Jake & Dinos Chapman

Bibliography

Monographs

Baker, Simon. Jake & Dinos Chapman: Like a dog returns to its vomit, Jay Jopling/White Cube, London 2005.
Schneider, Eckhard, Jake Chapman, James Hall and Rudolf Sagmeister. Jake and Dinos Chapman, Kunsthaus Bregenz, Bregenz 2005
Frances, Fernando and Matthew Collings. Jake & Dinos Chapman. The Marriage of Reason and Squalor, CAC Malaga, Malaga 2004
Holborn, Mark. Jake & Dinos Chapman. Hell, Saatchi Gallery, London 2003
Brown, Neal and Suzanne Cotter. The Rape of Creativity, Modern Art Oxford, Oxford 2003
Chapman, Jake. Insult to Injury, Steidl/Mack, London 2003
Malik, Suhail. Works From The Chapman Family Collection. Jay Jopling / White Cube, London 2002
Disasters of War. Chapman Publishing, London 2002
Ansell Pearson, Keith, Jean-Hubert Martin and Kees van Twist. Enjoy More. Museum Kunst Palast / Groninger Museum, Groninger 2002
Chapman, Jake and Marc Sanders. GCSE Art Exam, Shiseido Corporate Culture Department, Tokyo 1999
Chapman, Jake. Interview with Robert Rosenblum. Unholy Libel: Six Feet Under, Gagosian Gallery, New York 1997
Lande, Nick. Chapmanworld, Institute of Contemporary Art, London 1996


Exhibition Catalogues

Álvarez Areces, Vicente, César Alierta, Rosina Gómez-Baeza, Erich Berger, José-Carlos Mariátegui, Rodrigo Alonso and Layment Garcia dos Santos, Emergentes, LABoral Centro de Arte y Creación Industrial, Gijon, Spain and Fundación Telefonica, Madrid, 2007
Eshun, Ekow (Ed.). How Soon Is Now: 60 Years of the Institute of Contemporary Arts, Institute of Contemporary Arts, London, 2008
Kataoka, Mimi (curator), Laughing in a Foreign Language, Hayward, London 2008
Sanders, Mark. Meet the Artist, Deitch Projects, New York 2007
Lullin, Etienne and Florian-Oliver Simm. Contemporary Art in Print: The Publications of Charles Booth-Clibborn and his imprint. The Paragon Press 2001-2006, The Paragon Press: Contemporary Editions Ltd, London 2007
Mercurio, Gianni, Demetrio Paparoni and Davide Rampello. Timer: Intimità/Intimacy, Skira, Milan 2007

Bracewell, Michael, Pi Li and Emily Butler. Aftershock: Contemporary British Art 1990 – 2006, The British Council, London 2006
Daniylopoulou, Olga. To Ekiaxtpo: The Scarecrow, Evangelos Averoff – Tossizza Foundation 2006
Belliti, Chiara. Eretica, Civica Galleria d’ Arte Moderna, Palermo 2006
Antonaz, Roberto, Vittorino Boem, Francesco Bonami, Sarah Cosulich Canarutto, Infinite Painting: Contemporary Painting and Global Realism, Villa Manin Centro d'Arte Contemporanea, Azienda Speziale Villa Manin, Udine 2006
Ojakangas, Mika. ARS 06: Toden tuntu, Kiasma 2006.

Lunn, Felicity, Heike Munder. When Humour Becomes Painful, Migros Museum, JRP/Ringier, Zurich 2005
Lippert, Werner. Video II: Allegorie, NRW-Forum Kultur und Wirtschaft Dusseldorf, Germany 2005
Grenville, Bruce, Douglas Coupland and Colin Ledwith. Body: New Art from the UK, Vancouver Art Gallery, Vancouver 2005
Johannesen, Ina, Marianne Holtermann and Sarah Kent. London Calling: Y[oung] B[ritish] A[rtists] Criss-Crossed, Galleri Kaare Berntsen, Olso 2005
Kincaid, James, Helen May, Alison Jones, Barbara Creed, Janita Craw and Robert Leonard. Mixed-up childhood, Auckland Art Gallery, Auckland 2005
Buck, Louise and Stefan van Raay. The Wonderful Fund Collection, Unknown, 2005

Ramón Alcalá, José. Monstrous, fantasmas y alienígenas, Fundacion Telefonica, Madrid 2004
Malik, Suhail. Paper Democracy. Contemporary Art in Editions on Paper, Edifício Cultura Inglesa, São Paulo 2004
Kubota, Kenji. Lonely Planet, Contemporary Art Gallery, Art Tower Mito, Sun Chiapang (Little More Co., Ltd.), Tokyo 2004
Kelley, Mike, John C. Welchman and Christoph Grunenberg. The Uncanny. Mike Kelley, Tate Liverpool and Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Verlag der Buchhandlung Walther König, Cologne 2004
E.Young, James, Guido Boulboullé, Detlef Stein, Peter Friese and Harald Welzer. After Images, Neues Museum Weserburg Bremen, Revolver, Frankfurt am Main 2004
Monegal, Antonio, Francesc Torres, Robert Sala, Eudald Carbonell, Manuel Delgado, José María Ridao, Joan Esteban, Joanna Bourke, Jon Lee Anderson, Hélène Puiseux, David D. Perlmutter, Michael Walzer, Jeremy M. Black, Jay Winter, Andreas Huyssen and Chris Hables Gray. At War, Centro de Cultura Contemporània de Barcelona, Barcelona 2004
Gewalt, Loushy Art & Editions, Tel Aviv 2004

Turner Prize 2003, Tate Britain, London 2003
Hwa Joo, Yeon, British Contemporary 28 October – 31 January 2004, Arario Gallery, Korea 2003

Herausgegeben von Richard W. Gassen, Utopien heute?, Wilhelm-Hack- Museum, Ludwigshafen 2002
Kleeblatt, Norman L. Mirroring Evil: Nazi Imagery/ Recent Art, The Jewish Museum, New York and Rutgers University Press, New York 2002

Settembrini, Luigi. The 1st Valencia Biennial Communication between the Arts, Generalitat Valenciana, 2001
Heller, Renate Heidt. Under the Skin. Biological Transformations in Contemporary Art, Stiftung Wilhelm Lehmbruck Museum, Duisburg 2001
Ellis, Patricia. New Labour, Saatchi Gallery, London 2001
Aquin, Stéphane. Francisco Goya and Jake and Dinos Chapman: The Disasters of War, Musée des Beaux-Arts de Montréal, Quebec 2001
Folie, Sabine and Michael Glasmeier. Eine Barocke Party, Kunsthalle Wien, Vienna 2001
Riemschneider, Burkhard, and Uta Grosenick (ed) Art Now, Taschen 2001

