Candice Breitz

Bibliography

Monographs

2007
Zaya, Octavio (editor). Candice Breitz: Multiple Exposure. (Barcelona + León: ACTAR + MUSAC – Museo de Arte Contemporáneo de Castilla y León, 2007).

2006
Kintisch, Christine (editor). Candice Breitz: Working Class Hero. (Vienna: Bawag Foundation, 2006) exhibition catalogue.
Lange, Christy (interview). Candice Breitz. (Seoul: Kukje Gallery, 2006) exhibition catalogue.
Potamianou, Artemis (editor). Candice Breitz. (Athens: Hellenic American Union, 2006) exhibition catalogue.

2005
Beccaria, Marcella (editor). Candice Breitz. (Rivoli-Torino: Castello di Rivoli, 2005) exhibition catalogue.
Himmelsbach, Sabine and von Sydow, Paula (editors). Candice Breitz: Mother. (Frankfurt: Revolver Archiv für Aktuelle Kunst, 2005) exhibition catalogue.
Neri, Louise (editor). Candice Breitz. (London: White Cube, 2005) exhibition catalogue published by Jay Jopling/White Cube, Francesca Kaufmann and Sonnabend Gallery.

2003
Cotter, Suzanne (editor). Candice Breitz: Re-Animations. (Oxford: Modern Art Oxford, 2003) exhibition catalogue.

2002
Tannert, Christoph (editor). Candice Breitz: Alien (Ten Songs from Beyond). (Essen: Museum Folkwang im RWE Turm, 2002) exhibition catalogue.

2001
Sturm, Martin and Plöchl, Renate (editors). Candice Breitz: Cuttings. (Linz: O.K Center for Contemporary Art Upper Austria, 2001) exhibition catalogue.


Reference Books

2007
Matt, Gerald. Interviews. (Cologne: Verlag der Buchhandlung Walther König, 2007) pp. 58-65.
Edelsztein, Sergio et al. Ice Cream: Contemporary Art in Culture. (London: Phaidon Press Limited, 2007).
Rush, Michael. Video Art. (London: Thames & Hudson, 2007) pp. 222-223.

2006
Demeester, Anne et al. W139 - Amsterdam. Report of an Ongoing Journey. (Amsterdam: W139, 2006).
Gisbourne, Mark et al. Kunst Station Berlin. (Munich: Knesebeck Verlag, 2006) pp. 40-49.
Gisbourne, Mark et al. Berlin Art Now. (London: Thames & Hudson, 2006) pp. 40-49.
Holm, Michael Juul and Kold, Anders (editors). Sip My Ocean: Video from the Louisiana Collection. (Humlebaek: Louisiana Museum of Modern Art, 2006) exhibition catalogue.
Martin, Sylvia. Video Art. (Cologne: Taschen, 2006) pp. 36-37.

2005
Gianelli, Ida and Beccaria, Marcella. Video Art: The Castello di Rivoli Collection. (Milan: Skira, 2005) pp. 66-67.
Grosenick, Uta. ART NOW: The New Directory to 136 International Contemporary Artists. (Cologne: Taschen, 2005).
Yáñez. Isabel and Ordás, Carlos (editorial coordination). MUSAC: Collection Vol. 1. (León: Museo de Arte Contemporáneo de Castilla, 2005).

2004
Perryer, Sophie. 10 Years 100 Artists / Art in a Democratic South Africa. (Cape Town: Bell-Roberts Publishing / Struik Publishers, 2004) pp. 74-77.

2003
Gianelli, Ida and Beccaria, Marcella. Castello di Rivoli Museum of Contemporary Art: The Castle – The Collection. (Turin: Umberto Allemandi & C., 2003) p. 114.
Groetz, Thomas. Galerie Max Hetzler: Berlin 1994 - 2003. (Berlin: Holzwarth Publications, 2003).
Pace, Linda et al. Dreaming Red: Creating ArtPace. (Verona: Artegrafica, 2003).

2002
Grosenick, Uta and Riemschneider, Burkhard. ART NOW: 137 Artists at the Rise of the New Millennium. (Cologne and Berlin: Taschen, 2002).

Interviews

2007
Beccaria, Marcella. ‘Family Values: An Interview by Marcella Beccaria with Candice Breitz,’ Janus (No. 21: January, 2007) Section III: pp. 2-11.
Matt, Gerald. ‘Candice Breitz,’ Interviews. (Cologne: Verlag der Buchhandlung Walther König, 2007) pp. 58-65.

2006
Kedves, Jan. ‘Interview: Candice Breitz,’ Zoo Magazine (No. 12: 2006) pp. 138-145.

2005
Chambers, Nicholas. ‘Candice Breitz: Mother + Father – Interview with Nicholas Chambers,’ Artlines (Queensland Art Gallery, South Brisbane - Volume 2: 2005) pp. 12-15.
Lange, Christy. `Crazy for You: Candice Breitz on Pop Idols & Portraiture,’ Modern Painters (London: September, 2005) pp. 68-73.
Neri, Louise. ‘Candice Breitz and Louise Neri: Eternal Returns,’ in: Neri, Louise (editor). Candice Breitz. (London: White Cube, 2005) exhibition catalogue published by Jay Jopling/White Cube, Francesca Kaufmann and Sonnabend Gallery.

2004
Kröner, Magdalena. `Candice Breitz: Schreien, Stottern, Singen: Das Playback des Ich: Ein Gespräch mit Magdalena Kröner,’ Kunstforum (No. 168: January - February, 2004) pp. 276-283.

