. 31, August 8, 1972, p. 9.

Elderfeld, John. "Whitney Annual." Art in America 60, no. 4, May 1972, p. 29.

"Flashback su Kassel." Flash Art, no. 35-36, September-October 1972, p. 16.

Gassiot-Talabot, Gerald. "Documenta V: Une imposture sur l'image?" XX Siäcle 34, no. 39, December 1972, pp. 125-129.

Glauber, Robert. “Museum of Contemporary Art Exhibit: Too Much of A Good Thing.” Skyline , March 1, 1972, section 1, p. 4.

Haydon, Harold. “An Exhibit of Realism and Its Amazing Forms.” Chicago Sun Times, February 13, 1972.

Henry, Gerrit. "The Real Thing." Art International XVI, no. 6-7, Summer 1972, pp. 86-91, 144.

Hughes, Robert. "The Realist as Corn God." Time 99, no. 5, January 31, 1972, pp. 50-55.

Jappe, Georg. “Documenta 5.” Frankfurter Allgemeine Zeitung, no. 155, July 8, 1972.

Kipphoff, Petra. “Die 100-Tage-Sehschule in Kassel.” Zeit Magazin, no.31/4, August 1972, pp. 2, 10-11.

Kurtz, Bruce. "Documenta 5: A Critical Preview." Arts Magazine 46, no. 8, summer 1972, pp. 30-43.

“La nouvelle coqueluche: l’hyperréalisme.” L’Express (Paris), October 30, 1972.

“L’ l’hyperréalisme ou le retour aux origines.” Nouvelles Litteraires (Paris), October 6, 1972.

“Les malheurs de L’Amerique.” Nouvel Observateur (Paris), November 6, 1972.

Lista, Giovanni. “Ipperrealisti americani.” NAC (Milan), no. 12, December 1972, pp. 24-25.

Marvel, Bill. "Saggy Nudes? Giant Heads? Make Way for ‘Superrealism’." The National Observer, January 29, 1972, p. 22.

Naimer, Lucille. "The Whitney Annual." Arts Magaxine 46, no. 5, March 1972, p. 54.

Nakov, Andrei B. “Sharp Focus Realism: Le retour de l’image.” XX Siäcle XXXVII, no. 38, June 1972, pp. 166-168.

Nemser, Cindy. "The Close Up Vision - Representational Art - Part II." Arts Magazine 46, no. 7, May 1972, pp. 44-48.

“Now!” Chicago Today, February 13, 1972, p. 61.

Perreault, John. "The Hand Was Collossal But Small." New York Village Voice, March 23, 1972, p. 72.

Perreault, John. "A Lollapallozza of a Mishmash." New York Village Voice, February 10, 1972, p. 23.

Perreault, John. “Realistically speaking...” New York Village Voice, December 14, 1972, p. 36.

Perreault, John. “Reports, Forecasts, Surprises and Prizes.” New York Village Voice, January 6, 1972, pp. 21, 24.

Pozzi, Lucio. "I Super Realisti USA." Bolaffiarte III, no. 18, March 1972, pp. 54-61.

Ratcliff, Carter. "New York Letter." Art International XVI, no. 2, February 1972, pp. 54-55.

Rose, Barbara. "Real, Realer, Realist." New York, January 31, 1972,
p. 50.

Rosenberg, Harold. "Inquiry '72: On the Edge, Documenta 5." New Yorker, September 9, 1972, p. 75.

Schulze, Franz. “It’s Big and It’s Superreal.” Chicago Daily News, February 12-13, 1972, p. 6.

Seitz, William C. "The Real and the Artificial: Painting of the New Environment." Art in America 60, no. 6, November/December 1972, pp. 58-72.

Wasmuth, Ernst. "La révolte des réalistes." Connaissance des Arts (Paris), June 1972, no. 244, pp. 118-123.

Wolmer, Denise. "In the Galleries." Arts Magazine 46, no. 4, February 1972, p. 58.

1973

Baldwin, Carl. "Le penchant des peintres americains pour le realisme." Connaissance des Arts (Paris), no. 254, April 1973, p. 120.

Baldwin, Carl. “Realism: The American Mainstream.” Realites, no. 276, November 1973, pp. 42-51.

Berkman, Florence. “‘Big City’ art jurors took Hartford too lightly.”Hartford Times, June 17, 1973, p. 15A.

Borden, Lizzie. "Reviews." Artforum 12, no. 2, October 1973.

Brunelle, Al. "Reviews: Chuck Close." Art News 72, no. 4, April 1973, p. 73.

“Building a Collection: Specialize and Buy the Best.” Business Week, October 27, 1973, pp. 107-108.

“Bykert Gallery, New York exhibit.” Arts Magazine 48, December 1973, p. 60.

Canaday, John. "Art: Miro's Joy and Verve/Chuck Close." New York Times, October 27, 1973, p. 27.

Chase, Linda and Ted McBurnett. "Fiches: Chuck Close." Opus International, no. 44-45, June 1973, pp. 40-41.

Chase, Linda. “Recycling Reality.” Art Gallery Magazine XVII, no. 1, October 1973, pp. 75-82.

Davis, Douglas. "Art Without Limits." Newsweek, December 24, 1973 LXXXII, no. 26, pp. 68-74.

Dyckes, William. "A One-Print Show by Chuck Close at MoMA." Arts Magazine 47, no. 3, December 1972/January 1973, p. 73.

“Foto-Realismus.” IWZ Illustrierte Wochenzeitung, no. 14, June 2-8, 1973, pp. 8-10.

Gilmour, Pat. "Photo-Realism." Arts Review 25, April 21, 1973,
p. 249.

Guercio, Antonio del. “Iperrealismo tra ‘pop’ e informale.” Rinascita (Rome), no. 8, February 23, 1973, p. 34.

Henry, Gerrit. "A Realist Twin Bill." Art News 72, no. 1, January 1973, pp. 26-28.

Hughes, Robert. "Last Salon: Biannual Exhibition at New York's Whitney Museum." Time, February 12, 1973, p. 46.

Kipphoff, Petra. “Recovering from Documenta.” Art News 72,
no. 4, April 1973, pp. 43-44.

Levin, Kim. "The Newest Realism: A Synthetic Slice of Life." Opus International, June 1973, no. 44-45, pp. 28-37.

“Maîtres de Hyperréalisme.” Pariscop, no. 265, May 24-30, 1973, p. 79.

Mellow, James. R. “‘Largest’ Mezzotint by Close Shown.” New York Times, January 13, 1973, p. 25.

Melville, Robert. "The Photograph as Subject." Architectural Review CLIII, no. 915, May 1973, pp. 329-333.

Michel, Jacques. “Le ‘Super-Réalisme’ ou la Peinture d’aprés Photographie.” Le Monde (Paris), February 6, 1973, p. 23.

“Minnesota, A State that Works.” Time, August 13, 1973, p. 28.

Moulin, Raoul-Jean. “Hyperréalistes Américains.” L’Humanité (Paris), January 16, 1973.

Nemser, Cindy. "Fotografiet som Sandhed." Louisiana Revy (Humlebæk) 13, no. 3, February 1973, pp. 30-33.

Nochlin, Linda. "The Realist Criminal and the Abstract Law." Art in America 61, September/October 1973, pp. 54-61.

“Painting Realistic Images.” Professional Photographer 100, no. 1939, December 1973, p. 56.

Perreault, John. "A New Turn of the Screw: Drawings by Chuck Close." New York Village Voice XVIII, no. 44, November 1, 1973, p. 34.

Restany, Pierre. “Sharp Focus: La Continuité realiste d’une vision Américaine.” Domus, no. 525, August 1973, pp. 9-13.