Huxley, Paul. The TI Group Art Collection. Painting Graduates of the Royal College of Art 1975-2000, TI Group plc., Oxon 2000
Wood, David. Body Probe, Creation Books, London 2000
Gether Christian and Stine Høholt, Mennesket, Arken Museum for Moderne Kunst, Copenhagen 2000
Rosenthal, Norman, Michael Archer, Michael Bracewell, James Hall and Nathan Kernan. Apocalypse. Beauty and Horror in Contemporary Art, Royal Academy of Arts, London 2000
Sanders, Mark. Jake & Dinos Chapman in Japan!, One And The Other, London 2000
Rosenthal, Norman. Sex and the British, Galerie Thaddaeus Ropac, Paris and Salzburg 2000

LeVitte Harten, Doreet. Heaven, Kunsthalle Düsseldorf, Dusseldorf; Tate Gallery, Liverpool 1999

Denk, Wolgang, Olga Malá and Karel Srp. Close Echoes. Public Body & Artificial Space, City Gallery, Prague/Kunst Halle Krems, Krems 1998
Muller, Brian. UK Maximum Diversity, Galerie Krinzinger, Vienna 1998

Adam, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists from the Saatchi Collection, Royal Academy of Arts, Thames & Hudson London 1997
Bond, Anthony and others. Body, Art Gallery of New South Wales, Bookman Schwartz, Sydney 1997
Celant, Germano (ed.). Future, Past, Present. La Biennale di Venezia, Venice 1997
Grunenberg, Christoph (ed.). Gothic. Transmutations of Horror in Late Twentieth Century Art, MIT Press, Cambridge Massachussets 1997

Biesenbach, Klaus and Nicolaus Schafhausen. nach weimar, Kunstsammlungen zu Weimar, Cantz 1996
Muir, Gregor. The Cauldron, Dean Clough, Halifax 1996

Brilliant!: New Art from London, Walker Art Centre, Minneapolis 1995
Christensen, Torben. Corpus Delicti, Kunstforeningen, Copenhagen/British Council 1995
General Release: Young British Artists, Venice Biennale, Scuola di San Pasquale, Venice 1995

McKee, Dr.Francis. Institute of Cultural Anxiety, Institute of Contemporary Arts, London 1994
Romano, Gianni and Barbara S. Pollo. Rien àSignaler, Analix, Geneva 1994
Watt, Witte de With, Rotterdam 1994

Morgan, Stuart. Matter & Fact, Collection Gallery, London 1993

Chapman, Jake. Clove Two, London 1991
Renton, Andrew. Show Hide Show, Anderson O’Day Gallery, London 1991


Publications

Heartney, Eleanor. Art & Today, Phaidon Press, London and New York, 2008
Bonami, Francesco, Arte Contemporanea, Volume Sei. Duemila, La Biblioteca di Repubblica-l’Espresso / Electa, Milan 2008
Bernadelli, Francesco, Arte Contemporanea, Volume Cinque. Anni Novanta, La Biblioteca di Repubblica-l’Espresso / Electa, Milan 2008
Pooke, Grant and Diana Newall. Art History The Basics, Routledge, New York 2008
Cuevas, F Javier Panera (ed). Barrocos y Neobarrocos El Infierno de lo Bello, Fundacion Salamanca Ciudad de Cultura, Salamanca 2007
Hutter, Michael and David Throsby. Beyond Price Value in Culture, Economics, and the Arts, Cambridge University Press, New York 2008
Mey, Kerstin. Art & Obscenity, I.B. Tauris, London and New York 2007
Gielen, Denis. Atlas of Contemporary Art for use Everyone, Museum of Contemporary Arts of Grand-Hornu (MAC's), Boussu 2007
Acton, Mary. Learning to Look at Modern Art, Routledge, London and New York 2007
Gisbourne, Mark. Double Act, Prestel Verlag, Munich, Belin, London and New York 2007
Brandon, Laura. Art & War, I.B. Tauris, London 2007
Oberhollenzer, Günther, Andreas Hoffer and Silvia Köpf. Passion for Art: 35th Anniversary of the Essl Collection, Edition Sammlung Essl, Wien 2007
Freeman, Julian. British Art: A Walk Round the Rusty Pier, Southbank Publishing, London 2006
Townsend, Chris, New Art from London, Thames and Hudson, London 2006
Plate, S Brent. Blasphemy Art that Offends, Black Dog Publishing, London 2006
White, Bob and Mark White. Advanced Art and Design, Philip Allan Updates, London 2006
Akerman, Jeremy and Eileen Daly. The Alpine Fantasy of Victor B and Others Stories, Serpents Tail, London 2006
Kovats, Tania. The Drawing Book. A Survey of drawing: the primary means of expression, Black Dog Publishing, London 2006

Johansson, Trine Woller. Krig og Kunst, Forlag Malling Beck, Denmark 2005
Mahon, Alyce. Eroticism & Art, Oxford University Press, Oxford 2005
Grosenick, Uta. ART NOW, Taschen, London 2005
Blaylock, Thom. Columbia. A Journal. Issue 42. Columbia 2005
Heil, Axel and Wolfgang Schoppmann. Most Wanted. The Olbricht Collection, The Olbricht Collection, Cologne 2005
Lacub, Marcela and Patrice Maniglier. Antimanuel D’Éducation Sexuelle, Éditions Bréal, Bréal 2005
Coles, Pippa, Elizabeth Ann Macgregor, David Anfam, Rosetta Brooks and Edward Allington. Kienholz, BALTIC, Gateshead 2005
Amy, Michaël, Cécilia Bezzan, Marc Renwart, Jean-Pierre Verhoeven, Denis Gielen, Laurent Busine, France Hanin, Maude Brulard, Julie Mol, Alyssia Ferrarese, Eglantine Camby, Marie-Hélène Dath, Aurélie Pamart, Dayle Deghilage, Robert Fleck, Marie de Brugerolle, Joanna Leroy and Johan Swinnen. Violence, Musée des Arts Contemporains de la Communauté française de Belgique, Hornu 2005
Mansvelt, Juliana. Geographies of Consumption, Sage Publications Ltd, London 2005

Deitch, Jeffrey. Monument to Now, DESTE Foundation for Contemporary Art, London, 2004
Figura, Starr, Judith Hecker, Raimond Livasgani, Harper Montgomery, Jennifer Roberts, Sarah Suzuki, Wendy Weitman and Deborah Wye. Artists & Prints. Masterworks from The Museum of Modern Art, The Museum of Modern Art, New York 2004
Varnedoe, Kirk, Paola Antonelli and Joshua Siegel. Modern Contemporary Art Since 1980 At MOMA, The Museum of Modern Art, New York 2004
Vogue Dialogues, Prestel, London 2004
van Tuyl, Gijs and Carl H. Hahn. The Open Museum. The First Ten Years, Kunstmuseum Wolfsburg, Wolfsburg 2004
Coetzee, Mark. Not Afraid. Rubell Family Collection, Phaidon, London 2004
Anker, Suzanne and Dorothy Nelkin. The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor Laboratory Press, New York 2004