2003
Stange, Raimar. Zurück in die Kunst. (Hamburg: Rogner & Bernhard bei Zweitausendeins, 2003).

2001
Altstatt, Rosanne. `Killing Me Softly… An Interview with Candice Breitz,’ Kunst-Bulletin (No. 6: June, 2001).

2000
Hunt, David. ‘Candice Breitz: Fighting Words,’ Flash Art (No. 211: March - April, 2000).

1996
Atkinson, Brenda. `Rethinking Pornography: Imaging Desire (Candice Breitz interviewed by Brenda Atkinson,’ Camera Austria (No. 56: 1996).

Selected Books + Catalogues

2008
Brougher, Kerry, Anne Ellegood, Kelly Gordon and Kristen Hileman. The Cinema Effect: Illusion, Reality and the Moving Image, Hirshorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2008
Kataoka, Mimi (curator), Laughing in a Foreign Language, Hayward, London 2008

2007
Boellert, Arvid et al (editor). XIV. Rohkunstbau: Drei Farben – Weiss. (Potsdam: Schloss Sacrow, 2007) exhibition catalogue.
Nöring, Hermann (curator). Final Cut: Media Art and Cinema. (Osnabrück: European Media Art Festival 2007 / Rasch Druckerei und Verlag GmbH & Co. KG, 2007) exhibition catalogue.
Von Fürstenberg, Adelina (curator). Collateral: When Art Looks at Cinema. (Milan: Charta, 2007) exhibition catalogue.

2006
Aupetitallot, Yves et al (editors). Review: Vidéos & Films de la Collection Pierre Huber. (Grenoble: Le Magasin, Centre National d’Art Contemporain, 2006) exhibition catalogue.
Block, René et al (curator). Art, Life & Confusion / 47th October Salon (Belgrade: Belgrade Cultural Centre, 2006) exhibition catalogue.
Blomberg, Katja (curator). Anstoss Berlin - Kunst macht Welt. (Berlin: Haus am Waldsee, 2006) exhibition catalogue.
Decter, Joshua (curator). Dark Places. (Los Angeles: Santa Monica Museum of Art, 2006) exhibition catalogue.
De la Motte-Haber, Helga et al. Sonambiente Berlin 2006: Klang Kunst Sound Art. (Heidelberg: Kehrer Verlag, 2006) exhibition catalogue.
Doswald, Christoph. Double-Face: The Story About Fashion and Art. From Mohammed to Warhol. (St. Gallen: Schnittpunkt - Kunst und Kleid St. Gallen / JRP|Ringier, 2006) exhibition catalogue.
Elliott, David et al. Tokyo-Berlin / Berlin-Tokyo. (Tokyo: Mori Art Museum, 2006) exhibition catalogue.
Holm, Michael Juul. ‘Tragedy Framed: Mother + Father,’ in: Holm, Michael Juul and Kold, Anders (editors). Sip My Ocean: Video from the Louisiana Collection. (Humlebaek: Louisiana Museum of Modern Art, 2006) exhibition catalogue.
Knol, Meta (curator). This is America: Visies op de Amerikaanse Droom. (Utrecht: Centraal Museum, 2006) exhibition catalogue.
Le Bas, Clarisse. Figures de l’acteur. Le Paradoxe du comédien. (Avignon: Collection Lambert, 2006) exhibition catalogue.
Ramljak, Suzanne (curator). Wonder Women: Idols in Contemporary Art. (New York: Katonah Museum of Art, 2006) exhibition catalogue.
Schneider, Angela et al. Berlin-Tokyo / Tokyo-Berlin. Die Kunst zweier Städte. (Berlin: Neue Nationalgalerie, 2006) exhibition catalogue.
Stange, Raimar (curator). Klartext Berlin. (Vienna: Kunstraum Niederösterreich, 2006) exhibition catalogue.

2005
Aupetitallot, Yves (editor). Private View, 1980 - 2000. Collection Pierre Huber. (Lausanne: Musée cantonal des Beaux-Arts de Lausanne, 2005) exhibition catalogue.
Breyer, Insa et al. Moving On. (Berlin: Neue Gesellschaft für Bildende Kunst, 2005) exhibition catalogue.
Demeester, Anne et al. Global Tour: Art, Travel & Beyond. (Amsterdam: W139, 2005) exhibition catalogue.
Falch, Frank et al. Andre / Others. (Kristiansand: Sørlandets Kunstmuseum, 2005) exhibition catalogue.
Fusi, Lorenzo (editor). Guardami. Percezione del Video. (Siena: Palazzo delle Papesse Centro Arte Contemporanea, 2005) exhibition catalogue.
Hull, Steven. Ab Ovo. (Italy: Graphicom / Nothingmoments Publishing, 2005).
Martignoni, Rossella and Mian, Martina (coordinators). 51. Biennale di Venezia: The Experience of Art (Venice: Fondazione La Biennale di Venezia, 2005) exhibition catalogue.
Matt, Gerald (curator) and Mittersteiner, Sigrid (editor). Superstars: Das Prinzip Prominenz von Warhol bis Madonna. (Vienna: Kunsthalle Wien, 2005) exhibition catalogue.
Sheikh, Simon and Hansen, Elisabeth Delin (curators). Circa Berlin. (Copenhagen: Nikolaj, Copenhagen Contemporary Art Center, 2005) exhibition catalogue.