Rose, Barbara. "Two Women: Real and More Real." Vogue, May 1973,
pp. 82, 94.

1974

Berkman, Florence. “‘Three Realists’: A Cold, Plastic World.” Hartford Times, March 10, 1974, pp. 51, 53.

Berkman, Florence. “‘Big City’ art jurors took Hartford too lightly.”Hartford Times, June 17, 1973, p. 15A.

Chase, Linda. "The Connotation of Denotation." Arts Magazine 48, no. 5, February 1974, pp. 38-41.

Coleman, A. D. "From Today Painting is Dead." Camera 35, July 1974, pp.34, 36-37, 78.

Dyckes, William. "The Photo as Subject: The Paintings and Drawings of Chuck Close." Arts Magazine 48, no. 5, February 1974, pp. 28-33. (Reprinted in Battcock, Gregory, ed., Super Realism: A Critical Anthology, New York: 1975.

Feaver, William. "ARS '74/Helsinki." Art International The Lugano Riview XVIII, no. 5, May 1974, pp. 38-39.

Gassiot-Talabor, Gerald. "Le choc des 'Réalismes'." XX Siäcle, no. 42, June 1974, p. 29.

Hill, Richard. "The Technologies of Vision." Art Magazine 6, no. 19, Fall 1974, p. 10.

Hughes, Robert. "An Omnivorous and Literal Dependence." Arts Magazine 48, no. 9, June 1974, pp. 24-29.

Hughes, Robert. "Last Salon: Biannual Exhibition at New York's Whitney Museum." Arts, June 1974, pp. 25-29.

Kelley, Mary Lou. "Pop-Art Inspired Objective Realism." Christian Science Monitor, April 1, 1974.

Loring, John. "Photographic Illusionist Prints." Arts Magazine, February 1974, pp. 42-43.

Peppiatt, Michael. "Photographic Illusionist Prints." Art International The Lugano Review, April 20, 1974, pp. 52, 74-75.

“Realist Painting Exhibition to Open on Wednesday.” Evening News (Southbridge, MA), February 25, 1974.

Russell, John. "Portrait Show at Whitney Downtown." New York Times, November 30, 1974.

Schneckenburger, Martin. “Kunstbleibt Kunst.” Projekt ‘74, Series I-IV, 1973, p. 162-165.

Spear, Marilyn W. “Three Realists Showing at Museum.” Worcester Telegram, February 27, 1974, p. 12.

Spear, Marilyn W. “An Art Show that is for Real.” Worcester Telegram, February 24, 1974, pp. 1E, 4E.

Spector, Stephen. "The Super Realists." Architectural Digest 31,
no. 3, November/December 1974, pp. 84-89.

Teyssedre, Bernard. “Plus vrai que Nature.” Le Nouvel Observateur, February 25 - March 3, 1974, p. 59.

"Three Realists: Close, Estes, Raffael." Connoisseur 186, June 1974, pp. 142-143.

“Worcester Art Museum Hosts Major Painting Exhibition.” Enterprise-Sun (Marlboro, MA), February 20, 1974.

1975

Bourdon, David. "Beuys will be Beuys, Beckmann is Beckmann." New York Village Voice, April 28, 1975, pp. 98-99, 102.

Bourdon, David. "American Painting Regains Its Vital Signs." New York Village Voice XX, no. 11, March 17, 1975, p. 88.

Bourdon, David. "Tetrahedrons in the Sky.” New York Village Voice, January 27, 1975, pp. 98-102.

Crossley, Mimi. “Art: The Face of Reality.” Houston Post, August 14, 1975, p. 8B.

deAk, Edit. "Photographic Realism." Art-Rite/Painting, no. 9, spring 1975, p. 14-15.

Derfner, Phyllis. "New York: Chuck Close." Art International: The Art Spectrum XIX, no. 6, June 15, 1975, p. 67.

Ellenzwieg, Allan. "Portrait Painting 1970-75." Arts Magazine 49,
no. 7, March 1975, p. 13-14.

Fagan, Beth. “Dot Clusters Add Up to ‘Real’ Experience for New Yorker.” Sunday Oregonian, October 5, 1975, p. 14.

Forgey, Benjamin. “Corcoran Show is Mostly Big.” Washington Star, February 21, 1975, pp. B1, B2.

Henry, Gerrit. "Artist and the Face; A Modern American Sampling." Art in America 63, no. 1, January/February 1975, pp. 34-41.

Hudson, Andrew. "Washington Letter." Art International: The Art Spectrum, June 15, 1975, pp. 92-99.

Johnson, Lincoln. “Corcoran Biennial is Spare, Cerebral and Flamboyant.” Baltimore Sun, March 13, 1975, pp. B1-B2.

Kramer, Hilton. "Reviews: Chuck Close." New York Times, April 26, 1975, p. 20.

Lascault, Gilbert. "Auteurs de quelques portraits." XXeme Siécle XLIV, no. 44, June 1975, pp. 123-131.

Lucie-Smith, Edward. "The Neutral Style." Art and Artists 10, no. 5, August 1975, pp. 6-15.

Moser, Charlotte. “Bigger Art has Never Meant Better Art.” Houston Chronicle, August 3, 1975, pp. 12-13.

“Realismus Konkrete Kunst und der IntermediÑre Aktonismus: Chuck Close.” der Lîwe, no. 5, July 31, 1975, pp. 2-6.

Richard, Paul. “Whatever you call it, Super Realism Comes on with a Flash.” Washington Post, November 25, 1975, p. B1.

Robbins, Daniel. “Daniel Robbins on Art.” The New Republic, May 1975.

Russell, John. "Art: Portraiture by 31 Painters." New York Times, January 25, 1975.

Smith, Roberta. "Reviews: 34th Biennial of Contemporary American Painting." Artforum XIII, no. 9, May 1975, pp. 70-73.

Sutinen, Paul. “A Close Look at Painting.” Williamette Week, October 13, 1975, p. 14.

Wallach, Amei. “Portrait Painting is Alive and Well.” New York Newsday, January 26, 1975, Part II, pp. 16-17.

Walsh, Mike E. "Chuck Close: Realist or Minimalist?" Artweek 6, no. 35, October 18, 1975, p. 13.

Witt, Linda. “The Lemons of Landfall Press: They’ll Sacrifice Anything for Art but their Family.” People 4, no. 17, October 27, 1975, pp. 66-69.

Zimmer, William. "Art Reviews: Chuck Close." Arts Magazine 49, no. 10, June 1975, pp. 8-9.

1976

Adrian, Dennis. "Art Imitating Life in a Great Big Way." Chicago Daily News, October 16-17, 1976.

Alloway, Lawrence. "Art." The Nation 222, no. 17, May 1, 1976.

Artner, Alan. “Mirroring the Merits of a Showing of Photorealism.”
Chicago Tribune, October 24, 1976.

Beamguard, Bud. "Close, Zucker, Artschwager." Artweek 7, no. 33, October 2, 1976, pp. 1, 23-24.

Chase, Linda. "Photo-Realism; Post-Modernist Illusionism." Art International XX, no. 3-4, March/April 1976, pp. 14-27.

Close, Chuck. "The Art of Portraiture in the Words of Four New York Artists." New York Times, October 31, 1976, p. 29.

Gold, Barbara. "Art Notes: New Technique Enough?" Baltimore Sun, April 11, 1976.

Gorney, J. “Reviews: Drawing Today in New York.” Art Journal, winter 1976-77 36, no. 2, p. 143.

Greenwood, Michael. “Towards a Definition of Realism: Reflections on the Rothmans Show.” Artscanada XXXIII, no. 4, December 1976-January 1977, pp. 6-22.