Windsor, Alan. British Sculptors of the Twentieth Century, Ashgate Publishing Limited, Hants 2003
Gillick, Liam. White Cube. 44 Duke Street, St James’ London, Steidl, Gottingen 2002

Booth-Clibborn, Patrick Elliot and Jeremy Lewison. Contemporary Art in Print, Booth-Clibborn Edition, London 2001
Collings, Matthew. Art Crazy Nation, 21 Publishing Ltd, London 2001
Invisible London, Ellipsis, London 2001

Morphet, Richard, Robert Rosenblum, Judith Bumpus, Keith Hartley, Andrew Lambirth, Marco Livingstone and Christopher Riopelle. Encounters. New Art From Old, National Gallery, London, National Gallery Company Limited, London 2000
Grosenick, Uta. ART NOW, Taschen, 2000

Stallabrass, Julian. High Art Lite, Verso, London 1999

Collings, Matthew. Blimey! From Bohemia to Britpop: The London Art World from Francis Bacon to Damien Hirst, 21, Cambridge 1997
Shand Kydd, Johnnie. Spit Fire: Photographs from the Artworld. London 1996/97, Thames & Hudson, London 1997


Selected Periodicals

Akbar, Arifa. ‘After ‘Hell’, the Chapman brothers turn their attention to ‘Revelation’ ’, The Independent, 6 February 2008, pp.12-13
Darwent, Charles. ‘When you’re outside it, the joke is no laughing matter’, The Independent on Sunday, 3 February 2008, p.60
Cork, Richard. ‘Funny ha-ha, funny peculiar’, The Financial Times, Life&Arts, 2-3 February 2008, p.16
Buck, Louisa. ‘Chapman Brothers go Biblical’, The Art Newspaper, February 2008, p.31
Unknown. ‘Parties of the Month’, Harpers Bazaar, February 2008, pp.175-179
Lewis, Ben. ‘Jokes – The new ism’, The Sunday Telegraph, Seven Magazine, 20 January 2008, pp.28-29
Brooks, Richard. ‘Chapman brothers progress with grotesque update of Hogarth’, The Sunday Times, 13 January 2008, p.10
Sherwin, Adam. ‘Big Brother contestant hopes to turn her stint into prize-winning art’, The Times, 5 January 2008, p.15
Teeman, Tim, ‘Big brothers take control of the house’, The Times, Times2, 4 January 2008, p.2
Aidin, Rose. ‘The Many Lives of a Collector’, Apollo, January 2008, p.62-66
Bumpus, Judith. ‘I’ve got the cash and I’m going to spend it’, The Art Newspaper, No,187, January 2008, p.38
Unknown. ‘Suffering for their money’, The Jackdaw, December/January 2008, p.14
Kennedy, Maev. ‘Think modern art can be a bit of a joke? The Hayward gallery agrees’. The Guardian, December 2007, p.3
Macintyre, James. ‘Chapman brothers join ‘Big Brother’ spin-off’, The Independent, 22 December 2008
Martin, Francesca. ‘Chapmans make Hell even worse’, The Guardian, G2, 12 December 2007, p.29
Gayford, Martin. ‘Collector as king’, Apollo, December 2008, pp.92-93
Heartfield, James. ‘The Price of Everything and the Value of Nothing’, Art Review, December 2007, Issue17, pp.79-83
Varoli, John. ‘Jake and Dinos Chapman get their first major show in Moscow’, Art Market, December 2007, p.52
Collinge, Miranda. ‘Strike a pose’, Esquire, November 2007, p.156
Aspden, Peter. ‘Money makes art for Chapman brothers’, Financial Times, 11 October 2007, p.6
Akbar, Arifa. ‘Take note: Artist claims that Chapmans ‘stole’ graffiti idea’, The Independent, 15 October 2007, p.6
Rivkin, Annabel. ‘BIg Brother’, The Evening Standard, 9 November 2007, pp.38-40
Buck, Louisa. ‘Chapmans take on the Queen at Frieze’, The Art Newspaper, 10 October 2007, p.1
Searle, Adrian. ‘Tenner for your thoughts, Dinos?’, The Guardian, G2, Arts Frieze Special, October 2007, pp.2-3
Swengley, Nicole. ‘Pleasure Zone: ekow eshun’, Financial Times Weekend, Winter 2007, p.77
Sanders, Mark. ‘Pose a problem, pass it on’, AnOtherMan, Autumn/Winter 2007, Issue 5, pp.94-95
Akbar, Arifa. ‘From a Chapman brother who knows how: a lesson in the art of making dinosaurs’, The Independent, 20 July 2007, pp.22-23
Demetriou, Danielle. ‘More than a White Cube’, The Independent Property, 13 June 2007, pp.1-3
Jury, Louise. ‘Jake and Dinosaur Chapman’, Evening Standard, 30 May 2007, p.3
Collings, Matthew. ‘What I do all day’, Modern Painters, April 2007, pp. 34-37
Lavigne, Julie. ‘The Chapman Brothers and Abjection: Art Serving Horror’, Espace 79 Printemps,
Charlesworth, JJ. ‘Jake & Dinos Chapman’, Art Monthly, March 2007, pp27-28
Osbaldeston, David. ‘Jake & Dinos Chapman: Bad Art for Bad People’, Art Review, March 2007, pp.136-137
Teodorczuk, Tom. ‘Chapmans are down on Orwell’s Farm for new show’, Evening Standard, 12 February 2007, p.17
Hari, Johann. ‘The art of subverting the Enlightenment’, The Independent, 5 February 2007, p.31
Macdonald, Fiona. ‘Jake and Dinos Chapman: When Humans Walked The Earth’, Metro, 1 February 2007, p.25
Kent, Ingrid. ‘Bad art in the dock, the Albert Dock’, Visitor, 31 January
Jury, Louise. ‘The shock of the two Chapmans’, The Independent Home, 30 January 2007, pp.10-11
Teodorczuk, Tom. ‘Chapmans bring their weird science to Tate’, Evening Standard, 29 January 2007, p.21
Gascoigne, Laura. ‘Shock Fatigue’, The Tablet, 27 January 2007, p.25
Ravenhill, Mark. ‘What’s more disturbing than the Chapmans’ art? The number of toddlers at their show’, The Guardian, 22 January 2007, p.28
Hubbard, Sue. ‘Welcome to Hell’, New Statesman, 15 January 2007, p.40
Graham-Dixon, Andrew. ‘Distortions of despair’, Seven, 31 December 2006, pp.22-23
Menden, Alexander. ‘Auf irgendeinem Hügel wird ein Hitlerchen gekreuzigt’, Süddeutsche, 27 December 2006, p. UNKNOWN
Januszczak, Waldemar. ‘Let slip the Brit Art dogs’, The Sunday Times, 24 December 2006, p.UNKNOWN
Pill, Steve. ‘Jake And Dinos Chapman: Bad Art For Bad People’, Metro, 20 December 2006, p.UNKNOWN
UNKNOWN. ‘B-artists make the grade in shockingly good show’, Ormskirk & West Lancs Champion, 20 December 2006, p.40
Dorment, Richard. ‘The masters of modern horror’, The Daily Telegraph, 19 December 2006, p.27
Searle, Adrian. ‘Gore Blimey’, The Guardian Arts, 19 December 2006, pp.23 - 25
Lubbock, Tom. ‘Brothers Grim’, The Independent EXTRA, 18 December 2006, pp.14-15
Adams, Tim. ‘Two bad boys beat me up, ma’, The Observer, 17 December 2006, p.13
Clark, Robert. ‘Jake and Dinos Chapman Liverpool’, The Guardian The Guide, 16 December 2006, p.36
Jury, Louise. ‘Chapman brothers look back at a life of ‘bad art’’, The Independent, 15 December 2006, p.7
Key, Philip. ‘Bad artists show their good side’, Daily Post, 15 December 2006, pp.2-3
Campbell-Johnston, Rachel. ‘The pantomime we deserve: too frightful for laughter and too silly for fear’, The Times, 14 December 2006, p.36
Harkin, John. ‘Fury over Liverpool Tate’s ‘X-rated, pornographic’ art’, Daily Post, 12 December 2006, p.7
Sooke, Alastair. ‘Jake and Dino Chapman at Tate Liverpool’, Telegraph Review, 9 December 2006, p.19
Cripps, Charlotte. ‘Subversive scenes from a notorious duo’, The Independent Extra, 7 December 2006, p.5
Ward, Ossian. ‘Our work repeats like a bad curry’, The Daily Telegraph, 6 December 2006
O’ Hagan, Sean. ‘Jake and Dinos Chapman, The Interview’, The Observer Review, 3 December 2006
Williams, Charles. ‘A*ty Cunts’, Another Late Night, December 2006 pp.53-55
Tinniswood, Rachael. ‘Shock & Awe’, Liverpool Echo, 29 November 2006 pp.20-21
Kent, Sarah. ‘The brothers grim turn back to Goya’, The Times, 29 November 2006, pp.14-15
Kent, Sarah. ‘Sarah’s pick of the 2000s’, Time Out, 22 – 29 November 2006 p.34
http://news.bbc.co.uk/1/hi/magazine/6122142.stm 8 November 2006
Turner, Christopher. ‘”I’d like to have stepped on Goya’s toes, shouted in his ears and punched hum in the face”’, Tate Etc, Issue 8/Autumn 2006, pp.72-79
Hackworth,Nick.’Gut feeling in the gallery’, ‘Evening Standard’, 2 September 2006, p.36
Pearson, Rebecca. ‘Not a good surprise’, The Independent on Sunday, 6 August 2006, p.3
Cooke, Rachel. ‘P-p-p-pick up the floorplan and weep – then look for yourself’, The Observer, 6 August 2006, p.9
Hackworth, Nick. ‘Gut feeling in the gallery’, Evening Standard, 2 August 2006, p.36
Jury, Louise. ‘Exhibition paints major artists in a fresh light’, ‘The Independent’, 01 August 2006, pp12-15
Falconer, Morgan. ‘Never a Hirst. Is it?’,The Times, 01 August 2006
Burgelman, Filip. ‘The Moral Gum’, DAM, NO7 July / August 2006, pp.80-84
Teodorczuk, Tom. ‘The pig and the penguin: ICA trots out genius of youth’, Evening Standard, 31 July 2006, p.23
Conner, Jill. ‘Tied Together’, Whitewall, Summer 2006, pp.136-141
Graham-Dixon,Andrew. ‘Beyond Formaldehyde’, Seven, 30 July 2006, pp.26-27
Sastre, Leticia. ‘Ironias visuals en el arte’, NOX, June 2006, pp.128 –135
Sagmeister, Dr. Rudolph. ‘Sex and Disasters of War’, Vertiges, Spring 2006, Issue 2, pp.139-145
Vordsvorm, Ruchard. ’Tradichii I Novachii’, Coast Magazine, Spring 2006, p.82
Honigman’s, Ana Finel. ‘Out-Out’, WhiteWall, Premier Issue Spring 2006, p.28
Collings, Matthew. ‘Herding Sacred Cows’, Modern Painters, May 2006, pp.32-33
Roux, Caroline. ‘Back to the future’, The Observer, 12 March 2006, pp.24-34
http://thestar.com.my/lifestyle/story.asp?file=/2006/1/15/lifearts/13108070&sec=lifearts, 16 January 2006