2004
Basilico, Stefano (editor). CUT: Film as Found Object in Contemporary Video. (Milwaukee: Milwaukee Art Museum, 2004) exhibition catalogue.
Brown, Elizabeth (curator). WOW: The Work of the Work. (Seattle: Henry Art Gallery, 2004) exhibition catalogue.
Dezuanni, Rebecca et al. Video Hits: Art & Music Video. (South Brisbane: Queensland Art Gallery, 2004) exhibition catalogue.
Dyer, Richard. 'Is a Memory Something You Have, or Something You Have Lost,' in: Grant, Catherine et al. Electronic Shadows: The Art of Tina Keane (London: Black Dog Publishing, 2004) p. 74.
Fischer-Schreiber, Ingrid and Edlinger, Thomas. Open House. Art and the Public Sphere. (Linz: O.K Center for Contemporary Art Upper Austria, 2004) exhibition catalogue.
Koh, Germaine (curator and editor). Prototype: Contemporary Art from Joe Friday’s Collection. (Ottawa: Carleton University Art Gallery, 2004) exhibition catalogue.
Matt, Gerald. Handlungsanweisungen. (Vienna: Kunsthalle Wien / Steidl Verlag, 2004) exhibition catalogue.
Okeke, Chika. `Lost in Translation: Dilemmas of a Strange Planet,’ in: Byrd, Cathy (editor). Strange Planet. (Atlanta: Ernest G. Welch School of Art & Design Gallery / Georgia State University & Saltworks Gallery, 2004) exhibition catalogue.
Ratzeburg, Wiebke et al. Aufruhr der Gefühle: Leidenschaften in der zeitgenössischen Fotografie und Videokunst. (Braunschweig: Museum für Photographie Braunschweig, 2004) exhibition catalogue.
Rollig, Stella et al. Open House: Art and the Public Sphere. (Linz: O.K Center for Contemporary Art Upper Austria, 2004) exhibition catalogue.
Savvidis, Christos et al. Art - Immigration - Utopia: Any Place Any. (Thessaloniki: Macedonian Museum of Contemporary Art, 2004) exhibition catalogue.
Schmahmann, Brenda. Through the Looking Glass: Representations of Self by South African Women Artists. (Johannesburg: David Krut Publishing, 2004) exhibition catalogue.
Wendl, Tobias et al. Africa Screams: Das Böse in Kino, Kunst und Kult. (Wuppertal: Peter Hammer Verlag, 2004) exhibition catalogue.

2003
Allen, Jennifer. 'Candice Breitz: From A to B and Beyond,' in: Cotter, Suzanne (editor). Candice Breitz: Re-Animations. (Oxford: Modern Art Oxford, 2003) exhibition catalogue.
Bourriaud, Nicolas. Postproduction: Sampling, Programming, Displaying. (San Gimignano: Galleria Continua, 2003) exhibition catalogue.
Burke, Gregory and Rees, Simon. Extended Play: Art Remixing Music. (New Zealand: Govett-Brewster Art Gallery, 2003) exhibition catalogue.
Seifermann, Ellen. fuckin’ trendy - Mode in der zeitgenössischen Kunst. (Nürnberg: Kunsthalle Nürnberg, 2003) exhibition catalogue.
Takeshita, Miyako and Torii, Izumi. Emotional Site. (Tokyo: Shokuryo Building, 2003) exhibition catalogue.
Von Hausswolff, Carl Michael and Nohlström, Åsa. Against All Evens: 2nd International Biennial for Contemporary Art in Göteborg. (Göteborg: Hasselblad Center, 2003) exhibition catalogue.
Wigram, Max et al. Brightness: Works from the Thyssen-Bornemisza Contemporary Art Foundation. (Dubrovnik: Museum of Modern Art Dubrovnik, 2003) exhibition catalogue.

2002
Fichtner, Heidi et al. The 8th Baltic Triennial of International Art: Centre of Attraction. (Vilnius: Contemporary Art Centre, 2002) exhibition catalogue.
Kazuko, Koike et al. Emotional Site. (Tokyo: Saga-cho Shokuryo Building, 2002) exhibition catalogue.
Latour, Bruno and Weibel, Peter. Iconoclash: Beyond the Image Wars in Science, Religion, and Art. (Karlsruhe: ZKM Center for Art and Media, 2002) exhibition catalogue.
Marzo, Jorge Luis et al. En el lado de la televisión. (Castellon: Espai d’Art Contemporani de Castelló, 2002) exhibition catalogue.
Nakabayashi, Kazuo et al. A Perspective on Contemporary Art: Continuity / Transgression. (Tokyo: The National Museum of Modern Art, 2002) exhibition catalogue.
Osaka, Eriko and Kotakemori, Yuka. Screen Memories. (Japan: Contemporary Art Gallery, Art Tower Mito, 2002) exhibition catalogue.
Wallis, Simon (curator). Remix. (Liverpool: Tate Liverpool, 2002) exhibition catalogue.
Van den Berg, Clive et al. Klein Karoo National Arts Festival 2002, exhibition catalogue.

2001
Decter, Joshua et al. Televisions. Kunst sieht Fern. (Vienna: Kunsthalle Wien, 2001) exhibition catalogue.
Heinrich, Barbara. Looking At You. (Kassel: Kunsthalle Fridericianum, 2001) exhibition catalogue.
Phillips, Christopher. 'Candice Breitz: Four Installations,' in: Sturm, Martin and Plöchl, Renate. Candice Breitz: CUTTINGS. (Linz: O.K Center for Contemporary Art Upper Austria, 2001) exhibition catalogue.
Politi, Giancarlo (editor). Tirana Biennale 1. (Tirana: National Gallery & Chinese Pavilion: September 15 – October 15, 2001) exhibition catalogue.
Smith, Kathryn. ‘Convergence/Divergence: Voyages into Mutant Technologies,’ in: Southsul (Johannesburg, March 2001) exhibition catalogue.
Tegelaers, Theo et al. Prodigal Prodigy. (New York: White Box, 2001) exhibition catalogue.
Wappler, Friederike. `The Piece goes on... Prozesskunst, Video und endlos währende Repetition,’ in: Schneede, Uwe et al. Monets Vermächtnis. Serie – Ordnung und Obsession. (Hamburg: Hatje Cantz Verlag / Hamburger Kunsthalle, 2001) exhibition catalogue.