Hoelterhoff, Manuela. “Strawberry Tarts 3 Feet High.” Wall Street Journal, April 21, 1976.

Johnson, F. H. "American Art of 20th Century: Allen Memorial Art Museum." Apollo 103, no. 168, February 1976, p. 135.

Johnson, Lincoln F. “Artist is Surrogate for the Machine.” Baltimore Sun, April 15, 1976, pp. B1, B14.

Kramer, Hilton. "Art: the Fascination of Portraits." New York Times, October 22, 1976, p. C15.

Kutner, Janet. "The Visceral Aesthetic of a New Decade's Art." Arts Magazine 51, no. 4, December 1976, pp. 100-103.

Miotke, Anne E. "Close Dot Drawings." Mid-West Art 3, no. 1, March 1976, pp. 11, 20.

Patton, Phil. "Superrealism: The Critical Anthology." Artforum, January 1976 XIV, no. 5, pp. 52-54.

Russell, John. “Gallery View: The Artist Before the Camera.” New York Times

Seldis, Henry J. "Appearance and Beyond." Los Angeles Times, January 12, 1976, pp. 1, 9.

Smith, Roberta. “Drawing Now (and Then).” Artforum XIV, no. 8, April 1976, pp. 52-59.

1977

Bourdon, David. “Time Means Nothing to a Realist.” New York Village Voice XXI, no. 3, May 16, 1977, p. C19.

Bourdon, David. “Redrawing the Lines of Drawing.” New York Village Voice XXI, no. 3, January 17, 1977, p. 77.

Cavaliere, Barbara. "Arts Reviews: Chuck Close." Arts Magazine 52, no. 1, September 1977, p. 22.

“Chuck Close (M & D).” Flash Art, no. 76/77, July/August 1977, p. 25.

French-Frazier, Nina. "New York Reviews: Chuck Close." Art News, vol. 76, no. 8, October 1977, p. 130.

Glueck, Grace. "The 20th Century Artists Most Admired By Other Artists." Art News 76, no. 9, November 1977, pp. 78-103.

Goldenthal, Jolene. “Close’s Purged Portraits.” Hartford Courant, November 20, 1977, p. 2G.

Hanson, Bernard. “Chuck Close: The Artist for People Who Are Tired of Everything Else.” West Hartford News, December 29, 1977, p. 7.

Hess, Thomas B. "Americans in Paris." New York, July 18, 1977,
pp. 50-52.

Hess, Thomas B. “Up Close with Richard and Philip and Nancy and Klaus.” New York 10, no. 22, May 30, 1977, pp. 95-97.

Hughes, Robert. "Blowing Up the Closeup." Time, May 23, 1977, p. 92.

Hughes, Robert. “The Botch of an Epic Theme.” Time, July 11, 1977, pp. 74-75.

Makin, Jeffrey. “Realism from the Squad.” Sun. (Melbourne), October 19, 1977, p. 43.

Perreault, John. "Abstract Heads." Soho Weekly News, May 19, 1977, p. 18.

Ratcliff, Carter. "New York Letter." Art International XXI, no. 4, July/August 1977, pp. 78-79.

Richard, Paul. “Big Name Artists and ‘New Etchers’” Washington Post, February 2, 1977, p. C9.

Russell, John. "Big Heads By Chuck Close." New York Times, May 6, 1977, p. C19.

Sondheim, Alan. “Dots, Brackets, Salt and Other Questions.” Hartford Advocate, December 14, 1977, pp. 50-51.

Steinbach, Alice. “A Clean, Well-Lighted Space.” Cultural Post,
no. 12, July - August 1977, pp. 6-7.

Stevens, Mark. "Close Up Close." Newsweek, May 23, 1977, p. 68.

Wilson, William. "Documenta 6: More Moving Than Good." Los Angeles Times, July 3, 1977, pp. 1, 72.

1978

Braff, Phyllis. “From the Studio.” East Hampton Star, August 3, 1978, section II, p. 9.

Cahill, Janet. “It’s Art’s New Face.” The Sun (Melbourne), July 21, 1978, p. 15.

Harshman, Barbara. "An Interview with Chuck Close." Arts Magazine 52, no. 10, June 1978, pp. 142-145 and cover.

Heinrichs, Paul. “Genesis of a Great Ambition.” The Age (Melbourne), July 19, 1978, p. 2.

Kline, Katy. “‘Painting of ‘70s’ Exhibit Has Variety.” Courier-Express, December 9, 1978.

Kramer, Hilton. “A Brave Attempt to Encapsulate a Decade.” New York Times, December 17, 1978, pp. 39, 55.

Levin, Kim. "Chuck Close: Decoding the Image." Arts Magazine 52, no. 10, June 1978, pp. 146-149 and cover.

Lifson, Ben. “Approaching Avedon.” New York Village Voice, October 16, 1978, p. 127.

Mackie, Alwynne. “New Realism and The Photographic Look.” American Art Review IV, no. 6, November 1978, pp. 72-79, 132-134.

O’Conor, Mary. “Eight Artists.” East Hampton Star, July 17, 1978,
p. 14.

Perreault, John. "Photo-Realist Principles." American Art Review IV, no. 6, November 1978, pp. 108-111, 141.

Ratcliff, Carter. "Making it in the Art World: A Climber's Guide."
New York II, no. 48, November 27, 1978, pp. 61-67.

Shapiro, Michael. “Changing Variables: Chuck Close & His Prints.” The Print Collector’s Newsletter IX, no. 3, July - August 1978,
pp. 69-73.

Shirley, David L. "More Real Than Real." New York Times (Long Island Edition), August 6, 1978, p. 14.

Wilson, Bruce. “Memo Mr. Mollison.” The Sun (Melbourne), July 22, 1978, pp. 34-35.

1979

Arthur, John. “Kinds of Realism.” Allan Frumkin Gallery Newsletter. no. 7, Winter 1979, p. 3.

Carr, Carolyn. “Grids: Format and Image in 20th Century Art.” Dialogue (Akron Art Institute), March/April 1979, pp. 4-5.

Close, Chuck. "Phil: Six Images.” The Paris Review 21, no. 75, spring 1979, pp. 107-114.

DeKay, Ormonde Jr. “Portraits ‘The Hard Way’ Shikler, Grausman, Close.” Art/World 4, no. 2, October 20 - November 17, 1979, p. 4.

Gliewe, Gert. “Münchner Kunstsommer ist besser als sein Ruf.” TZ, July 7, 1979, p. 6.

Glueck, Grace. “Art Dealers Revel in Boom From Amulets to Photographs.” New York Times, December 6, 1979, p. 17.

Harshman, Barbara. "Grids." Arts Magazine 53, no. 6, February 1979, p. 4.

Harshman, Barbara. “Photo-realist Printmaking.” Arts Magazine 53, no. 6, February 1979, p. 17.

Jadwin, Diane Levine. “Painting From the Photograph: A Modern American Realism.” The Barat Review, A Journal of Literature and the Arts 7, no. 1, spring 1979, pp. 39-45.

Joaido, Phillip and Gilles Neret. "Les Americains: toujours le plus forts?" Connaissance des Arts, no. 333, November 1979, pp. 102-109.

Kramer, Hilton. "Chuck Close - In Flight from the Realist Impulse." New York Times, November 4, 1979, pp. 33, 36.

Kramer, Hilton. "Back to Beaubourg: A Modern Exposition Palace." New York Times, July 1, 1979, pp. 1, 25.

Le Brun, Fred. “‘Faculty Choice’ A Top Art Show.” Times Union (Albany), January 28, 1979, pp. E1-2.