Bezzan, Cécilia. DITS, No. 5 2005, pp.32-45
Lippiatt, Matt. Flux, November/December 2005
Buck, Louisa. ‘Who’s the better Chapman brother?’, The Art Newspaper, December 2005, p.35
Wullschlager, Jackie. ‘A monstrous lightness of being’, Financial Times, 9 December 2005, p. 14
Eyres, Harry. ‘The Heart of Nothingness’, FT Magazine, 5/6 November 2005, pp.34 - 35
Jones, Jonathan. ‘Jake and Dinos Chapman’, The Guardian, 31 October 2005
Iredale, Jill. ‘Eye of the Beholder’, Lincolnshire Echo, 27 October 2005, p. 12
O’Reilly, Sally. ‘Jake and Dinos Chapman’, Time Out London, 26 October – 2 November 2005
O’Keeffe, Alice. ‘Frieze puts the ‘art’ into Party’, The Observer, 23 October 2005, pp.14-15
Noah, Sherna. ‘Goya ‘vandalism’ is denied by brothers’, East Anglian Daily Times, 19 October 2005, p.8
Brooks, Xan. ‘Gone to the dogs Chapmans target Goya again’, The Guardian, 19 October 2005, p.13
Jury, Louise. ‘The Chapman brothers return with an echo of past images’, The Independent, 19 October 2005, p.12
‘Artists deny vandalising Goya prints’, Birmingham Post, 19 October 2005, p.6
Barnes, Anthony. ‘Art world at war’, The Independent on Sunday, 16 October 2005, p.16
‘Xtra Cheeky Chapmans’, Hackney Gazette, 13 October 2005, p.23
Hackworth, Nick. ‘We want to commit violence to ideas’, Evening Standard, 11 October 2005, p. 35
Cork, Richard. ‘The Cocky Horror Show’, The Saturday Times, 8 October 2005, pp. 28-32
‘Saatchi starts Britart sell-off’, The Sunday Times, 28 August 2005, p.10
Hackworth, Nick. ‘A Life in the Day’, The Sunday Times Magazine, 4 September 2005, p. 58
Sawyer, Miranda. ‘Brothers Grim’, Vogue, September 2005, pp.308-311, p.381
Buck, Louisa. Features, The Arts Newspaper, No.161, September 2005, p.32
Ide, Wendy. ‘I am curious yellow’, The Times: T2, 11 August 2005, p. 20
Westley, Hester. ‘Is the Turner ageing too gracefully?’, The Times T2, 1 June 2005, p.15
Brooks, Jo. Latest Homes: Latest Seven, 16 February 2005, pp.4-5
‘Dinos applies Food Art to Fergie’, The Independent, 11 February 2005, p.10
‘In the frame’, The Art Newspaper, February 2005, p.2
O’Hara, Gail. ‘The Nightmare Before Christmas’, Modern Painters, February 2005