2000
Eiblmayr, Silvia et al. Die verletzte Diva. Hysterie, Körper, Technik in der Kunst des 20. Jahrhunderts. (Munich: Kunstverein München, 2000) exhibition catalogue.
Colombo, Paolo (curator). 6th International Istanbul Biennial: The Passion and the Wave: Book 2. (Istanbul: 6th International Istanbul Biennial, 2000) exhibition catalogue.
Heinrich, Barbara. Das Lied von der Erde. (Kassel: Kunsthalle Fridericianum, 2000) exhibition catalogue.
Sans, Jérôme and Hsu, Manray (curators). The Sky is the Limit: 2000 Taipei Biennial. (Taipei: Taipei Fine Art Museum, 2000) exhibition catalogue.
Scheps, Marc et al. Kunstwelten im Dialog: Von Gauguin zur globalen Gegenwart. (Cologne: Museum Ludwig Köln, 2000) exhibition catalogue.
Sung-kwan, Cho. Man + Space: Kwangju Biennale 2000. (Kwangju: Kwangju Biennale, 2000) exhibition catalogue.

1999
Atkinson, Brenda and Breitz, Candice (editors). Grey Areas: Representation, Identity and Politics in Contemporary South African Art. (Johannesburg: Chalkham Hill Press, 1999).
Colombo, Paolo (curator). 6th International Istanbul Biennial: The Passion and the Wave: Book 1. (Istanbul: 6th International Istanbul Biennial, 1999) exhibition catalogue.

1998
Herkenhoff, Paulo and Pedrosa, Adriano (editors). XXIV Bienal de São Paulo: “Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros (Volume 1).” (São Paulo: Takano Editora Gráfica Ltda, 1998) exhibition catalogue.
Zaya, Octavio (editor). Interferencias. (Madrid: Tabapress, 1998) exhibition catalogue.

1997
Enwezor, Okwui and DeBord, Matthew (editors). Trade Routes: History and Geography. (Johannesburg: 2nd Johannesburg Biennale, 1997) exhibition catalogue.
Weibel, Peter (editor). Inklusion/Exklusion: Art in the Age of Postcolonialism and Global Migration. (Cologne: Dumont, 1997) exhibition catalogue.

1996
Michelson, Anders and Zaya, Octavio (editors). Interzones: A Work In Progress. (Kunstforeningen: Copenhagen, 1996) exhibition catalogue.

1995
Mosaka, Tumelo and Zaya, Octavio. Black Looks: White Myths. (Johannesburg: 1st Johannesburg Biennale, 1995) exhibition catalogue.


Selected Periodicals

2007
Bennet, Jill. Aesthetics of Intermediality, Art History 30:3, June 2007 pp 442
Ackermann, Tim. ‘Deutschland sucht den Super-Jacko,’ Die Tageszeitung (Berlin: May 25, 2007) pp.15-16.
Di Blasi, Johanna. ‘Made In Germany: Candice Breitz,’ Verlagsbeilage Hannoversche Allgemeine Zeitung / Neue Presse (Hannover: May 24, 2007) pp. 6-7.
Farrell, Laurie Ann. ‘Notes on a Cultural Pirate,’ Art South Africa (Cape Town – Volume 5 / Issue 4: Winter, 2007) pp. 48-53.
Koerner von Gustorf, Oliver. ‘Lauter schräge Vögel,’ Welt am Sonntag (Berlin: May 27, 2007) p. 71.
Hayden, Malin Hedlin. ‘On Candice Breitz’s Becoming,’ n.paradoxa: International Feminist Art Journal (London - Volume 20: 2007) pp. 50-57.
Holmes, Pernilla. ‘In Your Face,’ Artnews (New York - Volume 106 / No. 6: June, 2007) pp. 106-111.
Liebs, Holger. ‘Schwarzes Loch,’ Süddeutsche Zeitung (Munich: May 24, 2007) p. 13.
Lösel, Anita. ‘Made In Germany: Blutbad und Blümchentapete,’ Die Stern (May 27, 2007).
Lüddemann, Stefan. ‘Im Kunstbetrieb angekommen?’ Neue Osnabrücker Zeitung (Osnabrück: May 26, 2007).
Lüddemann, Stefan. ‘Kleine Schwester des Kinos?’ Neue Osnabrücker Zeitung (Osnabrück: April 25, 2007).
Müller, Katrin Bettina. ‘Vorne der See, hinten die Geschichte,’ Tip (Berlin: July 26 – August 8, 2007) pp. 58, 61.
Shaw, William. ‘We Are Not A Muse,’ The New York Times Magazine (New York: February 5, 2007) pp. 80-84.
Smee, Sebastian. ‘Hip but not so happening,’ The Australian (February 10, 2007).
Sooke, Alastair. ‘White Cube: After the diamond-studded skull,’ The Daily Telegraph (London: July 31, 2007).
Tieke, Kristina. ‘Hellwach im Reich des Dämmers,’ Hannoversche Allgemeine Zeitung Nr. 119 (Hannover: May 24, 2007) p. 13.
von Thurn und Taxis, Elisabeth. ‘Spiel’s Nochmal Fan!’ Vanity Fair (Berlin - No. 30/31: July 19, 2007) pp. 146-149.
Ward, Ossian. ‘Private View: Candice Breitz,’ Time Out (London: July 25-31, 2007) p. 49.
Wyndham, Constance. `Video saves the radio star,' The Financial Times (London: July 28, 2007).