Paine, Stephen D. “Interview: Stephan D. Paine Talks with Paul Cummings.” Drawing 1, no. 2, July - August 1979, pp. 32-36.

Paris, Jeanne. “Art Review Exhibits for Everyone.” New York Newsday (Nassau),
November 2, 1979, part II, p. 17.

Perreault, John. "Post-Photorealism." Soho Weekly News, November 22, 1979, p. 19.

Preston, Malcolm. “Art Review: ‘Realist Space’ at C.W. Post.” New York Newsday, December 12, 1979.

Rice, Shelley. "Image Making." Soho Weekly News, May 24, 1979, p. 50.

Shirley, David. “Looking Back at the Future.” New York Times,
November 11, 1979, p. 25.

Stevens, Nancy. “In Camera: Artists KO Camera Color.” American Photographer 2, no. 5, May 1979, p. 8.

Tallmer, Jerry. "All Equal on the Grid." The New York Post, October 27, 1979, p. 15.

Thornton, Gene. "A Curator’s Curiosity." New York Times, June 3, 1979, pp. 27, 30.

Whelan, Richard. “Discerning Trends at the Whitney.” Art News,
vol. 78, no. 4, April 1979, pp. 84, 86-87.

Zimmer, William. “Barefoot Cheek.” Soho Weekly News, February 1, 1979, p. 51.

Zimmer, William. “Everything You Always Wanted to Know About Grids.” Soho Weekly News, December 28, 1979.

1980

Anderson, Alexandra, Carrie Rickey and Guy Trebay. “Up Against Wall Street: An Investor’s Guide to Galleries.” New York Village Voice, October 15-21, 1980, pp. 67-69, 76.

Andreae, Christopher. "Taking a Look." Christian Science Monitor, March 19, 1980, p. 20.

Blau, Douglas. "Artists by Artists." Arts Magazine 54, no. 6, February 1980, p. 12.

Bourdon, David. "Chuck Close: Portraits." Vogue, January 1980, p. 27.

Bredahl, Noel. “A Close First at the Walker.” St. Paul Dispatch, Extra/
Entertainment, September 25, 1980, pp. C1, C18.

Cavaliere, Barbara. "Art Reviews: Chuck Close." Arts Magazine 54, no. 6, February 1980, p. 33.

Diamonstein, Barbaralee. "Chuck Close: ‘I'm Some Kind of a Slow Motion Cornball’." Art News 79, no. 6, summer 1980, pp. 112-116, over.

Donker, Peter P. “School of Realism Runs to (Top) Class at the Danforth.” Sunday Telegram (Worcester), May 25, 1980, pp. 20A, 22A.

Forgey, Benjamin. “Why Artist Persist in Self-Portraits.” Washington Star, 1980, pp. D1, D4.

Glueck, Grace. “How Picasso’s Vision Affects American Artists.” New York Times, June 22, 1980, section 2, pp. 1, 25.

Grundberg, Andy. "20 x 24 at Light." Art in America 68, no. 2, February 1980, pp. 134-135.

Hegeman, William. “Huge Faces are the Heady Trademark of ‘Slow-Motion Cornball’ Chuck Close.” Minneapolis Tribune Picture, October 26, 1980, pp. 10-18.

Kertess, Klaus. "Figuring It Out." Artforum 19, no. 3, November 1980, pp. 30-35.

King, Mary. “Intimate and Cool Too.” St. Louis Post-Dispatch, December 14, 1980, p. 5C.

Kramer, Hilton. "Today's Avant-Garde Artists Have Lost the Power to Shock." New York Times, November 16, 1980, section 2, pp. 1, 27.

Meisel, Louis K. "Fifteen Years of Photo-Realism." Horizon 23,
no. 11, November 1980, pp. 52-59.

Raddatz, Fritz J. “Amerika auf der Suche nach seinen Wurzeln.” Die Zeit, December 26, 1980, p. 29.

Salgado, Robert J. “Polaroid Big Shots.” Bulletin, May 2, 1980,
p. A37.

Schwartz, Ellen. "New York Reviews: Chuck Close at Pace." Art News 79, no. 1, January 1980, p. 157.

Shepherd, Michael. "Corkers and Pace-setters," What's On In London, June 27, 1980, p. 48.

Shepherd, Michael. "I've Got A Little List." Sunday Telegraph, June 29, 1980.

Simon, Joan. "Close Encounters." Art in America 68, no. 2, February 1980, pp. 81-83.

Spalding, Frances. "Ten American Artists." Arts Review, July 4, 1980.

Taylor, John Russell. "The Arts: Ten Americans from Pace." Times, June 24, 1980.

Vaizey, Marina. "The Name of the Game." Sunday Times (London), June 29, 1980 and Daily Telegraph, June 28, 1980.

Wierzbicki, James. “Artist’s Hand Rivals Camera’s Eye in His Portraits of Friends.” St. Louis Globe-Democrat, December 12, 1980, pp. B1, B3.

1981

Appelo, Tim. “Too Close for Comfort.” Pacific Northwest 15, no. 9, December 1981, pp. 32-34.

Artner, Alan. “Close Encounters at the MCA: No Longer Radical or Realistic.” Chicago Tribune, February 15, 1981, section 6, p. 13.

Bass, Ruth. "Close Portraits (The Whitney Museum of American Art)." Art News 80, no. 9, November 1981, p. 189.

Bourdon, David. “Art, Chuck Close: Portraits.” Vogue, January 1981, pp. 27, 30.

Canaday, John. "Painters Who Put the World into Sharp Focus." Smithsonian 12, no. 7, October 1981, pp. 68-77.

Casademont, Joan. "‘Close Portraits’ Whitney Museum of American Art." Artforum 20, no. 2, October 1981, p. 74.

“Close up Close (St. Louis Art Museum.” Connaisance des Arts, January 1981, no. 347, p. 12.

Diamonstein, Barbaralee and Thomas B. Hess. “Latent Images: For the Love of Debased Art.” American Photographer 5, no. 2, February 1981, p. 33.

Elliott, David. “Chuck Close Moves Beyond Photo-Perfect.” Sun-Times, February 15, 1981, pp. 22-23.

Farnon, Patrick. “The Man Who Measures Fame.” Vision, June 1981,
pp. 41-44.

Gardner, Paul. "Confessions of a Plaintain Chip Eater or Artists Are Just Like the Rest of Us." Art News 80, no. 1, January 1981, pp. 136-138.

Glueck, Grace. "Artist Chuck Close: ‘I Wanted to Make Images That Knock Your Socks Off!’" New York Times, June 10, 1981, p. C26.

Goodyear, Jr., Frank H. "American Realism Since 1960: Beyond the 'Perfect Green Pea.'" Portfolio III, no. 6, November/December 1981, pp. 72- 81.

Hoelterhoff, Manuela. "Close-Ups By Close." Wall Street Journal, April 17, 1981, p. 21.

Hughes, Robert. "Close, Closer, Closest." Time 117, no. 17, April 27, 1981, p. 60.

Kramer, Hilton. "Chuck Close's Break with Photography." New York Times, April 19, 1981. pp. D29, D32.

Kramer, Hilton. “Portraiture: The Living Art.” Bazaar, no. 3232, March 1981, pp. 14, 26, 28.

Larson, Kay. “Dead End Realism.” New York 14, no. 42, October 26, 1981, pp. 94-95.

Larson, Kay. “Art: Chuck Close.” New York 14, no. 19, May 11, 1981, pp. 74-75.

Levin, Kim and McDarrah. “Close-Ups.” New York Village Voice, April 22-28, 1981, pp. 64-65.