Aннa Cверryн. ‘Искyccтво Покyпaть ВьІгоДно’, АΡΤXΡΟΗИΚА, No.3, 2004, pp.96-105
Michel, Mireille. ‘Le singe, le primitif et plus encore et plus encore’, Area Revues, December 2004, p.132-134
‘The Chapmans make a Faustian pact…’, The Art Newspaper, No.153, December 2004, p.33
‘Frieze already an established British tradition’, The Art Newspaper, No.152, November 2004, p.45
Moggach, Lottie. ‘What the hell is that noise?’, The Times T2, 23 November 2004, p.12
‘Wedding Belle’, Vogue, December 2004, pp.91-94
Kley, Elisabeth. ‘Deliver Us from Evil’, Art News, October 2004, p.184
Lydiate, Henry. ‘Posthumous Artworks’, Art Monthly, October 2004, p.41
McGuiness, Jan. ‘Jake Chapman’, POL Oxygen, October 2004, pp.78-87
Vogel, Carol. ‘Vision of ‘Hell’ set to rise from the ashes’, International Herald Tribune, 27 July 2004
Vogel, Carol. ‘After Artwork’s Fiery Demise, a New and Impenitent ‘Hell’’, The New York Times, 22 July 2004
Jury, Louise. ‘Bill for Momart art blaze surges to £60m’, The Independent, 10 July 2004, p.7
Bailey, Martin. ‘A “wake-up call” to the storage business’, The Art Newspaper, No.149, July – August 2004, p.4
C.R. ‘Hell is always the others’, The Art Newspaper, No.149, July – August 2004, p.1
Von Goetz, Ulrike. ‘Hummer auf Bestellung’, Kultur & Stil, 20 June 2004, p.48
Rose, Hilary. ‘The Saatchi of the North’, The Times Magazine, 12 June 2004, pp.30-32
‘Momart: Hell goes up in flames’, The Week, 5 June 2004, p.18
Cox, Roger. ‘Why get so fired up? It’s only art…’, The Scotsman, 5 June 2004, p.5
Kokosolaki, Sophia. ‘Dinos and Jake Chapman on the Nature of Representation’, Self Service, No.20, Spring/Summer 2004, pp.300-301, 314
Brooks, Richard. ‘Biteback’, The Sunday Times Culture Magazine, 30 May 2004, p.12
Gerard, Jasper. ‘They’ve been to Hell and back but they’re not fussed’, News Review, 30 May 2004, p.8
Lawson, Mark. ‘Nothing lasts for ever’, The Guardian, 29 May 2004, p.21
Price, Brian. ‘The lost treasures’, Western Daily Press, Somerset, 27 May 2004, p.3
Winterson, Jeanette. ‘Only art’s enemies cheer the Saatchi bonfire’, The Times, 27 May 2004, p.26
‘Collector’s irreplaceable works of art are lost in warehouse fire’, The Press & Journal, Aberdeen, 27 May 2004, p.10
Campbell-Johnston, Rachel. ‘Simple to make but not reproduce’, The Times, 26 May 2004, p.3
Malvern, Jack. ‘Fire sweeps through Saatchi collection’, The Times, 26 May 2004, p.3
Malvern, Jack. ‘Britart masterpieces feared lost in blaze’, The Times, 26 May 2004, p.1
Johnson, Andrew and Danielle Demetriou. ‘Fears for Saatchi’s collection after fire guts art warehouse’, The Independent, 26 May 2004, p.3
Fleming, Nic and Will Bennett. ‘The night Hell was consumed by flames’, The Daily Telegraph, 26 May 2004, p.3
Sharp, Craig. ‘Fanning The Flames’, The Times: Business, 2 May 2004, p.33
Lowe, Lenny Anne. ‘Art of darkness’, Sydney Morning Herald, 20 March 2004
Smee, Sebastian. ‘Clowning with humanity’, The Australian, 12 March 2004
Schjeldahl, Peter. ‘England Swings’, The New Yorker, 3 January 2004

Dorment, Richard. ‘Dazzled and disappointed’, The Daily Telegraph, 27 December 2003, p.4-5
Januszczak, Waldemar. The Sunday Times Culture Magazine, 7 December 2003, p.8
Buck, Louisa. ‘Chapmans outstrip Goya in the Art Market’, The Art Newspaper, December 2003, p.31
Baker, Simon. ‘Jake Chapman on Georges Bataille: an interview with Simon Baker’, Papers of Surrealism, Issue 1, Winter 2003, pp.1-17
Darwent, Charles. ‘The odds are on the rotters…’, The Independent on Sunday, 11 November 2003, p.10
Cork, Richard. ‘The shock of the old’, New Statesman, 10 November 2003, p.40-42
Kent, Sarah. ‘A real head-Turner’, Time Out, 5 November 2003, p.53
Leader, Darian. ‘The Turner Prize’, The Times, 1 November 2003, p.3
O’Grady, Claire. ‘Jake and Dinos Chapman’, The Guardian, 1 November 2003
‘Turner at 20’, Tate Arts and Culture, November 2003
Kent, Sarah. ‘The art of gore’, Time Out, 29 October 2003, p.52
Campbell-Johnston, Rachel. ‘The brothers grim may win, but only for the X rating’, The Times, 29 October 2003, p.10
Searle, Adrian. ‘States of decay’, The Guardian, 29 October 2003, p.12-14
Jury, Louise. ‘For adults only: Sex and death dominate Turner Prize’, The Independent, 29 October 2003, p.9
Lubbock, Tom. ‘The art of saying nothing’, The Independent Review, 29 October 2003, p.2-3
Tweedie, Neil. ‘Maggots, skeletons, fear and death. The Turner is back as healthy as ever’, The Daily Telegraph, 29 October 2003, p.9
Dorment, Richard. ‘Ignore the naughtiness’, The Daily Telegraph, 29 October 2003, p.23
Leitch, Luke. ‘Sex dolls and skeletons – it must be the Turner’, Evening Standard, 28 October 2003, p.3
Kent, Sarah. ‘Sibling revelry’, Time Out, 15 October 2003, p.4
Farndale, Nigel. ‘The Artful Dodgers’, The Sunday Telegraph Magazine, 12 October 2003, p.8-15
Mullins, Charlotte. ‘A shocking perspective on inhumanity’, The Financial Times, 8 October 2003, p.17
Hoggard, Liz. ‘Murder, mayhem, mutilation – but something’s missing’, The Observer Review, 5 October 2003, p.10
Januszczak, Waldemar. The Sunday Times Culture Magazine, 5 October 2003, p.6-7
Jeffries, Stuart. ‘Jake & Dinos Chapman. Saatchi Gallery, London’, The Guardian, 1 October 2003, p.30
‘Jake & Dinos Chapman. Modern Art Oxford’, Art Monthly, June 2003, p.20
‘That’s Not A Pawn, Is It?’, The Guardian, 26 June 2003, p.
‘A Real Nice Pair Playing To The Nasty Gallery’, The Sunday Times, 8 June 2003, p.15
Reynolds, Nigel. ‘Transvestite potter in frame for Turner Prize’, The Daily Telegraph, 30 May 2003, p.1
Kent, Sarah. ‘Art attack’, Time Out, 14-21 May 2003, p. 58
Wolfson, Richard. ‘What will it be? Wait and see’, The DailyTelegraph, 19 April 2003, p.6
Garner, Lesley. ‘Fraternal instinct’, The Independent Magazine, 5 April 2003, pp. 9-13
Jones, Jonathan. ‘Look what we did’, The Guardian; G2, 31 March 2003, pp.2-3
Gayford, Martin. ‘The Chapman Two’s McNugget nasties’, The Sunday Telegraph, 20 April 2003, p.7
Field, Marcus. ‘Brothers Grim’, ArtReview, February 2003, pp. 42-44
Ellis, Patricia. ‘Jake & Dinos Chapman’, Flash Art, January/February 2003, p.113