2006
Baer-Bogenschütz, Dorothee. ‘Barcelona: Copyright-Debatte bei der Film-Messe Loop,’ Kunstzeitung (No. 120: August, 2006) p. 5.
Bettens, Walter. ‘Get up, Stand up: The Making of Legend (A Portrait of Bob Marley),’ DAMn° Magazine (Issue 5: February - March, 2006) pp. 142-145.
Bloemkolk, Jos. ‘This is America: een opwindend beeld,’ Het Parool (Amsterdam: July 8, 2006) pp. 28-29.
Buhr, Elke. ‘Candice sucht den Superstar,’ Art: Das Kunstmagazin (No. 10: October, 2006) pp. 70-75.
Casavecchia, Barbara. ‘Tutti gli specchi di Candice,’ D – la Repubblica delle Donne (No. 525: November 18, 2006) pp. 149-152.
Garcia, Cathy Rose. ‘Artist Shows How Stars Influence Fans,’ The Korea Times (Seoul: September 23-24, 2006).
Graham-Dixon, Andrew. `Haunted Staircase. Candice Breitz: Working Class Hero (A Portrait of John Lennon),’ The Sunday Telegraph / Seven Magazine (London: October 29, 2006) p. 32.
Holmes, Nigel. ‘The Art Universe: from the Vanity Fair Observatory High Atop Times Square,’ Vanity Fair (No. 556: December, 2006) pp. 340-341.
Januszczak, Waldemar. ‘Art: Urban Myths,’ The Sunday Times (London: November 26, 2006).
Oliver, William. ‘Candice Breitz: getting snippy with Sharon,’ The Art Newspaper: Art Basel / Miami Beach Daily Edition 9/10 (December, 2006) p. 6.
O’Toole, Sean. ‘A Star Astride the World Stage,’ Business Day (Johannesburg: September 1, 2006).
Paice, Kim. ‘Ladies in the dark: Women and Video,’ n.paradoxa: International Feminist Art Journal.
Probst, Ursula Maria. ‘Critique: Klartext Berlin - Words Are Very Unnecessary,’ Spike (No. 10: Winter, 2006) pp. 94-95.
Rappolt, Mark. `Lucky Star: Candice Breitz,’ i-D Magazine (London - Vol. II/XVI / No. 266: May, 2006) pp. 118-121.
Ross, Christine. ‘The Temporalities of Video: Extendedness Revisited,’ Art Journal (Volume 65 / No. 3: Fall, 2006) pp. 83-99.
Schoch, Ursula Badrutt. `Kunst und Kleid eröffnet,’ St. Galler Tagblatt (St. Gallen: September 2, 2006) p. 25.
Sooke, Alastair. ‘Singing to the Gallery,’ The Daily Telegraph (London: September 2, 2006).
Whetstone, David. ‘Stairwell with a Lennon touch,’ The Journal (Newcastle: October 10, 2006) p. 31.

2005
Althen, Michael. 'Ich bin deine Erfindung,’ Frankfurter Allgemeine Zeitung (Frankfurt: October 13, 2005) p. 39.
Bester, Rory. ‘Candice Breitz at White Cube, London,’ Art South Africa (Volume 4 / Issue 2: Summer, 2005) pp. 77-78.
Bruhns, Annette. ‘Die Meisterin des Loops,’ KulturSPIEGEL (Issue 11: November, 2005) pp. 26-32.
Crompton, Sarah. ‘Why Women Slipped out of the Frame,’ The Daily Telegraph (London: June 29, 2005).
Darwent, Charles. ‘Shot by Both Sides,’ The Independent on Sunday (London: September 11, 2005) p. 33.
Dorment, Richard. ‘Screaming and Singing,’ The Daily Telegraph (London: September 6, 2005) p. 21.
Dorment, Richard. ‘The Star Pavilions,’ The Daily Telegraph (London: June 15, 2005) p. 17.
Gispert, Luis et al. ‘The Artists’ Artists,’ Artforum (No. 4: December, 2005) p. 107.
Graham-Dixon, Andrew. `Implosion of the body-snatched,’ The Sunday Telegraph (London: September 11, 2005) p. 6.
Güner, Fisun. ‘Candice Breitz,’ Metro (London: September 12, 2005) p. 33.
Höbel, Wolfgang. `Casanovas, Freaks und Patrioten,’ Der Spiegel Online (Germany: September 5, 2005).
Johnson, Ken. `Girls on Film,’ New York Times (New York: August 26, 2005).
Jones, Alice. `My family and other actors,’ The Independent (London: September 5, 2005) p. 43.
Kent, Sarah. ‘Screen Idols,’ Time Out (London: September 21 - 28, 2005) p. 57.
Nochlin, Linda. ‘Venice Biennale: What Befits a Woman?’ Art in America (No. 8: September, 2005) pp. 120-125.
Nord, Cristina. ‘Zu viele Männer,’ Die Tageszeitung (Berlin: September 8, 2005) p. 16.
Perra, Daniele. ‘Candice Breitz: Castello di Rivoli Museo d’Arte Contemporanea,’ Tema Celeste (No. 109: May - June, 2005) p. 89.
Richter, Peter. `Wann platzt die Blase?’ Monopol (No. 4: August – September, 2005) p. 20.
Robecchi, Michele. `Candice Breitz,’ Contemporary (Issue 76: 2005) pp. 34–37.
Smith, Roberta. ‘A Medium in the Making: Slicing Familiar Films Into Something New,’ New York Times (New York: July 29, 2005).
Spiegler, Marc. ‘The Venice Effect,’ The Art Newspaper (Basel: June 15, 2005).
Van Teeseling, Steven. ‘Worsteling met de echte wereld,’ De Groene Amsterdammer (Amsterdam: July 1, 2005) p. 28.
Vetrocq, Marcia. ‘Venice Biennale: Be Careful What You Wish For,’ Art in America (No. 8: September, 2005) p. 113.
Volk, Gregory. ‘Candice Breitz at Sonnabend,’ Art in America (No. 11: December, 2005).
Whitfield, Sarah. `Exhibition Reviews: Candice Breitz at White Cube,’ The Burlington Magazine (London - Volume CXLVII / Number 1232: November, 2005) pp. 766-767.
Wittneven, Katrin. ‘Utopia: Candice Breitz über die Zukunft der Sprache,’ Monopol (No. 6: December - January, 2005) pp. 101-103.
Wulffen, Thomas. ‘51. Biennale Venedig. Nach dem Rundgang: Notizen zu Künstlern,’ Kunstforum (No. 177: September - October, 2005) pp. 95, 276.
Zolghadr, Tirdad et al. Venice Biennale 2005,’ Frieze (Issue 93: September, 2005) p. 101.