Levine, Joan. “Reality, Abstract Converge: Close Art Begs a Closer Look.” The San Diego Union, June 18, 1981, pp. C1, C4.

“Long Island Where New York’s ‘Reigning Artists’ Live.” ART: Das Kunstmagazin, January 1981, pp. 20-37.

Mann, Maybelle. “On Art: Whitney Has Variety.” Times Herald Record, May 23, 1981, p. 34.

Marzorait, Gerald. “Art Picks.” The Soho News, April 22, 1981.

McClain, Matthew. "Realist Blockbuster Stirs Controversy: Interview with Curator Frank Goodyear." New Art Examiner 9, no. 3, December 1981, pp. 7-27.

Perreault, John. "Encounters of the Close Kind." Soho Weekly News, April 29, 1981, p. 45

Perreault, John. "Photorealing in the Years." Soho Weekly News, October 20, 1981, p. 64.

Russell, John. “Art: New Gallery for Old Masters.” New York Times, October 9, 1981, p. C23.

Schjeldahl, Peter. "Realism on the Comeback Trail." New York Village Voice, November 11-17, 1981, p. 77.

Shaman, Sanford Sivitz. “An Interview with Philip Pearlstein.” Art in America 69, no. 7, September 1981, pp. 120-126.

Turner, Richard A. “Instant Masterpieces: Raphael, Polaroid, and the Holy Ghost.” Art Jounal 41, no. 4, winter 1981, pp. 367-370.

Wallach, Amei. "Looking Closer at Chuck Close." New York Newsday, April 19, 1981, part II, pp. 17-18.

Wilson, William. "The Chilly Charms of Close." Los Angeles Times, June 8, 1981, part VI, pp. 1, 5.

Wolff, Theodore F. "Huge, Photographically Exact Paintings of Faces That ?Signify What?" Christian Science Monitor, April 29, 1981.

1982

Ackerman, Jennifer. “Agressive image, painterly gestures: Looking at some Close-ups.” Yale Alumni Magazine , June 1982, pp. 42, 44-45.

Allen, Jane Addams. “25 Artists: A Show of Quality by 20th Century Masters.” Washington Times, December 31, 1982, pp. 1B, 2B.

Baker, Kenneth. “Drawing Conclusions.” Boston Phoenix, April 20, 1982, section 3, pp. 10-11.

Baldwin, Roger. “Close Up.” New Haven Advocate, February 3, 1982, cover and pp. 13-15.

Carr, Genie. “He Takes Art to New Heights: Artist Extends Himself with 9-Foot High Works.” Sentinel (Winston-Salem, NC), May 7, 1982, p. 28.

Cebulski, Frank. "Close to Photography." Artweek 13, no. 15, April 17, 1982, p. 11.

Cohen, Ronny. "New Editions: Chuck Close." Art News 81, no. 4, April 1982. p. 102.

Daulte, Francois. "La Pace Gallery et l'Art vivant aux U.S.A." L'Oeil,
no. 326, September 1982, pp. 48-55.

DeLoach, Douglass. “UP CLOSE: An Interview with Chuck Close.” Art Papers 6, no. 2, March - April 1982, pp. 2-3.

Fox, Catherine. “Artist Finds 9-Foot Portraits Can Cause Trauma For Subject.” Atlanta Constiution, January 25, 1982, pp. B1, B3.

Jensen, Nina, ed. “Children, Teenagers and Adults in Museums: A Developmental Perspective.” Museum News 60, no. 5, May/June 1982, pp. 25-30.

Lewallen, Constance. “Close Up Close.” University Museum Berkeley Bulletin, February 1982, p. 11.

Lewallen, Constance. “Billboard-Scale Photos by Close.” University Art Museum Berkeley Bulletin, March 1982, p. 2.

Lewis, Jo Ann. “Portraits of the Artist.” Washington Post, December 16, 1982.

Morch, Al. “Polaroid’s ‘Transfiguration.’” San Francisco Examiner, March 22, 1982, p. E5.

Muchnic, Suzanne. “Chuck Close Keeps his Distance.” Los Angeles
Times, June 15, 1982.

“Paper Turns into Art in Itself at Cleveland Institute.” YoungstownVindicator (Ohio), December 23, 1982.

Perreault, John. "Paperworks." American Craft 42, no. 4, August/September 1982, pp. 2-7.

Perreault, John. “The Year in Pictures (Among Other Things).” Soho Weekly News, January 12, 1982, p. 42.

Perreault, John. "Realisms." Art Xpress 2, no. 2, March/April 1982, pp. 34-38.

Ratcliff, Carter. "New York Letter." Art International 25, no. 1-2, January 1982, pp. 114-121.

Shinn, Doroth. “A Close Look At Linda.” Akron Beacon Journal, August 8, 1982, pp. 8-10.

Shinn, Dorothy. “Akron Aquired Major Artwork.” Akron Beacon Journal, August 6, 1982, p. A1.

Taylor, Robert. “Great Big Drawings: ‘Sometimes they work’.” Boston Globe, April 18, 1982.

Temko, Allan. “Transfiguration of a Masterpiece.” Review, March 28, 1982, pp. 13-14.

1983

Baker, Kenneth. "Leaving His Fingerprints." Christian Science Monitor, August 12, 1983, p. 20.

Cottingham, Jane. "An Interview with Chuck Close." American Artist,
vol. 47, no. 490, May 1983, pp. 62-67, 102-105.

Danoff, I. Michael. "Chuck Close's Linda." Arts Magazine 57, no. 5, January1983, pp. 110-111.

Larson, Kay. “Chuck Close at Pace.” New York 16, no. 12, March 21, 1983, pp. 59-60.

Moritz, Charles, ed. “Chuck Close.” Current Biography 44, no. 7, July 1983, pp. 9-12.

Peters, Lisa. "Reviews: Chuck Close at Pace." Arts Magazine 57,
no. 9, May 1983, p. 52.

Raynor, Vivien. “Art: Chuck Close With Friends as Models.” New York Times, March 4, 1983.

“Self Portraits.” New York 16, no. 21, May 23, 1983, pp. 30-35.

Tully, Judd. “Old Masters, New Masters.” Horizon 26, no. 6, September 1983, pp. 54-63.

Tully, Judd. “Paper Chase.” Portfolio 5, no. 3, May/June 1983,
pp. 78-85.

1984

Close, Chuck, Amy Baker Sandback and Ingrid Sischy. “A Progression by Chuck Close: Who’s Afraid of Photography.” Artforum 22, no. 9, May 1984, pp. 50-55.

Forgey, Benjamin. “The Hirshhorn’s Big Draw.” Washington Post, March 15, 1984, pp. D1, D13.

Kelly, Jeff. “American Art Since 1970: A Shaky Transition.” Artweek 15, no. 14, April 7, 1984, p. 1.

Levin, Kim. “We Remember MOMA.” New York Village Voice, May 22, 1984, pp. 88-89.

McDarrah, Timothy. “East Hampton Painter, Chuck Close.” Hamptons Newspaper/Magazine, August 16, 1984, pp. 8-9.

Sager, Peter. “Mehr Als Die Augen Sehen.” Zeit Magazin, no. 5, January 27, 1984, pp. 62-64, 66.

Steele, Mike. “Exhibit opens new facilities at Walker.” Minneapolis Star and Tribune, September 23, 1984, pp. 1G, 6GX.

Thurler, Peg. "Viewpoint: Artist as Photographer." Summit Herald, December 15, 1984, p. 5.

Wallach, Amei. “Black-tie Welcome for the Expanded MoMA.” New York Newsday, May 9, 1984, part II, p. 49.

