Jake & Dinos Chapman

Jake and Dinos Chapman make iconoclastic sculpture, prints and installations that examine, with searing wit and energy, contemporary politics, religion and morality.
Working together since their graduation from the Royal College of Art in 1990, the Chapmans first received critical acclaim in 1991 for a diorama sculpture entitled 'Disasters of War' created out of remodelled plastic figurines enacting scenes from Goya's 'Disasters of War' etchings. Later they took a single scene from the work and meticulously transformed it into a 'Great Deeds Against the Dead' (1994), a life-size tableau of reworked fibreglass mannequins depicting three castrated and mutilated soldiers tied to a tree.
Arguably their most ambitious work was 'Hell' (1999), an immense tabletop tableau, peopled with over 30,000 remodelled, 2-inch-high figures, many in Nazi uniform and performing egregious acts of cruelty. The work combined historical, religious and mythic narratives to present an apocalyptic snapshot of the twentieth-century. Tragically this work was destroyed in the MOMART fire in 2004 and the Chapmans rebuked by saying they would make another, more ambitious in scale and detail - the result of which was 'Fucking Hell' (2008). The interim saw 'The Chapman Family Collection' (2002), comprised of a group of sculptures that bring to mind the loot from a Victorian explorer’s trophy bag, yet also portraying characters from McDonald’s. The conflation of the exotic fetish and the cheap fast-food giveaway, imperialism and globalisation, created a powerful sense of dislocation. ‘Like A Dog Returns To Its Vomit’ (2005), was an exhibition of the Chapmans’ graphic works, a large collection of etchings and drawings displayed on two walls and arranged in the shape of dogs. Many of the works were reinterpretations of Goya etchings, including the ‘Disasters Of War’ and the ‘Los Caprichos’ series. Using the Tate Collection's erotomanic sculpture 'Little Death Machine (Castrated)' (1993) as their point of departure, the Chapmans created 'When Humans Walked the Earth' (2008) an installation of ten improbable machines, cast in bronze and now ossified, emulating aspects of human behaviour with a trademark subversive wit.

Jake Chapman was born in 1966 in Cheltenham, Dinos Chapman in 1962 in London. They live and work in London. They have exhibited extensively, including solo shows at Kestner Gesellschaft Hannover (2008) Tate Britain (2007) Tate Liverpool (2006) Kunsthaus Bregenz (2005), Museum Kunst Palast Düsseldorf (2003) and Modern Art Oxford (2003) and PS1 Contemporary Art Center, New York (2000). Group exhibitions have included: Summer Exhibition 2007, Annenberg Courtyard, Royal Academy of Arts, London, ARS 06, Museum of Contemporary Art KIASMA, Helsinki and the Turner Prize, Tate Britain (2003).

More on Jake & Dinos Chapman


Artworks
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4 Images

Videos/Audio
Jake & Dinos Chapman, White Cube Mason's Yard 2008
Video

Related Texts
CV
Bibliography
The Cruel Practice of Art
by Simon Baker
Jake & Dinos Chapman and the Surplus Value of Hell
by Rod Mengham
Promotional Trip to Hell
by Simon Baker
Esto Es Peor
by Robin Mackay

Exhibitions
If Hitler Had Been a Hippy How Happy Would We Be
30 May—12 Jul 2008
Like a dog returns to its vomit
19 Oct—3 Dec 2005
Works from the Chapman Family Collection
31 Oct—7 Dec 2002
DISASTERS OF WAR
12 Mar—17 Apr 1999

Editions
Dinos not Jake
Edition of 250
Insult to Injury Wallpaper
Digital Print on wallpaper
Jake not Dinos
Edition of 250

Artist's Publications
The Marriage of Reason & Squalor
2008
Like a dog returns to its vomit
2005

News
Jake and Dinos Chapman at Hastings Museum & Art Gallery
19 Dec 2009

Related Links
http://www.tate.org.uk/brit...
Tate Online
http://www.kunsthaus-bregen...
KUB Kunsthaus Bregenz, Austria
http://www.tate.org.uk/brit...
Tate Online
http://www.tate.org.uk/live...
Tate Online

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