Kent, Sarah. ‘Jake & Dinos Chapman’, Time Out, 13 November 2002, p.57
Januszczak, Waldemar. ‘Fast food for thought’, The Sunday Times Culture Magazine, 10 November 2002, pp.14-15
Jones, Jonathan. ‘The Chapmans offend again’, The Guardian, 6 November 2002, p.16
Hackworth, Nick. ‘McHeart of darkness’, Evening Standard, 31 October 2002, p.53
Bearn, Emily. ‘Torture for the masses’, The Sunday Telegraph; Review, October 27 2002, p.5
Morton, Tim. ‘Textual Perversion’, Tate Magazine, Uctober 2001, p.25
Street-Porter, Janet. ‘Jubilee!’, The Independent on Sunday; Life Etc. 26 May 2002, pp.1-2
Collings, Matthew. ‘The Mad and the Good’, Modern Painters, Spring 2002, pp.90-93

Sewell, Brian. ‘Sick people don’t want art’, Evening Standard, 11 December 2001, p.15
Dorment, Richard. ‘Here’s Looking At Us’, The Spectator, 13 October 2001, pp. 30 - 32
Millard, Rosie. ‘The Tastemakers’, The Times Magazine, 6 October 2001, pp. 24 - 32
Chapman, Jake. ‘The Holy Land Experience’, Another Magazine, Issue 1, Autumn/Winter 2001, pp.6-17
Hutchinson, Mark. ‘Excess and Amateurism: William Blake, The Chapman Brothers and hell’, Everything Magazine, Issue 4, 2001, pp.18-20
Sianhi-Davies, Mary. ‘Jake and Dinos Chapman’, Ta Nea, Athens, 2001, pp.10-14
Coomer, Martin. ‘Jackie & Denise Chapwoman’, Time Out, 6-13 June 2001, p.46
Luycks, Filip. ‘Esthetica van de gruwel. Het schokeffect van Jake and Dinos Chapman’, Sint-Lukasgalerij Brussels, No.3, February 2001
Franke, Anselm. ‘Dinos & Jake Chapman’, KW Magazine, February 2001

Lee, David. ‘The cross that art lovers now have to bear’, Daily Mail, 4 May 2000
Gibbons, Fiachra. ‘Sensation’s over, now it’s Apocalypse’, The Guardian, 3 May 2000, p.3
Reynolds, Nigel. ‘RA seeks second sensation with new horror show’, The Daily Telegraph, 3 May 2000, p.7
Moyes, Jojo. ‘An apocalyptic vision of the future: genocide, mutilation and torture’, The Independent, 3 May 2000, p.3
Vendrame, Simona. ‘Der unsterbliche Körper und dessen Vergänglichkeit’, Frame, 2000
‘Fashion Meets Art: Creating Kate’, Vogue (UK), May 2000, pp.157-170
Bennett, Oliver. ‘Hip to be Square’, The Independent Magazine, 1 April 2000, pp.8-15
Haaretz Newspaper, Tel Aviv, 2 March 2000, pp.1-2
Milner, Catherine. ‘Saatchi buys hell on earth’, The Sunday Telegraph, 6 February 2000, p.8
‘OP 10, black book’ Tatler, December 2000, pp.102-114
Caetano, Fernando. ‘Our Lady of the Phallus’ Modern Painters, Winter 2000, Vol.13 Number 4, p.83
Schurenburg, Barabara. ‘Im, weissen Wurfel’ Die Welt, Santurday, 30th December 2000, p.39
Baker, Bobby. ‘Quiz of the year- Christmas Quiz’ Time Out, 20th December 2000, pp217-218
Smith, Caroline. ‘All the worlds a Gallery’ Evening Standard, 15th December 2000, pp.58-60
Barnes, Sholto. ‘The Diary’ independent on Sunday, Sunday 10th December 2000 p.30
Husband, Stuart. ‘Go see… The Victoria Miro Gallery’ Romieke
Dunn, Joseph. ‘Material Benefits’ The Sunday Times, 3rd December 2000, p.75
Fallon, James. ‘Eastenders’ Romieke, December 2000, pp324-333
McAlpine, Alistair. ‘Changing of the Avante-Garde’ The World of Interiors, December 2000 p. 164
Gavlak, Sarah. ‘An English Accent’ Time Out, December 2000
McQueen, Alexander. ‘Apocalypse Now!’ Numero, December, No 19 pp.39-43
Pietsch, Hans. ‘Die Holle’ Art, December 2000, pp.80-82
Burnet, Andrew. ‘A is for Art, B is for British’ Scotland on Sunday, 26th November 2000 Cover story
Barker, Godfrey. ‘It is Sir Nicholas Serota who is out of touch with Modern Britain’ The Times 25 November 2000
Widdicombe, Ben and Horacio Silver. ‘Chic Happens’ www.hintmag.com 15th November 2000
Seymour, Gene. ‘Events’ The Guardian 11 November 2000
‘What’s on in London’ What’s on in London November 2000
Newman, Martin. ‘Keeping a low profile at Art Gallery Strange’ West And Extra 3rd November 2000
Buck, Louisa. ‘Art of the matter’ Esquire November 2000 pp.89-94
Pursglove, Anna. ‘Jake And Dinos Chapman’ Evening Standard Magazine 20th October 2000 pp.11
Russel Taylor, John. ‘Anatomical Art? That Takes Guts’ The Times 18th October 2000 p.20
Saatchi, Doris. ‘Low-tech, laborious and ancient- it could be the next big thing’ The Independent on Sunday 8th October 2000
‘Party’ Evening Standard 6th October 2000 p.6-9
Sewell, Brian. ‘The Critics Choice’ Evening Standard Tuesday 10th October 2000
Grever, Josephine. ‘Magic London’ Madame October 2000 pp.68-70
Deblonde, Gautier. ‘Focus: The Horror’ Esquire October 2000
P.E, ‘FlashArt News’ Flash Art