1985

Bonetti, David. “Nude dissenting...” Boston Phoenix, December 24, 1985, section 3.

Everingham, Carol. J. “Chuck, up Close.” The Houston Post , March 1, 1985, p. 3E.

Gibson, Eric. "Thinking About the Seventies." New Criterion,vol. 3, no. 9, May 1985, pp. 45, 48.

Grundberg, Andy. "Chuck Close at Pace/MacGill." Art in America,
vol. 73, no. 5, May 1985, pp. 174-175.

Hagen, Charles. "Chuck Close/Pace/Macgill." Artforum 23,
no. 8, April 1985, pp. 96-7.

Hartman, Rose. "Close Encounters." American Photographer 14, no. 4, April 1985, p. 8.

Johnson, Patricia C. “Artist’s Imagery of Dots is Message in Itself.” Houston Chronicle, March 8, 1985.

Jordan, Jim. "A Question of Scale." Artweek 16, no. 25, July 13, 1985, p. 10.

Matsumura, Toshio. “New Type of Portrait with Great Versatility of Technique: The Chuck Close Exhibition.” Sankei Shimbun, March ?22, 1985.

Obigane, Shoro. “Chuck Close.” Pia (Japan), March 8, 1985.

Tanaka, Kojin. “The Correct Chuck Close Exhibition: Mysterious Powerful Portrait out of Pains-taking System.” Mainichi Shimbun, March 15, 1985.

Trebay, Guy. “An Opinionated Survey of the Weeks Events.” New York Village Voice, January 29, 1985, pp. 63-64.

1986

Box, Michiel. “Hayden Gallery Exhibition Provocative.” The Tech, January 29, 1986, pp. 11, 14.

Close, Chuck. "New York in the Eighties: A Symposium." New Criterion 4, summer 1986, pp. 12-14.

Davis, Douglas. "The Return of the Nude." Newsweek, September 1, 1986, pp. 78-79.

Fischl, Eric. “Sketchbook with Voices.” Vanity Fair, August 1986, p. 24.

Grundberg, Andy. "A Big Show That's About Something Larger Than Size." New York Times, February 23, 1986, p. 35.

Poirier, Maurice. "Chuck Close at Pace." Art News 85, no. 5, May 1986, p. 127.

Raynor, Vivien. "Chuck Close at Pace." New York Times, February 28, 1986, p. C21.

Taylor, Robert. “Unclothed Figures Stripped of Meaning.” Boston Globe, January 12, 1986, p. B2.

1987

Close, Chuck. “Calamita per talenti di tutto il mondo.” Il Giornale dell’Arte , Vernissage, April 1987, n.p.

Close, Chuck. "New York Studio Events." (excerpts from 1982 studio talk by the artist). Independent Curators Incorporated Newsletter 2, no. 3, fall 1987, p. 2.

Close, Chuck. “Leslie.” Art in America 75, February 1987, p. 55.

Cunningham, Anne. “‘Portrayals’ Seeks Measure of Truth by Revealing Little Lies.” The Indianapolis Star, December 6, 1987, p. E12.

Grundberg, Andy. “Where Blurred Focus Makes Sharp Statements.” New York Times, December 20, 1987, pp. 39, 42.

Johnson, Ken. "Photographs by Chuck Close." Arts Magazine 61, no. 9, May 1987, pp. 20-23.

Kohen, Helen L. “FIU Exhibition Comes Face to Face with the Portrait.” The Miami Herald, May 10, 1987, p. 4K.

McGill, Douglas C. "Art People: A Life Saving Métier." New York Times, October 23, 1987, p. C40.

Pradel, Jean-Louis. "Jean-Olivier Hucleux, Chuck Close, les réalités improbables." Art Press, no. 120, December 1987, pp. 34-37.

Smecchia, Muni de. "artisti nel loro studio: Chuck Close." Vogue Italia, no. 446, April 1987, pp. 144-147, 201, 204.

Squiers, Carol. "The Monopoly of Appearances." Flash Art, February/March 1987, pp. 98-100.

Steiner, Wendy. “Postmodernist Portraits.” Art Journal 46, no. 3, fall 1987, pp. 173-177.

Varnedoe, Kirk. "An interview with Chuck Close." World Art, 1987, no.1, pp.32-37.

1988

"Assemblage-Collage Exhibition by 28 US Artists Presented." Korea Times, September 15, 1988, p. 8.

Coleman, A.D. “‘Altered Images’: Collaboration Celebrating Status.” TheNew York Observer, December 5, 1988, p. 12.

Daxland, John. "Up Close and Personal." Daily News, October 1, 1988,
p. 15.

Delatiner, Barbara. “The Spotlight Shines on Drawings.” New York Times, September 11, 1988.

Flam, Jack. "Who's News in the Early Fall Art Season." Wall Street Journal, September 28, 1988, p. 22.

Gardner, Colin. “Reviews, Los Angeles, ‘Artschwager: His Peers and Persuasion, 1963-1988’.” Artforum, September 1988, p. 150.

Grundberg, Andy. "Blurring the Lines-Dots? Between Camera and Brush." New York Times, October 16, 1988, pp. 35, 43.

Hackett, Regina. “We Knew Them When...Expatriates’ Art Returns Home for COCA Show.” Seattle Weekly, October 5, 1988, pp. C1, C3.

Kimmelman, Michael. "Chuck Close at Pace Gallery." New York Times, October 7, 1988, p. C30.

Lewis, Jo Ann. “Chuck Close’s True Grid.” Washington Post, November 5, 1988, p. C2.

Lyon, Christopher. "Chuck Close at Pace and Pace/MacGill." Art News 87, no. 10, December 1988, pp. 143, 145.

Newhall, Edith. “The Art of the Dealer: Keeping Pace with Arne Glimcher.” New York, October 10, 1988, pp. 56-62.

"POP to NEO GEO and beyond." Bijutsu Techo (Japan) 40, no. 600, October 1988, pp. 198-199.

Raynor, Vivien. “‘Self as Subject’ Examined in Several Mediums in Katonah.” New York Times, February 7, 1988, p. 36.

Rose, Matthew. “Portraits of the Artists.” New York, November 21, 1988, p. 32.

Yarrow, Andrew. "The Whitney Returns to Downtown." New York Times, April 16, 1988, p. 12.

1989

Armstrong, Elizabeth. “First Impressions.” The Print Collector’s Newsletter, May - June 1989 20, pp. 41-46.

“Close Gets Frantic About Nudes, Flowers.” Chicago Magazine, February 1989, p. 24.

Daxland, John. “Art Against the Deal.” Daily News, December 2, 1989, p. 13.

Finch, Christopher. "Color Close-Ups." Art in America 77, no. 3, March 1989 77, no. 3, pp. 112-119, 161, and cover.

Finch, Christopher. “Portfolio of Color Close Ups.” Trends, no. 12, 1989, pp. 16-25.

Fishman, Ted. C. “Up Close and Impersonal.” New City News, February 16, 1989, p. 14.

Foerstner, Abigail. “Photography: Three Exhibits Transform Flowers, Nudes, and the Human Face.” Chicago Tribune, February 3, 1989, p. 14.

Glueck, Grace. “Border Skirmist: Art and Politics.” New York Times, November 19, 1989, pp. C1, C25.

Goldring, Nancy. "Identity; Representations of the Self." Arts Magazine, March 1989, p. 85.

Hixson, Kathryn. "Chicago in Review." Arts Magazine 63, May 1989, p. 115.

Lerner, Ralph and Judith Bresler. “Obscenity: What the Supreme Court Says.” Art News, October 1989, pp. 144-145.