2004
Aschenbrenner, Jenny. ‘Sluta gapa och svälja,’ Piteå-Tidningen (Stockholm: October 15, 2004).
Auer, James. ‘Milwaukee Art Museum Recasts its Contemporary Collection,’ Milwaukee Journal Sentinel (Milwaukee: February 21, 2004).
Diez, Renato. 'Art Basel: Una festa per l’arte,’ Arte (No. 373: September, 2004) p.73.
Grumberg, Amiel. ‘Art et Tourisme: le Guide du Rout'Art,’ Beaux Arts Magazine (No. 242: July, 2004).
Korotkin, Joyce. 'Candice Breitz: Sonnabend Gallery, New York,' Tema Celeste (No. 103: May - June, 2004) p. 93.
Mayer, Gabriele. ‘Frauen brauchen schußsichere Kleider: In der Nürnberger Kunsthalle treffen sich Kunst und Mode,’ Frankfurter Allgemeine Zeitung (Frankfurt: January 14, 2004).
Orrghen, Anna. ‘Breitz ställer masskulturen i konstens tjänst,’ Svenska Dagbladet (Stockholm: October 9, 2004).
O’Toole, Sean. ‘SA’s Loss Becomes a Global Gain,’ Business Day (Johannesburg: March 5, 2004).
Piccoli, Cloe. `People: Candice Breitz,' Carnet Arte (Milan: June – July, 2004) p. 68.
Spiegler, Marc. ‘Candice Breitz: Max Hetzler, Berlin,' Artnews (March, 2004) p. 140.
Stange, Raimar. ‘Pop Goes Politics: Art, Music, Politics,' Flash Art Italia (No. 244: February - March, 2004) pp. 124-126.
Wendland, Johannes et al. ‘Neue Heimat: Warum ausländische Künstler in Berlin leben,' Zitty (Berlin - No. 8: January 1-14, 2004) p. 23.
Werneburg, Brigitte. `Reigen der Affekte: Aufruhr der Gefühle,' Die Tageszeitung (Berlin: August 20, 2004) p.16.


2003
Bussel, David. ‘Candice Breitz,’ i-D Magazine (January, 2003) p. 171.
Geldard, Rebecca. ‘Candice Breitz / Asprey Jacques,’ Time Out (London: 19 – 26 March, 2003).
Gohlke, Gerrit. `Schutz und Trutz, Stirn und Hand: Über Alien – eine Videoinstallation von Candice Breitz,’ BE Magazin # 9 (Berlin: Künstlerhaus Bethanien, 2003) pp. 116-122.
Güner, Fisun. ‘Art Spoken from a Soapbox / Candice Breitz: Diorama,’ Metro (London: February 28, 2003) p. 22.
Haines, Bruce. 'Candice Breitz: Re-Animations / Jim Lambie: Male Stripper,' Contemporary (London: November – December, 2003) p. 71.
Kojima, Yayoi. `People: Candice Breitz,’ Esquire Magazine (Tokyo - Volume 17 / No. 1: January, 2003) p. 47.
MacAlister, Katherine. ‘Chewing up pop culture,’ The Oxford Mail (Oxford: September 12, 2003) p. 17.
Menin, Samuela and Sansone, Valentina. ‘Focus Video and Film / Contemporary Video Art Today (Part I),’ Flash Art (No. 228: January - February, 2003) p. 89.
Mullins, Charlotte. `Sigmar Polke and Candice Breitz: Taking Pot Shots at a Media-Saturated World,' The Financial Times (London: October 1, 2003).
Nilsson, John Peter. `Få vågar så,’ Aftonbladet (Stockholm: May 25, 2003) p. 4.
Peacocke, Helen. ‘Art: Candice Breitz and Jim Lambie: Modern Art Oxford,’ The Oxford Times (Oxford: September 19, 2003).
Peacocke, Helen. ‘Stars and stripes of art gallery’s season: Candice Breitz and Jim Lambie at Modern Art Oxford,’ The Oxford Times (Oxford: September 12, 2003) pp. 4-5.
Ratnam, Niru. `Up Front On The Verge: Candice Breitz,’ OM: Observer Magazine (London: August 24, 2003) p. 15.
Schaufelberger, Peter. `Mit Haut und Haar: Striptease, vom Verschleiern und Enthüllen – eine Austellung im Kunstmuseum St. Gallen,’ Südkurier (St. Gallen: June 14, 2003) p. 30.
Schmitz, Edgar. `Candice Breitz: Re-Animations,’ Kunstforum (Volume 167: November – December, 2003) pp. 346-348.
Stange, Raimar. ‘Candice Breitz in der Galerie Hetzler: Monitor mit Nabelschnur,’ Der Tagesspiegel (Berlin: October 4, 2003) p. 28.
Stange, Raimar. ‘Candice Breitz: Galerie Max Hetzler,' Flash Art (No. 233: November - December, 2003) p. 104.
Stange, Raimar. ‘Candice Breitz: Mediale Aliens,’ u_Spot (No. 0: 2003) p. 13.
Stange, Raimar. ‘Raimar Stange über Candice Breitz,’ Artist Kunstmagazin (No. 54: January, 2003) p. 24.
Sumpter, Helen. ‘Candice Breitz: Re-Animations / This is not a Love Song,’ The Big Issue (London: September 29, 2003).
Vogel, Matthias. `Mythos Cyborg: Der “Maschinenmensch” als Thema der Gegenwartskunst,’ Neue Zürcher Zeitung (Zurich: March 13, 2003).
Wainwright, Jean, `Candice Breitz: Modern Art Oxford,' Art Monthly (No. 271: November, 2003) pp. 18-19.
Wilsher, Mark. `Candice Breitz: Diorama / Asprey Jacques,’ What’s On In London (London: March 19 – 26, 2003) p. 24.