Pollack, Barbara. ‘New York Reviews. ‘Sensation’ Brooklyn Museum of Art’, ARTNews, November 1999, p.190
Gibbons, Fiachra. ‘British Museum buys works of ‘perverts’’, The Guardian, 25 October 1999, p.9
Lyall, Sarah. ‘Furor Is Nothing New for Young British Artists’, Herald Tribune, 19 October 1999
Ellison, Michael. ‘New York seeks to ban Britart Sensation’, The Guardian, 24 September 1999
Jones, Jonathan. ‘Jake and Dinos Chapman:White Cube, London’, Frieze, June/July/August 1999, Issue 47
Higgie, Jennifer. ‘London’, BT Magazine, July 1999, vol.51, no.773, pp.180-181
Coomer, Martin. ‘Jake and Dinos Chapman: White Cube’, Time Out, 7-14 April 1999, p.42
Barber, Lynn. ‘Brothers in art’, The Observer Magazine, 28 March 1999, pp.14-17
Searle, Adrian. ‘Objects of ridicule’, The Guardian, 23 March 1999, p.9
Judd, Ben. ‘Jake and Dinos Chapman’, Flash Art, January-February 1999, vol.xxxii, no.204, p.85

Withers, Rachel. ‘Jake and Dinos Chapman. Chapman (F) Arts’, Artforum, Vol. 37, No.4, December 1998, p.141
Jackson, Alan. ‘Charm offensive’, The Times Magazine, 22 November 1997, pp.41-46
Kent, Sarah. ‘Jake & Dinos Chapman’, Time Out, 28 October–4 November 1998, p.47
Seale, Adrian. ‘B is for Brit art’, The Guardian, 6 October 1998, pp.10-11
‘Jake & Dinos Chapmans’ Top Ten’, Artforum, May 1998, p.34
Hilty, Greg. ‘Dinos & Jake Chapman. Choc, ennui et modernisme’, art press, April 1998, pp.38-42
Burgess, Terry. ‘Jake & Dinos Chapman’ i-D, March 1998, p.170
Mc Neill, David. ‘‘Body’ Art Gallery of New South Wales, Sydney’, Art & Text, February 1998
Barrett, David. ‘Sensation, Royal Academy of Arts, London’, Art & Text, February 1998
Hayt, Elizabeth. ‘Dinos & Jake Chapman/Gagosian Gallery, New York’, Art & Text, February 1998

Avgikos, Jan. ‘Dinos & Jake Chapman/Gagosian Gallery’, Artforum, December 1997, p.116
Genet, Jean. ‘Studio Crawl’, Elle Decoration, November 1997, pp.104-105
Oliver, Anthony. ‘Jake Chapman meets Hermann Nitsch’, Dazed, November 1997, p.68
Weston, Alannah. ‘Party Party’, Telegraph Magazine, 13 September 1997, pp.43-47
Wavell, Stuart. ‘It may be shocking, revolting and even witty, but is it art?’, The Sunday Times, September 1997
Stringer, Robin. ‘Art or Outrage’, Evening Standard, September 1997
Simon, Robin. ‘Academy of Porn, ‘The Brothers Grim’,The Daily Mail, September 1997
Feaver, William. ‘Myra, Myra on the wall..., The Observer, September 1997
Alberge, Dalya. ‘Shocking? Not us, say artists as academy issues a taste warning’, The Times, September 1997
Kent, Sarah. ‘It’s a Sensation! But is it art? Everything you need to know about the London art scene, but were afraid to ask.’ Special supplement, Time Out, No.1412, September 1997
Sladen, Mark. ‘Brit Pack’, RA Magazine, Autumn 1997, No.56, p.39
Alberge, Dalya. ‘Shocking? Not us, say artists as academy issues a taste warning’, The Times, 20 August 1997
Collings, Matthew. ‘The New Establishment’, Independent on Sunday, August 1997
Jeffries, Stuart. ‘British art is high on its own vulgarity. And it’s all Margaret Thatcher’s fault’, The Guardian, 19 April 1997, p.6
Reynolds, Nigel. ‘Young rebels take over the Academy’, The Daily Telegraph, 28 February 1997, p.13
‘Dinos & Jake Chapman conversazione con Demetrio Paparoni’, Tema Celeste, February 1997 pp.50-55, 110-111 (including artists project and front cover)
Chapman, Jake & Dinos. ‘Florence biennale: Fashion and Art: A Compromising Couple’, Flash Art, January/February 1997, p.74

Lillington, David. ‘Zombie Esthetiek, Metropolis, No.6, December 1996, pp.28-31
Carrozzoni, M.S. Virus No.9, October 1996, pp.42-44
Dean, Richard. ‘The Hirst effect’, Telegraph Magazine, 21 September 1996, pp.46-47
Levy, Geffory. ‘Modern ‘art’ Greed’, Daily Mail, 14 September 1996
Rosenblum, Robert, ‘Dinos & Jake Chapman, ICA, London’, Artforum, No.1 September 1996, pp.100-101
Chapman, Jake & Dinos. ‘Gender is an Organic Superstition’, Woman’s Art Magazine, No.71, August/September 1996, pp.18-19
Lebovici, Elisabeth. ‘Chapman et poupées gonglées’, Culture, 10 July 1996, p.30
Sanders, Mark. ‘The chaps to know about’, Interview, June 1996, pp.32-33
Lillington, David. ‘Dinos and Jake’s big joke’, The Independent, 15 May 1996, p.8
Corner, Lena. ‘The brothers grim’, The Big Issue, 13-19 May 1996
Popham, Peter. ‘Jake & Dinos & all their little friends’, Independent on Sunday, 12 May 1996
Kent, Sarah. ‘Odd Bodies’, Time Out, 22-29 May 1996, p.50
Searle, Adrian. ‘Morbid, mutant dummies...’, Review, The Guardian, 11 May 1996
Stringer, Robin. ‘Shock warning at the blood brothers’ ICA show’, Evening Standard, 10 May 1996, p.12
Jones, Dylan. ‘Two heads being better than one’, Arena, May 1996, pp.30-32
Kent, Sarah. ‘Gender Blenders’, Time Out, 1-8 May 1996, pp.18-19
Cornwell, Jane. ‘Those Bad Boys of the Art World Dickheads’, Attitude, No.25, May 1996, pp.30-31
Bevan, Roger. ‘Chapmanworld: how far can they go?’ The Art Newspaper, No.59, p.15
Milner, Catherine. ‘Such monstrous mannequins’, The Sunday Telegraph Review, 7 April 1996, p.8
Bevan, Roger. ‘Lotta action with Jake and Max’, The Art Newspaper, No.57, March 1996, p.37
Cecchetto, Paolo. Juliet, No.76, February/March 1996
Chapman, Jake & Dinos. ‘When Will I Be Infamous? A Reply to Martin Maloney’, Flash Art, No.186, February – March 1996, pp.64-67
Gale, Iain. ‘Tools of the trade’, The Independent, 6 February 1996
Gale, Iain. ‘Where does British art go from here?’ The Independent, 6 February 1996, p.9
Maloney, Martin. ‘The Chapman Bros. When will I be famous?’, Flash Art, No.186, February 1996, pp.64-67 and front cover
Hall, James. ‘Letter from London. Brilliant: New Art From London’, Artforum, January 1996, p.30