Nesbitt, Lois. "Chuck Close at Pace Gallery and Pace Prints." Artforum 27, January 1989, p. 110.

Schjeldahl, Peter. “Tomorrowland.” 7 Days 2, no. 46, November 29, 1989, p. 63.

Tully, Judd. “A Cavalcade of Corporate Art.” Art & Auction, October 1989, pp. 226-230.

Westfall, Stephen. "Chuck Close." Flash Art, no. 144, January/February 1989, p. 119.

Woodward, Richard B. "Documenting an Outbreak of Self-Presentation."
New York Times, January 22, 1989, p. H31.

1990

Aziz, Anthony. “Reality Interrogated, Chuck Close Polaroids at Adams Center.” Artweek 21, no. 1, January 11, 1990, p. 13.

Close, Chuck. "Transcending Prejudice; An Inside Look at Peer Review." Vantage Point, Spring 1990, pp. 14-15; reprinted fall/winter 1990, p. 29.

Decker, Andrew. “What’s He Done?” New York Village Voice, October 16, 1990, pp. 41-42.

Deitcher, David. "When Worlds Collide." Art in America 78, no. 2, February 1990, pp. 120-127, 189, 191.

Ledbetter, James. “Media Blitz: Spin Art.” New York Village Voice, May 29, 1990, p. 9.

"Pace Prints." The Journal of Art, December 1990.

Speiser, Irene. “Gesprach mit Chuck Close: Eine Welt intimer Einzelheiten.” Photographie, no. 9, September 1990, pp. 50-52.

Taranfino, Michael. "The Machine and the Wheels." Bulletin, May 24, 1990.

“The Media Landscape, Image World: Art and Media Culture." Lapiz, February 1990, pp. 76-83.

Twardy, Chuck. "An Eye for Art." Orlando Sentinel, February 25, 1990, pp. F1, F12.

1991

“A Close Look at Portraits.” MoMA Members Quarterly, Spring 1991, p. 26.

“Access for Artists with Disabilities: Interview with Chuck Close.” FYI 7, no. 1, spring 1991, p. 1.

Anderson, Susan Heller. "Chronicle." New York Times, March 11, 1991, p. B11.

Bard, Ellin A. "Fischl and Close at Guild Hall." Dan's Papers (East Hampton, New York), June 28, 1991, p. 49.

Braff, Phyllis. “Fischl and Close’s Highly Potent Images.” New York Times (Long Island Edition), June 23, 1991, p. 19.

Chadwick, Susan. “MFA Show Contrasts Photographic Works of the Past, Present.” Houston, December 13, 1991, pp. E1, E5.

Close, Chuck and Kirk Varnedoe. Artist’s Choice—Chuck Close: Head On, The Modern Portrait, New York, The Museum of Modern Art, 1991.

Cummings, Mary. “Close, Fischl Attract Flock.” Southampton Press, June 20, 1991, pp. B1, B6.

Decter, Joshua. "Reviews." Arts Magazine, April 1991, p. 102.

Duggan, Laura. “Face it; this is Chuck’s Choice.” Daily News, March 8, 1991, p. 40.

Flam, Jack. “Pluralistic and Perky.” Wall Street Journal, May 22, 1991, p. A12.

Gardner, Paul. "What Artists Like About the Art They Like When They Don't Know Why." Art News 90, no. 8, October 1991, pp. 116-121.

Glueck, Grace. "In the Art World, As in Baseball, Free Agents Abound." New York Times, January 14, 1991, pp. C11, C15.

"Goings On About Town." The New Yorker, December 2, 1991, p. 20.

Grundberg, Andy. "The Modern's Blending of Mediums Is a Mixed Bag." New York Times, March 31, 1991, pp. 29, 31.

Gubernick, Lisa. “Art Tutor for the Stars.” Forbes, December 9, 1991, pp. 322-325.

Harrison, Helen A. "Focusing In on Super-Realism." New York Times, April 28, 1991.

Hayt-Atkins, Elizabeth. "Telegrams: USA." Galeries Magazine, February/March 1991, p. 23.

Hayt-Atkins, Elizabeth. "Telegrams: USA." Galeries Magazine, April/May 1991, p. 23.

Heartney, Eleanor. "Whitney Biennial." Art News 90, no. 6, Summer 1991, pp. 143-144.

Hess, Elizabeth. “Upstairs, Downstairs.” New York Village Voice, April 30, 1991, pp. 93-94.

Hoban, Phoebe. "Artists on the Beach." New York, July 1-8, 1991,
pp. 38-42, 44.

Honan, William H. “In Brooklyn, Congress Hears from Artists.” New York Times, October 29, 1991, p. C18.

Honan, William H. “Through Loophole in Tax Law, Art Gifts Pour Into Museums.” New York Times, December 12, 1991, pp. C15, 19.

Hugo, Joan. "'Head-On/The Modern Portrait'." Art Issues, No. 19, September/October 1991.

Johnson, Ken. "Chuck Close at MOMA." Art in America 79, no. 5, May 1991, pp. 167-168.

Johnson, Ken. "The Whitney’s Generational Saga." Art in America,
vol. 79, no. 6, June 1991, pp. 44-49, 51.

Kagan, Ellen. "I Ritratti di Chuck Close," Aste & Mercati, October 1991.

Levin, Kim. "Choices: Art." New York Village Voice, February 12, 1991, p. 96.

Kimmelman, Michael. "Chuck Close Browses and Assembles an
Exhibition." New York Times, January 18, 1991, p. C32.

Kimmelman, Michael. “An Antidote to the Blockbluster Syndrome.” New York Times, March 10, 1991, p. 33.

Kimmelman, Michael. "At the Whitney, a Biennial That's Eager to Please." New York Times, April 19, 1991.

Kimmelman, Michael. "The Year in the Arts: Art & Photography/1991." New York Times, December 29, 1991, p. H31.

Knight, Christopher. "Face to Face With Faces in 'Head-On'." Los Angeles Times, June 26, 1991, pp. F1, 5.

Larson, Kay. "Spectator Sport." New York 24, no. 29, July 29, 1991, p. 50.

Larson, Kay. "Whitney Biennial." Galleries Magazine, July 1991,
pp. 68-71.

Larson, Kay. "Close Encounter." New York 24, no. 47, December 2, 1991, p. 148.

Leigh, Christian. "The 1991 Whitney Biennial." Flash Art, September 1991, p. 161.

Levin, Kim. "Voice Choices: Art." New York Village Voice 36, no. 48, November 26, 1991.

Lipson, Karin. "It's Not Real, It's Super-Realism!" New York Newsday, Nassau Edition, April 26, 1991.

Long, Robert. "Perspectives: Eric Fischl's Provocative Images Lack Substance." Southampton Press, July 18, 1991, p. B6.

McEvilley, Thomas. "Two Big Shows: Post-Modernism and Its Discontents/New York: The Whitney Biennial." Artforum 29 no. 10, Summer 1991, pp. 98-101.

McQuaid, Cate. “Near and Dear? An Artist Who Truly Gets Up Close and Personal.” Boston Phoenix, November 15, 1991.

Muchnic, Suzanne. "A Portrait of the Artist as Curator." Los Angeles Times, June 26, 1991, pp. F1, 4.

Nathan, Jean. "Le jour où les premiers missiles ont atteint Israël." Voir, 8th year, no. 79, May 1991, pp. 31-33.

Newhall, Edith. "Close to the edge." New York 24, no. 15, April 15, 1991, pp. 38-46.

Niesyn, Karin. "Super-Real," Fairfield County Advocate, December 19-25, 1991, p. 8.