2002
Auer, James. ‘Visuals Overtake Traditional Art Forms at INOVA,’ Milwaukee Journal Sentinel (Milwaukee: November 27, 2002).
Cotter, Holland. ‘Cinema à la Warhol, With Cowboys, Stillness and Glamour,’ New York Times (New York: April 5, 2002).
Gardner, Belinda Grace. `Ins Museum, der Fernseher wegen,’ Die Welt (Germany: May 19, 2002).
Grosse, Julia. ‘Sing, und du wirst integriert,’ Die Tageszeitung (Berlin: November 8, 2002).
Gupta, Anjali. ‘The Conversation: A Discussion with Artpace’s Candice Breitz,’ San Antonio Current (San Antonio: February 21 – 27, 2002) p. 15.
Jahn, Wolf. ‘Flimmern in der Höhle: Videokunst in der Galerie der Gegenwart,’ Hamburger Abendblatt (Hamburg: April 13, 2002).
Murray, Soraya. `Africaine: Candice Breitz, Wangechi Mutu, Tracey Rose, Fatimah Tuggar,’ Nka Journal of Contemporary African Art (No. 16/17: Fall - Winter, 2002) p. 88.
Preuss, Sebastian. `Viel Heu, wenig Mitte,’ Berliner Zeitung (Berlin: January 9, 2002).
Robecchi, Michele. `Reviews: Candice Breitz / Francesca Kaufmann,’ Flash Art Italia (No. 231: December 2001 - January, 2002).
Rohr-Bongard, Linde. ‘Kunst-Kompass: Stars von Morgen,’ Capital (No. 13: 2002).
Stange, Raimar. ‘Candice Breitz im Museum Folkwang,’ Kunst-Bulletin (No. 11: November, 2002).
Sumiyoshi, Chie. `Mito: Candice Breitz,’ Brutus (Tokyo - Volume 5 / No. 1: 2002) p. 155.
Weil, Rex. ‘Candice Breitz: De Appel / Amsterdam,’ Artnews (Summer, 2002) p. 184.
Wright, Annabel. ‘Challenging Meaning in Contemporary Art,’ The Daily Yomiuri (Tokyo: November 14, 2002) p. 12.

2001
Büsing, Nicole and Klaas, Heiko. ‘Wiederholungszwang,’ Kieler Nachrichten (Kiel: September 27, 2001).
Cartier, Stephan. ‘Der Rhythmus der neuen Zeit geht in Serie,’ Weser-Kurier (Bremen: September 28, 2001).
Cherubini, Laura. ‘Tre star brillano nel cielo di Candice Breitz,’ il Giornale (Milan: October 22, 2001).
Cincinelli, Saretto. ‘Post Production: Galleria Continua, San Gimignano,’ Flash Art Italia (No. 229: August – September, 2001).
Falconer, Morgan. `Hallucinating Love / Asprey Jacques,’ What’s On In London (London: July 18 – 25, 2001).
Gardner, Belinda Grace. ‘Kein Heuhaufen fällt zweimal in denselben Fluß,’ Frankfurter Allgemeine Zeitung (Frankfurt: October 24, 2001).
Himmelsbach, Sabine. ‘Body Check,’ Ethik & Unterricht (No. 11: 2/2001) p. 12.
Hofmann, Isabelle. `Serientäter unter sich,’ Kunstzeitung (No. 64: December, 2001).
Hofmann, Isabelle. `Vom Gesetz der Serie: Die Hamburger Kunsthalle präsentiert eine große internationale Ausstellung,’ Hannoversche Allgemeine Zeitung (Hannover: November 26, 2001).
Johnson, Ken. `West Side: The Armory Show on the Piers Just Keeps Growing,’ New York Times (New York: February 23, 2001).
Knöfel, Ulrike. ‘Kunst kommt von Zappen,’ Der Spiegel (No. 33: August 13, 2001) p. 167.
Krumpl, Doris. `Sanfter Tod mit Liebesliedern: Candice Breitz mit “Cuttings” im Linzer O.K Centrum für Gegenwartskunst,’ Der Standard (Vienna: July 4, 2001).
Louis, Eleonora. `Candice Breitz: Cuttings,’ Springerin (Vienna - Volume VII / Issue 3/01: 2001) p. 68.
Pollack, Barbara. ‘Africa’s Avant-Garde - The Newest Avant-Garde,’ Artnews (April, 2001).
Schaufelberger, Peter. `Babylonische Sprachverwirrung: Video-Installation von Candice Breitz in St. Gallen,’ Südkurier (St. Gallen: May 12, 2001).
Schellen, Petra. `Obsessionen... Zählen, bis man von der Zeit eingesogen wird: Serien Ausstellung in der Kunsthalle,’ Die Tageszeitung (Berlin: October 25, 2001).
Schlüter, Ralf. `Monets Vermächtnis: Im Rausch der Wiederholung,’ Art: Das Kunstmagazin (December, 2001).
Schoch, Ursula Badrutt. `Augentauchen: Das Kunstmuseum St. Gallen enthüllt in einem künstlerischen "Striptease" sein Können,’ St. Galler Tagblatt (St. Gallen: May 2, 2001) p. 22.
Wainwright, Jean, `Can we talk about contemporary video and film art in terms of genres?’ PLUK (London - No. 2: September – October, 2001).