Burchill, Julie. ‘The fine art of being a new fascist’, The Sunday Times Review, 1 October 1995, p.6
Lewis, Matthew R. i-D Magazine, October 1995, pp.94-95
Tressider, Megan. ‘Brilliant bad boys of the galleries’, The Guardian, 7 October 1995, p.29
Sanders, Mark. ‘The art world deserves them’, Dazed & Confused, Issue 14, October 1995, pp.54-57
Currah, Mark. ‘Dummy peculiar’, Time Out, No.1310, 27 September–October 1995
Roberts, James. ‘Jake & Dinos Chapman/Ridinghouse Editions, London’, Frieze, Issue 24, September/October 1995
‘Artists of the Month, Tatler, Vol.2901, No.1, October 1995, p.30
O’Sullivan, Charlotte. ‘Dedicated followers of fascism’, The Sunday Observer Review, 24 September 1995
Hall, James. ‘Mad, bad, but brilliant to view’, The Guardian, 19 September 1995
‘Invasion of the body-patchers’, The Guardian, 19 September 1995
Guha, Tanya. ‘Dinos & Jake Chapman/AndrehnSchiptjenko, Stockholm’, Time Out, No.1300, 19-26 July 1995
Kent, Sarah. ‘Don’t look now…’ Time Out, 28 June–5 July 1995, pp.16-17
Searle, Adrian. ‘Faces to watch in the art world - 5. Jake & Dinos Chapman’, The Independent Section 2, 18 July 1995
Birnbaum, Daniel. ‘Dinos & Jake Chapman/Ridinghouse Editions’, Artforum, No.10, Summer 1995
Chapman, Jake & Dinos. ‘Jake & Dinos Fine Arts Inc.’ Dazed & Confused Magazine, July 1995, p.78
Gillick, Liam. Project for Art & Text, No.51 1995
Lederman, Erika. ‘Magic Tricks’, Art Monthly, No.187, June 1995, pp.46-47
Smith, Roberta. ‘Blood and Punk Royalty to Grunge Royalty, New York Times, 24 March 1995
Spinelli, Marcelo. ‘Dinos and Jake Chapman’, Brilliant! New Art From London, March 1995, pp.20-24
Wallenstein, Sven-Olov. ‘Polymorphous Perversities’, Material, No.25, 1995, p.5
Searle, Adrian. ‘Letter from London’, Artforum, February 1995
Wolmer, Bruce. ‘The Battle of Britain’, Art & Auction, February 1995, pp.88-91, 113
Jacques, Alison. ‘Jake & Dinos Chapman’, Flash Art, No.180, January - February 1995, p.102
Curry, Patrick. ‘Mannequin-pisstake, letter to the editor, Time Out, No.1272, 4-11 January 1995
Muir, Gregor. ‘Sex and Death in the Permafrost’, World Art, No.1, 1995, p.11
Brown, Neal. ‘Dinos and Jake Chapman. Victoria Miro Gallery, London’, Art + Text, 1995, p.74

Morgan, Stuart. ‘Rude Awakening’, Frieze, Issue 19, November/December 1994, pp.30-33
Heden, Anne. ‘Grymhetens’, Dagens Nyheter, 16 October 1994
Kyriacou, Sotiris. ‘Aesthetic Terrorism’, Parikiaki, 13 October 1994, p.12
Norman, Geraldine. ‘Arresting art explores dark side of humanity’, The Independent, 10 October 1994
Kent, Sarah. ‘Critics choice and preview’, Time Out, 6-13 October 1994
Worsdale, Godfrey. ‘Dinos & Jake Chapman. Victoria Miro Gallery’, Art Monthly, No.180, October 1994, pp.36-37
‘Jake Chapman’, G-Spot Magazine, Issue 13, Autumn 1994, p.43
Freer, Bridget. ‘Relative Values’, The Sunday Times Magazine, January 1994, pp.13-15
Flood, Richard. ‘Smashing!’, Frieze, January 1994, pp.32-36

Corris, Michael. ‘Dinos and Jake Chapman. Victoria Miro Gallery’, Artforum, Vol.XXXL, No.10, Summer 1993, pp.121-122
Freedman, Carl. ‘The Disasters of War’, Frieze, Issue 11, June 1993
Jennings, Rose. ‘Dinos & Jake Chapman/Victoria Miro Gallery’, Time Out, 14-21 April 1993
Santacatterina, Stella. ‘Dinos & Jake Chapman’, Art Monthly, May 1993, p.27

Edwards, Natasha. ‘Show Hide Show’, Artscribe, November/December 1991
Wilson, Andrew. ‘Letter from London’, Forum International, Vol.11 No.10 November/December 1991
Francis, Mary Anne. ‘London Summer round-up’, Art Monthly, No.149, September 1991
Bracewell, Michael. ‘Someone to Watch Over Me’, Frieze, Issue 1, 1991
Collings, Matthew. ‘Show Hide Show’, City Limits, 1-8 August 1991
Hall, Charles. ‘Show Hide Show’, Arts Review, 9-23 August 1991
Kent, Sarah, ‘Show Business’, Time Out, July/August 1991
Cork, Richard. Sunday Times, 28 July 1991

Renton, Andrew. ‘The Reign of Narcissism and the Artist Playing God’, Blitz, No.93, September 1990


Artist’s Writings

Chapman, Jake. Meatphysics, Creation Books, London 2003
Chapman, Jake, John Russell (Ed.). ‘The Involution’, Frozen Tears; The Word Is Flesh, ARTicle Press 2003
Chapman, Jake. ‘Eden, Eden, Eden, Christopher Knight, Creation Press’ Frieze, Issue 24, September/October 1995
Chapman, Jake and David Falconer. ‘Anya Gallacio at Karsten Schubert, London’, Frieze, Issue 15, March/April 1994

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