Pacheo, Patrick. "Point Counterpoint." Art & Antiques 8, October 1991, pp. 71-75.

Parks, Steve. "The Grand Museum Tour." New York Newsday, May 3, 1991,
pp. 84-85, 100.

Ratcliff, Carter. “Collapsing Hierarchies: Photography and Contemporary Art.” Aperture, no. 125, Fall 1991, pp. 36-41.

Robinson, Walter and Anastasia Wilkes. "Art World: Awards." Art in America 79, no. 3, March 1991, pp. 166-168.

Rosenthal, Lynne. "Monumental Photos." Southampton Press,
June 13, 1991, p. B1.

Ross, Carolee. “Painting a controversy.” The Advocate and Greenwich Time, Section D, December 15, 1991, pp. D1 & D4.

Schjeldahl, Peter. “Past Perfect.” New York Village Voice, January 22, 1991.

Schjeldahl, Peter. "Those Eyes..." New York Village Voice, February 5, 1991, p. 85.

Slivka, Rose C.S. "From The Studio." East Hampton Star, June 27, 1991, p. II-9.

Smith, Roberta. "In Portraits on a Grand Scale, Chuck Close Moves On." New York Times, November 8, 1991, p. C24.

Tallman, Susan. "Whose Art Is It, Anyway?" Art in America, June 1991, pp. 59, 61, 63.

Wallach, Amei. “A Reflection of the ‘Me’ and ‘We’ Decades.” New York New York Newsday, April 19, 1991, pp. 86, 89.

Wallach, Amei. "The Will To Paint." New York New York Newsday, April 21, 1991, part II, pp. 4-5, 18.

Wallach, Amei. "How Can You Tell A Franz Gertsch From A Chuck Close?" Parkett, no. 28, June 1991, pp. 44-46.

Ward, Frazer. “Chuck Close and Clint Eastwood’s Mona Lisa Smile.” Binocular, 1991, pp. 47-56.

Watson, Simon. “A Conversation between Simon Watson, Dennis Kardon, and Chuck Close.” Balcon, 1991, pp. 156-160.

Williams, Gilda, ed. "Post-High and Low: New Exhibitions at the MOMA." Flash Art, March/April 1991, p. 154.

Wise, Kelly. “Vibrant Selection of Close’s Work.” Boston Globe, December 4, 1991.

Woodward, Richard B. “Snapping Up Photos.” Art News, March 1991, p. 26.

1992

“A Century of Changes in Photography Explored in Exhibition at the Museum of Fine Art, Houston.” Photique Magazine, Camera Shopper, no. 25, February 1992, p. 37.

Abraham, Bryin. “The Making of Men: Persona at the Museum of Photographic Arts.” Artweek, March 26, 1992, pp. 12-13.

Ament, Deloris Tarzan. "He Lost his Hands, but not his Art," Seattle Times/Seattle Post-Intelligencer, October 4, 1992, p. L8.

Armstrong, Richard. “American Life in American Art, 1950-1990,” Atelier, March, 1992, pp. 43-55.

Auping, Michael. "Chuck Close: The Ironies of Janet," Albright-Knox Art Gallery (Buffalo) Calender, December 1992, New York, pp. 1, 3.

Barcott, Bruce. “Close to Home.” Seattle Weekly, October 14, 1992, p. 29.

Brozan, Nadine. “Chronicle: Of the Many Called to Arts and Letters, a Few are Chosen.” New York Times, April 3, 1992.

Brozan, Nadine. “Chronicle.” New York Times, October 26, 1992, p. B9.

Close, Chuck. “Janet.” American Art 6, part 2, Spring 1992, pp. 58-59.

Close, Chuck. “Chuck Close.” Aperture, no. 129, Fall 1992, pp. 24-25.

Decter, Joshua. “New York in Review.” Arts Magazine 66, no. 6, February 1992, pp. 78-80.

Gardner, Paul. "'Making the Impossible Possible'," Art News, May 1992 91, no. 5, pp. 94-99.

Gopnik, Adam. "Close-Up," The New Yorker, February 24, 1992, pp. 76-78.

Gopnik, Adam. “The Art World, What Comes Naturally.” The New Yorker, July 20, 1992, pp. 66-68.

Graham-Dixon, Andrew. “Facial disfigurement.” Independent, July 21, 1992, p. 14.

Kaufman, Jason Edward. “Radical New Curatorial Studies Program Christened at Bard College.” Atelier, July 1992.

Kiraly, Philippa. “Home is Where the Art Is.” Eastside Week, June 10, 1992, p. 27.

Morgan, Robert C. “Psycho.” Tema Celeste, Summer 1992, p. 79.

Neal, Bill. "Chuck Close," Q: A Journal of Art, Cornell University, May 1992, pp. 4-6.

Princenthal, Nancy. "Chuck Close at Pace," Art in America 80, no. 3, March 1992, pp. 114-115.

Raynor, Vivien. "Differences Can Outweigh Similarities in Photo-Realism," New York Times, Connecticut Section, January 5, 1992.

Sacharow, Anya. "Spectrum," Art News 91, no. 6, Summer 1992, p. 27.

Saltz, Jerry. “The Ten Commandments of Taste.” Art & Auction,
vol. XV, no. 4, November 1992, pp. 104-109.

Sansegundo, Sheridan. "At The Galleries," East Hampton Star, April 9, 1992, section II, p. 7.

Schjeldahl, Peter. "On View: Chuck Close," Flash Art, no. 162, January/February 1992, p. 164.

Schwartzman, Allan. "Don't Turn Back: Chuck Close," Interview,
vol. XXII, no. 1, January 1992, pp. 56-57.

Seward, Keith. “Psycho.” Artforum, September 1992, p. 97.

Smallwood, Lynn. "Goings On: Close Encounter," Seattle Weekly, October 7, 1992, p. 41.

Tully, Judd. "The 'M' Word," Art & Auction XIV, no. 10, May 1992, pp. 108-113, 152-153.

Walls, Jeannette. "Intelligencer," New York, September 14, 1992, p. 25.

Yazaki, Yukiko. “New York Life Style.” Oggi (Japan), no. 3, March 1992, pp. 52-53.

1993

Auping, Michael. “Face to Face: Portraits from the Collection of the Metropolitan Museum of Art.” Artforum 32, October 1993, pp. 66, 71.

Bandler, Michael. "Chuck Close," Trends (Japan), January/February 1993, pp. 36- 40.

Barringer, Felicity. "Matisse: 'He's Kind of Cast a Spell on Me'," Art News 92, no. 4, April 1993, p. 150.

Birke, Judy. “Famous Graduates Paper Walls with Talent in ‘Yale Collects Yale.” New Haven Register, May 23, 1993, pp. D1, 4.

"Charting New Worlds, Camera in Hand," New York Times, July 11, 1993, p. 29.

Close, Chuck. "He Called Me Chuck," Artforum 32, no. 1, September 1993, pp. 122-123.

Close, Chuck and Michael Auping. "Face to Face: Portraits from the Collection of the Metropolitan Museum of Art," Artforum 32, no. 2, October 1993, pp. 66-71.

Danto, Arthur C. "Close Quarters," Elle Decor 4, no. 1, February/ March 1993, pp.98-107.

De Ferrari, Gabriella. "Close Encountered," Mirabella, no. 54, November 1993, pp. 78-80.

Findsen, Owen. “Artist Provides a Close-Up of His Work.” Cincinnati Enquirer, September 19, 1993, p. D3.

Gardner, Paul. "Picasso: 'You Can Never Write ‘The End'," Art News 92, no. 4, April 1993, pp. 116-119.

Glueck, Grace. "Habit-Forming Close-ups; Playpen-Style