2000
Corbetta, Caroline. ‘Candice Breitz: Francesca Kaufmann,’ Flash Art Italia (No. 221: April - May, 2000).
Fichtner, Heidi. `Global Art: Das Lied von der Erde,’ Nu: The Nordic Art Review (No. 6: 2000).
Higgie, Jennifer. `Istanbul Biennial,’ Frieze (Issue 50: January - February, 2000).
Hunt, David. `Sixth International Istanbul Biennial,’ Art & Text (No. 68: February - April, 2000).
Johnson, Ken. `Tomorrow,’ New York Times (New York: July 14, 2000).
Keller, Claudia. ‘Idylle mit Leichen,’ Der Tagesspiegel (Berlin: August 23, 2000) p. 26.
Kibanda, Nadine. ‘Out of Africa: La Storia Oltre Le Frontiere,’ Flash Art Italia (February – March, 2000) p. 78.
Law, Jennifer. ‘Ghost Stories: Democracy, Duplicity and Virtuality in the Work of Candice Breitz,’ Frauen Kunst Wissenschaft (Issue 29: June, 2000).
Nemeczek, Alfred. ‘Regie führt das Leben.’ Art: Das Kunstmagazin (No. 9: September, 2000).
Noè, Paola. ‘Candice Breitz: Galleria Francesca Kaufmann,’ Tema Celeste (March - April, 2000).
Phillips, Christopher. ‘Report from Istanbul: Band of Outsiders,’ Art in America (April, 2000).
Rohr-Bongard, Linde. ‘Kunst-Kompass: Stars von Morgen,’ Capital (No. 23: 2000) p. 238.
Tatot, Claude-Hubert. ‘Parole et parole et parole... Candice Breitz: Babel Series,’ Papiers Libres Art Contemporain (Geneva - No. 21: July, 2000).
Weskott, Hanne. ‘Schlagerkitsch und meditative Landschaften,’ Süddeutsche Zeitung (Munich: October 11, 2000).

1999
Büthe, Joachim. ‘Kunstwelten im Dialog? Von Gauguin bis zur globalen Gegenwart,’ Neue Bildende Kunst (No. 7: December, 1999).
Dziewior, Yilmaz. `Candice Breitz: Galerie Johnen & Schöttle,’ Artforum (March, 1999).
Herzog, Samuel. ‘Hätte man das Goldene Horn doch bloss ausfliessen lassen,’ Basler Zeitung (Basel: September 21, 1999).
Herzog, Samuel. ‘Istanbul Sechste Internationale Biennale,’ Kunst-Bulletin (No. 11: November, 1999).
Kortun, Vasif and Antmen, Ahu. ‘The Istanbul Fall: A Journey Through a Sensitive Megapolis,’ Flash Art (No. 209: November - December, 1999).
Sonna, Birgit. ‘Namen sind nur Schall und Rauch,’ Süddeutsche Zeitung (Munich: March 31, 1999).

1998
Axel, Brian Keith. `Disembodiment and the Total Body: A Response to Enwezor on Contemporary South African Representation,’ Third Text (No. 44: Autumn, 1998).
Liebs, Holger. ‘Wenn der Skorpion auf die Grille trifft,’ Süddeutsche Zeitung (Munich: November 12, 1998).
Sonna, Birgit. ‘Cindy Shermans kleine Schwestern,’ Süddeutsche Zeitung (Munich: August 26, 1998).
Zaya, Octavio. `Reflections on Candice Breitz’s Rorschach Series,’ TRANS (No. 5: Winter, 1998).

1997
Enwezor, Okwui. `Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation,’ Third Text (No. 40: Autumn, 1997).
Hoffmann, Justin. `Inklusion:Exklusion,’ Kunstforum (No. 136: February - May, 1997).
Kandel, Susan. `Feminine Perspective,’ Los Angeles Times (Los Angeles: April 18, 1997).
Kravagna, Christian. ‘Mr. Livingstone, I presume...’ Springerin (Vienna - Volume III / Issue 2/97: 1997).

1996
Enwezor, Okwui and Zaya, Octavio. `Moving In: Eight Contemporary African Artists,’ Flash Art (No. 186: January - February, 1996).
Marchart, Oliver. `Geschüttelt, nicht gerührt,’ Falter Verlag (Vienna: October 3, 1996).
Zaya, Octavio. `Global Art: Candice Breitz,’ Flash Art (No. 191: November - December, 1996).

1994
Powell, Ivor. `Watch This Artist,’ The Weekly Mail and Guardian (Johannesburg: March 18-24, 1994).

Websites

Gilerman, Dana. ‘Capital Idea‘, http://www.haaretz.com/hasen/spages/393417.html
Henry, Max. ‘Gotham Dispatch’, artnet.com magazine, www.artnet.com/magazine/reviews).

More on Candice Breitz


Related Texts
CV
Candice Breitz: From A to B and Beyond
by Jennifer Allen

Exhibitions
Factum
12 Feb—20 Mar 2010
New work
25 Jul—28 Aug 2007
Candice Breitz
7 Sep—8 Oct 2005

Related Links
http://www.candicebreitz.net
www.candicebreitz.net
http://www.balticmill.com/w...
Baltic Centre for Contemporary Art, Gateshead

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